390 resultados
ref. 1019610115.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1620ref. 50700Firenze Florence: Pietro Cecconcelli 1620. Second state. Very good. First edition of this landmark neoclassical tragedy - the first documented performance using moveable scenes - with exquisite double-page etchings of the stage by an influential innovator of the form. First performed in Florence in 1619 IL SOLIMANO was a turning point in modern European theater. Bonarelli not only rejected the chorus format of the long-established ancient Greek model but made use of extravagant set design to tell his political-historical drama. Bonarelli based the tragedy loosely on Suleiman the Magnificent the famed Turkish sultan of the 16th century under whose rule the Ottoman Empire experienced a Golden Age of the arts. The story of a tyrant who puts to death his eldest son IL SOLIMANO culminates in the awe-inspiring destruction of the city by fire. Otto Benesch calls the moveable scenes created for the performance "the first in the history of theatre" 17 and notes that despite the ostensibly Turkish setting these sets depict early modern Florence. A mixture of neoclassicism and orientalism IL SOLIMANO captured the imagination of Europe going through multiple editions over the century and inspiring further plays and operas. This first edition remains highly sought for its Callot plates that not only depict the innovative set but show many of the subtleties of style and technique that Callot pioneered under the patronage of the Medicis. His well-known mastery of stoppings out for example is evident in the final plate of the city in flames where tendrils of smoke and individual bursts of fire cross the scene in a variety of depth light and shade. An important work in both the history of theater and of the graphic arts. Quarto 8.75'' x 6.45''. Later half parchment with marbled boards gilt-ruled spine red goatskin spine label. Complete with six plates by Callot engraved title page and 5 double-page etchings. Engraved title with Callot's name in bottom left. 10 162 2 pages. Repairs in gutters of a number of leaves including reinforcements or new stubs to engraved spreads. Light scattered foxing spot of browning to title page gutter. Engravings crisp. Pietro Cecconcelli unknown
ref. 0656556404.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0364430281.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0666308616.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0282484825.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1620ref. 50700Firenze Florence: Pietro Cecconcelli 1620. Second state. Very good. First edition of this landmark neoclassical tragedy - the first documented performance using moveable scenes - with exquisite double-page etchings of the stage by an influential innovator of the form. First performed in Florence in 1619 IL SOLIMANO was a turning point in modern European theater. Bonarelli not only rejected the chorus format of the long-established ancient Greek model but made use of extravagant set design to tell his political-historical drama. Bonarelli based the tragedy loosely on Suleiman the Magnificent the famed Turkish sultan of the 16th century under whose rule the Ottoman Empire experienced a Golden Age of the arts. The story of a tyrant who puts to death his eldest son IL SOLIMANO culminates in the awe-inspiring destruction of the city by fire. Otto Benesch calls the moveable scenes created for the performance "the first in the history of theatre" 17 and notes that despite the ostensibly Turkish setting these sets depict early modern Florence. A mixture of neoclassicism and orientalism IL SOLIMANO captured the imagination of Europe going through multiple editions over the century and inspiring further plays and operas. This first edition remains highly sought for its Callot plates that not only depict the innovative set but show many of the subtleties of style and technique that Callot pioneered under the patronage of the Medicis. His well-known mastery of stoppings out for example is evident in the final plate of the city in flames where tendrils of smoke and individual bursts of fire cross the scene in a variety of depth light and shade. An important work in both the history of theater and of the graphic arts. Quarto 8.75'' x 6.45''. Later half parchment with marbled boards gilt-ruled spine red goatskin spine label. Complete with six plates by Callot engraved title page and 5 double-page etchings. Engraved title with Callot's name in bottom left. 10 162 2 pages. Repairs in gutters of a number of leaves including reinforcements or new stubs to engraved spreads. Light scattered foxing spot of browning to title page gutter. Engravings crisp. Pietro Cecconcelli unknown books
ref. 0332122719.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0259160733.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011ref. SKU0206147Vista 2011-01-01. Paperback. Good. 0x0x0. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Vista paperback
2011ref. Q-1605760870Vista 2011-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Vista paperback
ref. 1161210881.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1168411432.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0666288445.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0473760029.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009ref. DADAX1104870851Kessinger Publishing 2009-08-10. paperback. New. 6.00x0.81x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
ref. 1104870851.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1166193624.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1784ref. 37819Pescia: per la Societ‡ Tipografica 1784. per la Societ‡ Tipografica unknown
ref. B9781166193621New. unknown
1860ref. 1020AG1860. O.J. um 1860. Lithographie von Santarelli nach R. Leante Brustbild. Bildgrösse: 11 x 11 cm. Blattgrösse: 34 x 235 cm. Leicht stockfleckig. unknown
1860ref. 1020AGO.J. (um 1860). Lithographie von Santarelli nach R. Leante (Brustbild). Bildgrösse: 11 x 11 cm. Blattgrösse: 34 x 23,5 cm.
ref. 1249022886.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1955ref. F110245Torino, Societa Editrice Internazionale 1955 lxiii + 326pp., 25cm., softcover, text in Italian, Doctoral Dissertation (Pontificium Athenaeum Salesianum, Facultas Philosophica, Theses ad Lauream no.19), stamp at verso of title page, text is clean and bright, F110245
2001Mm 210x280 Seconda edizione. Volume originale con bandelle, 262 pagine profusamente illustrate a colori lungo l'intero testo. Bibliografia ed indice dei nomi in chiusura. Copia in perfette condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.