427 résultats
1882réf. 102316Paris: A. Quantin 1882. Hardcover. Very good. 12mo in custom 19th century blue half leather binding with raised bands; 111 pages; color illustrations & ornament. A beautiful little book. In French. "Anacreon 575 – c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life."—Wikipedia. A. Quantin hardcover
1736réf. 151974In Venezia: Piacentini 1736. Cm. 235 pp. 6 208. Bel ritratto inciso in rame all'antiporta fregio al frontespizio capolettera e finalini incisi. Solida leg. coeva in piena pergamena rigida con nervi passanti dorso liscio con titoli in oro su tassello. Una firma privata di possesso datata 1806 al frontespizio. Esemplare genuino e ben conservato. Piacentini unknown
1681réf. 214311681 Paris, Denys Thierry et Claude Barbin, 1681, in-12 de (32)-429-(3) pp., reliure de l'époque de plein veau brun, dos à nerfs orné de fers dorés, titre doré, usures et manques aux coiffes, petit trou de ver marginal aux derniers feuillets (sans gravité), sinon bon exemplaire. noms de propriétaire à l'encre brune sur la page de titre, sinon bon exemplaire.
réf. 47449A Paphos [ Paris ] 1785 in 16 (12x7) Les 2 tomes reliés en 1 volume reliure plein veau fauve de l'époque, dos lisse orné, triple filet doré d'encadrement sur les plats, tranches dorées, frontispice gravé et 176 pages, 180 pages. Bel exemplaire
réf. 126630aafIn Perugia : Dai torchi di Carlo Baduel, 1791, in-8vo, frontispice-portrait gravé (A. Stefanucci dif. - R. Faucci inc.) + XXII + 166 p. (recte 266 p.) + 2 ff. (Imprimastur - Erroni correzioni), reliure en d.-parchemin du XIXè siècle, pièce de titre au dos.
1855réf. 1799Paris: Claye 1855. Cm. 24 pp. 4 358. Bella ed elegante legatura coeva in mezza pelle rossa con punte dorso a nervi con titoli e ricchi fregi in oro. Taglio di testa dorato. Bell'esemplare ad ampi margini ed in perfetto stato di conservazione. La parte principale del volume è occupata dalle odi anacreontiche in greco con traduzione francese a fronte. Molte di esse come è noto trattano il soggetto "bacchico". Claye unknown
1825réf. 67130Anacréon, traduction en vers par Charles-Louis Mollevaut, Membre de l'Institut Royal de France, De l'Imprimerie de Didot le Jeune, Paris, 1825, xii-216 pp.[ Suivi de : ] Odes d'Anacréon, traduites en vers par M. Alexis Monregard, dédiées à M. Guizot, Bureau Central d'Imprimerie et de Librairie, Paris, 1836, 170 pp. et 2 ff. n. ch.
1843réf. 680781843. Florentiae : apud Guillelmum Piatti 1843 4° XVI 179 pp.; 11 pp. feiner Pappband. First Edition! Bilingual Edition - Greek text with Latin version opposite. Anacreon c. 575 - c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life Sappho c. 630 - c. 570 BC was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos.a Sappho is known for her lyric poetry written to be sung while accompanied by music. In ancient times Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant but these are actually Hellenistic imitations of Sappho's style. unknown
réf. elala2357Strassburg: J.H.Heitz 1778. First Edition Edited by Richard François Philippe Brunck 1729-1803. Dibdin 4th Edn. I pp. 264-65. Graesse I 111. Moss I pp. 47-48. 16mo. pp. 128. text in Greek notes in Latin. woodcut ornaments & title vignette. contemporary sheep binding worn but solid Strassburg: J.H.Heitz, 1778 unknown
1810réf. 283286Philadelphiae: T. Barton Zantzinger et Soc 1810. Full Leather. Very Good binding. Selections with the text in Greek and in Latin. In sheep; spine with very minor loss and gilt rules. Printed by Fry and Kammerer for the Thos. B. Zantzinger Company. 123 pages; 2 publisher’s ad. Shaw & Shoemaker 19363. Very Good binding. T. Barton Zantzinger et Soc unknown
1810réf. 283286Philadelphiae: T. Barton Zantzinger et Soc 1810. Full Leather. Very Good binding. Selections with the text in Greek and in Latin. In sheep; spine with very minor loss and gilt rules. Printed by Fry and Kammerer for the Thos. B. Zantzinger Company. 123 pages; 2 publisher’s ad. Shaw & Shoemaker 19363. Very Good binding. T. Barton Zantzinger et Soc unknown books
1923réf. 1235E076London: The Nonesuch Press 1923. 1st Edition . Hardback. Printed pages: 52. Near Fine/Good. 5.5 x 9.5 inches 14 x 24 cm. Dust jacket: Gold paper jacket with wear and loss to edges. Rubbing to front cover. Overall jacket condition is Good. Book: Limited edition number 637 of 725 copies. Quarter parchment with gold paper covered boards. Page edges untrimmed. Very slight tanning to edges of pastedown endpapers. A few spots of foxing to page edges otherwise in excellent condition throughout. Engraved title page headpiece tailpiece and four plates all with tissue guards. One tissue guard has been bound in at an angle. An outstanding example. Overall book condition is Near Fine. Size: 5.5 x 9.5 inches 14 x 24 cm. The Nonesuch Press hardcover
1704réf. 61700Chez Pierre Ribou | à Paris 1704 | 9.50 x 16.50 cm | relié
1736réf. 22289In Venezia: Piacentini 1736. Cm. 23 pp. 6 208. Bel ritratto inciso in rame all'antiporta fregio al frontespizio capolettera e finalini incisi. Solida leg. coeva in pergamena rigida con dorso a piccoli nervi. Bell'esemplare genuino e ben conservato. Piacentini unknown
1833réf. 815A11London: Sherwdood Gilbert and Piper 1833. First edition. Cloth. Very Good Indeed. 7" by 4.5". None . The first edition of the classical odes of Anacreon edited by James Usher a bright pocket sized edition. Anacreon was a Greek lyric poet known for his drinking songs and erotic poems. The present pocket sized volume is the first edition of his odes rendered to English and edited by James Usher a scarce copy. The odes are admired for their elegance and genuine simplicity mostly concerned with themes of love infatuation revelry and aspects of every-day life. Rebound a full cloth binding with titles in gilt to spine. Externally very smart with minor shelf wear only minor bumping to head and tail of spine and extremities light soiling to boards and spine. Internally firmly bound. Odd minor spotting to occasional leaf otherwise pages clean throughout with a touch of age toning as usual with the type of paper used. Very Good Indeed Sherwdood, Gilbert and Piper hardcover
1692réf. 265151692. A Paris chez Charles Clouzier 1692. Un vol. au format pt in-12 153 x 98 mm de 1 frontispice grav n.fol. 9 ff. n.fol. 398 pp. 1 f. de catalogue diteur n.fol. in fine et 1 f. bl. Reliure de l'poque de plein veau marbr havane plats jansnistes dos nerfs richement orn de filets gras froid caissons d'encadrement dors larges fleurons dors semis de pointills et d'toiles dors piÂce de titre de maroquin acajou titre dor palette dore en tÂte et queue dentelle dore sur les coupes tranches rouges. L'exemplaire - revÂtu d'une reliure dcorative du temps - s'ouvre sur un dlicat frontispice allgorique grav sign ; rn regard d'une vignette grave en page de titre. Edition en grec avec traduction franÂaise en regard par Hilaire-Bernard Derequeleyne Baron de Longepierre. Anacron se consacre principalement la posie amoureuse et la posie de banquet. Son style se caractrise par sa lgÂret doubl de son charme. Quant SapphoSolon aprÂs avoir entendu la lecture d'un de ses poÂmes dclara : Ç mon dsir est de l'apprendre et de mourir ensuite È. Brunet I Manuel du libraire et de l'amateur de livres 254. Abrasions en marge des plats. Petit manque en tÂte et queue du dos. Feuillets lgÂrement oxyds. Du reste belle condition. Peu courant. b42961 unknown
1692réf. 26515A Paris, chez Charles Clouzier, 1692. Un vol. au format pt in-12 (153 x 98 mm) de 1 frontispice gravé n.fol., 9 ff. n.fol., 398 pp. + 1 f. de catalogue éditeur n.fol. in fine et 1 f. bl. Reliure de l'époque de plein veau marbré havane, plats jansénistes, dos à nerfs richement orné de filets gras à froid, caissons d'encadrement dorés, larges fleurons dorés, semis de pointillés et d'étoiles dorés, pièce de titre de maroquin acajou, titre doré, palette dorée en tête et queue, dentelle dorée sur les coupes, tranches rouges.
réf. 104964A Paris de l'Imprimerie de Didot l'Aîné, AN VIII, 4 volumes in-18 de 132x85 mm environ, tome I : 1f.blanc, 1 frontispice, faux-titre, titre, 107 pages, 1f.blanc, avec 3 planches hors texte et un frontispice, - tome II : 1f.blanc, faux-titre, titre, 119 pages avec une planche hors texte, 1f.blanc - tome III : 1f.blanc, faux-titre, titre, 130 pages, 1f.blanc - tome IV : 1 f.blanc, faux-titre, titre, 90 pages, suivies de 27 pages de musique, 1f.blanc, plein veau marbré fauve, titres et tomaisons dorés sur dos lisses, ornés de fers et petites frises dorés, coupes dorées, encadrement des plats d'une frise et une filet doré, gardes marbrées, tranches dorées. Petites rousseurs et pages brunies, une coiffe arasée, un coin dénudé, des frottements d'usage sur les angles, le cahier 8 est relié dans le désordre (p. 85 à 94, tome I) sans manque, sinon bon état. Texte en latin/grec/français.
réf. 1308CC493Vertida por Antonio Feliciano de Castilho. Typographia de Ad. Lainé et J. Havard. Paris. 1866. De 21x14 cm. Com 144 págs. Encadernação da época inteira de pele com ferros a ouro na lombada com coifas cansadas. Exemplar com 2 ex-libris da época título de posse na folha de rosto e dedicatória e assinatura do autor invisual na folha de guarda. Obra bilingue em português e grego - texto sequencial - com um prólogo de Castilho em português até à página 23 com a biografia de Anacreonte. «Em 1866 o sempre polémico mas engenhoso poeta António Feliciano de Castilho publicou a sua versão poética do que considerava serem os poemas de Anacreonte na realidade uma adaptação às formas da lírica nacional de 53 dos actualmente considerados 60 Anacreontea. A figura e a obra de António Feliciano Castilho 1800-1875 ficariam para sempre marcadas por uma série de episódios e polémicas artísticas e pessoais sobretudo no contexto da afirmação do Realismo em Portugal que tantas vezes ofusca pelo menos para o público culto mas menos informado a riqueza de uma obra poética e de tradução dos clássicos ímpar entre nós. Cego aos seis anos de idade em consequência de um surto de sarampo desde a infância se dedicou ao estudo das línguas e culturas clássicas no Geral do Cunhal das Bolas e consta que com cinco anos já versejava em latim e traduzia versos de Ovídio.» Ref.: «Castilho tradutor ou poeta anacreôntico A Lyrica de Anacreonte 1866» por Carlos A. Martins de Jesus Humaitas n.º 63 2011. M-13-F-5 unknown
1825réf. 159541825 2 tomes différents reliés en un volume, reliure "romantique" d'époque, plein velin blanc in-32 (binding full white vellum in-32) (8 x 12 cm), dos long (spine without raised band), décoration or (gilt decoration) et fleurons noirs (black floweret), titre frappé or (gilt title) - plats décorés en noir et or (cover black-stamping and gilt decoration), d'un grand rinceau noir à chaque angle dans un encadrement de 2 filets noir et or, toutes tranches lisses (all smooth edges), dorées (all edges gilt), pages de garde en papier moiré blanc (endpapers with paper watered), ex-libris - vignette illustrée collée sur le deuxième plat (illustrated label of ex-libris stuck on the reverse of the front cover), à l'effigie du dieu "Ganesh" - Protecteur des écrivains et de tous ceux qui se livrent à l'étude, se promenant un livre sous le bras - texte en grec avec des commentaires en latin, sans illustrations, (xiv + 157) + (viij + 221) pages, 1831 + 1825 Parisiis apud LEFEVRE BIBLIOPOLAM,
1777réf. 49026Glasguae: excudebat Andreas Foulis 1777. 8vo pp. 100; Greek text in large type with Latin footnotes; contemporary paneled calf gilt-ruled borders gilt-ruled spine in 6 compartments with blind-stamped details red speckled edges; spine chipped and label perished later signature on flyleaf a good sound copy. Gaskell 610. excudebat Andreas Foulis unknown
1777réf. 49026Glasguae: excudebat Andreas Foulis 1777. 8vo pp. 100; Greek text in large type with Latin footnotes; contemporary paneled calf gilt-ruled borders gilt-ruled spine in 6 compartments with blind-stamped details red speckled edges; spine chipped and label perished later signature on flyleaf a good sound copy. Gaskell 610. excudebat Andreas Foulis unknown books
1704réf. 61700à Paris: Chez Pierre Ribou 1704. Fine. Chez Pierre Ribou à Paris 1704 9.50 x 16.50 cm relié First edition of De la Fosse's translation. Greek text with facing translation. A medallion portrait of Anacreon at the frontispiece. Catalogue at the end. Contemporary full polished brown calf binding. Decorated spine with raised bands. Red morocco title label. Head torn with losses to joints. Upper joint split at tail. 4 corners bumped. Preface on the work and various translations of the odes. Each ode is followed by translator's notes. Following the 55 odes Poems by M.D.L.F. then Discourse delivered in Florence to determine which are the most beautiful eyes blue or black. Chez Pierre Ribou hardcover
1799réf. 48959Imprimerie de Pierre Didot l’Aîné 1799 In-8 Jésus, reliure de l’époque demi-basane brune - Traduit par Jean-Baptiste GAIL
1736réf. 31357AB1736. In Venezia Apresso Francesco Piacentini 1736. 4°. 3 Bl. 208 S. Mit 1 Portät. Pergamentband der Zeit. Die Übersetzer waren: Barnes Joshua; Corsini Bartolomeo; Marchetti Alessandro; Regnier de Marais François Séraphin und Salvini Anton Maria. Das Papier etwas stockfleckig. Der Einbandbzug fleckig und leicht verzogen. unknown
