RACHILDEBiblio.com
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1910rif. 76250Bas-Vignons 1910. Fine. Bas-Vignons 24 août 1910 13.70 x 21 cm 2 pages sur un double feuillet Unpublished autograph letter signed by Rachilde two pages written in black ink on a double sheet with Mercure de France letterhead. Interesting letter addressed to an unknown recipient perhaps a ""naval officer"". Rachilde defends Les Petites Alliées by Claude Farrère and his style in general: ""Je ne veux pas du tout vous laisser croire que l'oeuvre de Claude Farrère les Petites Alliées est un ouvrage de basse littérature . Claude Farrère est un très joli écrivain qui joint aux becs de sa plume une pointe de dandysme laquelle pointe peut le faire mal juger aussi bien par vous que par moi mais n'en demeure pas moins littéraire."" ""I do not want you to believe at all that Claude Farrère's work les Petites Alliées is a work of low literature . Claude Farrère is a very fine writer who adds to his pen's nibs a touch of dandyism which touch may make him badly judged by you as well as by me but nonetheless remains literary."" This ""touch of dandyism"" led to an amusing misunderstanding as highlighted by Henri Troyat Farrère's successor at the French Academy in his reception speech: ""As for the feminist Rachilde deceived by the first name Claude she had led a fierce campaign for Farrère taking him for a fellow woman writer."" unknown
FIRST EDITION of this important, early, and imaginative study of Verlaine and his artistic milieu. ONE OF ONLY TWELVE LARGE-PAPER COPIES PRINTED ON FINE ARCHES LAID PAPER (the only large-paper issue). The other copies of this book were printed on cheap wood-pulp paper, and are crumbling into dust by now. Numerous illustrations, including a frontispiece woodcut portrait of Verlaine after Carriere and four full-page plates. From the collection of Luis de Caralt, a Barcelona publisher who was Spain's greatest collector of modern illustrated books, with his bookplate. 8vo. Original wraps. Wraps somewhat worn, internally clean, uncut, and almost entirely unopened. A very good copy of an extremely rare book.
1972rif. 5SANS LIEU D’EDITION. EDITIONS D’ART AGORI. 1972. SUITE DE 21 EAUX-FORTES DE LEONOR FINI (37 X 48 CENTIMETRES ENVIRON) TIREES SUR CHINE, DONT L’UNE EN DOUBLE EST SIGNEE AU CRAYON PAR L’ARTISTE. L’ENSEMBLE SOUS PORTEFEUILLE MUET. BON ETAT.
1998rif. SONG0801857627The Johns Hopkins University Press 1998-04-07. paperback. Used: Good. 5.50x0.50x8.75. Buy with confidence. Excellent Customer Service & Return policy. The Johns Hopkins University Press paperback
1972rif. 23957Éditions d'Art Agori 1972 Bourg-La Reine, Éditions d'Art Agori, (1972), in-folio, en feuilles, sous couverture blanche rempliée, titre noir imprimé, sous chemise et étui fleuris éditeur, dans sa chemise d'envoi.
1884rif. 8717First edition first issue complete with all subsequently censored text including the final scene in which the heroine makes love to a partially animated transgender mannequin. Rachilde who was to style herself as a 'man of letters' on her calling cards was just 24 when Monsieur Vénus her second novel was published in Brussels. The book caused an immediate scandal and was vigorously suppressed by the Belgian and French authorities. Subsequent editions were shorn of the novel's more shocking passages which were conveniently attributed to Rachilde's probably-fictitious co-author 'Francis Talman' whose name appeared on the title page. Some critics refused to believe that a work which frankly recounted the pursuit of sexual pleasure by a noblewoman Raoule de Vénérande could possibly be the work of a young woman. It remains an unsettling work describing Raoule's treatment of her young male lover Silvert who she persistently feminizes and humiliates. Silvert ultimately dies at the hands of one of Raoule's suitor's in a duel and is replaced by her with a mannequin with real hair teeth and fingernails who can be alternately dressed in male and female clothes. The Belgian authorities sought to destroy as many copies of the first edition as possible and it is accordingly a noted rarity. 12mo 180 × 118 mm pp. 8 228 2 complete with half-title wanting the first of the two advert leaves at rear probably an early cancellation. Some light browning. Original pale green upper and lower covers preserved in early green cloth with red morocco label. Unidentified early monogram stamp to half title. Spine faded with short tear no loss at head. A very good copy. Auguste Brancart.
1972rif. 2159SANS LIEU D’EDITION. EDITIONS D’ART AGORI. 1972. GRAND IN-4 EN FEUILLES (34,5 X 44 X 7 CENTIMETRES ENVIRON) NON PAGINE, SOUS COUVERTURE BLANCHE REMPLIEE ET IMPRIMEE, CHEMISE ET ETUI CARTONNES FLEURIS DE L’EDITEUR. ILLUSTRE DE 35 EAUX-FORTES DE LEONOR FINI, 17 IN TEXTE ET 18 HORS TEXTE. PREMIER TIRAGE LIMITE A 295 EXEMPLAIRES NUMEROTES, DONT 20 HORS COMMERCE. UN DES 200 SUR RIVES COMPRENANT LES 35 GRAVURES, CELUI-CI PORTANT LE NUMERO 76, REVETU DE LA SIGNATURE AUTOGRAPHE DE L’ARTISTE SOUS LA JUSTIFICATION. PETITS DEFAUTS SUR L’ETUI, SINON BEL EXEMPLAIRE.
1972rif. 3788SANS LIEU D’EDITION. EDITIONS D’ART AGORI. 1972. GRAND IN-4 EN FEUILLES (34,5 X 44 X 7 CENTIMETRES ENVIRON) NON PAGINE, SOUS COUVERTURE BLANCHE REMPLIEE ET IMPRIMEE, CHEMISE ET ETUI CARTONNES FLEURIS DE L’EDITEUR. ILLUSTRE DE 35 EAUX-FORTES DE LEONOR FINI, 17 IN TEXTE ET 18 HORS TEXTE. PREMIER TIRAGE LIMITE A 295 EXEMPLAIRES NUMEROTES, DONT 20 HORS COMMERCE. UN DES 200 SUR RIVES COMPRENANT LES 35 GRAVURES, CELUI-CI PORTANT LE NUMERO 158, REVETU DE LA SIGNATURE AUTOGRAPHE DE L’ARTISTE SOUS LA JUSTIFICATION. PETITS DEFAUTS SUR L’ETUI, SINON BEL EXEMPLAIRE.
rif. 107Paris, Agori, 1972 ; in folio, en feuilles, couverture, chemise et étui.
rif. ORD-8835Editions d'Art Agori. 1972. In-f°(346 x 437mm) en feuilles sous étui et emboîtage jaunes illustrés de fleurs de diverses couleurs, titre en grandes lettres noires au dos de l'étui. Un des 20 exemplaires sur Rive après 35 Japon avec toutes les 35 gravures en noir signées et une suite en bistre sur Japon nacré également signées par l'artiste. Très bel exemplaire.
