1 791 résultats
réf. 48319257-nnew. unknown
2024réf. __3987321016Ulisses Spiel & Medien 2024. New. 446 pages. German language. 8.70x0.98x11.06 inches. Ulisses Spiel & Medien unknown
réf. 42697774-nnew. unknown
réf. 42697774like new. unknown
réf. 5711613-nnew. unknown
réf. 5711613like new. unknown
réf. 26709535like new. unknown
réf. 26709535-nnew. unknown
2016réf. AME_9781634849333NOVA 2016. 1. Hardcover. New/New. NOVA hardcover
2010réf. AME_9781608760282NOVA 2010. 1st. Hardcover. New/New. NOVA hardcover
1895réf. 85099Paris: Librairie de l'Art Indépendant 1895. Fine. Librairie de l'Art Indépendant Paris 1895 13 x 18.50 cm broché Second edition the first in simplified spelling. Spine and boards lightly and marginally sunned as usual small tear at foot of front board. Librairie de l'Art Indépendant hardcover
1886réf. 85015Paris: Librairie académique Perrin & Cie 1886. Fine. Librairie académique Perrin & Cie Paris 1886 12 x 19 cm broché First edition of the French translation established by Louis-Nicolas Ménard no mention is made of deluxe copies. Interior foxing and to the covers a small tear in the left margin of the second cover. Librairie académique Perrin & Cie unknown
2006réf. USD_9780521682213Cambridge University Press 2006. 1st. Paperback. Used - Like New/Used - Like New. Cambridge University Press paperback
réf. 67535Printed publication in French titled ""The Dorival Family or The Influence of the Good Example"". Finely decorated binding with colored illustration on the front board several engraved plates. Inscription on first front endleaf: ""Ph. Haspels"". Binding with relief print.Literature - French - exemplary literature Paper on cardboard 18.5 x 10.3 cm. Decorated binding. Signs of wear foxing. unknown
2004réf. AME_9781843766643Edward Elgar 2004. 1. Soft Cover. New/New. Edward Elgar paperback
2009réf. AME_9781847209689Edward Elgar 2009. 1. Hardcover. New/New. Edward Elgar hardcover
1893réf. 76893Paris: Librairie de l'Art Indépendant 1893. Fine. Librairie de l'Art Indépendant Paris 1893 13 x 20.50 cm broché The first edition published in a small number of copies. Spine and boards very lightly and marginally lightened. Rare and handsome copy. Precious signed autograph inscription from Louis Ménard to Judith Gautier: ""Hommage affectueux et soüvenir affectueux."" ""Affectionate homage and fond remembrance."" Librairie de l'Art Indépendant hardcover
réf. DADAX1305110544Cengage Learning PTR 2014-06-25. 2. paperback. New. 7.50x1.00x9.25. Buy with confidence. Excellent Customer Service & Return policy. Cengage Learning PTR paperback
2016réf. AME_9781782547983Edward Elgar 2016. 1. Hardcover. New/New. Edward Elgar hardcover
1897réf. 73907Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on the verso some foxing. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more suited than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897réf. 73906Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original color lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
2006réf. AME_9780521682213Cambridge University Press 2006. 1st. Paperback. New/New. Cambridge University Press paperback
2018réf. AME_9781641160025CALLISTO 2018. 1st. Hardcover. New/New. CALLISTO hardcover
1961réf. 66434Paris: Collège de Pataphysique 1961. Fine. Collège de Pataphysique Paris 1961 13.50 x 15.50 cm broché First edition one of 522 numbered copies on simple papier de viduité. Handsome copy despite a tiny tear and very light foxing at foot of front cover. Collège de Pataphysique unknown
1944réf. 66342s. l.: S. n. 1944. Fine. S. n. s. l. 1944 13.50 x 19 cm agrafé First edition. A tear in the foot of a bit small traces of marginal creases on the boards. Signed autograph of Jean Ménard to Jean Legrand: ""To my dear friend to you Jean with all my friendship."" S. n. hardcover