DESNOS, Robert - MASSON, AndréLivre Rare Book
584 Ergebnisse
1957Best.-Nr. 1839Louis Broder, Paris 1957. Collection "Miroir du poète" n° VI. Un volume in-12 carré (167 x 136 mm), en feuilles, 42 pages, sous couverture de papier japon à rabats titrée en rouge sur le premier plat. Chemise et étui de l'éditeur noir et gris titré en rouge sur le dos. Édition originale de ce recueil de 7 poèmes de Robert Desnos inédits en volume. 4 GRAVURES ORIGINALES À L'EAU-FORTE ET AQUATINTE EN COULEURS (150 x 120 mm). La typographie est dûe à l'imprimerie Union et le tirage de la gravure à Robert Dutrou. Édition : 120 exemplaires numérotés sur vélin de Rives BFK. Celui-ci, l'exemplaire n°2 est signé par André Masson au colophon. Il comporte UNE SUITE COMPLÈTE DES GRAVURES ET DE LA DÉCOMPOSITION DES COULEURS : chaque épreuve de l'état final est justifiée 5/7 et signée au crayon par l'artiste, chaque épreuve de la décomposition des couleurs est justifiée 5/7 et monogrammée au crayon par l'artiste. 16 planches signées au total. Sixième volume de la collection "Miroir du poète" qui en comporte 7. Un huitième volume prévu n'a jamais vu le jour, mais la maquette existe. Le volume en parfait état, l'emboîtage de même (Saphire-Cramer 42). ENGLISH : André Masson - Robert Desnos, : Mines de Rien, Collection Miroir du Poète VI, Louis Broder, Paris, 1957. 4 aquatints printed in colours, 1957, on BFK Rives, title, text, list of contents, justification and the set of four, the justification signed in pencil by André Masson. copy numbered on vélin de Rives paper, from the total edition of 130. This one, copy no. 2, includes A COMPLETE SUITE OF THE ENGRAVINGS AND DECOMPOSITION OF COLORS: each proof of the final state is justified 5/7 and signed in pencil by the artist, each proof of the decomposition of colors is justified 5/7 and monogrammed in pencil by the artist. There is 16 signed plates in total. The set is in mint++ condition in its original slipcase, perfect. overall S. 177 x 153mm. (Cramer 42).
1926Best.-Nr. 18542Paris, Éditions de la Galerie Simon, 1926. Grand in-4 broche, couverture imprimee.
1926Best.-Nr. 1689151926. MASSON André. C'est les bottes de 7 lieues Cette phrase "Je me vois". By Robert Desnos. 13 ff. illustrated with 4 etchings by Masson. Folio 423 x 328 mm. bound in publisher's wrappers in a new cloth folding box. Paris: Galerie Simon Daniel-Henry Kahnweiler 1926. A fine copy of the most beautiful of the books Kahnweiler published with Masson's illustrations and the first book by Robert Desnos with illustrations. One of 90 copies on Arches signed by Masson and Desnos from a total edition of 100. Saphire and Cramer ANDRE MASSON: The Illustrated Books. No. 3. hardcover
1926Best.-Nr. 1689151926. MASSON André. C'est les bottes de 7 lieues Cette phrase "Je me vois". By Robert Desnos. 13 ff. illustrated with 4 etchings by Masson. Folio 423 x 328 mm. bound in publisher's wrappers in a new cloth folding box. Paris: Galerie Simon Daniel-Henry Kahnweiler 1926. A fine copy of the most beautiful of the books Kahnweiler published with Masson's illustrations and the first book by Robert Desnos with illustrations. One of 90 copies on Arches signed by Masson and Desnos from a total edition of 100. Saphire and Cramer ANDRE MASSON: The Illustrated Books. No. 3. hardcover books
1927Best.-Nr. 2199Paris, Éditions surréalistes, 1927. In-8 (22,8 x 16,8 cm), box crème, sur les plats décor de grandes lettres (DORMIR) en relief de même box, ponctué d'étoiles stylisées de différentes tailles en box vert, rouge et ivoire, titre à l'œser violine au premier plat, auteur et artiste au second, dos muet, tête rognée, doublures bord à bord de box crème, boîte de peau velours gris perle, couvertures et dos conservés, coffret avec le dos en box crème titré à l'œser (F. Brindeau - 2010). ÉDITION ORIGINALE illustrée de 14 dessins d'Yves Tanguy, dont la couverture reprise en page de titre et 3 hors-texte. - 14 DESSINS EN NOIR D'YVES TANGUY REPRODUITS, DONT LA COUVERTURE, LA PAGE DE TITRE ET LES 3 HORS TEXTE AQUARELLÉS PAR L'ARTISTE LUI-MÊME. Tirage à 210 exemplaires signés à l'encre par l'auteur et l'illustrateur Celui-ci un des 20 sur papier de Hollande (n° 26), second papier après 10 Japon, les seuls avec la couverture, la page de titre et les 3 hors-texte rehaussés à l'aquarelle par l'artiste (avec 5 Chine nominatifs). Élégante et virtuose reliure de François Brindeau. - Bibliographie : Monod, 8959. Peyré, Peinture et poésie, n° 28, p. 233. From Manet to Hockney 80. Castleman 179. Andel, Avant Garde Page Design 421. Superbe et très rare exemplaire. Photographies supplémentaires de l'ouvrage sur demande. ENGLISH DESCRIPTION :[TANGUY, Yves - PÉRET, Benjamin."Dormir dormir dans les pierres" (Sleeping sleeping in the stones). Paris, Éditions surréalistes, 1927. In-8 (22.8 x 16.8 cm), cream box, on the covers decorated with large embossed letters (DORMIR) from the same box, punctuated with stylized stars of different sizes in green, red and ivory box, title with a purple oeser on the first cover, author and artist on the second, blank spine, cropped head, edge to edge cream box linings, pearl gray velvet skin box, preserved covers and spine, box with cream box spine titled to the oeser (F. Brindeau - 2010). First edition illustrated with 14 drawings by Yves Tanguy, including the cover on the title page and 3 out of text. - 14 DRAWINGS IN BLACK BY YVES TANGUY, INCLUDING THE COVER, THE TITLE PAGE AND THE 3 IN-TEXT WATERCOLORED BY THE ARTIST HIMSELF. Edition of 210 copies signed in ink by the author and the illustrator. This one of 20 on Holland paper (n° 26), second paper after 10 Japan, the only ones with the cover, the title page and the 3 insets enhanced in watercolor by the artist (with 5 nominative China). First edition,first printing. Elegant and virtuoso binding by François Brindeau. Bibliography: Monod, 8959. Peyré, Painting and poetry, no. 28, p. 233. From Manet to Hockney 80. Castleman 179. Andel, Avant Garde Page Design 421. Superb and very rare copy. Additional photographs of the book on request.
1929Best.-Nr. 88960Documents | Paris 1929-1930 (nº 1 à 7, avril 1929 - décembre 1929 ; nº 1 à 8, [janvier] 1930- [octobre] 1930) | 22 x 27.50 cm | 15 volumes brochés sous coffret
Best.-Nr. 50602se Fait et vend chez Desnos rue St. Jacques St. Severin. A Paris 1753. Terrestrial globe 3 ¼ inches in diameter 79 mm papier mâché covered with plaster coating and 12 hand-coloured engraved paper gores graduated equator tropics of Cancer and Capricorn ecliptic and Premiere Meridian fixe de l'isle de fer the prime meridian on the island of El Hierro which Louis XIII decreed in 1634; cartouche with decorative border varnished two metal pins in its original turned fruitwood case in fine condition. A stunning French miniature pocket globe from the mid-eighteenth century rich in geographical detail from the latest discoveries. An evocative artefact from the Age of Enlightenment. The globe shows the discoveries made in the Pacific by the early European expeditions prior to those of Cook and the grands voyages of La Perouse Baudin Freycinet and Duperrey. It depicts the newly charted territory of Nouvelle Hollande as it was known from the most recent discoveries: Terre de Wit is marked on the western coastline as well as the partial coastlines of Van Diemen's Land and New Zealand based on the discoveries of the Dutch. The islands of Nouvelle Bretagne and the Isles de Salomon are marked in the Pacific Ocean as well as the Isles Carolines Isles Philippines marking Mindanao and Luzon Formosa Canton and Coree Korea. Louis-Charles Desnos 1725-1805 was one of the most prolific and influential map and globe makers of his age at a time when Paris was the major centre for map production in Europe. He married the widow of Nicolas Hardy the son of Jacques Hardy a globe maker active in the years 1738-1745. Desnos acquired Hardy's inventory and tools and expanded the company further through the acquisition of the inventories of the Jaillot family and of Nicolas de Fer. Desnos would be appointed Royal Globemaker to King Christian VII of Denmark and continued publishing throughout the late eighteenth century. Collections: The only globe by Desnos recorded in Australian public collections is in the National Gallery of Victoria a fine table globe from 1758 acquired from us in 2023. We cannot trace another institutional example of this rare pocket globe Reference: untraced in the standard literature unknown
1929Best.-Nr. 88960Paris: Documents 1929. Fine. ""Documents . was made into a laboratory a genesis a crucible a rebellion a madness in short an avant-garde."" Jean Jamin Documents Paris 1929-1930 nº 1 à 7 avril 1929 - décembre 1929 ; nº 1 à 8 janvier 1930- octobre 1930 22 x 27.50 cm 15 volumes brochés sous coffret First edition 15 issues in 15 separate instalments abundantly illustrated with black and white photographs. Complete with the special issue Hommage à Picasso #3 1930 and the index for the year 1929 published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text occasional minor foxing along the margins of certain covers Presented in a custom slipcase with a flat spine in blue morocco title stamped in palladium and spine framed in palladium decorative blue paper boards sky-blue suede doublures; a handsome ensemble signed Boichot. Complete series of this legendary and non-conformist magazine founded by Georges Bataille which gave voice to fields of art and knowledge unrecognised by official culture or considered controversial: popular literature jazz cabaret advertising everyday life Annie Pirabot along with so-called primitive art and objects. Texts by Jean Babelon Jacques Baron Georges Bataille Alejo Carpentier Arnaud Dandieu Robert Desnos Carl Einstein Roger Gilbert-Lecomte Marcel Griaule Juan Gris Eugene Jolas Marcel Jouhandeau Michel Leiris Georges Limbour Marcel Mauss Léon Pierre-Quint Jacques Prévert Raymond Queneau Zdenko Reich Paul Rivet Georges Ribemont-Dessaignes Georges-Henri Rivière André Schaeffner Roger Vitrac among others. Numerous full-page artistic contributions by Hans Arp Constantin Brancusi Giorgio De Chirico Alberto Giacometti Juan Gris Henri Laurens Fernand Léger André Masson Joan Miró Pablo Picasso Joseph Sima etc. The journals pioneering and interdisciplinary approach established it as one of the most important publications of the century: a dissident voice against the doctrinaire surrealism of André Breton Documents was conceived as a war machine against received ideas in Batailles own words and gathered an eclectic array of contributorsacademics ex-Dadaist and Surrealist painters and poets philosophers. It remains renowned for its striking juxtapositions: Rather than assemble documents from separate fields rather than uphold the usual subordination of image to text the journal gives photography drawing and image the privilege of being the most primal substance or the most original trace of human expression Georges Sebbag. Ethnography Documents is remembered above all for Batailles radical ethnographic stance focused on the material and detached from aesthetic criteria and the usual fascination with exoticism. These groundbreaking views foreshadow the Collège de sociologie that Bataille would later found with Michel Leiris Roger Caillois and Jules Moncrot. They are also reflected in the journal through numerous photographs of masks stones and other non-Western artistic creations Siberian Chinese. set alongside modern artworks including drawings by Klee and paintings by Picasso. Bataille also collaborated with the notorious Hans Bellmer who would go on to illustrate the famous second edition of Histoire de lil to create a terrifying portrait of the Hindu goddess of destruction Kali. photography The journal places particular emphasis on photography. Among its most celebrated contributions are the close-up photographs of toes by Jacques-André Boiffard accompanying Batailles essay on the foot in issue no. 6: The point of this article lies in an insistence on directly and explicitly challenging what seduces without relying on poetic contrivances which ultimately amount to little more than diversion Bataille concludes. His fascination with the abnormal and the destructive is also evident in Boiffards fetishistic and sadomasochistic photograph of a woman wearing a Documents hardcover
Best.-Nr. 46572Dressé sur les Relations les plus nouvelles de Mrs. de l'Académie Royale des Sciences par L. C. Desnos et J. B. Nolin Géographe. Se fait et se vends chez Desnos rue St. Jacque St. Severin Quartier de la Place Maubert. Paris 1760 avec privilége du Roy. Dedié au Roy par son trés humble trés obéissant et fidel sujet Desnos et monté par lui. Terrestrial globe 265 mm in diameter; engraved gores and two polar calottes with original hand-colouring over plaster base a few old sealed tears without loss; graduated equator tropics of Cancer and Capricorn ecliptic and Premiere Meridian fixe de l'isle de fer the prime meridian on the island of El Hierro which Louis XIII decreed in 1634; two cartouches - including the dedication to the King sometimes found removed during the French Revolution - decorative vignettes of exotic fauna indigenous peoples and maritime vessels numerous coloured tracks of historical and contemporary explorers including Ferdinand Magellan Jacob Le Maire and Willem Schouten Louis de l'Isle de la Croyere Nicolas de Frondat Aleksei Ilyich Chirikov Jean-Baptiste Charles Bouvet de Lozier and Admiral George Anson; papier-mâché meridian ring with printed declination and elevation engraved calendrical papier-mâché horizon ring with zodiac; edges painted red; supported on four papier-mâché quadrant arcs with the printed names of towns and their longitude and latitudes; turned wooden base and finial; total dimensions 600 x 390 mm; a few discreet signs of old restoration including at the North Pole; warm patina; a fine example of this rare terrestrial globe. A vividly illustrated French table globe from the mid-eighteenth century rich in geographical detail that includes the voyages and discoveries of French English Dutch and Russian explorers. Created during the reign of Louis XV by the partnership of Desnos and Nolin two great mapmakers of the period it is a tremendously evocative artefact from the Age of Enlightenment. The globe shows the discoveries made in the Pacific by the early European expeditions prior to those of Cook and the grands voyages of La Perouse Baudin Freycinet and Duperrey. It depicts the newly charted territory of Nouvelle Hollande as it was known from the most recent discoveries: the western coastline as well as the partial coastlines of Van Diemen's Land and New Zealand are based on the discoveries of the Dutch. Also marked are Dampier's Passage separating New Guinea from New Britain and Terre de S. Esprit Australia del Espíritu Santo the island in the New Hebrides originally mistaken by Quiros for the Australian continent. Louis-Charles Desnos 1725-1805 was one of the most prolific and influential map and globe makers of his age at a time when Paris was the major centre for map production in Europe. He married the widow of Nicolas Hardy the son of Jacques Hardy a globe maker active in the years 1738-1745. Desnos acquired Hardy's inventory and tools and expanded the company further through the acquisition of the inventories of the Jaillot family and of Nicolas de Fer. Desnos would be appointed Royal Globemaker to King Christian VII of Denmark and continued publishing throughout the late eighteenth century. Jean-Baptiste Nolin 1686-1762 continued the established business of his father the famous French cartographer engraver publisher and map dealer Jean-Baptiste Nolin 1657-1708. Collections: The only globe by Desnos recorded in Australian public collections is in the National Gallery of Victoria acquired from us in 2023. Another example of this globe is held in Libraries and Archives Canada. Provenance: Jean R. Perrette his bookplate pasted under the base of the globe. Jean R. Perrette's important collection of rare travel and exploration books was sold through Christie's New York in 2016 Sale 12259 Important Travel Exploration and Cartography April 5 2016. The globe is photographed in the catalogue in situ in Mr. Perrette's Library. Reference: van der Krogt Old globes in The Netherlands 1984 pp. 104-105 unknown
