3375 resultados
1693ref. LBW-6390Paris, H. Jaillot, 1693. En deux feuilles jointes formant une carte de 785 x 584 mm.
1936ref. mon0000214314Victor Gollancz 1936-01-01. Hardcover. Acceptable. in x in x in. Ex library book usual markings first non text page removed. Well read copy with some spine wear and leaning but still very useable. Victor Gollancz hardcover
ref. 6503071Clarendon Press . Hardback. New. pp. 668 Clarendon Press hardcover
2001ref. x-0198537816Oxford Univ Pr on Demand 2001. Hardcover. New. 556 pages. 9.50x5.75x1.25 inches. Oxford Univ Pr on Demand hardcover
1925ref. 140940956New York: Brentano's 1925. First Edition. Fine/Near Fine. First edition first printing of the dramatic version of a play which entered history when filmed becoming the first "talkie." Bound in publisher's patterned paper cover boards over green spine cloth with paper title label on spine. Fine pages lightly toned. In a Near Fine dust jacket with light rubbing light fading and light edge wear. A lovely copy scarce in the dust jacket. Brentano's unknown
1925ref. 140940956New York: Brentano's 1925. First Edition. Fine/Near Fine. First edition first printing of the dramatic version of a play which entered history when filmed becoming the first "talkie." Bound in publisher's patterned paper cover boards over green spine cloth with paper title label on spine. Fine pages lightly toned. In a Near Fine dust jacket with light rubbing light fading and light edge wear. A lovely copy scarce in the dust jacket. Brentano's unknown books
1665ref. M589Paris: Mariette Pierre 1665. Excellent. Size : 410x560 mm 16.125x22 Inches Coloring: Hand Colored Reference: Mojski Piotr Maria "Cartographia Rappersviliana Polonorum" page 387 number 31; Category: ; Maps Europe Poland Lithuania Mariette, Pierre unknown
1658ref. LBW-7393Paris, chez l'auteur, [1658]. 390 x 555 mm.
1720ref. LBW-464Amsterdam, J. Covens et C. Mortier, [circa 1720]. 400 x 501 mm.
ref. RELSPI/Box99/MH10/180626Dec 01 1956. Very Good. THE BOOK IS IN VERY GOOD CONDITION PAGES ARE CLEAN NO SIGN OF WEAR AND TEAR ON THE DUSTJACKET THIS IS A VOLUME 1 EDITION Sold by the U.K Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Disability Community. unknown
ref. 92107001Paris 1654 Mariette. Single sheet map center fold minor soil rubbing period hand-color outline mile key French text sheet size: ca 58 x 42 cm. map size: 58 x 35.5 cm. an early example. R A R E With a bit of faint discoloration to the lower left margin barely entering the mile chart else fairly clean. A large scale grand map grand map showing the Ocean Septentrional Glacial et Scythique aujour-dhuy Mer de Tartarie et Mer des Tenebres then to the East "Aux Arabes Deftroit de Ieffo and Terre de Iesso" or the Kurile Islands at the North of Japan. The central map area shows in single outline the areas: Russie Blan Che Mosco Vie; Tartarie Desert; Uraie Tartarie; mer Caspienne/Mer de Gilan de Tabarestan; Usbeczaga; Turchestan Turkestan Central Asia; Cathay; Empire des Perses; Empire du Grand Mogol Mongolia; Partie du Roy au de la Chine with the great wall. The South East corner shows Corey Isle Korea and a tiny tip of the adjacent Iesso Hokkaido or the Kurile Islands the Ocean Oriental. A rather outstanding early view of the Northern and Central Asian areas West of China proper. Includes such mystical place names as Girgian Samarcand Ciartiam Cazan Steppe area Mongolia and the vast Gobi desert &c. Also shows mountains forests lakes rivers cities and borders oceans and deserts. Maps of this area and scale are unusual. Nicely executed early map. . unknown
1705ref. M11241Amsterdam c.1705. Very Good. Notes: A reduced version of the most influential 17th century maps of the French and English colonies in North America. The map not only shows details of the Great Lakes but also it is a great source for Indian tribal names and locations. Two names Aouentsiouaeron and Attiouandarons appear here for the first time. Lake Superior and Michigan Lac du Puans are left open-end to the west. It is engraved by Anthony d'Winter. Size : 207x300 mm 8.15x11.81 Inches Coloring: Hand Colored Reference: Burden #575; Kershaw #138. Category: Maps Canada East; Maps North America Great Lakes; unknown
1700ref. M11077Paris 1700. Excellent. Notes: Second state. Published in Description De Tout L'Universe-Halma. An excellent example of Nicolas Sanson's map of Canada and the Great Lakes Lake Superior and Lake Michigan Lac du Puans are shown open-ended. Engraved in the bottom-right corner outside the neat-line is "A.d.Winter Schulp". Additions include a latitude and longitude grid; mountains and trees filling in the blank areas east of James Bay and in northern Labrador; and the three latitude and longitude values that were previously missing in three of the corners on the border. Size : 207x308 mm 8.15x12.13 Inches Coloring: Black & White Reference: Burden #575; Kershaw #137 Plate 85 Category: Maps Canada East; Maps North America Great Lakes; unknown
1943ref. 81394New York: 20th Century Fox 1943. Softcover. Fine. Continuity and Dialogue Script Taken from the Screen. Mimeographed sheets bradbound in blue stiff wrappers. About fine. Stamped "Received New York Legal Department Jul. 19 1943." Apparently prepared for the legal department to review and dated just one month before the film was released. The Ernst Lubitsch-directed classic highlighed by Raphaelson's witty script featured Don Ameche as a would-be sinner not quite bad enough to get into Hell on his deathbed and Gene Tierney as his long-suffering love. Both Lubitsch cinematographer Edward Cronjager and the film itself were nominated for Oscars. Very scarce. Ex-Carter Burden. 20th Century Fox unknown
1943ref. 81394New York: 20th Century Fox 1943. Softcover. Fine. Continuity and Dialogue Script Taken from the Screen. Mimeographed sheets bradbound in blue stiff wrappers. About fine. Stamped "Received New York Legal Department Jul. 19 1943." Apparently prepared for the legal department to review and dated just one month before the film was released. The Ernst Lubitsch-directed classic highlighed by Raphaelson's witty script featured Don Ameche as a would-be sinner not quite bad enough to get into Hell on his deathbed and Gene Tierney as his long-suffering love. Both Lubitsch cinematographer Edward Cronjager and the film itself were nominated for Oscars. Very scarce. Ex-Carter Burden. 20th Century Fox unknown books
1845ref. 8613Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling minor foxing and a 1 7/8" tear at the extreme right edge. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845ref. 15378Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and mild creasing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845ref. 13927Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling and minor foxing mild creasing and a few brownish stains in the top margin and right side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845ref. 14127Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and a few skillfully repaired tears in the bottom left and top right of the image. Top right corner of sheet trimmed diagonally. The design is based on a piece from the Musée des Arts Déocratifs and a notation on the bottom of the print reads: "Panette Rouen XVIII siècle" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845ref. 14117Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling and a few small barely visible foxing marks. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845ref. 8613Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling minor foxing and a 1 7/8" tear at the extreme right edge. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845ref. 15378Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and mild creasing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845ref. 14127Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and a few skillfully repaired tears in the bottom left and top right of the image. Top right corner of sheet trimmed diagonally. The design is based on a piece from the Musée des Arts Déocratifs and a notation on the bottom of the print reads: "Panette Rouen XVIII siècle" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845ref. 14117Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling and a few small barely visible foxing marks. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845ref. 13927Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling and minor foxing mild creasing and a few brownish stains in the top margin and right side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books