W H SamsonBiblio.com
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rif. B9781015802292Hardback. New. hardcover
rif. 53908Sydney Walter Jameson Meyer 1866. TITLE CONTINUED: Including Sydney Bathurst Maitland Newcastle Goulburn Forbes Armidale Tamworth Grafton Murrurundi Muswellbrook Singleton Mudge etc. 1866. 8vo approximately 215 x 140 mm 8½ x 5½ inches large folding map pages: xvi adverts 1 a large folding plate 1 1-640 followed by 63 pages of adverts first and last advert page pasted down on pastedowns losing first advertisment original publisher's navy blue cloth gilt title to spine blind decoration to covers. Binding slightly rubbed folding map has some neat repairs to blank side no loss of image the map paper is delicate and needs care on opening otherwise a very good copy. See: National Library of Australia's Bib ID 1720838. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST. Sydney, Walter Jameson Meyer, [1866]. hardcover
rif. 52827Paris Editions d’art les heures Claires ca.1950. Gr.8° 24 lose Bl. Bütten 12 pointes sèches Orig.- Radierungen handkoloriert in Mappe in Schuber Lose Bl. in Kart.-Hülle in Schuber Mappe und Schuber gebräunt innen tadell. Hübsches bibliophiles Werk über den Geburtsort der modernen Kunst. André Warnod 1885 -1960 franz. Schriftsteller Kunstkritiker und Zeichner. 010 Paris, Editions d’art les heures Claires, ca.1950 unknown
1955rif. 1170724.28Les Heures claires Paris No date; 1955. Limited edition: no. 1480. Hardcover. Very Good. 8vo hardcover no dj. 12 tissue-protected black and white dry point plates: loose uncut leaves housed in folding boards covered in original glassine wrapper in matching slipcase. Vg condition. Plates themselves in pristine condition just the tiniest bit of foxing at top margin of title page only none to plates themselves. Slipcase lightly browned otherwise solid and square no splitting at slipcase seams. Les Heures claires, Paris hardcover
1998rif. 7737Brooklyn: Artscroll Judaica Classics 1998. Soft cover. Very Good/No Jacket. Artscroll Judaica Classics paperback
rif. 41445142-nnew. unknown
rif. 41445142like new. unknown
2009rif. Q-0781445426David C Cook 2009-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! David C Cook paperback
rif. B9781016076135Hardback. New. hardcover
rif. 0267502303.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1332529941.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1944rif. ARC93931The Hogarth Press London 1944. Book. Very Good. Hardcover. 1st Edition. First Edition first printing of which 2000 copies were printed. 8vo. 163pp. Beige cloth lettered in blue at the spine. Corner tips gently rubbed. Small triangular inkstamp to the front free endpaper. A very good copy in the Keith Vaughan dust wrapper split into two parts at the spine panel-front panel fold and a little tanned rubbed and chipped with several tiny fractions of edge-loss and a small area of light staining. The author's scarce first book bar his anonymous 1941 'Fire Over London' pamphlet: twelve short stories drawing their inspiration from his experiences as a fireman during the Blitz. A super copy albeit somewhat disfigured by the state of the dust wrapper. The Hogarth Press, London Hardcover
rif. 0262520389.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1915Front cover portrait of Commander Charles R. Samson, of the Royal Flying Corps. The linked battles of Eastern France. The Course of events from the Marne to the Aisne. Centerfold artwork entitled "Contrasts in the Great War - The Awful Thunder of the Guns and the Beneficent work of the Army Medical Corps". Photos and Illustrations: The Aga Khan; Extensive plans for the comfort of the travelling Kaiser; British Armoured Car; The French '75' and its inventor Colonel Dupont; and more. Average wear. Unmarked. Sound copy. Book
1915Front cover portrait of General Sir Henry Macleod Leslie Rundle, G.C.B., G.C.M.G., G.C.V.O., D.S.O., R.A. Progress of the war in the air described and pictured. Centerfold illustration entitled "The first used of Zeppelin airships against British Men-of-War. Photos and illustrations: New Zealanders bridge-building in Egypt; Princess Patricia's Canadian Light Infantry in Camp on Salisbury Plain; Commander Charles Rumney Samson; Photo of a French aeroplane pursuing a German airship; and more. Covers secured by tape. Somewhat above-average wear externally. Book
rif. ria9786209026980_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Atualmente apesar da reforma da educação na República Democrática do Congo com o ensino básico para todos nomeadamente com a gratuitidade do ensino primário assiste-se a uma redução da qualidade do ensino. No ensino secundário as co paperback
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rif. 05696London: S. W. Fores 1800. The Rarest Woodward of All London Is No Place To Be In The Summer WOODWARD George Moutard designer. SANSON Francis engraver. Every Body Out Of Town exemplified in six characteristic prints and illustrative labels with Every Body In Town exemplified in six characteristic prints and illustrative labels. London: S.W. Fores 1800. Second editions originally published by Woodward himself in 1794/1796. Quarto 10 1/8 x 8 3/8 in; 259 x 213 mm. Twelve hand-colored engraved plates 9 x 7 1/2 in; 297 x 192 mm two hand-colored engraved title-pages each imprinted Feb. 14 1800 and mounted on fourteen quarto sheets 133/4 x 18 1/4 in; 349 x 470 mm of various colors. Four blank leaves at rear folded blank quarto sheet inserted in rear pocket. Bound in contemporary full maroon morocco with double gilt fillets enclosing extravagantly blindstamped covers with an outer frame of floral and foliate motifs volutes curls with bacchants along lower edge an inner rolled frame and a central panel with center lozenge within an elaborately blocked medallion. Pocket to rear cover. Astonishingly bright clean and very fine. Housed in a felt-lined half maroon morocco over gray cloth clamshell case spine with five raised bands ruled and lettered in gilt in compartments. OCLC records one copy of the 1800 edition of Every Body Out of Town and only two copies of the 1800 edition of Every Body In Town in institutional holdings worldwide. Not found in the British Museum's collection of satirical prints. According to the ABPC Index the last time either title came to auction was in 1942 Every Body Out of Town 1800 and 1923 Every Body In Town 1800. These 1800 reprints are rarer than the original issues. They are also larger than the 1794-1796 first issues which measured only 7 7/8 x 6 5/8 inches 200 x 170 mm. Of George Murgatroyd Woodward 1760-1809 caricaturist and author the DNB notes that he "later known as Mustard George grew up in a Derbyshire town living with his father and to judge by the evidence of his later writings received a sound education. He took early to caricature ridiculing his neighbours in Derbyshire; a folio of these drawings dated 1781 is in the Derby Local Studies Library among a sizable collection of his prints drawings and book illustrations. His caricatures having caused something of a local stir he persuaded his father to let him seek his fortune in London. "Apart from two caricature prints dated 1785 designed by Woodward and published by him from 28 Cary Street Lincoln's Inn London it was not until 1790 that he made an impact on the London scene. Thereafter his output was copious. The British Museum catalogues list 525 examples of his work from the next twenty years published by Holland Fores Ackermann and latterly Tegg all leading printsellers. These prints designed by Woodward are etched by others-Rowlandson who was his friend and drinking companion Isaac Cruikshank Roberts and Williams. Woodward's original drawings are vigorous. and his value lay in his humorous ideas. "Woodward.might have rivalled Hogarth. Certainly his collaboration with Rowlandson constituted a lively if frivolous commentary on the social scene. Dorothy George described him as 'original prolific varied humorous and good-humoured' and few students of the subject would dispute her conclusion that his death was 'a loss to caricature' George English Political Caricature 1.174" Simon Heneage 'Woodward George Murgatroyd 1760-1809 Oxford Dictionary of National Biography Oxford University Press 2004. Etcher and engraver Francis Sanson was active 1784-1799. Bobins IV 1365; Gordon Library BC28 BC29; Not in Abbey or Tooley. London: S. W. Fores, 1800 unknown
rif. 04086London: S.W. Fores 1801. Three of George Moutard Woodward's Hand-Colored Prints from "Symptoms of the Shop" WOODWARD George Moutard artist SANSON Francis printmaker. Symptoms of the Shop. London: S.W. Fores 1801. First edition. Quarto 10 1/8 x 8 1/16 inches; 257 x 265 mm. Three of twelve hand colored 'Satirical' stipple engravings on wove paper drawn by Woodward and etched by Sanson numbers 7 8 and 10. Each with the plate number at the top right margin and with lithographed text at the top of the image. On each of the lower margins is "Pub. June 1st 1801 by S.W. Fores No.50 Piccadilly Prints and Drawings lent on the plan of a Library Folio's of Caricature lent out for the Evening." / Symptoms of the Shop" / "Drawn by G. Woodward Etchd by F. Sansom". Some light marginal soiling otherwise near fine. Plate #7. "After all there is nothing like the true old orthodox principles." Plate #8. "I have brought your Honor home your new suit." Plate #10. "Madam - I was once a Minister and used to negotiations." Very rare. According to OCLC there are only two complete set in libraries and institutions worldwide The Lewis Walpole Library CT. has a complete colored set Princeton NJ also has a complete set but does not mention 'colored'. Yale university has nine of the twelve colored plates missing numbers 1 7 & 8. Harvard MA has one plate. These two artists previously collaborated on Every Body in Town BC-28 Every Body Out of Town BC-29 and Pigmy Revels: All Alive in Lilliput BC-62 all published by Fores. Each plate depicts two persons engaged in humorous wordplay relating to the characteristics of a trade or calling. William Gordon. A catalogue of the Books Drawings Prints and Periodicals forming the William A. Gordon Library of British Caricature. The three images present here include: Plate 7. A man sitting in a wooden chair lifts his hand for emphasis and declares: "After all there is nothing like the true old orthodox principles." An obese clergyman in a padded armchair on the right responds: "Orthodox principles - ah my dear friend you put me in mind of old times - when I was but a simple vicar. How I used to charm my congregation - slim as a Bedles wand - & delicate as a new wash'd surplice - but since I have been raised to higher dignities I do nothing but remain in my chair; bulky & unweildy as a Folio Church Service. - oh how elegantly I used to manage my discourses - fifteen minutes to a point by the clock under the gallery - never exceeded - short praye - text - and devision - one - two - three & away - that was my method." Plate 8. A man with a parcel under his arm bows slightly and says: "I have brought your Honor home your new suit." A stout bespectacled lawyer replies: "Suit - ah - Mr. Buckram you did not know me when I practiced in the Courts - I could have shewn you suits that would have puzzled Judge Blackstone himself - none of your simple matters - brim full of Law as a brief bag - intricate as the Temple avenues -& long as Westminster Hall - Shy Clients sometimes - but it would not do with Paul Parchment - sure to have them on way or other. - Once in never out that was my motto." Plate 10. A former Minister holding his hat wearing a bag-wig and with his pocket filled with scrolls addresses a woman: "Madam - I was once a Minister and used to Negotiations I shall therefore be happy to treat with you on Matrimonial Speculation - I have ample credentials ready to ratify my powers and if you please will enter into preliminaries immediately - but let me have a sight glance at your project and be assured I will deliver to you my contre projet as soon as the definitive treaty is concluded and duly guaranteed." The woman who is short and plump looks aghast at the proposition. London: S.W. Fores, 1801 unknown
rif. 05696London: S. W. Fores 1800. The Rarest Woodward of All London Is No Place To Be In The Summer WOODWARD George Moutard designer. SANSON Francis engraver. Every Body Out Of Town exemplified in six characteristic prints and illustrative labels with Every Body In Town exemplified in six characteristic prints and illustrative labels. London: S.W. Fores 1800. Second editions originally published by Woodward himself in 1794/1796. Quarto 10 1/8 x 8 3/8 in; 259 x 213 mm. Twelve hand-colored engraved plates 9 x 7 1/2 in; 297 x 192 mm two hand-colored engraved title-pages each imprinted Feb. 14 1800 and mounted on fourteen quarto sheets 133/4 x 18 1/4 in; 349 x 470 mm of various colors. Four blank leaves at rear folded blank quarto sheet inserted in rear pocket. Bound in contemporary full maroon morocco with double gilt fillets enclosing extravagantly blindstamped covers with an outer frame of floral and foliate motifs volutes curls with bacchants along lower edge an inner rolled frame and a central panel with center lozenge within an elaborately blocked medallion. Pocket to rear cover. Astonishingly bright clean and very fine. Housed in a felt-lined half maroon morocco over gray cloth clamshell case spine with five raised bands ruled and lettered in gilt in compartments. OCLC records one copy of the 1800 edition of Every Body Out of Town and only two copies of the 1800 edition of Every Body In Town in institutional holdings worldwide. Not found in the British Museum's collection of satirical prints. According to the ABPC Index the last time either title came to auction was in 1942 Every Body Out of Town 1800 and 1923 Every Body In Town 1800. These 1800 reprints are rarer than the original issues. They are also larger than the 1794-1796 first issues which measured only 7 7/8 x 6 5/8 inches 200 x 170 mm. Of George Murgatroyd Woodward 1760-1809 caricaturist and author the DNB notes that he "later known as Mustard George grew up in a Derbyshire town living with his father and to judge by the evidence of his later writings received a sound education. He took early to caricature ridiculing his neighbours in Derbyshire; a folio of these drawings dated 1781 is in the Derby Local Studies Library among a sizable collection of his prints drawings and book illustrations. His caricatures having caused something of a local stir he persuaded his father to let him seek his fortune in London. "Apart from two caricature prints dated 1785 designed by Woodward and published by him from 28 Cary Street Lincoln's Inn London it was not until 1790 that he made an impact on the London scene. Thereafter his output was copious. The British Museum catalogues list 525 examples of his work from the next twenty years published by Holland Fores Ackermann and latterly Tegg all leading printsellers. These prints designed by Woodward are etched by others-Rowlandson who was his friend and drinking companion Isaac Cruikshank Roberts and Williams. Woodward's original drawings are vigorous. and his value lay in his humorous ideas. "Woodward.might have rivalled Hogarth. Certainly his collaboration with Rowlandson constituted a lively if frivolous commentary on the social scene. Dorothy George described him as 'original prolific varied humorous and good-humoured' and few students of the subject would dispute her conclusion that his death was 'a loss to caricature' George English Political Caricature 1.174" Simon Heneage 'Woodward George Murgatroyd 1760-1809 Oxford Dictionary of National Biography Oxford University Press 2004. Etcher and engraver Francis Sanson was active 1784-1799. Bobins IV 1365; Gordon Library BC28 BC29; Not in Abbey or Tooley. London: S. W. Fores, 1800 unknown books
rif. 04086London: S.W. Fores 1801. Three of George Moutard Woodward's Hand-Colored Prints from "Symptoms of the Shop" WOODWARD George Moutard artist SANSON Francis printmaker. Symptoms of the Shop. London: S.W. Fores 1801. First edition. Quarto 10 1/8 x 8 1/16 inches; 257 x 265 mm. Three of twelve hand colored 'Satirical' stipple engravings on wove paper drawn by Woodward and etched by Sanson numbers 7 8 and 10. Each with the plate number at the top right margin and with lithographed text at the top of the image. On each of the lower margins is "Pub. June 1st 1801 by S.W. Fores No.50 Piccadilly Prints and Drawings lent on the plan of a Library Folio's of Caricature lent out for the Evening." / Symptoms of the Shop" / "Drawn by G. Woodward Etchd by F. Sansom". Some light marginal soiling otherwise near fine. Plate #7. "After all there is nothing like the true old orthodox principles." Plate #8. "I have brought your Honor home your new suit." Plate #10. "Madam - I was once a Minister and used to negotiations." Very rare. According to OCLC there are only two complete set in libraries and institutions worldwide The Lewis Walpole Library CT. has a complete colored set Princeton NJ also has a complete set but does not mention 'colored'. Yale university has nine of the twelve colored plates missing numbers 1 7 & 8. Harvard MA has one plate. These two artists previously collaborated on Every Body in Town BC-28 Every Body Out of Town BC-29 and Pigmy Revels: All Alive in Lilliput BC-62 all published by Fores. Each plate depicts two persons engaged in humorous wordplay relating to the characteristics of a trade or calling. William Gordon. A catalogue of the Books Drawings Prints and Periodicals forming the William A. Gordon Library of British Caricature. The three images present here include: Plate 7. A man sitting in a wooden chair lifts his hand for emphasis and declares: "After all there is nothing like the true old orthodox principles." An obese clergyman in a padded armchair on the right responds: "Orthodox principles - ah my dear friend you put me in mind of old times - when I was but a simple vicar. How I used to charm my congregation - slim as a Bedles wand - & delicate as a new wash'd surplice - but since I have been raised to higher dignities I do nothing but remain in my chair; bulky & unweildy as a Folio Church Service. - oh how elegantly I used to manage my discourses - fifteen minutes to a point by the clock under the gallery - never exceeded - short praye - text - and devision - one - two - three & away - that was my method." Plate 8. A man with a parcel under his arm bows slightly and says: "I have brought your Honor home your new suit." A stout bespectacled lawyer replies: "Suit - ah - Mr. Buckram you did not know me when I practiced in the Courts - I could have shewn you suits that would have puzzled Judge Blackstone himself - none of your simple matters - brim full of Law as a brief bag - intricate as the Temple avenues -& long as Westminster Hall - Shy Clients sometimes - but it would not do with Paul Parchment - sure to have them on way or other. - Once in never out that was my motto." Plate 10. A former Minister holding his hat wearing a bag-wig and with his pocket filled with scrolls addresses a woman: "Madam - I was once a Minister and used to Negotiations I shall therefore be happy to treat with you on Matrimonial Speculation - I have ample credentials ready to ratify my powers and if you please will enter into preliminaries immediately - but let me have a sight glance at your project and be assured I will deliver to you my contre projet as soon as the definitive treaty is concluded and duly guaranteed." The woman who is short and plump looks aghast at the proposition. London: S.W. Fores, 1801 unknown books
