ARAGON (Louis).Livre Rare Book
6547 resultados
1967ref. 115739Paris Gallimard 1967 1 vol. relié in-8, demi-maroquin rouge à coins bordé d'un filet doré, dos à fins nerfs, tête dorée, couvertures et dos conservés (Alix), 515 pp. Édition originale de ce roman hétérogène qui mêle fiction, poèmes en prose, souvenirs, critiques, journal intime... Le narrateur, linguiste à la retraite, tente de reconstituer l'image de son ex-femme. Mais le souvenir faisant défaut, il donne vie à un double allégorique de sa mémoire, Marie-Noire... Un des 160 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, dans une parfaite reliure signée.
1967ref. 115739Paris Gallimard 1967 1 vol. relié in-8, demi-maroquin rouge à coins bordé d'un filet doré, dos à fins nerfs, tête dorée, couvertures et dos conservés (Alix), 515 pp. Édition originale de ce roman hétérogène qui mêle fiction, poèmes en prose, souvenirs, critiques, journal intime... Le narrateur, linguiste à la retraite, tente de reconstituer l'image de son ex-femme. Mais le souvenir faisant défaut, il donne vie à un double allégorique de sa mémoire, Marie-Noire... Un des 160 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, dans une parfaite reliure signée.
1924ref. 115714Paris Gallimard 1924 1 vol. relié in-4 tellière, demi-maroquin bordeaux à coins, dos à fins nerfs, tête dorée, non rogné, couvertures et dos conservés (Semet & Plumelle), 254 pp. Édition originale de ce recueil de contes et saynètes surréalistes qui s'ouvre sur une fantaisie, "Quelle âme divine !", rédigée par Aragon à l'âge de huit ans. Un des 108 exemplaires de tête réimposés sur vergé Lafuma-Navarre et parmi ceux-ci un des 100 réservés aux bibliophiles de la Nouvelle Revue française (n° XXXIII, imprimé pour le libraire Camille Bloch). Très bel exemplaire, parfaitement relié.
1924ref. 115714Paris Gallimard 1924 1 vol. relié in-4 tellière, demi-maroquin bordeaux à coins, dos à fins nerfs, tête dorée, non rogné, couvertures et dos conservés (Semet & Plumelle), 254 pp. Édition originale de ce recueil de contes et saynètes surréalistes qui s'ouvre sur une fantaisie, "Quelle âme divine !", rédigée par Aragon à l'âge de huit ans. Un des 108 exemplaires de tête réimposés sur vergé Lafuma-Navarre et parmi ceux-ci un des 100 réservés aux bibliophiles de la Nouvelle Revue française (n° XXXIII, imprimé pour le libraire Camille Bloch). Très bel exemplaire, parfaitement relié.
ref. 21718Paris, NRF, 1928. In-4, 236 pp., broché, couverture originale imprimée (minuscule manque au premier plat de couverture).
1962ref. 46499Paris.: Au Cercle du Livre Précieux. 1962. Original publisher's full white vellum title and vignette in blind to front cover reduced matching title and vignette in gilt to spine grey endpapers white silk placemarker t.e.g. vellum-edged grey paper board slipcase; spine with wear and discolouration. 8vo. 252 x 168 mm. Half-title in red and black leaf with original engraving by Hans Bellmer verso as frontispiece printed title in red and black 5 leaves with Préface by André Pieyre de Mandiargues and text of 'Le Con d'Irène' leaf with justification and final leaf with achevé d'imprimer recto and publisher's credit verso. Louis Aragon's 'Le Con d'Irène' with Hans Bellmer's original engraving.From the edition limited to 700 numbered copies on vélin d'Arches pur Chiffon each with the frontispiece engraving by Hans Bellmer; several hors commerce copies were also issued.First published pseudonymously in 1928 with etchings by André Masson 'Le Con d'Irène' has been described as 'un essai sérieux de prose pornographique' Cramer. A second edition designed and illustrated by Hans Bellmer was published in 1952 after a facsimile of the first was issued in 1948 before the present edition also illustrated by Bellmer. Of considerable notoriety the novel's pseudonymous Albert de Routisie was identified as Louis Aragon adding to his oeuvre of erotic works that also included - with Benjamin Péret - the explicit '1929'.'Pendant trois mois l'auteur a parcouru notre grande colonie interrogeant administrateurs officiers colons. Pour la clarté de ses exposés comme par la valeur de sa documentation ce livre intéresse le spécialiste et le profane. Selon le mot d'un grand emmerdeur 'Le Con d'Irène' devrait être mis entre les mains de tous nos futurs administrateurs éducateurs et officiers coloniaux.' Aragon writing in André Breton's copy of the first edition. Au Cercle du Livre Précieux. hardcover
ref. EXE00534Paris, Gallimard, 1929. Grand in-8° demi-maroquin noir, dos & couverture conservés. Edition originale. Tirage limité à 255 exemplaires, celui-ci est l’un des 170 sur vergé d’Arches.
1942ref. CAT001047Mexico: Publicacaciones Herrerieas 1942. First Edition. Hardcover. Very Good Condition. 3 volumes rebound in green cloth backed marbled boards with a bit of wear at corners. Modest browning to pages chips to final pages in vol 2 stains to endpapers; very good or better overall. 992pp; 959pp; 284pp. Dated 1942 1943 1943. Illustrated with photos and drawings including detailed step by step instructions in a number of instances. Arranged alphabetically but idiosyncratically vol 1 is A vol 2 B-Z vol 3 added recipes. A mammoth collection of recipes collected under the supervision of journalist editor film maker he was the assistant director on Eisenstein's ¡Que viva Mexico! in 1932 and gastonome Agustín Aragón Leiva who was a dedicated enthusiast for regional Mexican cuisine later credited by Diana Kennedy with introducing her to many local foods and allowing her the use of his library -reportedly the most extensive culinary library in Mexico and a sort of Grimod de la Reyniere figure in Mexican cuisine in his later years. Rare with the third volume - 6 copies in OCLC none with the final volume. Size: 8vo. 3-volume set complete. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Cooking Wine & Dining; Inventory No: CAT001047. Publicacaciones Herrerieas hardcover
1964ref. SBBIH-W4VCXOEK427CFondo de Cultura Económica. 1964. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Fondo de Cultura Económica. hardcover
ref. 18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
ref. 24991Paris, Gallimard, 20 juillet 1967. Fort in-8, broché, non coupé, 520 pp.
1928ref. 0053151928 Paris, Éditions de la Nouvelle Revue Française, 1928. In-quarto (170 X 218 mm) broché ; 236 pages, (1) f. (errata).
1967ref. 80665Sous étui-chemise cartonné avec dos en cuir signé elbel-libro. Couverture souple à rabats.
1967ref. 66840Gallimard | Paris 1967 | 14 x 21 cm | broché
ref. 323979The Limited Editions Club 1994. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. Original blue-grey silk over boards matching slipcase. Fine. CARTIER-BRESSON Henri. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. "Just twenty‑eight when he wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photo- grapher Henri Cartier‑Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon" Publisher. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. The Limited Editions Club unknown
ref. 323979The Limited Editions Club 1994. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. Original blue-grey silk over boards matching slipcase. Fine. CARTIER-BRESSON Henri. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. "Just twenty‑eight when he wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photo- grapher Henri Cartier‑Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon" Publisher. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. The Limited Editions Club unknown books
1967ref. 40138Paris Gallimard 1967 In-8, broch, couverture imprime.Edition originale. Un des 60 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
ref. 45429Paris Gallimard 1946 et 1953 2 volumes in-12, brochs, couvertures imprimes.Edition originale. Un des 50 premiers exemplaires numrots sur vlin Lafuma-Navarre.
1965ref. 40139Paris Gallimard 1965 In-8, broch, couverture imprime.Edition originale. Un des 50 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
ref. EXE-123Paris, Nouvelle Revue Française, 1926. Grand in-8° demi-maroquin noir, dos & couverture conservés (Duhayon). Edition Originale. L'un des 170 exemplaires numérotés sur vergé d'Arches.PENSÉE AUTOGRAPHE SUR LE DEUXIÈME PLAT DE LA COUVERTURE : " Si je mourrai un vendredi, ça me porterait la guigne: il y à peut être un dieu. Larcenaire".
1921ref. 7771921 [Paris : 1921] Tract affichette (27,7 x 22,5 cm). Imprimé en noir et bleu, recto seul. Petit manque angulaire sinon bel état. Édition originale. Une réimpression a été faite en 1966 mais le texte y est encadré avec une grande marge. Rare tract original dada annonçant une excursion, signée par, entre autres, Aragon, Arp, Breton, Éluard, Péret, Picabia, Soupault, Tzara... Ce prospectus dada de la visite de l'église St-Julien-le-Pauvre, fut réalisé dans le cadre d'une série d'excursions et visites à travers Paris, dans des lieux volontairement dérisoires. Georges Ribemont-Dessaignes servit de guide, improvisant des lectures devant une colonne ou sculpture d'articles pris au hasard dans un gros dictionnaire Larousse. La visite, qui se déroula sous la pluie, ne compta qu'une cinquantaine de participants et fut considérée comme un échec scellant la fin de ces "happenings" dadaïstes.
ref. 003046Paris, Louis Janet, libraire-éditeur (ca 1825)
1947ref. 24152Paris: Maeght Editeur 1947. Illustrated Wraps. Near Fine/Very Good . Henri Matisse. A very presentable copy of the 1947 1st edition. #004 of 950 copies issued on "Velin superieur". The book consists of the "5-color cover and the 17 full-page illustrations including 1 frontispiece and 1 original out-of-text lithograph 1 wood gouge and 14 unpublished heliogravures composed and laid out by Matisse. The printing of the illustrations and texts was done by Draeger Freres". Clean and Near Fine. And in a crisp Near Fine dustjacket AND a VG to Near Fine example of the outer glassine dustjacket with just a touch of chipping at the lower-edges. And finally sturdy examples of the unprinted gray card chemise and slipcase. Maeght Editeur unknown
1947ref. 24152Paris: Maeght Editeur 1947. Illustrated Wraps. Near Fine/Very Good . Henri Matisse. A very presentable copy of the 1947 1st edition. #004 of 950 copies issued on "Velin superieur". The book consists of the "5-color cover and the 17 full-page illustrations including 1 frontispiece and 1 original out-of-text lithograph 1 wood gouge and 14 unpublished heliogravures composed and laid out by Matisse. The printing of the illustrations and texts was done by Draeger Freres". Clean and Near Fine. And in a crisp Near Fine dustjacket AND a VG to Near Fine example of the outer glassine dustjacket with just a touch of chipping at the lower-edges. And finally sturdy examples of the unprinted gray card chemise and slipcase. Maeght Editeur unknown books
