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2016Titel Mama schläft jetzt durch : so überstehen Sie die ersten 500 Nächte mit Baby und bringen es zum Durchschlafen / Angela Breitkopf Person(en) Breitkopf, Angela (Verfasser) Organisation(en) mvg Verlag (Verlag) Ausgabe 1. Auflage Verlag München : mvg Verlag Zeitliche Einordnung Erscheinungsdatum: 2016 Umfang/Format 175 Seiten : Illustrationen ; 21 cm ISBN/Einband/Preis 978-3-86882-679-1 Broschur : EUR 16.99 (DE), EUR 17.50 (AT) 3-86882-679-3 EAN 9783868826791 Sprache(n) Deutsch (ger) Beziehungen In Beziehung stehende Ressource: ISBN: 9783864159404 In Beziehung stehende Ressource: ISBN: 9783864159411 Schlagwörter Schlaf ; Säugling ; Kleinstkind
1990Hachette 1990, grand et fort In-8 cartonnage éditeur, 445 pages. Trés bon état.
1964X. Mappus 1964, In-8 broché, 246 pages. Bon état.
1975Ed. Sociales 1975, In-8 broché, 185 pages. Bon état.
1943Draeger 1943, In-4 broché, couverture à rabats. 189 pages + illustrations en couleurs in et hors texte d'André MARTY. Complet de la plaquette de présentation et des 4 petits pastiches littéraires illustrés par Georges LEPAPE et imprimés par DRAEGER en couleurs.Trés bon état.
1953In-8 (cm. 20.30), brossura illustrata, pp. 157, (3). Prima edizione italiana. In buono stato (good copy).
1934Torino, Tip. de "La Stampa", 1934 - 1938, fascicoli 14, in-folio, circa pp. 4 ciascuno. Con illustrazioni.
1930Very Good Turkish, Ottoman (1500-1928) Original vintage product catalogue, black cloth bdg. Oblong: (14.5 x 23 cm). [14] b/w vintage photographs of 1930s' Turkish buggies. Each photo's size: 12 x 16 cm. The name of the models: Kadillak, Lüks, Lüks pusetli, Kabartma pusetli, Yüksek kabartma, Yüksek, Pusetli, Içten açilir pusetli, Alimiyon tekerlekli, Kapitone körüklü puset, Kapitone puset, Puset, Portetif puset, Portetif puset. Extremely rare catalogue of "Bahar" brand of Turkish buggies including 14 vintage photos. Not located in OCLC.
1917Good Turkish, Ottoman (1500-1928) Original wrappers. Foolscap 8vco. (17 x 11 cm). In Ottoman script (Old Turkish with Arabic letters). 126 p., 11 unnumbered b/w plates, 8 numerous b/w ills., tables. Slight creasing on some pages, and slight stains, otherwise a good copy. First and only edition of this rare photography guide in Ottoman literature, prepared and published by Ipekci Brothers. This richly illustrated guide tells how to use a camera to take good and artistic photographs, and introduces parts of a camera. Some good photographic examples in this book as separate plates. The Ipekçi family, who had been engaged in the silk business for several generations in Thessaloniki, Greece, continued the silk trade for a while in Constantinople, where they migrated in 1893. The brothers, who first opened a store called "Hüsn-i Intihap" in Istanbul, and then the Thessaloniki Bonmarche, one of the biggest stores of the period, turned to filmmaking with Ihsan Ipekçi's initiative after the Thessaloniki Bonmarche was demolished during the arrangement of Eminönü Square. The family, which started operating the Alhambra Cinema, which was opened in 1923, converted "Paten Sarayi" [i.e. Skating Palace] into a movie theater and opened the Melek (today's Emek) cinema a year later. Ahmed Ihsan was an important figure of the late 19th century and also the founder of a current in Turkish literature, "Servet-i Fünûn" [i.e. The Wealth of Sciences or Knowledge]. He established a prominent printing house in the Ottoman Empire, and he is known as the translator of the first Jules Verne translation into Turkish. Three copies in OCLC 949475400: Bogaziçi University Library and UCLA, and University of California Los Angeles Southern Regional Library Facility.
1924Good Turkish, Ottoman (1500-1928) Original wrappers. Demy 8vo. (22 x 15 cm). In Ottoman script (Old Turkish with Arabic letters). 146 p. Chipped on spine and extremities, uncut pages. Overall a good copy. First and only this "complete guide to photography" book in Ottoman Turkish, written by Süleyman Sirri Bükey who was the founder of Foto Süreya. Süleyman Süreya Bükey (1895-1974) was the official photographer of Mustafa Kemal Atatürk between 1936-1938. The photographs he took and the periodicals and books he published brought the propaganda perception of the early Turkish Republic to the fore. Among these works are Foto Süreya (monthly magazine 1931-1934), Foto Magazin [i.e. Photo magazine] (monthly magazine 1938-1941), Halivud Dünyasi [i.e. The world of Hollywood] (weekly cinema magazine 1941-1946), Ufuk [i.e. Horizon] (weekly political magazine 1943-1945).
2007New Turkish Original cloth bdg. In special slip-case. 4to. (29 x 25 cm). In Turkish. 369, [1] p., color and b/w ills. Treasury land from Akintiburnu to Bebek Garden that was bestowed upon Janissary Hasan Halife by Sultan Murad IV (1623-1640), was transferred to national treasury following a rebellion in 1631-1632 in the reign of Sultan Mehmed IV (1648-1687). In the reign of Sultan Ahmed III (1703-1730), treasury land from Hasan Halife Garden to Kayalar Village, was sold by Grand Vizier Damad Ibrahim Pasha in 1724/25. Grand Vizier Izzet Mehmed Pasha, who has a share in the said lands, built a pavilion just for the Sultan. Sultan Selim III (1789-1807) set foot on Izzetabad Pavilion for the first time upon the invitation of GRAND Vizier Izzet Mehmed Pasha, but later he frequently came to the Pavilion for pleasure and entertaining activities. After a fire on May 15th, 1798; Izzetabad Pavilion was burnt down. And Grand Vizier Izzet Mehmed Pasha died in Manisa on September 18th, 1812. Treasury land from Akintiburnu to Bebek Garden that was bestowed upon Janissary Hasan Halife by Sultan Murad IV (1623-1640), was transferred to national treasury following a rebellion in 1631-1632 in the reign of Sultan Mehmed IV (1648-1687). The pavilion was rebuilt and redecorated by Chief Architect Mustafa and Hayrullah Efendi from Sehremini, between the years 1800-1804, and the palace was used by Sultan Selim III and Mahmud II (1808-1839). When the Bayraktar Group bought Izzetâbâd Pavilion, there was nothing more than relics of the basement. Its construction and renovation was completed in 1999. Thanks to the Bayraktar Group, Istanbul and Turkey have regained a precious heritage from the period of Selim III. After four years, in 2003, we started out to initiate the research which would unearth the mysterious history of Izzetâbâd Pavilion and Akintiburnu, together with Dear Emine Çigdem Tugay and Dear Mehmet Selim Tugay. In the corridors of the history of Akintiburnu, tracing back to nearly 2 thousand years ago, we started to discover the sophisticated and colorful history of Izzetâbâd Pavilion which witnessed great joys as well as torments and conspiracies to date. As a result, the book of Izzetâbâd Pavilion, Time Flies Away from Akintiburnu was published to reveal the history of Izzetâbâd Pavilion and Akintiburnu in light of historical documents. Today, we have this precious work of art written by Dear Emine Çigdem Tugay and Dear Mehmet Selim Tugay, and which gained further value thanks to the highly professional design by Dear Joelle Imamoglu.
2013New New English Original bdg. Dust wrapper. In publisher's special box. 4to. (30 x 27 cm). In Turkish. 282, [6] p., color and b/w ills. Arsiv belgeleri isiginda Bâb-i Âlî'den Istanbul Valiligi'ne. History and architecture of Istanbul Governorship building and 'Bab-i Ali' culture in the Ottoman Empire based on Ottoman archival documents.
2017New Turkish Original bdg. HC. Oblong 4to. (29 x 31 cm). In Turkish. [66] p., fully color ills. Osmanli saray sultanlari bebek koleksiyonu.
2007New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 57, [4] p., color ills. Naile Akinci. Bebek variations, 1961-2007.= Bebek çesitlemeleri, 1961-2007. [Exhibition catalogue]. Text by Hasim Nur Gürel. 1500 copies were printed.
2006Very Good English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. El/leMarmara University Faculty of Fine Arts Exhibition of Graduation Projects Academic Year, 2005-2006.= El/le. Marmara Üniversitesi Güzel Sanatlar Fakültesi 2005-2006 Akademik Yili Diploma Projeleri Sergisi. [Exhibition catalogue]. Prep. Inci Deniz Ilgin, Begüm Akkoyunlu, Zeynep Ögel. For the artist, there is a particularly productive relationship between the hand and the object. The hand must wield the brush masterfully; its skill must predominate when shaping the mass of clay. The fingers must find the way to elicit the finest sound from the strings of the violin, the keys of the piano. Here the hand searches for thought and feeling; the instant it finds what it has sought - in spite of its appetite - it must rise from the banquet table of sound or colour or form, otherwise, like every other thing that loses its equilibrium, it becomes subject to damage. The hand of the designer takes heed of the relationship between hand and object. Perhaps his relationship with the object develops as it passes through the filter of his relationship with the hand, because in the person-object relationship, holding and using are significantly predominant. But whether we are discussing art or design, if there is no relationship with creative potential in the relationship between matter and product, the hand is nothing more than a useful tool. From this aspect, the hand is the confessor of the heart, the brain and the aggregation that anticipates the creative potential... The collaboration between the Fine Arts Faculty of Marmara University and the Pera Museum was based upon the condition that the ten divisions of this Faculty would be included in the exhibition and that it would be comprised from the works of the graduating class. It was certain that this interdisciplinary exhibition would display an energetic and extremely colourful totality. It was important to present the exhibition within the framework of a shared theme that would unify these varying techniques and disciplines. Ultimately the discussions on this subject led to the choice of the title "el/le", because of the breadth of its meaning. In the "EL/LE" exhibition, painting, sculpture, graphic arts, ceramics, industrial products, interior design, textiles, photography and cinema come together in the opulence generated by the traditional arts of the hand. The "hand" is interpreted by the hands of artists and designers. What aspects of the hand will be beautified through the abundant energy of these creators? This exhibition provided the conclusive answer to that question.
2007Very Good English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. Working space: Yildiz Technical University Faculty of Art and Design 2006-2007 Student Projects Exhibition.= Isleyen mekan: Yildiz Teknik Üniversitesi Sanat ve Tasarim Fakültesi 2006-2007 Ögrenci Projeleri Sergisi. [Exhibition catalogue]. Prep. by Zerrin Iren Boynudelik, Orton Akinci, Zeynep Ögel, Begüm Akkoyunlu. Since its inauguration, Pera Museum has been instrumental in promoting young artists and institutions of art education by opening its exhibition floors during the summer months. Comprised of Yildiz University Faculty of Art and Design student projects for the 2006-2007 academic year, the Working Space exhibition and the accompanying catalogue, took us through a field of experience in which students tried to comprehend life through possibilities in art, and introduced the viewer to young art and the problems of art education.
2007New English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. Working space: Yildiz Technical University Faculty of Art and Design 2006-2007 Student Projects Exhibition.= Isleyen mekan: Yildiz Teknik Üniversitesi Sanat ve Tasarim Fakültesi 2006-2007 Ögrenci Projeleri Sergisi. [Exhibition catalogue]. Prep. by Zerrin Iren Boynudelik, Orton Akinci, Zeynep Ögel, Begüm Akkoyunlu. Since its inauguration, Pera Museum has been instrumental in promoting young artists and institutions of art education by opening its exhibition floors during the summer months. Comprised of Yildiz University Faculty of Art and Design student projects for the 2006-2007 academic year, the Working Space exhibition and the accompanying catalogue, took us through a field of experience in which students tried to comprehend life through possibilities in art, and introduced the viewer to young art and the problems of art education.
1985In-16 (cm 16x16), pp. 10, cartonato edit. illustrato a colori, libro di illustrazioni a colori nel testo, tutto estendibile. Ottimo (FINE). WORLDWIDE DELIVERY
1986In-8 (cm 22x13,6), pp. 180, leg. edit. rossa, sovracoperta ill. a col. Margini delle pagine e dorso ingialliti, buono.
1954Angeboten werden hier die Hefte 1, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13, 15, 16, 19, 20, und ein Sonderheft mit dem Thema: Untersuchungen über den Einfluss der Dehydration auf die Postnatale Entwicklung der Regulationszentren des Wasserhaushaltes. Die Hefte sind in sehr gutem Zustand, und umfassen zusätzlich noch 4 Schallplatten, zwei Leinenschuber, in denen jeweils 4-5 Hefte Platz haben, eine Drehtabelle (Durchschnittswerte für Säuglinge). Auch die Leinenschuber sind in gutem Zustand. Da das Gesamtgewicht 5 kg beträgt erfolgt der Versand als Paket. Die Bände sind auch einzeln erwerbar, der Preis beträgt 19 € pro Band Seitenzahl ca. pro Heft zwischen 100 - 150 Seiten
19464to, 99 pages, black and white illustrations. eng
1985Good in boards. (Baby's first box of books).10166. eng
1950Jean Baby Principi fondamentali di economia politica. , edizioni sociali 1950, Edizione del 1950 Copertina e rilegatura in condizioni mediocri, con segni del tempo. Contenuto in buone condizioni Mediocre (Poor) . 278
1977Very Good. No dust jacket. Light wear and slight discoloration to white covers. Age-toned paper. 8 3/4"w x 11"h. Each volume is around 110 pages. Many black and white photos and illustrations throughout. Fascinating articles such as "Did Spacemen Destroy Sodom?" and "So Satan Has The Last Laugh." Topics include: extraterrestrial life, Tutankhamun, Loch Ness monster, Lindbergh baby kidnapping, San Francisco Earthquake, reincarnation, witchcraft, black magic, occult, alchemists, UFOs, the Bermuda Triangle, Nostradamus, Aleister Crowley, Abominable Snowman and many more.
1957A full repository of the nursery rhymes and ditties which are the heritage of our oral tradition. Reprinted with corrections, 224pp. Tears down back top edges of dust jacket and further small tears to edges. Previous owners crossed-out name on front pastedown.
