ARAGON (Louis).Livre Rare Book
6 507 résultats
1967réf. 115739Paris Gallimard 1967 1 vol. relié in-8, demi-maroquin rouge à coins bordé d'un filet doré, dos à fins nerfs, tête dorée, couvertures et dos conservés (Alix), 515 pp. Édition originale de ce roman hétérogène qui mêle fiction, poèmes en prose, souvenirs, critiques, journal intime... Le narrateur, linguiste à la retraite, tente de reconstituer l'image de son ex-femme. Mais le souvenir faisant défaut, il donne vie à un double allégorique de sa mémoire, Marie-Noire... Un des 160 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, dans une parfaite reliure signée.
1967réf. 115739Paris Gallimard 1967 1 vol. relié in-8, demi-maroquin rouge à coins bordé d'un filet doré, dos à fins nerfs, tête dorée, couvertures et dos conservés (Alix), 515 pp. Édition originale de ce roman hétérogène qui mêle fiction, poèmes en prose, souvenirs, critiques, journal intime... Le narrateur, linguiste à la retraite, tente de reconstituer l'image de son ex-femme. Mais le souvenir faisant défaut, il donne vie à un double allégorique de sa mémoire, Marie-Noire... Un des 160 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, dans une parfaite reliure signée.
1924réf. 115714Paris Gallimard 1924 1 vol. relié in-4 tellière, demi-maroquin bordeaux à coins, dos à fins nerfs, tête dorée, non rogné, couvertures et dos conservés (Semet & Plumelle), 254 pp. Édition originale de ce recueil de contes et saynètes surréalistes qui s'ouvre sur une fantaisie, "Quelle âme divine !", rédigée par Aragon à l'âge de huit ans. Un des 108 exemplaires de tête réimposés sur vergé Lafuma-Navarre et parmi ceux-ci un des 100 réservés aux bibliophiles de la Nouvelle Revue française (n° XXXIII, imprimé pour le libraire Camille Bloch). Très bel exemplaire, parfaitement relié.
1924réf. 115714Paris Gallimard 1924 1 vol. relié in-4 tellière, demi-maroquin bordeaux à coins, dos à fins nerfs, tête dorée, non rogné, couvertures et dos conservés (Semet & Plumelle), 254 pp. Édition originale de ce recueil de contes et saynètes surréalistes qui s'ouvre sur une fantaisie, "Quelle âme divine !", rédigée par Aragon à l'âge de huit ans. Un des 108 exemplaires de tête réimposés sur vergé Lafuma-Navarre et parmi ceux-ci un des 100 réservés aux bibliophiles de la Nouvelle Revue française (n° XXXIII, imprimé pour le libraire Camille Bloch). Très bel exemplaire, parfaitement relié.
réf. 21718Paris, NRF, 1928. In-4, 236 pp., broché, couverture originale imprimée (minuscule manque au premier plat de couverture).
réf. EXE00534Paris, Gallimard, 1929. Grand in-8° demi-maroquin noir, dos & couverture conservés. Edition originale. Tirage limité à 255 exemplaires, celui-ci est l’un des 170 sur vergé d’Arches.
1942réf. CAT001047Mexico: Publicacaciones Herrerieas 1942. First Edition. Hardcover. Very Good Condition. 3 volumes rebound in green cloth backed marbled boards with a bit of wear at corners. Modest browning to pages chips to final pages in vol 2 stains to endpapers; very good or better overall. 992pp; 959pp; 284pp. Dated 1942 1943 1943. Illustrated with photos and drawings including detailed step by step instructions in a number of instances. Arranged alphabetically but idiosyncratically vol 1 is A vol 2 B-Z vol 3 added recipes. A mammoth collection of recipes collected under the supervision of journalist editor film maker he was the assistant director on Eisenstein's ¡Que viva Mexico! in 1932 and gastonome Agustín Aragón Leiva who was a dedicated enthusiast for regional Mexican cuisine later credited by Diana Kennedy with introducing her to many local foods and allowing her the use of his library -reportedly the most extensive culinary library in Mexico and a sort of Grimod de la Reyniere figure in Mexican cuisine in his later years. Rare with the third volume - 6 copies in OCLC none with the final volume. Size: 8vo. 3-volume set complete. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Cooking Wine & Dining; Inventory No: CAT001047. Publicacaciones Herrerieas hardcover
réf. 18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
1944réf. 21641S.l. Paris: Éditions F.T.P.F. Francs-Tireurs et Partisans Français 1944. Limited Edition. Near Fine. THE EMBOSSED TYPOGRAPHY OF THE RESISTANCE PRESS HE SURREALIST TRANSFORMED INTO A WITNESS OF WAR. A primary artifact of the French literary Resistance this copy is the premiere example No. 1 of 25 of the special issue on Papier Alfa. Composed during the German occupation Aragon's poem is a harrowing and defiant invocation of national identity notable for its early and direct naming of the deportations and Auschwitz. Published by the Éditions F.T.P.F.-an imprint of the armed Resistance-this pamphlet was produced under the semi-clandestine conditions of the Liberation era. The title typography is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France. CONDITION: Near Fine -- An exceptional survival for such a fragile pamphlet. The octavo is tight and square with a clean text block showing only light even age-toning. A small chip is noted at the lower edge of the rear wrap and a faint pencil notation appears at the lower corner of the final page. The original glassine wrapper is present and well-preserved having been stored separately to protect the tactile embossed title. SCHOLARLY INFLUENCES: The Witness of Auschwitz: Composed during the German occupation Aragon's poem is notable for its early and direct naming of the deportations and the camps. It represents a critical juncture where Surrealist poetry transformed into political testimony. Tactile Typography: The title is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France. This 'raised printing' is a physical fingerprint of clandestine production. The No. 1 Specimen: As the first copy of the most limited state this specimen was likely intended for a high-ranking member of the Resistance or a central figure in Aragon's immediate Surrealist circle. Author: Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the "Chant National" for the Liberation. Bibliographic Scarcity: While major institutions hold the standard issue this tirage de tête of 25 copies is effectively unrecorded in major bibliographical databases. It represents a foundational acquisition for any archive specializing in WWII Clandestine Imprints or French Modernism. While OCLC records 7 institutional holdings for the standard issue none specify this limited 25-copy state. KEY FEATURES Limitation: Copy No. 1 of only 25 numbered copies on Papier Alfa. Visuals: Unique embossed and tactile title typography; raised printing visible on recto. Imprint: Éditions F.T.P.F. affiliated with the Forces Françaises de l'Intérieur. Historical: Direct references to the Resistance imprisonment and Auschwitz. Specs: In-8° 8 unnumbered pages; 21 cm. HISTORICAL SIGNIFICANCE -- Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the 'Chant National' for the Liberation. This specific printing by the F.T.P.F. the armed wing of the Communist Resistance highlights the intersection of political militancy and high-art production. As Copy No. 1 this specimen was likely intended for a high-ranking member of the Resistance or a central figure in the Surrealist/Communist circle. SUBJECTS: Aragon Louis FranceHistory - German occupation 1940-1945; World War II Literature and the war French Resistance Imprints Clandestine publishing France Poetry Resistance Literature Wartime Printing French Modernism. BIBLIOGRAPHIC REFERENCE: FRBNF31726841 standard issue. Éditions F.T.P.F. (Francs-Tireurs et Partisans Français) unknown
réf. 24991Paris, Gallimard, 20 juillet 1967. Fort in-8, broché, non coupé, 520 pp.
1928réf. 0053151928 Paris, Éditions de la Nouvelle Revue Française, 1928. In-quarto (170 X 218 mm) broché ; 236 pages, (1) f. (errata).
1967réf. 80665Sous étui-chemise cartonné avec dos en cuir signé elbel-libro. Couverture souple à rabats.
1967réf. 66840Gallimard | Paris 1967 | 14 x 21 cm | broché
1967réf. 40138Paris Gallimard 1967 In-8, broch, couverture imprime.Edition originale. Un des 60 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
réf. 45429Paris Gallimard 1946 et 1953 2 volumes in-12, brochs, couvertures imprimes.Edition originale. Un des 50 premiers exemplaires numrots sur vlin Lafuma-Navarre.
1965réf. 40139Paris Gallimard 1965 In-8, broch, couverture imprime.Edition originale. Un des 50 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
1994réf. 52229New York: The Limited editions Club 1994. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. Grey-Green silk. In slip case. Fine. CRTIER-BRESSON Henri. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. The Limited editions Club unknown books
réf. EXE-123Paris, Nouvelle Revue Française, 1926. Grand in-8° demi-maroquin noir, dos & couverture conservés (Duhayon). Edition Originale. L'un des 170 exemplaires numérotés sur vergé d'Arches.PENSÉE AUTOGRAPHE SUR LE DEUXIÈME PLAT DE LA COUVERTURE : " Si je mourrai un vendredi, ça me porterait la guigne: il y à peut être un dieu. Larcenaire".
1921réf. 7771921 [Paris : 1921] Tract affichette (27,7 x 22,5 cm). Imprimé en noir et bleu, recto seul. Petit manque angulaire sinon bel état. Édition originale. Une réimpression a été faite en 1966 mais le texte y est encadré avec une grande marge. Rare tract original dada annonçant une excursion, signée par, entre autres, Aragon, Arp, Breton, Éluard, Péret, Picabia, Soupault, Tzara... Ce prospectus dada de la visite de l'église St-Julien-le-Pauvre, fut réalisé dans le cadre d'une série d'excursions et visites à travers Paris, dans des lieux volontairement dérisoires. Georges Ribemont-Dessaignes servit de guide, improvisant des lectures devant une colonne ou sculpture d'articles pris au hasard dans un gros dictionnaire Larousse. La visite, qui se déroula sous la pluie, ne compta qu'une cinquantaine de participants et fut considérée comme un échec scellant la fin de ces "happenings" dadaïstes.
réf. 003046Paris, Louis Janet, libraire-éditeur (ca 1825)
1947réf. 24152Paris: Maeght Editeur 1947. Illustrated Wraps. Near Fine/Very Good . Henri Matisse. A very presentable copy of the 1947 1st edition. #004 of 950 copies issued on "Velin superieur". The book consists of the "5-color cover and the 17 full-page illustrations including 1 frontispiece and 1 original out-of-text lithograph 1 wood gouge and 14 unpublished heliogravures composed and laid out by Matisse. The printing of the illustrations and texts was done by Draeger Freres". Clean and Near Fine. And in a crisp Near Fine dustjacket AND a VG to Near Fine example of the outer glassine dustjacket with just a touch of chipping at the lower-edges. And finally sturdy examples of the unprinted gray card chemise and slipcase. Maeght Editeur unknown
1967réf. 66840Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14 x 21 cm broché First edition one of 60 numbered copies on Hollande deluxe issue. Minor insignificant spotting to the spine. A handsome copy. Gallimard unknown
réf. lec-0011Just twenty eight when Louis Aragon wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photographer Henri Cartier-Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon. Seven lithographs and a photogravure by Henri Cartier-Bresson. Edition limited to 300 numbered copies. Each signed by Henri Cartier-Bresson. The text and seven lithographs are printed on mould-made paper from the Arches mill in Epinal France. The photogravure plate was made and the photogravures were editioned by Jon Goodman at his studio in Hadley Massachusetts. The book and slipcase are bound in gray-green Japanese fabric. One Volume 12 x 16¼ inches. As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. Limited Editions Club hardcover
1924réf. CLL-105Paris, Éditions de la Nouvelle Revue Française, 1924 Grand in-8 (215 x 165mm) de 1f. bl., 254pp., (2)ff., broché sous couvertures imprimées, non rogné, boîte percaline bleue avec pièce de titre de maroquin grège.
