406 résultats
1958Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 38 p. Iran çelengi. La Guirlande de l'Iran: Poemes de Firdousi, Nizami, Omar Kheyyam, Saadi, Hafiz.
1921réf. 294716Berlin : Stilke, 1921. 142 Seiten. Mit Abildungen. 21 cm Originalleinen.
1967réf. Khe05416Zürich ( Manesse Conzett & Huber) 1967. kl-8°, blind- und goldgeprägtes Orignaleinen (Hardcover), 367 S., Dünndruck, Textzeichnungen
1959réf. 801741Moskau, 1959. 4°. 226 u. ca. 450 S., gebundene Ausgabe.
1852réf. 45988Wien, Hof- und Staatsdruckerei, 1852. 8°. Mit einem gest. Frontispiz, einer ganzs. Textillustration u. 8 illustr. Zwischentiteln in versch. Techniken. 233 (1) S., Etw. späterer blauer HLdr.-Bd. a. 5 Bünden m. Rückenverg., goldgepr. Rückentitel u. dreiseitigem Rotschnitt.
1882réf. 631049Leipzig, Hirzel, 1882. IX, 285 S. OU. angeschmutzt.
2004réf. 65709Brownsville Vt: Goats & Compasses 2004. First Edition. String tied printed wrappers; square 8vo. Letterpress printed in an edition of 300. Saadi Yousef's contribution printed as a broadside and sewn in at the back. Inscribed by Money to poet Ted Enslin a teacher of Money and many others. Fine copy. Attractive production. Goats & Compasses unknown books
1865réf. 333537Boston: Ticknor and Fields 1865. First American edition and first edition thus of this translation with preface by Emerson. 379pp. 8vo. Original brick cloth. Binding has light soiling with rubbing and few tiny tears at tips of spine else a very good bright copy with text fresh and clean. First American edition and first edition thus of this translation with preface by Emerson. 379pp. 8vo. A nice association copy; John Albee was a friend of Ralph Waldo Emerson and he wrote 'Reminiscences of Emerson' 1882; reprinted in 'Concord Lectures in Philosophy'Myerson E202 and 'Remembrances of Emerson' 1901; revised edition 1903. Persian poet Musle-Huddeen Sheik Saadi 1184-1291 was born in Shiraz. In Emerson's introduction he explains the reason for the late date of publication "The slowness to import these books into our libraries-mainly owing no doubt to the forbidding difficulty of the original languages- is also due in part to some repulsion in the genius of races. At first sight the Oriental rhetoric does not please our Western taste . " Francis Gladwin translated several of the Oriental writers and wrote a "History of Hindostan." In addition to his numerous translations he also produces several vocabularies and grammatical works including a Persian-Hindustani-English dictionary which was published in 1809. In the 1860's there was a revival of interest in the Persian poems at the time of and following the publication of the "Rubaïyat." Sa'dî was an early 12th century Persian poet described by the "Encyclopedia Britannica" as "the greatest didactic poet and the most popular writer of Persia." Richard Burton and Sir Edwin Arnold both were interested in him and translated his works as did several others. This work is described by Gay Wilson Allen as a "humorous miscellany of ethical subjects in rhymed prose." p. 481 Saadi was Emerson's favorite poet in fact apparently he considered using Saadi in "Representative Men" in place of Shakespeare. Emerson became acquainted and then enamoured of the Persian poets in the late 1830's. Originally he had read Saadi in a German translation. In 1841 he wrote a poem for "The Dial" entitled "Saadi" German thought Oriental influences and Platonic thought were all integral parts of the New England Transcendentalists. Myerson D55 Ticknor and Fields unknown books
1823réf. 52767London: J. M. Richardson 1823. 8vo pp. 4 475 1; recent half tan calf over marbled boards gilt-lettered direct on gilt-paneled spine; fore-edge of first two leaves very slightly chipped; all else near fine and sound. This is the first volume in the proposed series of English translations of select Persian classics "chiefly intended for the use of the students at their colleges." Wikipedia notes that Abū-Muhammad Muslih al-Dīn bin AbdallÄh ShīrÄzī better known by his pen-name Saadi also known as Saadi of Shiraz was a major Persian poet and literary figure of the medieval period. He is recognized for the quality of his writings and for the depth of his social and moral thoughts. Saadi is widely recognized as one of the greatest poets of the classical literary tradition earning him the nickname "Master of Speech" or "The Master" among Persian scholars. The Gulistan containing stories and personal anecdotes was completed in 1258. It is "interspersed with a variety of short poems which contain aphorisms advice and humorous reflections demonstrating Saadi's profound awareness of the absurdity of human existence. J. M. Richardson unknown books
1800réf. MEE1104Persia: undated pre-1800. 1800. 11.25 x 7.5 inches. ca. 228 leaves Written mostly in old Farsi with some Arabic marginal notes. With one leaf f. 66 illuminated on upper quadrant another 2 leaves with a penciled sketch where an illumination was planned but never completed ff. 108 170. There are numerous decorative motifs of flowers throughout the manuscript. Each leaf is variously partitioned perhaps suggestive of a garden! in this case with flowers adorning most leaves. Binding style suggests 18-19th centuries. Bound in Islamic style Ottoman period full Turkey morocco with elaborate gilt rule corner and centre ornamental flourishes with leather flap; some minor repairs to the sides of the binding are evident when examined closely. MANUSCRIPT OF SAADI' GOLESTAN THE GREAT PERSIAN POET: ORIGINAL COMPLETE MANUSCRIPT OF ONE OF THE MOST FAMOUS OF ALL PERSIAN POETS SA'ADI OF SHIRAZI. The calligraphic style and the binding are suggestive of the 16th or 17th century. This piece is embellished with numerous leaves many of which are decorated by hand with small compartments of flowers each realized from the title of Sa'adi's Gulistan Golestan Flower Garden of Sa'adi. Sa'adi is "probably the single most influential work of prose in the Persian tradition completed in 1258 by Mosarref-al-Din Mole known as Shaikh Sa'di of Shiraz." – Encyclopaedia Iranica. The manuscript is mixed with both poetry and stories or narratives along with a moral as well as some commentaries. PROVENANCE: Signed Kiffin Yates Rockwell 1892–1916 later label of: Kiffin Ayres Rockwell Beloit Wisconsin June 28 1942. Kiffin Yates Rockwell was a World War I fighter pilot and the first American to shoot down an enemy aircraft in WWI. He shot down a German pilot. Thus the manuscript is clearly in the United States and kept there since before 1942. "Kiffin Yates Rockwell the youngest son of James Chester and Loula Ayres Rockwell." see below. What may clear up some confusion here is that there are at least two persons with this name and there may be three. Kiffin Ayres Rockwell II or III Oct. 8 1917-Jan. 27 1998 who served in the air force in Korea is buried in Black Mountain North Carolina. Sa'adi opens with poems of Sa'eb of Tabriz a Safavid poet of Indian style of poetry added to the text. "Back of the shell kingly gems are orphans." undated [pre-1800]. hardcover books
réf. 43594Persia ca. late 15th century. Framed. 2 beautifully illuminated manuscript leaves from the Kulliyat collected works of Saadi the famed Persian poet from Shiraz. Remounted and matted. Wood frame painted in black and gold measuring 13x16". Possibly early Safavid Era. Text in Persian. unknown books
1928réf. 202154London: Chapman and Hall 1928. First Edition. Hardcover. Very Good/Very Good. Kent Cynthia. Orange cloth boards with green lettering & decoration under beige dust jacket printed in blue priced at 21s edges uncut. Owner's name to front endpaper. A few stray pencil markings one short verse written in pencil to rear DJ flap. Solid lovely copy of some of the prose works of one of the great Persian authors. Chapman and Hall hardcover books
réf. va875Arthème Fayard et Cie, éditeurs, Paris Broché In-12 (12 x 18,7 cm), broché, sans date, 252 pages ; pliures au dos brunis, rousseurs aux tranches et à l'intérieur, reliure fragilisée, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
réf. S395RBEditions L'Harmattan BROCHE
réf. AM11328NBBroché. 1923. 178 pages. Librairie Stock. Photos sur demande.
réf. AL1238Saadi, le jardin des roses. Editions Piazza 1959. In folio de 142 pages présenté sous chemise et emboîtage illustrés, couverture illustrée rempliée, texte traduit du persan par F. Toussaint, ouvrage enluminé par V. L. Noguères. Exemplaire numéro 401 / 1500 sur Vélin de Rives. Bel exemplaire.
réf. 30568Monte Carlo, Le Chant des Sphères, Arts et Couleurs, 1980. 2 volumes in-4, reliures en skivertex rouge, plats illustrés de frises et motifs arabisants encadrant un caisson central orné d'une scène représentant des personnages devant un temple, le tout poussé or et à froid, même décor sur le dos à quatre nerfs, doublures et gardes de soie moirée bordeaux, têtes dorées, non rognés. Etuis (reliures de l'éditeur).
réf. 70680aafMonte Carlo, Arts et Couleurs, 1980, in-4to, 224 p., ill. en couleurs / 223 p., ill. en couleurs, robustes reliures en cuir rouge richement ornées, plats sup. gaufrés, emboîtages bordés, tranches sup. dorées, bel exemplaire.
1980réf. 914831980 Editions ARTS ET COULEURS, MONTE-CARLO - 1980 - Deux volumes in-4 imprimés sur les Presses de la Société Le Chant des Sphères à Nice, Plein maroquin rouge avec décor embouti à froid sur le premier plat de chaque volume + emboîtage éditeur cartonnage marbré rouge. Dorures arabisantes sur les deux plats et au dos avec titre sur fond noir. Pages de texte dans un cadre à décor de frise arabisante bleue, illustrations hors texte en couleurs sous forme de miniatures persanes de grande finesse par Lucy Boucher. 224 + 223 pages. Exemplaire N° 2314 avec son certificat d'authenticité.
1981réf. 946681981 Editions Lidis - 1981 - In-4 couverture cartonnée, décor à encadrement avec dorures, tranches dorées, avec signet, dans un coffret - 85 pages - Illustrations en couleurs hors texte - Exemplaire numéroté N° 1774 / 6000
1982réf. 1140311982 Editions E.T.C - 1982 - In-8, broché couverture illustrée - 247 pages
réf. 55003A l'Enseigne du Pot Cassé "Scripta Manent" 1930, in-16 broché, premier plat joliment illustré, 243 p. (très bon exemplaire) Tirage limité à 3350 exemplaires, 1 des 3200 numérotés sur vergé de Chesterfield. Ensemble célèbre de réflexions du pieux poète persan du XIII° siècle, ici traduit par J. Gaudin et enrichi de bois gravés d'Henry Chapron.
1923réf. 21916Paris, librairie Stock, 1923. In-12 relié en plein maroquin vert, dos à larges nerfs, premier plat décoré, couvertures et dos conservés, tête dorée, étui. Reliure signée par Levitzky.
1980réf. 3009MONTE-CARLO. ARTS ET COULEURS. 1980. 2 VOLUMES IN-8 (27 X 21,5 X 10,5 CENTIMETRES ENVIRON) DE 224 + (1) ET 223 + (6) PAGES, RELIURE DE L’EDITEUR PLEINE BASANE MAROQUINEE ROUGE ENTIEREMENT ESTAMPEE D’UN DECOR A FROID, EN NOIR ET EN DORE, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE DE MINIATURES EN COULEURS DANS LE GOUT DE L’ENLUMINURE, IN ET HORS TEXTE, DONT UNE PLANCHE DOUBLE. PREMIER TIRAGE LIMITE A 2460 EXEMPLAIRES NUMEROTES, DONT 30 HORS-COMMERCE, TOUS SUR VELIN D'ARCHES, FILIGRANE SEFER J.P., CELUI-CI PORTANT LE NUMERO 1549, ET ENRICHI D'UNE ILLUSTRATION ORIGINALE EN COULEURS DANS LE PREMIER VOLUME. DOS ECLAIRCIS, SINON TRES BEL EXEMPLAIRE, ACCOMPAGNE DE SON CERTIFICAT.
1980réf. 3424MONTE-CARLO. ARTS ET COULEURS. 1980. 2 VOLUMES IN-8 (27 X 21,5 X 10,5 CENTIMETRES ENVIRON) DE 224 + (1) ET 223 + (6) PAGES, RELIURE DE L’EDITEUR PLEINE BASANE MAROQUINEE ROUGE ENTIEREMENT ESTAMPEE D’UN DECOR A FROID, EN NOIR ET EN DORE, TITRE ET TETE DORES, SOUS ETUI BORDE. ILLUSTRE DE MINIATURES EN COULEURS DANS LE GOUT DE L’ENLUMINURE, IN ET HORS TEXTE, DONT UNE PLANCHE DOUBLE. PREMIER TIRAGE LIMITE A 2460 EXEMPLAIRES NUMEROTES, DONT 30 HORS-COMMERCE, TOUS SUR VELIN D'ARCHES, FILIGRANE SEFER J.P., CELUI-CI PORTANT LE NUMERO 2389. BEL EXEMPLAIRE, ACCOMPAGNE DE SON CERTIFICAT.
