RENE MENARDLivre Rare Book
1 785 résultats
1884réf. RO20148531BIBLIOTHEQUES POPULAIRES DES ECOLES DE DESSIN. 1884. In-18. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 74 pages. Nombreuses illustrations en noires et blancs dans texte.. . . . Classification Dewey : 700-LES ARTS
1880réf. 3298Librairie Ch. Delagrave 1880 2e édition - Ouvrage orné de 823 gravures dont 32 tirées hors texte - 908 pages Bon état général - Exemplaire restauré 2 289 g
réf. 75860Vve A. Morel et cie éditeurs 1883 livre étude 25,5*16 676 pages
réf. 75862Librairie Ch. Delagrave 1878 livre étude 27*18 908 pages
1952réf. 49931Chez l'auteur | Paris 1952 | 16.50 x 24 cm | broché
réf. 9751Librairie de lart Charles Delagrave Paris 1876
1881réf. 15728Paris, Librairie Ch. Delagrave 1881, fort in-4 (18x27cm), demi-reliure de l'époque, 1003p. Rares rousseurs. Bon état.
1885réf. R260125997JULES ROUAM / LIBRAIRIE DE L'ART. 1885. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos fané, Intérieur frais. 86 pages. Nombreuses illustrations en noir et blanc dans et hors texte. Manques au dos. Manque le premier plat.. . . . Classification Dewey : 720-Architecture
1878réf. R200017065CH. DELAGRAVE. 1878. In-12. Relié plein cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 722 pages.. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)
1933réf. RO20148479ARMAND COLIN. 1933. In-Folio. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 75 pages. Nommbreuse's peintures et pastels en couluer ou noir et blancs hors texte. Frontispice du tableau nu sur la foret (1906). Couverture rempliée.. . . . Classification Dewey : 750-La peinture et les peintres
1923réf. 27443Librairie Armand Colin | Paris 1923 | 25 x 32 cm | Broché
réf. 32226Ernest Flammarion éditeur, sans date vers 1920, in/8 broché, 261 pages. Deux cent quarante-cinq documents reproduits en noir d'après les documents originaux.
1897réf. 73907Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on the verso some foxing. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more suited than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1897réf. 73906Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original color lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
réf. 100095476Ernest flammarion. bords frottés coins émoussés tranche ternie dorure oxydée en tête intérieur propre jauni circa 1920. in8. Sans date. Relié. iconographie en noir et blanc Ernest flammarion unknown
réf. 0666827478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0365849111.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0366370944.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0365668591.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 61091Librairie de l'Art - J. Rouam Paris 1884 In-12 76pp illustr. 29 figures Nb-0362 unknown
1950réf. 49930Marseille: Les cahiers du sud 1950. Fine. Les cahiers du sud Marseille 1950 14 x 19 cm broché First edition one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies. autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy. Les cahiers du sud hardcover
réf. 0666747717.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1332492193.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1949réf. 49929Nancy: A l'enseigne de l'homme méditant 1949. Fine. A l'enseigne de l'homme méditant Nancy 1949 17 x 19.50 cm en feuilles First edition one of 500 numbered copies on vellum Monfourat only draw after 33 leading copies. autograph dedication of the author autograph signed by René Mébard to cantarice Jane Bathori who was the companion of the actress and theater woman Andrée Tainsy. A l'enseigne de l'homme méditant hardcover
1871réf. 18771s. l. Paris: Extrait de La Revue des deux mondes 1871. Fine. Extrait de La Revue des deux mondes s. l. Paris 1871 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
