Louis Nicolas MENARDBiblio.com
1701 risultati
1893rif. 76893Paris: Librairie de l'Art Indépendant 1893. Fine. Librairie de l'Art Indépendant Paris 1893 13 x 20.50 cm broché The first edition published in a small number of copies. Spine and boards very lightly and marginally lightened. Rare and handsome copy. Precious signed autograph inscription from Louis Ménard to Judith Gautier: ""Hommage affectueux et soüvenir affectueux."" ""Affectionate homage and fond remembrance."" Librairie de l'Art Indépendant hardcover
rif. DADAX1305110544Cengage Learning PTR 2014-06-25. 2. paperback. New. 7.50x1.00x9.25. Buy with confidence. Excellent Customer Service & Return policy. Cengage Learning PTR paperback
1897rif. 73907Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on the verso some foxing. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more suited than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897rif. 73906Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original color lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1961rif. 66434Paris: Collège de Pataphysique 1961. Fine. Collège de Pataphysique Paris 1961 13.50 x 15.50 cm broché First edition one of 522 numbered copies on simple papier de viduité. Handsome copy despite a tiny tear and very light foxing at foot of front cover. Collège de Pataphysique unknown
1944rif. 66342s. l.: S. n. 1944. Fine. S. n. s. l. 1944 13.50 x 19 cm agrafé First edition. A tear in the foot of a bit small traces of marginal creases on the boards. Signed autograph of Jean Ménard to Jean Legrand: ""To my dear friend to you Jean with all my friendship."" S. n. hardcover
1949rif. 49929Nancy: A l'enseigne de l'homme méditant 1949. Fine. A l'enseigne de l'homme méditant Nancy 1949 17 x 19.50 cm en feuilles First edition one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies. autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy. A l'enseigne de l'homme méditant hardcover
1952rif. 49931Paris: Chez l'auteur 1952. Fine. Chez l'auteur Paris 1952 16.50 x 24 cm broché First edition one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies. autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy. Chez l'auteur hardcover
1950rif. 49930Marseille: Les cahiers du sud 1950. Fine. Les cahiers du sud Marseille 1950 14 x 19 cm broché First edition one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies. autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy. Les cahiers du sud hardcover
1875rif. 41607Paris: Administration des Deux RevuesLibrairie de l'Art IndépendantE. LerouxHurtau 1875. Fine. Administration des Deux Revues Librairie de l'Art Indépendant E. Leroux Hurtau Paris 1891 & 1898 & 1896 & 1875 & 1897 14.50 x 23 cm 5 volumes reliés en 1 First edition of each volume. Bradel binding in half red cloth smooth spine decorated with double gilt fillets marbled paper boards original wrappers preserved for each volume. Autograph inscriptions signed by the author to Messrs. Ravaisson and Caro at the head of the first cover of the first volume and on the title page of the fourth volume. A handsome and rare set. Administration des Deux RevuesLibrairie de l'Art IndépendantE. LerouxHurtau hardcover
1911rif. 31213Paris: Georges Crès & Cie 1911. Fine. Georges Crès & Cie Paris 1911 12 x 19 cm broché Definitive edition with some parts in first edition on ordinary paper as expanded with unpublished letters and pieces. Text preceded by a study on the author by Rioux de Maillou. Small repaired tear at head of spine spine and covers marginally faded. Georges Crès & Cie unknown
1923rif. 27443Paris: Librairie Armand Colin 1923. Fine. Librairie Armand Colin Paris 1923 25 x 32 cm Broché First edition illustrated with 68 fine photogravures including one large folding colored plate. Preface by André Michel. A chronological catalogue of his principal works and the location where they are found. Publisher's wrappers. Virgin copy conjugate leaves printed on strong laid paper. After 100 deluxe copies. The colored plate is detached. A crack to the lower joint at head. Very good condition. NB: This book is available at the bookshop on request within 48 hours. Librairie Armand Colin unknown
1917rif. 22855Paris: Georges Crès & Cie 1917. Fine. Georges Crès & Cie Paris 1917 12 x 19 cm relié Definitive edition with some parts in first edition as it is expanded with unpublished letters and pieces. Half mouse-colored shagreen binding spine with four raised bands traces of rubbing to joints marbled paper boards endpapers and pastedowns original wrappers and spine preserved top edge gilt contemporary binding. As frontispiece a portrait of the author by René Ménard. Detailed booksellers' catalog labels concerning this work taped to the verso of the front endpaper. Georges Crès & Cie hardcover
1871rif. 18771s. l. Paris: Extrait de La Revue des deux mondes 1871. Fine. Extrait de La Revue des deux mondes s. l. Paris 1871 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
1895rif. 7275Paris: Librairie de l'Art Indépendant 1895. Fine. Librairie de l'Art Indépendant Paris 1895 14.50 x 23 cm broché First edition of some parts the first published in simplified orthography with no mention of deluxe copies. Handsome and rare copy. Librairie de l'Art Indépendant unknown
1898rif. 8052Paris: Bibliothèque de La Plume 1898. Fine. Bibliothèque de La Plume Paris 1898 11.50 x 17.50 cm broché First edition written in simplified spelling; no mention of deluxe copies. Our copy is presented in temporary wrappers awaiting binding original wrappers preserved. Handsome and rare copy. Bibliothèque de La Plume unknown
1875rif. 10189Paris: Hurtau 1875. Fine. Hurtau Paris 1875 16.50 x 25.50 cm broché The first edition published in a very small number of copies of this offprint from 'La critique philosophique' of which there were no deluxe copies. Copy in original wrappers. Rare. Hurtau unknown
1898rif. 4288Paris: Alphonse Picard & fils 1898. Fine. Alphonse Picard & fils Paris 1898 13.50 x 21 cm broché First edition of which there were no deluxe copies. Rare autograph inscription from Louis Ménard three corner lacks affecting the front wrapper which also has a small marginal tear. Alphonse Picard & fils unknown
2014rif. H-823-653Gallimard Jeunesse 2014. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Gallimard Jeunesse paperback
rif. 44800115like new. unknown
1911rif. 98712Paris: Georges Cres et Cie Editeurs 1911. 1911. Very good. - Octavo 7 inches high by 4-1/2 inches wide. Hardcover bound by Lucien Albinhac in three quarter brown morocco and marbled paper covered boards titled in gilt between raised bands with elaborate gilt decorations on the spine. The binding is further enhanced with marbled paper endpapers and the original wrappers are bound in. The covers are slightly rubbed and there is a tiny split to the leather at the top of the front joint. 6 & pages 1-230 illustrated with a portrait frontispiece of the author by Rene Menard and a plate illustrating Louis Menard's home at the cour de Rohan. The front hinge is cracked opposite the front blank. The first few pages are slightly darkened. Very good. First printing of the Rioux De Maillou edition. No. 3 of "10 exemplaires sur papier du Japon et 15 exemplaires sur papier verge de Hollande". RARE. From the library of Lincoln MacVeagh signed by him on the front endpaper and on a blank leaf with the date Paris 1914. He has made a few pencil notes in the volume. Also with his the bookplate and that of his wife Margaret on the front paste down. Lincoln MacVeagh 1890-1972 a Renaissance man graduated from Harvard magna cum laude in 1913. He went on to study languages at the Sorbonne and became fluent in German French Spanish Latin Greek and Classical Greek. After World War I he became a director of the Henry Holt and Company publishing firm where he became friendly with the poet Robert Frost. In 1923 he left the firm and founded the Dial Press. His name appears on the imprint of many of their publications. In 1933 President Roosevelt appointed him Minister to Greece. He followed presentation of his credentials with a speech in Classical Greek. While in Greece he conducted excavations beneath the Acropolis and made archeological contributions to the National Museum in Athens. He left Greece in 1941 when the German army over ran the country. From there he was appointed the first US Minister to Iceland where he negotiated agreements for the construction of the Keflavik airfield. In late 1942 he became Minister to the Union of South Africa and coordinated American wartime agencies there. In 1943 he was sent to Cairo as Ambassador so that he could assist the governments in exile of Greece and Yugoslavia. He returned to Athens as Ambassador in 1944. MacVeagh gave secret testimony before Congress concerning the Balkans in 1947 testimony that was an important factor in the formation of the Truman Doctrine. In 1948 as Ambassador to Portugal MacVeagh was influential in admitting her into NATO. In 1952 President Truman named him Ambassador to Spain. President Truman wrote to him on March 9 1948: "On the occasion of your appointment as Ambassador to Portugal I would like to make some personal expression of appreciation for the high services you have already rendered your country. During the past fifteen critical years you have served with distinction as Chief of the United states Missions to Iceland the Union of South Africa Yugoslavia and Greece. In this last post especially - as Minister from 1933 to 1941 and as Ambassador since 1943 - your scholarly statesmanship and diplomatic judgment have been of the utmost value." Paris: Georges Cres et Cie, Editeurs, 1911. hardcover
2001rif. SONG1483347222Sage Publications 2001-10-09. Second. hardcover. Used: Good. 5.50x0.31x8.50. Buy with confidence. Excellent Customer Service & Return policy. Sage Publications hardcover
2008rif. DADAX1420053124CRC Press 2008-05-28. 2. hardcover. New. 7.99x10.00x1.85. Buy with confidence. Excellent Customer Service & Return policy. CRC Press hardcover
2006rif. DADAX0521863570Cambridge University Press 2006-09-11. Illustrated. hardcover. New. 6.00x1.25x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
rif. SONG1879852748Brand: Univ of Tampa 0000-00-00. 1. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Univ of Tampa hardcover
