2 032 résultats
1998réf. RO60043004NATHAN. 1998. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. Nombreuses illustrations et photographies en couleurs dans le texte.. . . . Classification Dewey : 372.8-Livre scolaire : autres matières
2002réf. R260269076Guy Trédaniel. Juin 2002. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 293 pages.. . . . Classification Dewey : 133-Parapsychologie, occultisme et alchimie
2002réf. R100057090Guy Trédaniel. 2002. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 293 pages.. . . . Classification Dewey : 133.4-Magie, sorcellerie, démonologie
1966réf. R260116583GRASSET. 1966. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 444 pages. Couverture rempliée.. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
1954réf. 25960Famous Music Corporation 1954
réf. 3233Maspero (Cahiers libres, n° 5-6), 10-03-1960. In-8, br., 256 p., couv. à rabats.
réf. KN6332WLWBroché bon état.Contenu propre . 1967. 172 pages . PHOTOS SUR DEMANDE
1971réf. 34673ABMBern, Branchengruppe Wollgarne STDV, o.J. [um 1971]. 4°, 56 S. mit zahlr. (teilweise ganzs.) Farb- und s/w-Abb. von Kleinkinder-Strickbekleidung sowie (wunderbaren) 70er-Jahre-Kindermodels, illustr. original Kartonage (geheftet), eine Doppelseite mit altem Tesa im Gelenk verstärkt, Rückdeckel mit winziger Bezugsfehlstelle, sonst ein schönes, sauberes Exemplar (hhreg)
1997réf. 79593Paris, 1997, in-8, np, broché, Superbe exemplaire! np
grand in-8°, 169 pages, illustrations en noir, broche, couv. illustree. Tres bel exemplaire. [MI-9]
2013réf. 500275201Horay 2013 480 pages 19 4x2 8x25 2cm. 2013. Relié. 480 pages.
1991réf. 67029Paris, 1991, in-8, 282pp, broché, Très bel exemplaire! 282pp
1968réf. 143623Leipzig. VEB Georg Thieme 1968. 186 Seiten. Originalbroschur. (Geringe Gebrauchsspuren). 22x15 cm
réf. 25648Paris, Masson et Cie, 1947. 16 x 25, 539 pp., broché, bon état (couverture légèrement défraîchie).
2004réf. 500119055Archives & Culture 2004 24 4x3 6x17 2cm. 2004. Relié.
1978réf. 24195ABBern, Zytglogge Verlag, 1978. 8° 171 S., illustr. original Kartonage (Paperback), Erstausgabe der Einband gebräunt, wenige Seiten mit (gut radierbaren) Unterstreichungen mit weichem Bleistift, sonst gut und textsauber (Psy-K2)
1979réf. 89924Regensburg, Friedrich Pustet, (1979). 419 S. Mit 484 s/w Abb. im Text und auf Taf. 29 cm. Geprägtes OLn. m. SU.
1957A full repository of the nursery rhymes and ditties which are the heritage of our oral tradition. Reprinted with corrections, 224pp. Tears down back top edges of dust jacket and further small tears to edges. Previous owners crossed-out name on front pastedown.
2006Very Good English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. El/leMarmara University Faculty of Fine Arts Exhibition of Graduation Projects Academic Year, 2005-2006.= El/le. Marmara Üniversitesi Güzel Sanatlar Fakültesi 2005-2006 Akademik Yili Diploma Projeleri Sergisi. [Exhibition catalogue]. Prep. Inci Deniz Ilgin, Begüm Akkoyunlu, Zeynep Ögel. For the artist, there is a particularly productive relationship between the hand and the object. The hand must wield the brush masterfully; its skill must predominate when shaping the mass of clay. The fingers must find the way to elicit the finest sound from the strings of the violin, the keys of the piano. Here the hand searches for thought and feeling; the instant it finds what it has sought - in spite of its appetite - it must rise from the banquet table of sound or colour or form, otherwise, like every other thing that loses its equilibrium, it becomes subject to damage. The hand of the designer takes heed of the relationship between hand and object. Perhaps his relationship with the object develops as it passes through the filter of his relationship with the hand, because in the person-object relationship, holding and using are significantly predominant. But whether we are discussing art or design, if there is no relationship with creative potential in the relationship between matter and product, the hand is nothing more than a useful tool. From this aspect, the hand is the confessor of the heart, the brain and the aggregation that anticipates the creative potential... The collaboration between the Fine Arts Faculty of Marmara University and the Pera Museum was based upon the condition that the ten divisions of this Faculty would be included in the exhibition and that it would be comprised from the works of the graduating class. It was certain that this interdisciplinary exhibition would display an energetic and extremely colourful totality. It was important to present the exhibition within the framework of a shared theme that would unify these varying techniques and disciplines. Ultimately the discussions on this subject led to the choice of the title "el/le", because of the breadth of its meaning. In the "EL/LE" exhibition, painting, sculpture, graphic arts, ceramics, industrial products, interior design, textiles, photography and cinema come together in the opulence generated by the traditional arts of the hand. The "hand" is interpreted by the hands of artists and designers. What aspects of the hand will be beautified through the abundant energy of these creators? This exhibition provided the conclusive answer to that question.
1991Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 195 pages with many full page, full color diagramic renditions of what various figures' auras look like: yourng idealist, artist, person with polio, down syndrome child, baby, etc. with descriptive text, background.
réf. 208941Gorgias Pr Llc 2014-06-30. paperback. Very Good. 6x0x9. Clean has a good binding no marks or notations. 88 pages. Gorgias Pr Llc paperback books
2009réf. 23584Terres 2009 In-8, cartonnage editeur illustre. 335 p. Nombreuses illustrations n&b et couleurs. Etat neuf. Poids estime avec emballage protecteur : 1300 g
1953In-8 (cm. 20.30), brossura illustrata, pp. 157, (3). Prima edizione italiana. In buono stato (good copy).
1994réf. 580420New York: G.P. Putnam's Sons 1994. Softcover. Fine. Uncorrected proof. Illustrated wrappers. Slight edgewear else fine. G.P. Putnam's Sons unknown books
1994réf. 500391New York: G.P. Putnam's Sons 1994. Hardcover. Very Good/Near Fine. First edition. A spot on the front board and creasing on the spine thus very good in a near fine dust jacket with rubbing and edgewear. Signed by the author. G.P. Putnam's Sons hardcover books