SAMSON & CO (designers)Biblio.com
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1845rif. 13943Paris 1845. Pen ink and watercolour. Very good condition apart from some mild creasing two tiny pinholes in the lower left margin and a 3/8" tear in the top left margin. The design instructions on the print read "les filets sont bleus" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845rif. 15907Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and mild foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845rif. 10166Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light foxing and a few small horizontal brown marks in the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845rif. 13930Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing mild creasing a small tear at the right edge of the sheet and a few small brown stains at the far left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845rif. 14105Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
rif. RED5ZS5P8JL5paperback. Like New. in x in x in. paperback
2004rif. SBBIH-TLMRUKDSOUUZJacek Santorski 2004. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Jacek Santorski paperback
2013rif. 227358Seattle: Edizione a cura dell'Artista 2013. Fogli sciolti in custodia loose leaf in slipcase. Ottimo Fine. Fotografie in bianco e nero raccolte e rielaborate da Jonah Samson. Testo di Sheila Heti tratto dal suo romanzo "Ticknor" pubblicato da Farrar Straus & Giroux. All'interno del cofanetto: 19 fogli sciolti di varie misure con fotografie in bianco e nero e riproduzione di documenti giudiziari un poster ripiegato una busta contenente i fogli di testo. 8vo 275x22 cm. pp. 20. Ottimo Fine. Prima edizione di 200 esemplari numerati e firmati dall'Artista First edition of 200 numbered copies signed by the Artist. Pur alludendo visibilmente al genere cinematografico noir Dead Man's Hand presenta una serie di fotografie ed ephemera ritrovati che fanno riferimento alla fascinazione dell'artista per la storia della fotografia della metà del XX secolo in particolare la fotografia criminale e quella di pin-up. Le immagini sono finte accuratamente realizzate come modelli in scala poi illuminate e fotografate in studio. Per dare una sensazione di autenticità l'artista ha fotografato i set da lui costruiti con una fotocamera vintage Speed Graflex la stessa fotocamera 4x5 che veniva usata dai fotografi della stampa all'epoca. Le fotografie originali sono state poi alterate manualmente per apparire come foto reali. Il contenuto aggiuntivo del libro consiste in foto vere di pin-up e ritagli da riviste poliziesche d'epoca. Il testo del libro è un pezzo scritto da Sheila Heti presentato come una lettera scritta a macchina Edizione a cura dell'Artista, unknown
1937rif. 44890Boston: Chapman & Grimes 1937. Â"Experiences of many voyages chasing whales in the Arctic.Â" With vintage photos of Arctic whaling operations. Arctic Bib. 3392 . Boston: Chapman & Grimes 1937. Experiences of many voyages chasing whales in the Arctic. With vintage photos of Arctic whaling operations. Arctic Bib. 3392. Jenkins p. 92. First edition. Warmly inscribed by author Cook with an image of him laid down on front blank. 20 cm. 314 pp. b/w plates. Chapman & Grimes unknown
1921rif. 131835Kensington: The Favil Press 1921. First Edition. Paperback. Very Good. Kensington The Favil Press 1921. Small octavo 47 pages with a frontispiece. Stiffened marbled wrappers with paper title-labels to the front cover and spine; edges uncut; covers a little worn; a very good copy. The Favil Press paperback
2014rif. 9027776Tubingen: Mohr Siebeck 2014. 1st. Paperback. fine. Wissenschaftliche Untersuchungen zum Nuen Testament 2. Reihe 366. Text in English. Mohr Siebeck paperback
1935rif. 52764New York and Los Angeles: Samuel French Ltd 1935. First Edition. First Printing. Octavo 19.5cm; black cloth spine over green cloth-covered boards with titling stamped in gilt on spine; red topstain; deckle edges; dustjacket; 223pp. Spine ends gently nudged with light rubbing to titling shelf-soil two faint ring marks to front cover and occasional marginal folds; Very Good. Dustwrapper unclipped priced $2.00 lightly tanned with shelf-soil 1" loss to crown affecting title 0.5" tear to base of spine and tiny chips to folds and corners; Good. Its first film adaptation directed by Wesley Ruggles 1935 starred Astrid Allwyn and Lon Chaney Jr. Later Mr. Music 1950 directed by Richard Haydn starred Bing Crosby Nancy Olson and Charles Coburn. But Not for Me 1959 directed by Walter Lang starred Clark Gable Carroll Baker Lilli Palmer and Lee J. Cobb. 52764. Samuel French Ltd unknown
1924rif. C23699Kensington 1924. First Edition. Hardback. No Dust Jacket. Very good plus. Excellent condition. . 8vo. pp 47. Original publisher's marbled boards lettered black on front cover label. 750 copies of this edition printed. Transactions of the Zetetic Club. Illustrated in b/w throughout. hardcover
1901rif. b40089Washington: Government Printing Office 1901. First Edition . Hardcover. Very Good. Very good in original blue cloth-covered boards with gilt stamping. Brief rubbing at the extremites a small scratch on the first panel and a somewhat shaken binding. This is one of a handful of presentation copies given to members of the Citizens' Committee of the National Capital Centennial Celebration 1900 The presentation inscription in this copy to Henry W. Samson appears on the front pastedown. Uncommon. Government Printing Office hardcover
1968rif. 28204Ibadan n.d. but 1968. First Edition. Slim folio 32.5cm.; original red pictorial card wrappers; 2iv43pp.; mimeographed text. Fine. Play originally composed and produced while the author was a student at the International Secondary School University of Ibadan in 1963. Amali later described as the only writer in his native language of Idoma is best known for his poetry both English and Idoman see Albert S. Gérard European-Language Writing in Sub-Saharan Africa 1986 p. 782n providing the date for this mimeographed edition. unknown
rif. 6707340ABC-Clio Incorporated . Hardback. New. pp. 258 ABC-Clio, Incorporated hardcover
rif. 6507214Taylor & Francis Group . Papeback. New. pp. 464 Taylor & Francis Group unknown
1700rif. 54023Nicolas Bion: L'Usage des Globes. Amsterdam: Francois Halma. 1700. Attractive map of Morocco the Saharan hinterland and the Canary Islands. Handsome title cartouche at top left. Much of the charm of early maps of Africa lies in how they show the interior of the continent which was not explored until the 19th century. Maps by Sanson in original colour are rare. Nicolas Sanson was founder of the French school of mapmakers at a time when the leadership in European cartography passed from the Low Countries to France. This map was published in Brion's treatise on globes. Nicolas Brion was a famous French mathematical and scientific instrument maker. Copper engraving. Very good condition. Faint library stamp right margin. Original colour. Size: 28 x 17 cm. 11 x 6½ inches. unknown
2003rif. 374680Woodstock VT: Countryman Press 2003. hardcover. very good/very good. 8vo large. pp.219. Countryman Press hardcover
1980rif. 163476Warminster: Aris & Phillips 1980. 1st edition. Nice copy. small folio. hardback with dust jacket ix 144pp. b/w plates text ills. bibliog. indexes Detailed illustrated catalogue of statues statuettes reliefs inlays and other objects collected by Flinders Petrie from Tell el-Amarna the ancient Egyptian city of Akhenaten Aris & Phillips hardcover
rif. 62978Paris Chez Pierre Mariette 1654. Original copper-engraved map of the Arabian Peninsula 43.5 x 59 cm with contemporary outline colour refreshed and adorned with a large columnar style title cartouche. A dark impression. Paper has been washed and strengthened due to foxing. Rare map of the Arabian Peninsula first published in 1654 and one of the first large maps focused specifically on the Arabian Peninsula. Sanson's map of the Arabian Peninsula continued to influence maps of the region throughout the latter part of the 17th century. Here Arabia is divided into three regions: Arabia Petraea the northwestern area encompassing the Sinai Peninsula and Jordan Arabia Deserta the northernmost area just south of the Tigris and Euphrates rivers and Arabia Felix by far the largest territory covering most of the peninsula and extending from the holy cities of Mecca and Medina in the northwest to the coasts of the Arabian Sea and the Gulf of Oman. There is great detail of mountains and rivers although there are clear geographical errors such as the exaggerated extent of the mountain ranges. Numerous villages are depicted including stopping places on the pilgrimage to Mecca Iathreb Badrahenen Gioffa and Cadaid among others as well as towns that appeared for the first time on a map of Arabia Hagair Hadrama Salamia and Iamama. Bahrain is demarcated along the northwestern shore of the Arabian Gulf. Nicolas Sanson was to bring about the rise of French cartography although the fierce competition of the Dutch would last until the end of the century. His success was partly owing to the partnership with the publisher Pierre Mariette. In 1644 the latter had purchased the business of Melchior Tavernier and helped Sanson with financial support in producing the maps. In 1657 Pierre Marriette died however his son also named Pierre co-published Les Cartes Générales de toutes les parties du Monde the following year. It was the first folio French produced world atlas. Tibbetts 98; Ankary p.98 Paris, Chez Pierre Mariette, 1654. unknown
rif. B9783985540983Hardback. New. hardcover
rif. B9786208119553Paperback / softback. New. paperback
rif. A9781803551593Hardback. New. hardcover
rif. A9780313353260Hardback. New. This hard-hitting analysis of the U.S. missile defense program explains the system's limitations and argues that it is not nearly as effective as Americans have been led to believe. hardcover
