Woolf, ThomasBiblio.com
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1999rif. x-0824702298Informa Healthcare 1999. Hardcover. New. 1st edition. 612 pages. 10.50x7.50x1.50 inches. Informa Healthcare hardcover
2003rif. 2606300183Easton Press 2003. Hardcover. Like New. 4 volume set. Hardcover. Bound in full leather. Stamped with 22kt gold gilt design on cover front back and spine. All edges gold. Silk moire fabric end papers. Satin ribbon place holder. Fine binding and cover. Clean unmarked pages. For more than 30 years the Easton Press has been the standard for finely bound profusely gilt classic leather bindings. Includes: v.1. To the Lighthouse; v.2. Orlando; v.3. Mrs. Dalloway; v.4. A Room of One's Own. This is an oversized or heavy book which WILL require additional postage for Priority Mail or International delivery outside the US. Easton Press hardcover
rif. GOR009350841Hardback. Very Good. hardcover
1928rif. 10305ORLANDO Harcourt Brace 1928 first American edition a bright vg or better copy in a vg dust-wrapper with some light wear and tear and chipping. A tale of an individual whose lifetime spans four centuries and both sexes. Harcourt Brace unknown
1928rif. 10305ORLANDO Harcourt Brace 1928 first American edition a bright vg or better copy in a vg dust-wrapper with some light wear and tear and chipping. A tale of an individual whose lifetime spans four centuries and both sexes. Harcourt Brace unknown books
rif. albbe74f205bce05499Wolf W. Mrs. Dalloway. To the lighthouse. Orlando. Novels In Russian /Vulf V. Missis Dellouey. Na mayak. Orlando. Romany Series: Exmo World Literature Library (ISBN: 9785699718863 9785699718863). We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. The delivery of this book might be delayed beyond the usual timeframe due to extended processing and preparation before shipment, and faster shipping options are not offered. Please inform us if you need the order by a certain date or have a deadline. SKUalbbe74f205bce05499
1985rif. BN503050The Hogarth Press Ltd 1985. 1985. The Complete Shorter Fiction The Complete Shorter Fiction Woolf Virginia and Susan Dick The Hogarth Press Ltd unknown
rif. 45789Stock.1938.In-8 br.E.O.404 p.Ex.532/550. TBE.Dernier ouvrage du vivant de l'Auteure.
1984rif. 33632New York: W.W. Norton & Co 1984. First Edition. Hardcover. First Edition. Hardcover. Personal copy of Ann Throne with her bookplate glued inside of VIRGINIA WOOLF. A WRITER'S LIFE. Signed and with 2 page letters addressed to Ann Thorne from Lyndall Gordon March 2 1995 Oxford England. Lyndall was thanking Ann for ".the splendid hospitality of the Colony Club.it was so memorable." She attended a literary program in New York at the Colony Club which was a women-only private social club. This copy also has 2 postcards glued in with handwritten descriptions. A near fine copy in the publisher's black cloth gilt titles to the spine in a stunning pictorial dustwrapper portraying Marianne Beck's photograph of Woolf for Vogue Magazine. 8vo. 341 pp. Illustrated with black and white photographs. A richly researched and fascinating biography of Virginia Woolf by this Woolfian scholar. A rare find! W.W. Norton & Co hardcover
1888rif. 23005694New York New York: Dick & Fitzgerald 1888. Good to very good. Upper wrapper detached. Minor toning dust soiling chipping to extremities and spine. One or two minor stains. Paper brittle. First edition scarce with only 3 copies listed on OCLC as of March 2023. "The Mott Street Poker Club" is a fictional account revealing the underground card and gambling scene in New York's Chinatown. Utilizes common anti-Asian stereotypes and sentiments from the time including frequent use of a phoneticized "Chinese accent". The anonymous author Alfred Trumble dates unknown possibly pseudonym wrote several books on eclectic subjects ranging from New York's underground card scene to the Crusades with illustrations by Gustave Doré Dickens' interest in jails Parisian night life and "The Mysteries of Mormonism". He is an odd and shadowy character begging for further research by scholars. 8vo 9.25" by 6" pp. 50 4 pp. adverts stapled in original illustrated yellow wrappers printed in red and black. Ink stamp of Kleinteich's Book Store Brooklyn NY to title-page. Dick & Fitzgerald unknown
1888rif. 23005694New York New York: Dick & Fitzgerald 1888. Good to very good. Upper wrapper detached. Minor toning dust soiling chipping to extremities and spine. One or two minor stains. Paper brittle. First edition scarce with only 3 copies listed on OCLC as of March 2023. "The Mott Street Poker Club" is a fictional account revealing the underground card and gambling scene in New York's Chinatown. Utilizes common anti-Asian stereotypes and sentiments from the time including frequent use of a phoneticized "Chinese accent". The anonymous author Alfred Trumble dates unknown possibly pseudonym wrote several books on eclectic subjects ranging from New York's underground card scene to the Crusades with illustrations by Gustave Doré Dickens' interest in jails Parisian night life and "The Mysteries of Mormonism". He is an odd and shadowy character begging for further research by scholars. 8vo 9.25" by 6" pp. 50 4 pp. adverts stapled in original illustrated yellow wrappers printed in red and black. Ink stamp of Kleinteich's Book Store Brooklyn NY to title-page. Dick & Fitzgerald unknown books
rif. 1003945New York: Ink Inc no date. An uncommon and compelling collection of fine press literary broadsides by Ink Inc. a graphic design printing and print-brokerage house established in 1978 by Thomas Whitridge. The title sheet includes the first eight lines of Wallace Stevens's 1947 poem "Notes Toward a Supreme Fiction" printed at upper left. The Virginia Woolf broadside includes a paragraph from her 1928 essay "The Sun and the Fish" accompanied by a portrait of an exemplary fish: "In their shape is their reason." The Raymond Chandler broadside reprints a famous incident in his 1939 detective novel The Big Sleep when Philip Marlowe discovers a Sternwood sister in his bed. The Vladimir Nabokov broadside features a passage from his 1972 short novel Transparent Things while the Jean Anouilh broadside includes an exchange between the lovers at the center of his 1945 play Romeo et Jeannette. A fine complete set unrecorded institutionally and in commerce. Five loose broadside sheets measuring 18 x 13 inches wrapped in original glassine and mylar wrapper blindstamped "Ink Inc. / New York." Woolf Chandler and Nabokov broadsides printed in two colors. Glassine split at fold and chipped at edges broadsides fine. Ink, Inc unknown
rif. 1003945New York: Ink Inc no date. An uncommon and compelling collection of fine press literary broadsides by Ink Inc. a graphic design printing and print-brokerage house established in 1978 by Thomas Whitridge. The title sheet includes the first eight lines of Wallace Stevens's 1947 poem "Notes Toward a Supreme Fiction" printed at upper left. The Virginia Woolf broadside includes a paragraph from her 1928 essay "The Sun and the Fish" accompanied by a portrait of an exemplary fish: "In their shape is their reason." The Raymond Chandler broadside reprints a famous incident in his 1939 detective novel The Big Sleep when Philip Marlowe discovers a Sternwood sister in his bed. The Vladimir Nabokov broadside features a passage from his 1972 short novel Transparent Things while the Jean Anouilh broadside includes an exchange between the lovers at the center of his 1945 play Romeo et Jeannette. A fine complete set unrecorded institutionally and in commerce. Five loose broadside sheets measuring 18 x 13 inches wrapped in original glassine and mylar wrapper blindstamped "Ink Inc. / New York." Woolf Chandler and Nabokov broadsides printed in two colors. Glassine split at fold and chipped at edges broadsides fine. Ink, Inc unknown books
1929rif. 63640London: Jonathan Cape 1929. First Edition. First impression. Octavo. Brown linen-covered boards; dustjacket; 318pp. A touch of dust to upper edge of text block but a Fine copy. In the original deep blue dustwrapper printed in orange; all four corners clipped by publisher with price intact at base of front flap 7s.6d. net. Gently faded on spine panel; mild wrinkling and two brief closed tears to upper margins; Near Fine. A truly lovely copy. Woolf's introduction is substantial 16pp and personal. There was a simultaneous and seemingly more common American issue bound from the same sheets. Jonathan Cape unknown
1929rif. 63640London: Jonathan Cape 1929. First Edition. First impression. Octavo. Brown linen-covered boards; dustjacket; 318pp. A touch of dust to upper edge of text block but a Fine copy. In the original deep blue dustwrapper printed in orange; all four corners clipped by publisher with price intact at base of front flap 7s.6d. net. Gently faded on spine panel; mild wrinkling and two brief closed tears to upper margins; Near Fine. A truly lovely copy. Woolf's introduction is substantial 16pp and personal. There was a simultaneous and seemingly more common American issue bound from the same sheets. Jonathan Cape unknown books
1932rif. 159795N.p.: N.p. 1932. Vintage reference photograph from the 1932 pre-Code film showing actress Myrna Loy in yellowface as the daughter of Fu Manchu. Based on the 1932 novel by Sax Rohmer. The best-known of the early Fu Manchu films wherein the eponymous doctor determines to find the legendary mask and sword of Genghis Khan. 8 x 10 inches. Very Good plus lightly faded. N.p. unknown
1932rif. 159795N.p.: N.p. 1932. Vintage reference photograph from the 1932 pre-Code film showing actress Myrna Loy in yellowface as the daughter of Fu Manchu. Based on the 1932 novel by Sax Rohmer. The best-known of the early Fu Manchu films wherein the eponymous doctor determines to find the legendary mask and sword of Genghis Khan. 8 x 10 inches. Very Good plus lightly faded. N.p. unknown books
1975rif. 166433N.p.: N.p. 1975. Draft script for the 1976 blaxploitation film here under the working title "Adventures of Jesse Crowder II: Journey to Nowhere." Copy belonging to actor Nick Dimitri who played the character "Henchman" with marker annotations of his name copy number "12" and date "1-9-76" on the front wrapper. Script with manuscript pencil and ink annotations on twenty pages and with manuscript marker annotations of page numbers throughout. Bound in preceding the script is a two page cast contact sheet and a five page schedule dated January 13 1976. The second of four Jesse Crowder films starring Fred Williamson and the first film made by Williamson's production company "Po' Boy Productions." Preceded by "Death Journey" 1976 and followed by "Blind Rage" 1978. Ex-cop turned private detective Jesse Crowder is on the hunt for a fugitive named Woolf and his girlfriend Candy until he runs into trouble with Candy's pimp Bernie and his gang. Set in and shot on location in Venice Mill Valley Newport Beach and Santa Monica California. Blue untitled wrappers. Title page present dated 1975 with credits for screenwriter Fred Williamson. 93 leaves with last page of text numbered 85. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a prong binding. Howard Blaxploitation Cinema: The Essential Reference Guide. N.p. unknown
1975rif. 166433N.p.: N.p. 1975. Draft script for the 1976 blaxploitation film here under the working title "Adventures of Jesse Crowder II: Journey to Nowhere." Copy belonging to actor Nick Dimitri who played the character "Henchman" with marker annotations of his name copy number "12" and date "1-9-76" on the front wrapper. Script with manuscript pencil and ink annotations on twenty pages and with manuscript marker annotations of page numbers throughout. Bound in preceding the script is a two page cast contact sheet and a five page schedule dated January 13 1976. The second of four Jesse Crowder films starring Fred Williamson and the first film made by Williamson's production company "Po' Boy Productions." Preceded by "Death Journey" 1976 and followed by "Blind Rage" 1978. Ex-cop turned private detective Jesse Crowder is on the hunt for a fugitive named Woolf and his girlfriend Candy until he runs into trouble with Candy's pimp Bernie and his gang. Set in and shot on location in Venice Mill Valley Newport Beach and Santa Monica California. Blue untitled wrappers. Title page present dated 1975 with credits for screenwriter Fred Williamson. 93 leaves with last page of text numbered 85. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a prong binding. Howard Blaxploitation Cinema: The Essential Reference Guide. N.p. unknown books
1941rif. 002687EN.Y.: Harcourt Brace & Company 1941. FIRST EDITION. HARDCOVER. Fine/Fine. VIRGINIA WOLLF'S FINAL NOVEL POSTHUMOUSLY PUBLISHED AND EDITED BY LEONARD WOOLF. An unusually fine copy in a fine jacket. A common title but very scarce in fine condition. Copy is very tight and clean. No bumped corners to book. No tears no chips to jacket. Jacket is not priced clipped. Small book store stamp to reap paste down board.and some toning to end papers. A Very Nice Copy. Harcourt Brace & Company unknown
1930rif. 166241930. Woolf Virginia. "Memories of a Working Women's Guild" 1930 is the first periodical printing of Woolf's essay on the Women's Co-operative Guild working-class women's testimony and the difficulty of cross-class literary encounter. Written in connection with Life as We Have Known It later published by the Hogarth Press the essay addresses the letters and life narratives of Guild women while placing Woolf's own class position under scrutiny as a "benevolent spectator." The Guild was founded in 1883 and became a major association for working women with Woolf's essay appearing as a variant of her later introductory letter to the Guild women's autobiographical volume. The Yale Review: A National Quarterly. New Haven: Yale University Press Autumn 1930. Original periodical issue containing Virginia Woolf "Memories of a Working Women's Guild" pages 121-138; 280 pages total. Large quarto. Original blue printed wrappers side-stapled. The essay precedes its revised appearance as the introduction to Life as We Have Known It and was later collected in The Captain's Death Bed and subsequent essay collections. Woolf's discussion centers on the emergence of working women's voices from domestic labor poverty and limited education including her statement that the writings were made "in kitchens at odds and ends of time in the midst of distractions and obstacles." The issue is important for the study of Woolf's feminism British labor history women's co-operative culture and modernist responses to working-class autobiographical writing. First page torn out; some shelf wear and light toning to pages; pages clean and binding tight good. A significant original appearance of Woolf's engagement with working women's self-representation and the politics of classed literary witness. unknown
1930rif. 166241930. Woolf Virginia. "Memories of a Working Women's Guild" 1930 is the first periodical printing of Woolf's essay on the Women's Co-operative Guild working-class women's testimony and the difficulty of cross-class literary encounter. Written in connection with Life as We Have Known It later published by the Hogarth Press the essay addresses the letters and life narratives of Guild women while placing Woolf's own class position under scrutiny as a "benevolent spectator." The Guild was founded in 1883 and became a major association for working women with Woolf's essay appearing as a variant of her later introductory letter to the Guild women's autobiographical volume. The Yale Review: A National Quarterly. New Haven: Yale University Press Autumn 1930. Original periodical issue containing Virginia Woolf "Memories of a Working Women's Guild" pages 121-138; 280 pages total. Large quarto. Original blue printed wrappers side-stapled. The essay precedes its revised appearance as the introduction to Life as We Have Known It and was later collected in The Captain's Death Bed and subsequent essay collections. Woolf's discussion centers on the emergence of working women's voices from domestic labor poverty and limited education including her statement that the writings were made "in kitchens at odds and ends of time in the midst of distractions and obstacles." The issue is important for the study of Woolf's feminism British labor history women's co-operative culture and modernist responses to working-class autobiographical writing. First page torn out; some shelf wear and light toning to pages; pages clean and binding tight good. A significant original appearance of Woolf's engagement with working women's self-representation and the politics of classed literary witness. unknown books
1941rif. 3116904NY: HARCOURT BRACE AND COMPANY. Fine in Fine dust jacket. 1941. First Edition; First Printing. Hardcover. First American edition. Fine in very close to fine dust jacket. Superb copy. ; 5 3/4" x 8 1/4"; 219 pages . HARCOURT, BRACE AND COMPANY. hardcover
1933rif. 34299New York: Harcourt Brace & Company 1933. First Edition. Hardcover. Very Good Plus/Very Good Plus. First Edition. Hardcover. Woolf Virginia. FLUSH. A Biography. First American edition with ''first edition'' stated on the copyright page. In the publishers original brownish cloth silver titles to the spine some toning and some minor tears in a scarce pictorial unclipped dustwrapper designed by Robert Joseph depicting Virginia Woolf's cocker spaniel 'Pinka' as Elizabeth Barrett Browning's beloved spaniel 'Flush' with the design of Vanessa Bell's illustrations on the endpapers. 'Woolf began writing Flush in the summer of 1931 after completing The Waves. She continued to work on it as she began writing The Pargiters and she wrote in her Diary at the end of 1932 that she was using Flush to "cool" her mind after the effort of writing The Pargiters". Hussey Mark. Kirkpatrick and Clarke A19b. Harcourt, Brace & Company hardcover
1950rif. 292155London: Hogarth Press 1950. Hardcover. Fine/Near Fine. First English edition preceded by the U.S. edition. A tiny ink number on front fly else fine in just about fine dustwrapper. Hogarth Press hardcover
