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Best.-Nr. 1149047399.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1176267353.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1138991171.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2026Best.-Nr. 16680London: The Broken Binding Press 2026. 1st Edition 1st Printing. Hardcover. New/New. 1st Printing. Signed to signature page. Unread new copy. The Broken Binding Press hardcover
2026Best.-Nr. 16721London: The Broken Binding Press 2026. 1st Edition 1st Printing. Hardcover. New/New. 1st Printing. Signed to signature page. Unread new copy. The Broken Binding Press hardcover
1972Best.-Nr. AA5186Collins 1972. Mild wear to page edges in volume I only. Dustwrappers shows mild wear including small closed tear to volume I. Volume I is in very good plus condition and volume II is in near fine condition. 2 silk ribbons per volume. Includes a very good plus condition slipcase. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. No ownership marks. No ownership marks. Binding sound text unmarked. Very Good/Very Good. 356 365pp. many colour and black-and-white illustrations 29 x 22 cm. Collins Hardcover
1929Best.-Nr. 4050Paris: Librairie Gallimard 1929. Édition originale. In-4° 125 pp avec 2 ill. de Yves Tanguy. Broché couverture rouge de l'éditeur. Exemplaire 119/240 sur vergé d'Arches surrealisme Librairie Gallimard unknown
Best.-Nr. 1526178745.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980Best.-Nr. g5761Geneva: Edito-Service S.A. VG : in very good condition with grey slipcase Slipcase broken. 1980. Limited Edition 864. Grey hardback boards with brown leather spine. 370mm x 260mm 15" x 10". 178pp 42pp. 28 full page illustrations mostly in colour 2 of which are double page. Heavy item - shipping supplement may apply for overseas. . Edito-Service S.A hardcover
Best.-Nr. 1526121670.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. PJH56641Skira 1969. Ownsership Signatre of Roger Cardinal on endpaper VG bright copy in publishers wrappers with film covering peeling. 1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN B0018JO5E4 Skira 1969 unknown
Best.-Nr. PJH55582Gallimard Paris 1965. Ownership Signature of Roger CardinalVG in creased publishers decorated wrappers. 1st edition. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Gallimard (Paris) 1965 unknown
Best.-Nr. PJH55663University of Nebraska Press 1988. Ownership Signature of Roger Cardinal Signed Presentation to him on title page from Translator Renee Riese Herbert VG in publishers cloth in like dustjacket faded evenly to spine. 1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN 0803210213 University of Nebraska Press 1988 hardcover
Best.-Nr. PJH55844Prentice - Hall 1970. Ownership Signature of Roger Cardinal on endpaper with some of his marginal markings in the text VG bright tight copy in cloth backed decorated boards in like slightly dusty dustjacket. 1st edition. Illustrated throughout. In the New Library of French Classics Series. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Prentice - Hall 1970 hardcover
Best.-Nr. PJH55941Holmes & Meier 1962. Ownership Inscription of Roger Cardinal and with his marginal notes throughout. VG bright tight copy in publishers cloth in rubbed chipped and creased dustjacket.Illustrated throughout. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN 0841907307 Holmes & Meier 1962 hardcover
1972Best.-Nr. 021671New York: Harcourt Brace Jovanovich. Original white cloth. Complete in 2 vols. First American Edition. Fine in Near Fine Dust Jackets in Near Fine Slipcase. . Near Fine. Hardcover. 1st Edition. 1972. Harcourt Brace Jovanovich hardcover
1963Best.-Nr. ART-MX-1963-1845México 1963 UNAM. Tela con camisa 4to menor 24 cm. 41 pp. de texto y 209 ilustraciones numeradas. Colección de Arte 15. En buenas condiciones ligeras roturas en camisa interiores impecables. UNAM paperback
Best.-Nr. 45338426-nnew. unknown
Best.-Nr. 28606054-nnew. unknown
Best.-Nr. 47360916-nnew. unknown
Best.-Nr. 2070361209.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. 2070754073.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. 45542157-nnew. unknown
Best.-Nr. 0803210213.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1936Best.-Nr. mon0000013934Deno�l 1936. Unknown Binding. Good. in x in x in. Fast Despatch by First Class Royal Mail Deno�l unknown
