141 résultats
1623réf. ABC_46765Middelburg: Jan Pietersz. van de Venne 1623. Contemporary gold-tooled vellum with the title and imprint lettered in gold on the spine the spine divided in compartments by single fillets with an ornament in each compartment red and blue sprinkled edges. 4to. With a large woodcut printer's device on the title page of each part a woodcut headpiece with a view of Middelburg at the start of each part a full-page engraved emblematic coat of arms and 7 large emblems by D. van Bremden W. de Passe P. de Jode C. van Queboren and P. Serwouter after designs by Adriaen van de Venne in the first part; 8 large engravings in the text showing witty scenes designed and engraved by Adriaen van de Venne in the second part. 2 works in 1 volume. With: 2 VENNE Adriaen van de. Tafereel van sinne-mal.Middelburg Jan Pietersz vande Venne 1623. Rare first edition of the "Zeeland Nightingale" perhaps the most intriguing Dutch songbook of the early 17th century both from the literary point of view as from the point of view of book illustration and printing. The work was intended to spread the glory of the province of Zeeland and includes contributions of 18 poets born or living in Zeeland. Produced by the literal society of Middelburg it showcases the cultural identity of Zeeland through love lyrics devotional poetry and moral verse. The work continued to inspire for many centuries as the present copy was owned by the English explorer Frank Linsley James 1851-1890 and the Frysian art collector and notary Nanne Ottema 1874-1955.The nightingale was a symbol for talented poets and this work was to show the world that Zeeland was the place to be for modern artists. The initiator was most likely Jacob Cats. Contributions came from Cats himself Anna Roemer Visscher Philibert van Borssele Adriaen Valerius Johannis de Bruyne and many others. Adriaen van de Venne contributed a love song Zeeusche Mey-clacht accompanied by a beautiful illustration of a well-dressed young man leaning over a stream and mirroring himself in the water engraved by W. de Passe. At the end to promote sales a newly finished work by Adriaen van de Venne the brother of the publisher was added Tafereel van Sinne-Mal. In this work is found the beautiful engraving of the "Middelburgsche Lauwerhof" the fine garden at the back of his brother's printing office and in the accompanying song all things sold at his brother's bookshop are listed such as maps and prints paintings and lacquered ware compasses and nautical instruments watches etc. Other fine and interesting plates are the mussel-seller and the knife-grinder especially dedicated to Magdalena de Passe.From the early days the province of Zeeland represented within the new Dutch Republic a cultural centre of its own. At the time the most popular and respected Dutch poet Jacob Cats resided in Zeeland and declared himself very satisfied with his Middelburg printer. Afterwards Huygens had some of his works printed at Zeeland then Anna Roemer Visscher came to visit and exchanged poems with the Zeeland poets. Cats' brilliant illustrator Adriaen van de Venne also moved to Middelburg. His brother Jan Pietersz van de Venne had already established a flourishing business there as publisher and bookseller allowing the Zeeland intellectuals poets and artists to meet. With the bookplate of explorer Frank Linsley James 1851-1890 and the manuscript ownership annotation of Rev. Henry White of Lichfield dates unknown dated 1819 on the front pastedown the ex libris stamp of Nanne Ottema 1874-1955 on the second flyleaf. The vellum is slightly soiled. The leaves are lightly browned occassionally slightly foxed in the margins the lower corner of the last 2 pages has been restored. Otherwise in good condition.l Landwehr Emblem and fable books 588; Praz 540; Scheurleer pp. 149; STCN 831125780; USTC 1026749; Waller 1256; cf. Nagtglas pp. 818-22 on the Vande Venne family. Jan Pietersz. van de Venne, hardcover
1640réf. c0037Lugduni Batavorum: Wilhelme Christian. G : in Good condition without dust jacket. Cover worn with splits to hinges. Title pages inscribed. Some foxing and marks within. 19th century rebind and eps. 1640. First Edition. Brown hardback quarter-leather cover with marbled boards. 120mm x 70mm 5" x 3". xx 76pp. Supplement to the Pharsalia of Lucan. . Wilhelme Christian hardcover
1652réf. j8333Frankfurt: D Tobia Mevii & Elerdi Schumaheri. G : in good condition. Cover rubbed and soiled. Spine darkened. Foxed. Solicitors Supreme Court Library. 1652. First Edition. Cream hardback vellum cover. 360mm x 220mm 14" x 9". civ 345pp x 435pp x 406pp. . fractae pacis publicae laesae Majestatis tum humanae quam divinae Falsificationis Monetarum Blasphemiarum Perjurii et Sortilegiorum Ex jure civili Romano Imperiali Saxonico Ordinat. et Constitut. electoral Decisiones absolutas Responsis Scabinorum Lipsiensium approbatas et usu ac observantia Fori Saxonici confirmatas exhibet. Heavy book extra shipping needed for overseas. . D Tobia Mevii & Elerdi Schumaheri hardcover
1679réf. r5086Paris: Fredericum Leonard. G : in good condition without dust jacket. Cover rubbed and marked. Some pages darkened. 1679. Reprint. Cream hardback vellum cover. 250mm x 190mm 10" x 7". xxiv 448pp lxviii. B/w frontis engraving and 44 diagram figures within. . Fredericum Leonard hardcover
1642réf. 025458Leiden The Netherlands: Lugd. Batavor Ex Officina Elseviriana 1642. A beautiful book in terrific condition. Only light cover wear. SEE PHOTOS. This is a volume from the Elzevier ten-volume series of the complete works of Marcus Tullius Cicero 106-43 BC. Books 7 and 8 are the complete Philosophicorum. This is book 2 only corresponding to Volume 8. Published in 1642 by Elsevir. First Edition Thus. Square and tight. Pages are clean and unmarked with almost no foxing. Bound in full reddish-brown leather. The spine is elaborately gilt decorated. Triple ruled borders on the front and rear covers. All gilt is still bright and shiny. Title page features a handsome engraved illustration i. e. the famous Elsevier tree printer's mark with the motto Non solus - not alone. SEE PHOTOS. Gorgeous marbled endpapers. All edges gilt. Duodecimo. 2.75" wide by 5" tall. With the bookplate SEE PHOTOS of de Bourgevin Vialart de Moligny possibly Charles Paul Jean Baptiste de Bourgevin Vialart Count of Saint-Morys 1743-1795 who according to Wikipedia was adviser to the Grand Chamber of the Parliament of Paris designer and art collector. He died as a general of the Royal Army during the Quiberon expedition on the island of Houat in 1795. His highly important art collection including 12644 drawings was seized after his emigration in 1793 and handed over to the Louvre Museum in Paris in 1796-1797. The Saint-Morys collection is now housed in the Louvre's drawing room. Willems 535. Rahir 530/531. Dibden 1 400: "A very beautiful and correct edition. Bibliographers. dwell with rapture on the beauty of the paper and brilliancy of the type; and critics allow that its correctness is equal to its beauty.". First Edition Thus. Hardcover. Very Good condition. Illus. by NOT a library discard. ii 386pp. Great Packaging Fast Shipping. Lugd. Batavor Ex Officina Elseviriana Hardcover
1660réf. ST19567-160Paris: Chez Pierre Lamy 1660. FIRST EDITION. 179 x 120 mm. 7 x 4 3/4". 10 p.l. 496 35 1 pp. EXTREMELY FINE 19TH CENTURY RED MOROCCO BY HARDY stamp-signed in gilt on front turn-in covers with gilt coat of arms and French fillet border raised bands compartments ruled in gilt and with elegant gilt floral and foliate tooling gilt lettering gilt dentelles all edges gilt. Front free endpaper with bookplate of poet Auguste P. Garnier 1885-1966. Tchemerzine IX 332. ◆Trivial imperfections only: A VERY FINE COPY INSIDE AND OUT. In a very handsome binding by one of the most widely sought-after binders of the turn of the 20th century this is a beautifully preserved volume of verse by a founding member of the Académie française. A protégé of Malherbe Honorat de Bueil Seigneur de Racan 1589-1670 is primarily known for his elegant pastoral and religious poetry which as Britannica notes succeeds at "preserving the elegiac lyricism of an earlier age and foreshadowing the gentle melancholy of Alphonse de Lamartine." According to Tchemerzine the present work is "the most complete edition of Racan's religious works" and is in large part composed of his verse interpretations of the Psalms. The Hardy atelier produced luxurious volumes many of them armorial for a range of 19th century connoisseurs. Although we have not been able to identify the coat of arms on the covers the crown with pearls indicates that the owner bore the title of "Comte." Among other connections in the bibliopegic world Henri Hardy employed Jean Marius Michel as a gilder near the start of his career; he also worked with Charles Meunier and Émile Mercier before meeting Robert Hoe in Paris and agreeing to come to New York in early 1896 to serve as foreman of the newly established Club Bindery. In 1917 Hardy along with his compatriots Leon Maillard and Gaston Pilon formed the French Binders with the stated intention of "bringing together distinguished members of the craft to afford them opportunity to work under the most advantageous conditions." The present item is an excellent example of Hardy's earlier work is in outstanding condition inside and out and makes an excellent impression on the shelf. The bookplate on the flyleaf indicates that it was once owned by the French poet Auguste P. Garnier 1885-1966 who later ran the Garnier publishing house established by his family in 1833. Chez Pierre Lamy unknown
1669réf. 002407Lugd. Batav. et Roterod Leiden Netherlands: Ex officina Hackiana 1669. Hardcover. Good . 16 614 146 p.: folded map; 20 cm. Signatures: 8 A-3A8 3B4 8vo. Full calf 18th century with six spine compartments between raised bands. Gilt-tooled title in second compartment; gilt-tooled decoration in remaining compartments. Gilt decoration along edges of both boards. All page edges speckled red. Engraved title page. Engraved head-pieces and initial letters. "Petronii Arbitri Specimen belli civilis": p. 519-528. "Supplementum Lucani. Libri septem. Authore Thoma Majo Anglo": p. 529-614. Map is titled: Typus Regionum per quas grassatum est bellum hoc civile inter Pompeium et Caesarem. Inscription on second leaf partially crossed out leaving year 1781; 1 cm. at upper edge of that leaf excised presumably removing former owner's name but not impacting headpiece or text. In Good Condition: leather is rubbed with some worm damage; loss of headband and some additional leather at head of spine and along back joint from upper edge; pages are clean and tight; map is clean and intact; a solid copy. Ex officina Hackiana hardcover
1697réf. 867London: J. Tonson 1697. Second Edition. Three quarter cloth. Very good. Scarce. A very good second edition of Mr. Congreve's famous work. WING C5858 Blue three quarter cloth over maroon and blue marbled boards. Appears to be missing the first free endpaper otherwise complete and collated. Loss to page 1 not affecting text. Pencilled marginalia and previous owner's bookplate on front pastedown. Soft cotton paper. Toning to pages and pastedowns. Contents: 11'"1: half-title verso blank. 11'"2: title verso blank. Al: dedicatory epistle om. initial4. A3V: prologue cap2. A4V; dramatis personae with cast. Bl: HT with text cap4. K2: epilogue cap2. 6 /2 x 8 3/4 inches tall octavo. The Mourning Bride is a tragedy written by British playwright William Congreve. It premiered in 1697 at Betterton's Co. Lincoln's Inn Fields. The play centres on Zara a queen held captive by Manuel King of Granada and a web of love and deception which results in the mistaken murder of Manuel who is in disguise and Zara's also mistaken suicide in response. There are two very widely known quotations in the play; from the opening to the play: Music has charms to soothe a savage breast The word "breast" is often misquoted as "beast" and "has" sometimes appears as "hath". Also often repeated is a quotation of Zara in Act III Scene VIII: Heav'n has no rage like love to hatred turn'd Nor hell a fury like a woman scorn'd. This is usually paraphrased as "Hell hath no fury like a woman scorned." --- Wikipedia J. Tonson hardcover books
1685réf. 45099Parisiis : Leonard, MDCLXXXV (1685). p. 388 - 795 & index. 4°. Franzband mit Rückengildpräg.
1671réf. 15233Köln, Pierre du Marteau (fingierter Druckort, wohl Leyden), 1671. 11 n.n. Bll., 573 SS., 3 weiße Bll. 5 ganzseitige Kupfertafeln von Abraham Bloteling. 12° (ca. 13 x ca. 8 cm), Leder der Zeit, Rückenvergoldung verblichen, gesprenkelter Schnitt.
1698réf. 191947Paris, Cavellier, 1698. 1 Bl., 286 S. Ldr. d. Zt. m. Rsch., Rverg. u. Rsign. Einbd. berieben u. bestoßen. Hint. Vorsatz fehlt. Name von alter Hd. a. Tit.
1677réf. 11249Amsterdam, Daniel Elsevier, 1677. 1. Auflage 16° (10-15 cm). 260 S. Ganzleder der Zeit über drei Bünden
1671réf. 10009A Cologne [Köln, vermutlich jedoch Leiden], Chez Pierre Du Marteau, 1671. Gestochenes Titelblatt mit Titelvignette, (20), 573 Seiten und 5 Kupfertafeln sowie zahlreiche Holzschnitt-Vignetten im Text. Duodez (12,5 x 7,5 cm). Pergamentband der Zeit mit zeitgenössischer Rückenbeschriftung von Hand.
1699réf. 12832Oxford, E. Theatro Sheldoniano, 1699. Groß-Oktav. Mit jeweils einem Titelkupfer. 3 nn. Blatt, 295 S., 1 leere Seite; 2 pag. Seiten, 3 nn. Blatt, 306 S. Lederbände der Zeit auf 6 Bünden mit reich verzierter und geprägter floraler Rückenvergoldung und einem roten Rückenschildchen; goldgeprägte Schmuckleisten auf den Vorder- und Rückdeckeln sowie vergoldete Kanten. Vorsätze marmoriert.
1675réf. 10732Paris, Denis Thierry, 1675. 340 g In-12, demi papier parcheminé, [4] ff., [9 à ]233-[1] pp., [13] ff.; [8] ff. y compris une figure, [13 à ]139 pp., [8] ff.. Illustré de 5 figures hors-texte y compris le frontispice, dont deux par Landry et trois par Vallet d'après A. Paillet. Cette édition parue peu après l'édition originale collective in-4, peut se trouver à la date de 1674 ou de 1675 et à l'adresse de Thierry ou de Billaine. Elle présente plusieurs caractéristiques : - L'avis au lecteur est nouveau par rapport à celui de l'édition in-4 de 1674. - La préface du Lutrin y est supprimé et les pages 191-194 n'existent dans aucun exemplaire. - La préface du traité du sublime est augmenté à la fin d'un passage sur la rhétorique de Cassandre qui n'est pas repris dans les éditions suivantes. Un des exemplaires du second état où le nom de Quinault n'est pas imprimé à la p. 92 du traité du sublime et avec un cahier supplémentaire de quatre feuillets (p. 133-139) contenant l'épître V à Mr de Guilleragues qui avait été publié en 1674. Ces feuillets ne sont présents que dans certains exemplaires parmi les derniers sortis des presses. Magne n° 250 et Tchemerzine (1928), II, p. 271. Ex-libris Max Brun. Petite découpe en haut du titre, quelques petites taches et défauts. . (Catégories : Littérature, Poésie, )
1643réf. 11127Amstelodami (Amsterdam), J. Janssonius, 1643. 145 g Petit in-12, plein vélin, 283-[5] pp. y compris le titre frontispice gravé. Jolie édition contenant les notes de John Bond. Les feuillets mesurent 12.9 cm de hauteur et la reliure 13,4x8 cm. Schweiger, Lateinische, I, 404. Ex-libris manuscrit de F. G. de Hencxthoven daté de 1663, qui était probablement un médecin d'Anvers. . (Catégories : Poésie, Antiquité latine, )
1685réf. 10731Paris, Denis Thierry, 1685. 430 g Petit in-8, plein veau, dos ornés à nerfs, tranches dorées, [6] ff. y compris le frontispice, 298 pp., [8] ff.; 190 pp., [4] ff.. Illustré de 5 figures hors-texte y compris le frontispice, dont une est anonyme, deux par Landry et deux par Vallet d'après A. Paillet. Cette édition contient en plus des éditions précédentes, le Remerciement à l'Académie et cinq épigrammes. Quatrième édition originale collective. L'extrait du privilège se trouve à la fin de la préface (au verso du 6e feuillet). Dans certains exemplaires cet extrait est répété sur un feuillet placé entre les deux parties ce qui n'est pas le cas ici. Ex-libris Max Brun. Reliure d'époque, usures aux coiffes. . (Catégories : Littérature, Poésie, )
1694réf. bn1607A Lyon chez Thomas Amaulry Relié 1694 Exemplaire de la bibliothèque de Frédéric Lachèvre. In-12 (10 x 17 cm), reliure plein veau, dos à cinq nerfs orné de caissons dorés, tranches mouchetées, ex-libris de F. Lachèvre au verso du premier plat, gravure en frontispice, épître, préface, table des matières, approbation et extrait du privilège du roi non paginés, puis 661 pages, deux tableaux dépliants ; petit manque sur la coiffe supérieure, mors craquelés, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1664réf. bn1583A Paris, chez Thomas Ioly, au Palais, en la salle des Merciers, à la Palme & aux armes d'Hollande Relié 1664 Exemplaire de la bibliothèque de Frédéric Lachèvre ; in-16 (8,5 x 14, 8 cm), relié plein veau, dos à cinq nerfs orné de caissons dorés, liseré doré sur les coupes, tranches mouchetées, ex-libris de Frédéric Lachèvre au verso du premier plat, seconde édition augmentée et corrigée, deux pages vierges, page de titre, epistre dédicatoire (dont seules quatres pages portent la pagination suivante : àiij, àiiij, ê, êij), extrait du privilège du roi et sommaire non paginés, puis texte paginé de 1 à 207 ; tranchefil exposé et mors inférieur légèrement fendu en tête, coins et mors usés, épidermures sur le dos, rousseurs sur les contreplats et les gardes, par ailleurs assez bel état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1656réf. gu3435A Paris, chez Antoine de Sommaville Relié 1656 In-8 (18,2 x 23,3 cm), reliure plein veau, dos à cinq nerfs orné de caissons et fers dorés, double filet d'encadrement sur les plats, 5 volumes en 1, avec 5 paginations (91, 106, 100, 123, et 96 pages), regroupant les 10 livres, divers tirages (1654-1655 et 1656), édition en partie originale de cette traduction de George de Brébeuf ; dos craquelé, quelques épidermures, intérieur bien conservé, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1659réf. qv1188A Paris, chez Jean Baptiste Loyson, ruë S. Jacques, à la Croix Royale, proche la Poste Relié 1659 In-12 (8,5 x 13,2 cm), reliure plein maroquin, dos à 5 nerfs, fer de Frédéric Lachèvre au premier plat et ex-libris du même au verso du premier plat, ex-libris d'Alfred Piet, roulette dorée aux contreplats, tranches dorées, gardes couleur, épître, avis au lecteur puis 220 pages ; dos insolé, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1662réf. gl1099A Paris, chez Antoine de Sommaville Relié 1662 In-12 (8,7 x 15,3 cm), reliure plein veau, dos à 5 nerfs orné de caissons dorés, ex-libris de Frédéric Lachèvre au verso du premier plat, avertissement non paginé puis 304 pages ; petit manque de cuir à la coiffe supérieure, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1630réf. za2128A Reims, chez Nicolas Hecart Relié 1630 TRES RARE. In-12 (9,2 x 13,7 cm), reliure plein veau, dos à 5 nerfs orné de caissons dorés, gardes couleur, ex-libris de Frédéric LACHÈVRE, tranches rouges, 111 pages ; coins frottés, manque de cuir au mors supérieur en tête, par ailleurs assez bel exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1654réf. gm3972A Leyde, Chez Jean Sambix Relié 1654 In-12 (9,3 x 14,5 cm), reliure plein parchemin, date et titre manuscrits au dos, pagination comme suit : titre, épître (8 pp.), préface (17 pp.), extrait du privilège du roy (2 pp.), sonnet à la sérénissime reine de Pologne et de Suède (1 pp.), faux-titre, puis 174 pages, cet exemplaire est une contrefaçon (titre en 7 lignes) ; quelques traces au quatrième plat, marques d'usage aux contreplats, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1679réf. gb185Amstelodami, Apud Elzevirium Relié 1679 In-12 (8 x 13 cm), reliure plein veau, dos lisse orné de dorures et d'une pièce de titre, liseré d'encadrement aux plats, 402 pages, texte en latin, bien complet du frontispice ; petit manque de cuir à la coiffe et au mors inférieurs, quelques frottements aux coupes, quelques rousseurs éparses, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.