427 risultati
1951rif. 219021Rencontre 1951 130 pages in12. 1951. Relié. 130 pages.
1961Mm 140x220 Volume cartonato rigido di pagine XXV-641, astuccio editoriale, testo originale a fronte. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
rif. 0365810223.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0366434284.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. B9781165795055New. unknown
rif. 1104457695.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1149245239.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1165795051.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1882rif. GITa130Paris Quantin 1882. In-32 broché 111pp. Texte dans un joli encadrement de guirlandes vertes, orné de 12 fines illustrations en deux tons de P. Avril. Dos bruni avec petit manque en tête, intérieur en parfait état.
1951rif. LFA-126734658Un ouvrage de 130 pages, format 125 x 185 mm, relié cartonnage, publié en 1951, Rencontre (Lausanne), bon état
rif. 75641Hugues de Fleurville éditeur libraire 1984 livre poésie 27*20 405 pages
1825rif. 159541825 2 tomes différents reliés en un volume, reliure "romantique" d'époque, plein velin blanc in-32 (binding full white vellum in-32) (8 x 12 cm), dos long (spine without raised band), décoration or (gilt decoration) et fleurons noirs (black floweret), titre frappé or (gilt title) - plats décorés en noir et or (cover black-stamping and gilt decoration), d'un grand rinceau noir à chaque angle dans un encadrement de 2 filets noir et or, toutes tranches lisses (all smooth edges), dorées (all edges gilt), pages de garde en papier moiré blanc (endpapers with paper watered), ex-libris - vignette illustrée collée sur le deuxième plat (illustrated label of ex-libris stuck on the reverse of the front cover), à l'effigie du dieu "Ganesh" - Protecteur des écrivains et de tous ceux qui se livrent à l'étude, se promenant un livre sous le bras - texte en grec avec des commentaires en latin, sans illustrations, (xiv + 157) + (viij + 221) pages, 1831 + 1825 Parisiis apud LEFEVRE BIBLIOPOLAM,
1773rif. ST16314Paris: Chez Le Boucher 1773. First Edition with these Illustrations. 214 x 136 mm. 8 3/4 x 5 1/2". 2 p.l. iv 280 pp. without "Héro et Léandre" as usual.Translated by Julien Jacques Moutonnet de Clairfons. LOVELY RED MOROCCO GILT BY CHAMBOLLE-DURU stamp-signed on front turn-in covers with French fillet border raised bands spine gilt in compartments with rose sprig at center curling floral cornerpieces gilt titling densely gilt turn-ins marbled endpapers all edges gilt. Engraved frontispiece and 25 charming and delicate engraved illustrations by Jean Massard after Charles Eisen. Cohen-de Ricci 79; Brunet I 254; Graesse I 113. For the binding: Flety 40. ◆Lower half-inch of joints just starting to show wear three minor stains and one short scratch to upper board but a fine and pretty copy the text fresh and smooth with deep impressions of the type with rich impressions of the engravings with ample margins and with a lustrous binding. This is a very attractive copy of the first printing of an anthology of French versions of classical poetry described by Cohen-de Ricci as "one of the most elegantly illustrated books of the 18th century." Charles Eisen 1720-78 was Louis XV's court painter as well as drawing master to Madame de Pompadour. Bryan says that "almost all the important books published in France in his time contain his exquisite plates" which "he engraved with a light point and with striking originality." He "took his inspirations direct from nature but added something of the ideal after the manner of Watteau and Boucher." The text contains biographies of and works by four important Greek poets: Anacreon sixth century B.C. Sappho b. ca. 612 B.C. Bion third century B.C. and Moschus second century B.C. The binding here is a perfect example of the kind of handsomely done French classical work produced for an extended period under the name of Chambolle. A rough contemporary of and certainly the equal in technique to binders like Trautz Marius Michel père Lortic and Cuzin the elder Chambolle served his apprenticeship under Hippolyte Duru and later formed a partnership with him as is clear from the stamped signature on our volume. Chambolle's son continued the business when his father retired in 1898 and in her "Modern Bookbindings" Sarah Prideaux says of her contemporary "Chambolle most worthily continues the traditions associated with the name of his father. . . . To him are confided the classics of former times which he clothes in the styles appropriate to them keeping to a simplicity of ornamentation which reveals great taste and feeling for composition.". Chez Le Boucher unknown books
1773rif. ST16314Paris: Chez Le Boucher 1773. First Edition with these Illustrations. 214 x 136 mm. 8 3/4 x 5 1/2". 2 p.l. iv 280 pp. without "Héro et Léandre" as usual.Translated by Julien Jacques Moutonnet de Clairfons. LOVELY RED MOROCCO GILT BY CHAMBOLLE-DURU stamp-signed on front turn-in covers with French fillet border raised bands spine gilt in compartments with rose sprig at center curling floral cornerpieces gilt titling densely gilt turn-ins marbled endpapers all edges gilt. Engraved frontispiece and 25 charming and delicate engraved illustrations by Jean Massard after Charles Eisen. Cohen-de Ricci 79; Brunet I 254; Graesse I 113. For the binding: Flety 40. ◆Lower half-inch of joints just starting to show wear three minor stains and one short scratch to upper board but a fine and pretty copy the text fresh and smooth with deep impressions of the type with rich impressions of the engravings with ample margins and with a lustrous binding. This is a very attractive copy of the first printing of an anthology of French versions of classical poetry described by Cohen-de Ricci as "one of the most elegantly illustrated books of the 18th century." Charles Eisen 1720-78 was Louis XV's court painter as well as drawing master to Madame de Pompadour. Bryan says that "almost all the important books published in France in his time contain his exquisite plates" which "he engraved with a light point and with striking originality." He "took his inspirations direct from nature but added something of the ideal after the manner of Watteau and Boucher." The text contains biographies of and works by four important Greek poets: Anacreon sixth century B.C. Sappho b. ca. 612 B.C. Bion third century B.C. and Moschus second century B.C. The binding here is a perfect example of the kind of handsomely done French classical work produced for an extended period under the name of Chambolle. A rough contemporary of and certainly the equal in technique to binders like Trautz Marius Michel père Lortic and Cuzin the elder Chambolle served his apprenticeship under Hippolyte Duru and later formed a partnership with him as is clear from the stamped signature on our volume. Chambolle's son continued the business when his father retired in 1898 and in her "Modern Bookbindings" Sarah Prideaux says of her contemporary "Chambolle most worthily continues the traditions associated with the name of his father. . . . To him are confided the classics of former times which he clothes in the styles appropriate to them keeping to a simplicity of ornamentation which reveals great taste and feeling for composition.". Chez Le Boucher unknown
1934rif. 119212Paris Editions du Triptyque 1934 1 vol. broché in-8, broché, couverture illustrée, 132 pp., planches en bistre et dessins en noir par Barbey. Tampon d'ex-libris en page de garde et initiales en pied de la page de titre. Bon état.
1934rif. 119212Paris Editions du Triptyque 1934 1 vol. broché in-8, broché, couverture illustrée, 132 pp., planches en bistre et dessins en noir par Barbey. Tampon d'ex-libris en page de garde et initiales en pied de la page de titre. Bon état.
1865rif. 144443Mlano: Ricordi 1865. In-folio mm. 393x290 cartonato editoriale figurato mancanze al dorso; lievi tracce d'uso pp. XIII273 compreso il frontespizio incorniciato a colori. Testo entro graziosa cornice rossa ornato da capilettera figurati in sanguigna finalini in nero e 16 belle incisioni su legno eseguite da Centenari sui disegni di: Ciseri Hayez Servi Ribossi Cambi Bartolini Dupré. Testo ben conservato. Ricordi, unknown
1793rif. 139954Parma: Bodoni 1793. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. Bodoni Giambattista. small 8vo. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. viii 100 pages. Printed by Giambattista Bodoni in Parma Brooks 503. Minor shelf wear else a near fine copy. Pages 73-100 contain the "choice of poems mostly not complete which are published under the name of Anacreon". There were 6 copies on parchment. A lovely copy. Anacreon one of the most celebrated Greek lyric poets was born at Teos in Ionia. He lived in Samos and Athens where his patron was Hipparchus. His poetry is know for it's grace and elegabce and it's celebration of the joys of wine and love. Bodoni unknown books
1793rif. 139954Parma: Bodoni 1793. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. Bodoni Giambattista. small 8vo. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. viii 100 pages. Printed by Giambattista Bodoni in Parma Brooks 503. Minor shelf wear else a near fine copy. Pages 73-100 contain the "choice of poems mostly not complete which are published under the name of Anacreon". There were 6 copies on parchment. A lovely copy. Anacreon one of the most celebrated Greek lyric poets was born at Teos in Ionia. He lived in Samos and Athens where his patron was Hipparchus. His poetry is know for it's grace and elegabce and it's celebration of the joys of wine and love. Bodoni unknown
1820rif. TK0328London:: Printed for James Carpenter 1820. 1820. 2 volumes in 1. Tall 4to. xlvii 1 49-175 1; 3-148 pp. 2 frontispieces 26 engraved plates by Robt. Ker. Porter. The plates are full size for the volume whereas the text leaves are all mounted and expanded to achieve the same size as the plates. Original full gilt-stamped calf; rebacked with raised bands gilt-stamped spine compartments 1 of 2 clasps; corners showing lacks the one clasp. Very good. Illustrated by Sir Robert Ker Porter a friend of the author. Sir Robert Ker Porter KCH was a British artist writer and diplomat. Known today for his accounts of his travels in Russia Spain Portugal and Persia he was one of the earliest panorama painters in Britain was appointed historical painter to Tsar Alexander I of Russia and served as British consul in Venezuela. Printed for James Carpenter, 1820. hardcover books
rif. 0331146576.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 036510941X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1020664851.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 135688864X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1331710448.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback