SAMSON & CO (designers)Biblio.com
3 375 résultats
1845réf. 8611Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 8621Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. Writing in the top right-hand corner reading: "Potiche per genre Berlin of 18-3B" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 13949Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 13946Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling a small loss in the top right corner and a 3" tear traveling from the left edge of the sheet into the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 13943Paris 1845. Pen ink and watercolour. Very good condition apart from some mild creasing two tiny pinholes in the lower left margin and a 3/8" tear in the top left margin. The design instructions on the print read "les filets sont bleus" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 10165Paris 1845. Pen ink and watercolour. Good condition apart from some overall light foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 10166Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light foxing and a few small horizontal brown marks in the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 13930Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing mild creasing a small tear at the right edge of the sheet and a few small brown stains at the far left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 14105Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 8611Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13949Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13946Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling a small loss in the top right corner and a 3" tear traveling from the left edge of the sheet into the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13943Paris 1845. Pen ink and watercolour. Very good condition apart from some mild creasing two tiny pinholes in the lower left margin and a 3/8" tear in the top left margin. The design instructions on the print read "les filets sont bleus" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 8621Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. Writing in the top right-hand corner reading: "Potiche per genre Berlin of 18-3B" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 10165Paris 1845. Pen ink and watercolour. Good condition apart from some overall light foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 10166Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light foxing and a few small horizontal brown marks in the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13930Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing mild creasing a small tear at the right edge of the sheet and a few small brown stains at the far left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 14105Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1723réf. 209708Amsterdam: Mortier Pieter 1723. unbound. very good. Map. Engraving with hand outline. Image measures 14" x 18.75". Beautifully detailed map showing the area between the the Black and Caspian Seas including modern day Russia Georgia Azerbaijan Armenia and Turkey. Full original margins have minor stains. Based on the plates by Nicolas Sanson 1600-1667 who is considered the founder of the French school of cartography. In reaction to the prevailing trend of Dutch lavishness Sanson favored minimal details focusing rather on accurate cartography than ornament. Mortier, Pieter unknown
1723réf. 209708Amsterdam: Mortier Pieter 1723. unbound. very good. Map. Engraving with hand outline. Image measures 14" x 18.75". Beautifully detailed map showing the area between the the Black and Caspian Seas including modern day Russia Georgia Azerbaijan Armenia and Turkey. Full original margins have minor stains. Based on the plates by Nicolas Sanson 1600-1667 who is considered the founder of the French school of cartography. In reaction to the prevailing trend of Dutch lavishness Sanson favored minimal details focusing rather on accurate cartography than ornament. Mortier, Pieter unknown books
1705réf. 311838Amsterdam: Petrus Schenk 1705. unbound. Map. Engraving with original hand outline. Image measures 18 7/8" x 22 3/4" Beautiful map of southeastern Europe extending from Italy to Turkey and from Hungary to Cyprus. Published circa 1705 this map depicts the region during the Ottoman-Habsburg wars. In fair condition. Wear to original centerfold with tape repair and stain at bottom edge. Lower margin worn and frayed not affecting the image. Minor cracking and small loss near center due to oxidization of original viridian green coloring. Some foxing. Publisher's crease to upper right corner. Sold as-is. Petrus Schenk c.1660--1711 was a German engraver and cartographer. He began his training in Amsterdam in the art of mezzotint and soon began working closely with Gerard Valck. The two took advantage of the bustling cartographic trade in the city and quickly expanded their business from portraits and prints into maps and globes. In 1700 Schenk grew the business further by moving to Leipzig Germany and opening a shop. As his sons and grandson returned to the Netherlands to become active engravers as well the Schenk firm developed into one of the best-known publishing houses in 18th-century Amsterdam. This map attests to Schenk's prolific production and skill in both cartographic artistry and business. Petrus Schenk unknown books
réf. elala2772Venice: Vendramin 1743. First Edition of this collection of responsa by the Italian rabbi and physician. "Morpurgo had connections with all the great scholars of his generation who turned to him for counsel on complicated cases in the field of halakhah among them Isaac Lampronti who quotes Samson's rulings in his Paad Yiak Moses agiz and Benjamin ha-Kohen of Reggio. His skill as a doctor in Ancona recognized by both Jews and Christians and his profound compassion particularly toward the suffering poor won him the love and respect of all. In 1730 a devastating influenza plague swept Ancona and despite the Church ban against Jewish doctors' treating the Christian sick Samson distinguished himself in the care he gave to all the town's inhabitants. In consequence Cardinal Lambertini publicly presented him in 1731 with a document which expressed his gratitude and his esteem for Samson's devotion." Ency. Judaica. 2 Parts in 1. folio. titles within elaborate woodcut border. several woodcut ornaments. later half vellum covers warped paper partly peeling from edges & rear cover second half of text dampstained paper cockled Venice: Vendramin, 1743 hardcover
réf. DADAX1565073061Brand: Harvest House Pub 0000-00-00. paperback. New. 5.50x1.00x8.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Harvest House Pub paperback
1696réf. 17229Paris: Hubert Jaillot 1696. Other. In excellent condition. 445 by 550mm 17 by 21 inches. 445 by 550mm 17 by 21 inches. Original antique hand-colored copper engraving from the 'Atlas Nouveau' published in Paris 1696. Depicting Kingdom of Naples this map is a fine example of 1690s European cartography. Image: 445 by 550mm 17 by 21 inches. An attractive and historically significant 17th-century map for the discerning collector. Alexis-Hubert Jaillot c. 16321712 was a French sculptor turned cartographer who became one of the most important map publishers of late 17th-century France. After marrying into the family of mapmaker Nicolas Berey he negotiated access to the plates of the great French cartographer Nicolas Sanson 16001667 and used them to publish his monumental 'Atlas Nouveau' from the 1690s onward. Appointed 'Géographe du Roi' Royal Geographer to Louis XIV in 1686 Jaillot produced large-format maps celebrated for their elaborate allegorical cartouches and decorative ambition. His maps of Italy were among the finest large-format representations of the peninsula produced in the 17th century frequently bearing dedications to members of the French royal family.Large and decorative map of England by the French cartographer Nicolaus Sanson and Hubert Jaillot. Published in the 'Atlas Noveau.' this atlas was a masterpiece in the French cartography in the 17th century. The atlas was specially designed for Louis XIV and due of the very large size of the plates most maps were printed from two plates it took Hubert Jaillot over 12 years to complete the 'Atlas Noveau.'. The kingdom of Naples is very detailled shown on the map as well the various principalities are shown in engraved territory borders. The map is rich in detail with many cities and place names rivers mountains castles etc. The map is ornated with a large fine allegoric title cartouche with coat of arms in the upper right corner as well a decorative cartouche with a milage scale.A fine example from Atlas Nouveau Paris sought after by collectors of antique maps of Italy antique maps of Kingdom of Naples and antique hand-colored copper engravings for sale. In good condition consistent with age. The map is ornated with a large fine allegoric title cartouche with coat of arms in the upper right corner as well a decorative cartouche with a milage scale. Hubert Jaillot unknown
1650réf. 2312280001Petrum Mariette: Lutetiae Parisiorum 1650. First Edition. Maps. Very Good. Ancient Europe : The Roman Empire Fine hand-colored double-page engraved map of Roman provinces of Europe. Mounted in wood frame with wooden side handles. Dimensions of mounted image: 40 x 56 cm. 53 x 69.5 cm in frame. Latin province names cities seas. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Petrum Mariette: Lutetiae Parisiorum unknown
