6.774 resultados
1942ref. CAT001047Mexico: Publicacaciones Herrerieas 1942. First Edition. Hardcover. Very Good Condition. 3 volumes rebound in green cloth backed marbled boards with a bit of wear at corners. Modest browning to pages chips to final pages in vol 2 stains to endpapers; very good or better overall. 992pp; 959pp; 284pp. Dated 1942 1943 1943. Illustrated with photos and drawings including detailed step by step instructions in a number of instances. Arranged alphabetically but idiosyncratically vol 1 is A vol 2 B-Z vol 3 added recipes. A mammoth collection of recipes collected under the supervision of journalist editor film maker he was the assistant director on Eisenstein's ¡Que viva Mexico! in 1932 and gastonome Agustín Aragón Leiva who was a dedicated enthusiast for regional Mexican cuisine later credited by Diana Kennedy with introducing her to many local foods and allowing her the use of his library -reportedly the most extensive culinary library in Mexico and a sort of Grimod de la Reyniere figure in Mexican cuisine in his later years. Rare with the third volume - 6 copies in OCLC none with the final volume. Size: 8vo. 3-volume set complete. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Cooking Wine & Dining; Inventory No: CAT001047. Publicacaciones Herrerieas hardcover
1964ref. SBBIH-W4VCXOEK427CFondo de Cultura Económica. 1964. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Fondo de Cultura Económica. hardcover
ref. 18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
ref. 24991Paris, Gallimard, 20 juillet 1967. Fort in-8, broché, non coupé, 520 pp.
1928ref. 0053151928 Paris, Éditions de la Nouvelle Revue Française, 1928. In-quarto (170 X 218 mm) broché ; 236 pages, (1) f. (errata).
1967ref. 80665Sous étui-chemise cartonné avec dos en cuir signé elbel-libro. Couverture souple à rabats.
1967ref. 66840Gallimard | Paris 1967 | 14 x 21 cm | broché
ref. 323979The Limited Editions Club 1994. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. Original blue-grey silk over boards matching slipcase. Fine. CARTIER-BRESSON Henri. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. "Just twenty‑eight when he wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photo- grapher Henri Cartier‑Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon" Publisher. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. The Limited Editions Club unknown
ref. 323979The Limited Editions Club 1994. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. Original blue-grey silk over boards matching slipcase. Fine. CARTIER-BRESSON Henri. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. "Just twenty‑eight when he wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photo- grapher Henri Cartier‑Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon" Publisher. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. The Limited Editions Club unknown books
1967ref. 40138Paris Gallimard 1967 In-8, broch, couverture imprime.Edition originale. Un des 60 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
ref. 45429Paris Gallimard 1946 et 1953 2 volumes in-12, brochs, couvertures imprimes.Edition originale. Un des 50 premiers exemplaires numrots sur vlin Lafuma-Navarre.
1965ref. 40139Paris Gallimard 1965 In-8, broch, couverture imprime.Edition originale. Un des 50 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
ref. EXE-123Paris, Nouvelle Revue Française, 1926. Grand in-8° demi-maroquin noir, dos & couverture conservés (Duhayon). Edition Originale. L'un des 170 exemplaires numérotés sur vergé d'Arches.PENSÉE AUTOGRAPHE SUR LE DEUXIÈME PLAT DE LA COUVERTURE : " Si je mourrai un vendredi, ça me porterait la guigne: il y à peut être un dieu. Larcenaire".
1921ref. 7771921 [Paris : 1921] Tract affichette (27,7 x 22,5 cm). Imprimé en noir et bleu, recto seul. Petit manque angulaire sinon bel état. Édition originale. Une réimpression a été faite en 1966 mais le texte y est encadré avec une grande marge. Rare tract original dada annonçant une excursion, signée par, entre autres, Aragon, Arp, Breton, Éluard, Péret, Picabia, Soupault, Tzara... Ce prospectus dada de la visite de l'église St-Julien-le-Pauvre, fut réalisé dans le cadre d'une série d'excursions et visites à travers Paris, dans des lieux volontairement dérisoires. Georges Ribemont-Dessaignes servit de guide, improvisant des lectures devant une colonne ou sculpture d'articles pris au hasard dans un gros dictionnaire Larousse. La visite, qui se déroula sous la pluie, ne compta qu'une cinquantaine de participants et fut considérée comme un échec scellant la fin de ces "happenings" dadaïstes.
ref. 003046Paris, Louis Janet, libraire-éditeur (ca 1825)
1947ref. 24152Paris: Maeght Editeur 1947. Illustrated Wraps. Near Fine/Very Good . Henri Matisse. A very presentable copy of the 1947 1st edition. #004 of 950 copies issued on "Velin superieur". The book consists of the "5-color cover and the 17 full-page illustrations including 1 frontispiece and 1 original out-of-text lithograph 1 wood gouge and 14 unpublished heliogravures composed and laid out by Matisse. The printing of the illustrations and texts was done by Draeger Freres". Clean and Near Fine. And in a crisp Near Fine dustjacket AND a VG to Near Fine example of the outer glassine dustjacket with just a touch of chipping at the lower-edges. And finally sturdy examples of the unprinted gray card chemise and slipcase. Maeght Editeur unknown
1947ref. 24152Paris: Maeght Editeur 1947. Illustrated Wraps. Near Fine/Very Good . Henri Matisse. A very presentable copy of the 1947 1st edition. #004 of 950 copies issued on "Velin superieur". The book consists of the "5-color cover and the 17 full-page illustrations including 1 frontispiece and 1 original out-of-text lithograph 1 wood gouge and 14 unpublished heliogravures composed and laid out by Matisse. The printing of the illustrations and texts was done by Draeger Freres". Clean and Near Fine. And in a crisp Near Fine dustjacket AND a VG to Near Fine example of the outer glassine dustjacket with just a touch of chipping at the lower-edges. And finally sturdy examples of the unprinted gray card chemise and slipcase. Maeght Editeur unknown books
1967ref. 66840Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14 x 21 cm broché First edition one of 60 numbered copies on Hollande deluxe issue. Minor insignificant spotting to the spine. A handsome copy. Gallimard unknown
ref. lec-0011Just twenty eight when Louis Aragon wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photographer Henri Cartier-Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon. Seven lithographs and a photogravure by Henri Cartier-Bresson. Edition limited to 300 numbered copies. Each signed by Henri Cartier-Bresson. The text and seven lithographs are printed on mould-made paper from the Arches mill in Epinal France. The photogravure plate was made and the photogravures were editioned by Jon Goodman at his studio in Hadley Massachusetts. The book and slipcase are bound in gray-green Japanese fabric. One Volume 12 x 16¼ inches. As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. Limited Editions Club hardcover
1924ref. CLL-105Paris, Éditions de la Nouvelle Revue Française, 1924 Grand in-8 (215 x 165mm) de 1f. bl., 254pp., (2)ff., broché sous couvertures imprimées, non rogné, boîte percaline bleue avec pièce de titre de maroquin grège.
ref. EXE-485Paris, Gallimard, 1960. In-4° broché.
1926ref. 47918Paris.: Librarie Gallimard. 1926. Original publisher's cream wrappers with typographic design printed in blue rear wrapper with a manuscript 'pensée' by Péret in Aragon's hand within blue three-dimensional box design. 4to. 237 x 187 mm. Title page repeating cover design with justification verso dedication and frontispiece by Max Morise verso half title and Aragon's poems pp. 9 - 95 printed with one full page illustration by Morise for the section 'Les Destinées de la Poesie' printer's credit to rear. The first edition of Aragon's second poetry collection with original manuscript 'pensée'.From the edition limited to 268 copies this one of 170 printed on Arches.The cover features a superb mirrored typographic design by Aragon himself. The boxed phrase 'Voir au dos la pensée' leads us to the rear cover where a quote by Benjamin Péret here in Aragon's hand reads: 'Ah que le charbon est beau sur / les routes tournesol / Tournesol et carré / Si je tourne c'est que le sol est carré' an extract with one variation from Péret's poem 'Dormir dormir dans les pierres' 1927.'Je dédie ce livre a la poésie et merde pour ceux qui le liront.' Librarie Gallimard. unknown
ref. 8877New York: The Limited Editions Club 1994. Hardcover. NF. Signed by Illustrator. Near Fine. #189 of 300 copies signed by Henri Cartier-Bresson. Designed by Dan Carr and printed on Velin Arches paper and printed by Wild Carrot Letterpress. Type set in Monotype Plantin Light by Dan /carr and Julia Ferrari at Golgonooza Letter Foundry with additional hand work by Art Larson at Horton Tank Graphics. This copy is NF with some slight fading on the spine but otherwise in fine condition. Original monthly letter #573 laid in. NF slipcase Print info from 1985 Bibliography and Snyman - Grossman LEC Checklist #573. The Limited Editions Club hardcover
1943ref. 91945s. n. [Éditions de Minuit] | s. l. [Paris] s. d. [1943] | 21.20 x 27 cm | une feuille dépliante
