316 results
1958Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 38 p. Iran çelengi. La Guirlande de l'Iran: Poemes de Firdousi, Nizami, Omar Kheyyam, Saadi, Hafiz.
1865ref. 333537Boston: Ticknor and Fields 1865. First American edition and first edition thus of this translation with preface by Emerson. 379pp. 8vo. Original brick cloth. Binding has light soiling with rubbing and few tiny tears at tips of spine else a very good bright copy with text fresh and clean. First American edition and first edition thus of this translation with preface by Emerson. 379pp. 8vo. A nice association copy; John Albee was a friend of Ralph Waldo Emerson and he wrote 'Reminiscences of Emerson' 1882; reprinted in 'Concord Lectures in Philosophy'Myerson E202 and 'Remembrances of Emerson' 1901; revised edition 1903. Persian poet Musle-Huddeen Sheik Saadi 1184-1291 was born in Shiraz. In Emerson's introduction he explains the reason for the late date of publication "The slowness to import these books into our libraries-mainly owing no doubt to the forbidding difficulty of the original languages- is also due in part to some repulsion in the genius of races. At first sight the Oriental rhetoric does not please our Western taste . " Francis Gladwin translated several of the Oriental writers and wrote a "History of Hindostan." In addition to his numerous translations he also produces several vocabularies and grammatical works including a Persian-Hindustani-English dictionary which was published in 1809. In the 1860's there was a revival of interest in the Persian poems at the time of and following the publication of the "Rubaïyat." Sa'dî was an early 12th century Persian poet described by the "Encyclopedia Britannica" as "the greatest didactic poet and the most popular writer of Persia." Richard Burton and Sir Edwin Arnold both were interested in him and translated his works as did several others. This work is described by Gay Wilson Allen as a "humorous miscellany of ethical subjects in rhymed prose." p. 481 Saadi was Emerson's favorite poet in fact apparently he considered using Saadi in "Representative Men" in place of Shakespeare. Emerson became acquainted and then enamoured of the Persian poets in the late 1830's. Originally he had read Saadi in a German translation. In 1841 he wrote a poem for "The Dial" entitled "Saadi" German thought Oriental influences and Platonic thought were all integral parts of the New England Transcendentalists. Myerson D55 Ticknor and Fields unknown books
1823ref. 52767London: J. M. Richardson 1823. 8vo pp. 4 475 1; recent half tan calf over marbled boards gilt-lettered direct on gilt-paneled spine; fore-edge of first two leaves very slightly chipped; all else near fine and sound. This is the first volume in the proposed series of English translations of select Persian classics "chiefly intended for the use of the students at their colleges." Wikipedia notes that Abū-Muhammad Muslih al-Dīn bin AbdallÄh ShīrÄzī better known by his pen-name Saadi also known as Saadi of Shiraz was a major Persian poet and literary figure of the medieval period. He is recognized for the quality of his writings and for the depth of his social and moral thoughts. Saadi is widely recognized as one of the greatest poets of the classical literary tradition earning him the nickname "Master of Speech" or "The Master" among Persian scholars. The Gulistan containing stories and personal anecdotes was completed in 1258. It is "interspersed with a variety of short poems which contain aphorisms advice and humorous reflections demonstrating Saadi's profound awareness of the absurdity of human existence. J. M. Richardson unknown books
1800ref. MEE1104Persia: undated pre-1800. 1800. 11.25 x 7.5 inches. ca. 228 leaves Written mostly in old Farsi with some Arabic marginal notes. With one leaf f. 66 illuminated on upper quadrant another 2 leaves with a penciled sketch where an illumination was planned but never completed ff. 108 170. There are numerous decorative motifs of flowers throughout the manuscript. Each leaf is variously partitioned perhaps suggestive of a garden! in this case with flowers adorning most leaves. Binding style suggests 18-19th centuries. Bound in Islamic style Ottoman period full Turkey morocco with elaborate gilt rule corner and centre ornamental flourishes with leather flap; some minor repairs to the sides of the binding are evident when examined closely. MANUSCRIPT OF SAADI' GOLESTAN THE GREAT PERSIAN POET: ORIGINAL COMPLETE MANUSCRIPT OF ONE OF THE MOST FAMOUS OF ALL PERSIAN POETS SA'ADI OF SHIRAZI. The calligraphic style and the binding are suggestive of the 16th or 17th century. This piece is embellished with numerous leaves many of which are decorated by hand with small compartments of flowers each realized from the title of Sa'adi's Gulistan Golestan Flower Garden of Sa'adi. Sa'adi is "probably the single most influential work of prose in the Persian tradition completed in 1258 by Mosarref-al-Din Mole known as Shaikh Sa'di of Shiraz." – Encyclopaedia Iranica. The manuscript is mixed with both poetry and stories or narratives along with a moral as well as some commentaries. PROVENANCE: Signed Kiffin Yates Rockwell 1892–1916 later label of: Kiffin Ayres Rockwell Beloit Wisconsin June 28 1942. Kiffin Yates Rockwell was a World War I fighter pilot and the first American to shoot down an enemy aircraft in WWI. He shot down a German pilot. Thus the manuscript is clearly in the United States and kept there since before 1942. "Kiffin Yates Rockwell the youngest son of James Chester and Loula Ayres Rockwell." see below. What may clear up some confusion here is that there are at least two persons with this name and there may be three. Kiffin Ayres Rockwell II or III Oct. 8 1917-Jan. 27 1998 who served in the air force in Korea is buried in Black Mountain North Carolina. Sa'adi opens with poems of Sa'eb of Tabriz a Safavid poet of Indian style of poetry added to the text. "Back of the shell kingly gems are orphans." undated [pre-1800]. hardcover books
ref. 43594Persia ca. late 15th century. Framed. 2 beautifully illuminated manuscript leaves from the Kulliyat collected works of Saadi the famed Persian poet from Shiraz. Remounted and matted. Wood frame painted in black and gold measuring 13x16". Possibly early Safavid Era. Text in Persian. unknown books
1921ref. 294716Berlin : Stilke, 1921. 142 Seiten. Mit Abildungen. 21 cm Originalleinen.
1967ref. Khe05416Zürich ( Manesse Conzett & Huber) 1967. kl-8°, blind- und goldgeprägtes Orignaleinen (Hardcover), 367 S., Dünndruck, Textzeichnungen
1959ref. 801741Moskau, 1959. 4°. 226 u. ca. 450 S., gebundene Ausgabe.
1852ref. 45988Wien, Hof- und Staatsdruckerei, 1852. 8°. Mit einem gest. Frontispiz, einer ganzs. Textillustration u. 8 illustr. Zwischentiteln in versch. Techniken. 233 (1) S., Etw. späterer blauer HLdr.-Bd. a. 5 Bünden m. Rückenverg., goldgepr. Rückentitel u. dreiseitigem Rotschnitt.
1882ref. 631049Leipzig, Hirzel, 1882. IX, 285 S. OU. angeschmutzt.
ref. va875Arthème Fayard et Cie, éditeurs, Paris Broché In-12 (12 x 18,7 cm), broché, sans date, 252 pages ; pliures au dos brunis, rousseurs aux tranches et à l'intérieur, reliure fragilisée, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
ref. AL1238Saadi, le jardin des roses. Editions Piazza 1959. In folio de 142 pages présenté sous chemise et emboîtage illustrés, couverture illustrée rempliée, texte traduit du persan par F. Toussaint, ouvrage enluminé par V. L. Noguères. Exemplaire numéro 401 / 1500 sur Vélin de Rives. Bel exemplaire.
1913ref. 20051913 Paris, Mercure de France, 1913. Un volume in-12 (18,5 x 12 cm), reliure en demi-chagrin havane, dos à 4 nerfs, plats de papier marbré, dos frotté, couvertures conservées (sans le dos). 232 pages. Exemplaire numéroté (n° 936). Edition originale de la traduction française établie par Franz Toussaint, de ce classique de la poésie persane. Ex-libris manuscrit à la garde de Antoinette Morin-Pons. Bon état intérieur, bon exemplaire.
1959ref. 212311959 P., Piazza, 1959, petit in 4° en feuilles sous couverture rempliée illustrée et double emboitage décoré en couleur, 142 pages ; rares piqûres. Bel exemplaire.
ref. 56878Paris, Editions Lidis, 1981, in 4° relié plein skyvertex caramel de l'éditeur, plat supérieur richement orné, tranches dorées, sous coffret à lacets de velours ocre, titre en rouge sur le dos du coffret, 85 pages.
1935ref. 187441935 Paris, L'Edition d'art, H. Piazza, 1935, de la collection "Ex Oriente Lux", petit in-12 br. de 115-(5) pp., couvert. impr. et illustrée d'un décor oriental en couleurs , dos lég. jauni, bon ex.
ref. 99576Monte Carlo, Art et Couleurs/ Imprimé à Nice, sur les Presses de la Société Le Chant des Sphères, Joseph Pardo, 1980, 2 volumes in-4 de 260x205 mm environ, 224 et 233 pages, reliure plein cuir maroquiné framboise, dos à nerfs portant titres et tomaisons dorés, avec ornements à froid et dorés sur les plats et le dos, sous étui avec ouverture en cuir assorti et intérieur suédine gris perle. Texte encadré dans une large dentelle bleue (Tome I) et rose (Tome II). Illustrations de Lucy Boucher d'après des miniatures persanes, finement coloriées et dorées. Tiré à 2500 exemplaires, tous numérotés sur vélin d'Arches, celui-ci un des 1730, numérotés de 701 à 2430, avec son certificat de garantie. Dos légèrement insolés, sinon bon état.
1951ref. 014137Paris 1951 L'édition d'art H.Piazza Hardcover
1923ref. 21916Paris, librairie Stock, 1923. In-12 relié en plein maroquin vert, dos à larges nerfs, premier plat décoré, couvertures et dos conservés, tête dorée, étui. Reliure signée par Levitzky.
1980ref. 3009MONTE-CARLO. ARTS ET COULEURS. 1980. 2 VOLUMES IN-8 (27 X 21,5 X 10,5 CENTIMETRES ENVIRON) DE 224 + (1) ET 223 + (6) PAGES, RELIURE DE L’EDITEUR PLEINE BASANE MAROQUINEE ROUGE ENTIEREMENT ESTAMPEE D’UN DECOR A FROID, EN NOIR ET EN DORE, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE DE MINIATURES EN COULEURS DANS LE GOUT DE L’ENLUMINURE, IN ET HORS TEXTE, DONT UNE PLANCHE DOUBLE. PREMIER TIRAGE LIMITE A 2460 EXEMPLAIRES NUMEROTES, DONT 30 HORS-COMMERCE, TOUS SUR VELIN D'ARCHES, FILIGRANE SEFER J.P., CELUI-CI PORTANT LE NUMERO 1549, ET ENRICHI D'UNE ILLUSTRATION ORIGINALE EN COULEURS DANS LE PREMIER VOLUME. DOS ECLAIRCIS, SINON TRES BEL EXEMPLAIRE, ACCOMPAGNE DE SON CERTIFICAT.
1980ref. 3424MONTE-CARLO. ARTS ET COULEURS. 1980. 2 VOLUMES IN-8 (27 X 21,5 X 10,5 CENTIMETRES ENVIRON) DE 224 + (1) ET 223 + (6) PAGES, RELIURE DE L’EDITEUR PLEINE BASANE MAROQUINEE ROUGE ENTIEREMENT ESTAMPEE D’UN DECOR A FROID, EN NOIR ET EN DORE, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE DE MINIATURES EN COULEURS DANS LE GOUT DE L’ENLUMINURE, IN ET HORS TEXTE, DONT UNE PLANCHE DOUBLE. PREMIER TIRAGE LIMITE A 2460 EXEMPLAIRES NUMEROTES, DONT 30 HORS-COMMERCE, TOUS SUR VELIN D'ARCHES, FILIGRANE SEFER J.P., CELUI-CI PORTANT LE NUMERO 2389. BEL EXEMPLAIRE, ACCOMPAGNE DE SON CERTIFICAT.
1959ref. 3736PARIS. PUBLIE PAR LES EDITIONS H. PIAZZA. 1959. PETIT IN-4 EN FEUILLES (20,5 X 25,3 X 5,5 CENTIMETRES ENVIRON) DE 142 + (8) PAGES, SOUS COUVERTURE BLANCHE REMPLIEE ILLUSTREE D'UNE GRANDE COMPOSITION EN ROSE ET EN DORE, TITRE IMPRIME EN BLEU, CHEMISE ET ETUI CARTONNES DE L'EDITEUR, TITRE DORE AU DOS. ILLUSTRE DE 13 COMPOSITIONS EN COULEURS DONT LE TITRE ET 12 PLANCHES HORS TEXTE. TEXTE ENCADRE D'UNE COMPOSITION EN COULEURS. PREMIER TIRAGE LIMITE A 1500 EXEMPLAIRES NUMEROTES, TOUS SUR VELIN DE RIVES, CELUI-CI PORTANT LE NUMERO 524. TITRE PALI, DOS BRUNI, COMME SOUVENT, QUELQUES ROUSSEURS, SINON BON EXEMPLAIRE
ref. c2289Paris,Editions Lidis,1981;in-4°,pleine reliure fauve à décor or et rouge au 1er plat reproduisant une reliure originale arabe figurant à La Bibliothèque Nationale,gardes de moire ocre,coffret de suédine beige orangé,fermé par rubans de satin,titre en rouge au dos;85pp.,1f.Très bon état.
ref. c6185Paris, en la rue de Beaune, à l'enseigne du Pot Cassé, 1930 ; in-12°, broché, couverture blanche illustrée en noir et rose au 1er plat et dos; 242pp., ( 4)pp.Dos un peu jauni avec très petit manque de papier en pied. Exemplaire numéroté sur papier Chesterfield.
ref. 383551Editions H. Piazza Paris 1959 In-8 carré ( 255 X 200 mm ), en feuilles sous couverture illustrée rempliée, chemise et étui décoré. Luxueuse édition du texte de SAADI traduit par Franz TOUSSAINT, comprenant douze planches illustrations hors-texte et la page de titre enluminée en couleurs et à l'or par V.-L. NOGUERES. Tirage à 1500 exemplaires, tous sur vélin de Rives. Etat de neuf.