ALPER MARAL, MARK LINDLEY.MareMagnum
1.816 Ergebnisse
2011New English Paperback. Pbo. 4to. (27 x 20 cm). In English. 73 p. For Turkish composers then and for quite after a while afterwards, to write "contemporary" music meant to adopt European techniques and follow European models, though with a few adjustments accommodating local tastes and institutions. But gradually in the latter half of the century a tendency to become pathfinders and not just follow Western trends emerged among some composers whose Western orientation was influenced more by American than by European schools. This book describes, with representative examples in musical notation, a series of compositional techniques that were hallmarks of this broad development.
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 180 p. This book scrutinizes three different theoretical aspects of Ottoman sources. The first essay discusses the principles of makam classification proposed by diverse Ottoman writers and compares their ideas within socio-cultural setting. The resulting analogies and polarities are outlined in order to emphasize the essential ideas in the perspective of musical creativity. The second essay explores Dimitrie Cantemir's compositions and establishes the authenticity of the pieces that have circulated in the general repertory of Turkish classical music under his signature. The provenance of the compositions evidences the way written and oral sources crossed borders and combined as to further generate new materials out of a commixture of original and derivative elements. In essence, oral tradition has interacted and interfered in forming Cantemirian repertory adding versions and variants that were transmitted independently and were accepted as authoritative creations by the community of musicians and the public of music lovers. The third essay evokes the personality of Hasan Talat Bey of Bebek, a remarkable patron of musicians and collector of music, who sponsored weekly musical gatherings in his mansion. There gathered frequently the music makers, creators and performers of songs and instrumental pieces. The happening of music gatherings was memorialized in the tablets with written music and decorative embellishments the host used to offer the guests as souvenirs. In addition, the discussion includes the survey of the song collection owned by Hasan Talat with title entries.
2008New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English. Ills. 112 p. You are holding a magical collection of the most re-known composers (Itrî, 3. Selim, Hammizade Ismail Dede Efendi, Hoca Mehmet Zekai Dede,Haci Arif Bey etc.) of Ottoman culture. Loaded with the greatest masterpieces of an empire, a plot winding around the lifestyle and tradition of a multinational and sophisticated populace. An absolute 'must have'. Ottoman sounds: Magnificent Ottoman composers.
2011As New English Paperback. Pbo. Mint. Oblong 4to. (21 x 23 cm). In English. 164, [2] p. Color ills. Sotheby's Musical instruments. London 8 March 2011. [Auction catalogue].
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 164 p. For over three decades I had the opportunity to research on Ottoman musical writings in the Turkish libraries and to consult private collections. Concurrently, I was able to study Ottoman musical manuscripts kept in libraries outside Turkey. Along those years of research I carried out persistent investigations that gave me access to a large number of Ottoman materials ranging from the fifteenth century to the end of the nineteenth century. As a result of examining numerous musical manuscripts in Ottoman Turkish literature I discerned the commonplace of themes in the majority of writings and evaluated their structure at formal and generative level. Moreover, I was able to ascertain the significant purport of certain sources over others and to compare several versions of the texts. The idea of this catalogue evolved gradually in my mind from the perception that an explicit presentation of the makams would constitute a valuable reference both for evaluating the historical process of creating and performing music, as well as for establishing the inventory of modal categories and their taxonomic relations. As time passed, I was able to determine the development of a genuine Turkish concept in works that provided descriptive and analytical matter, and to detect through manuscript lines the significance of the process involving the semantics of the practice of music at different periods. The present book is mainly focused upon the practical theory of the makams reflected in the production and performance of the melodic scales the way they are described in Ottoman manuscripts.
2000Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 2 volumes set: (705 p.; 541 p)., b/w ills. A very comprehensive study on the Turkish Classical Music. Türk mûsikîsi tarihi. 2 volumes set.
1982Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Armenian. 143, [1] p. B/w and color ills. Signed and inscribed by Papazian. Vonferenvia. Yerazhshtavan Banakhosutiwnk.
1969Very Good English Paperback. Pbo. Foolscap 8vo. (18 x 12 cm). In English, Dutch. 20 p. Philharmonia and Universal Edition. Miniature scores. 1969 [Catalogue of publishing]. Sole representative for the British Commonwealth and Eire: Alfred A. Kalmus Ltd.
1972Very Good English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In German. 80, [4] p. B/w ills. Auswahl-verzeichnis 1971/72. Boosey & Hawkes Bonn. [Catalogue of publishing].
1971Very Good English Paperback. Pbo. Foolscap 8vo. (18 x 12 cm). In German. 35 p. Partituren. Kaufliche dirigierpartituren, philarmonia - taschenpartituren, studienpartituren. 1971. [Auction catalogue].
Very Good English Paperback. Pbo. Foolscap 8vo. (18 x 12 cm). In German. 33, [6] p. Ills. Pencil notes on front cover. Musik für Streicher. [Catalogue of publishing].
2014New English Paperback. Pbo. 4to. (28 x 20 cm). In Turkish. 1542, [2] p. B/w ills. Contents: [Just main titles]: Türk musikisi ve kimlik / Türk musikisi kimindir? / Türk dünyasi ve musiki. / Türk musikisi alimleri. / Selçuklu ve Osmanli Türk musikisi. / Cumhuriyetin müzik devrimi. / Türk musikisi nazariyati. / Türk tasavvuf musikisi. / Türk halk musikisi. / Türk askeri musikisi. / Türk musikisinde fasil ve icra. / Türk musikisi çalgilari. / Musikisinas Türk hükümdarlari. / Müzikologlar, bestekarlar, icracilar. / Islam ve musiki. / Türk müzikterapi gelenegi. / Türk musikisi ve edebiyat. / Türk musikisi, toplum ve kültür. / Türk musikisi egitimi. / Türk musikisi ve medya. / Türk musikisinin bazi sorunlari. / Türk musikisi sohbetleri. / Farabi. / Ibn-i Sina. / Abdülkadir-i Meragi. / Itri. / Ismail Dede Efendi. / Kantemiroglu. / H. Sadeddin Arel. / Mahmut Ragip Gazimihal. / Haci Arif Bey. / Muallim Ismail Hakki Bey. / Zekai Dede / Rauf Yekta Bey / Suphi Ezgi / Ahmed Hatiboglu / Alaeddin Yavasça. / Nevzad Atli. / Cinuçen Tanrikorur / Süleyman Erguner / Sadettin Kaynak / Münir Nurettin Selçuk / Ömer Tugrul Inançer / Neset Ertas / Yilmaz Öztuna / Etem Ruhi Üngör.
2011New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English and Turkish. 95 p. Ud exercises: Building technique.= Ud alistirmalari: Teknik çalismalar. CLASSICAL TURKISH AND OTTOMAN MUSIC Musiki Ud Turkish instrument Reference Method.
2010New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English. 200 p., b/w and color ills. "Prince Dimitrie Cantemir (1673-1723) combined a multitude of talents in a complex personality of spiritual enlightenment and intellectual curiosity. His works form a reservoir of facts and histories that reveal surprising angles to many philosophical and cultural questions through a maze of revolving evasions in search for the deep meaning. Cantemir never ceased to amaze European and Turkish intellectuals with the wealth of his analyses and observations across interrelated areas of knowledge. The humanistic curiosity of Cantemir has no limits as he continues to move around the multifaceted points of his attention in search of the ultimate perspective to his subjects. The Turks, their actions and customs aggressive and kindly, genuine and symbolic, ordinary and majestic, stand in overwhelming light on the center stage of Cantemir's world of configurations.".
2005New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 144 p. Instruments of Cilicia in the Ancient period. Eskiçag Kilikya çalgilari.
1981Very Good English Paperback. Pbo. Cr. 8vo. (20 x 12 cm). In German and Turkish. 119 p., b/w ills. and musical scores. Musik der Türkei.= Türk müzigi. Einleitung und Mitarbeit: Hubert Kolland.
2000Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 411, [5] p. A comprehensive study on musical culture in Turks from Central Asia to Ottoman and Republican Turkey. Türklerde müzik.
2014New English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 72 p., ills. Exploring ney techniques.= Ney'de teknik çalismalar. MUSIC Religious music Instrument Ney Method Sufism Tasavvuf.
1955Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Greek. 63, [1] p., musical scores. Ta grota bimata: Eis tin Bizantinin ekklisiastikin mousikin. A study on Byzantine songs and notation system.
1973Fine English Paperback. Pbo. Cr. 8vo. (20 x 12 cm). In English. 30, [1] p., b/w ills. Dimitrie Cantemir, 1673-1723. 300th anniversary of his birth.
1975Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 63 p., b/w ills. Türk vurmali çalgilari. (Türk depki çalgilari). Turkish traditional percussions.
1998New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 85 p., musical scores. XVIII. yüzyil musiki yazmalarindan Kevserî mecmuasi üstüne karsilastirmali bir inceleme. Translated and prep. by Bülent Aksoy. First Edition.
1900Fine Turkish, Ottoman (1500-1928) Paperback. 4to. (28 x 20 cm). In Ottoman script and transcription into Latin letters. 16, [2] p. 1 b/w portrait of Samli Iskender. Leblebici Hor Hor [Aga] opereti. Chamli Isquender.= Kudmânizade Samli Iskender. Text by Takvor Nalyan. Not in Özege for this edition. Leblebici Horhor (Horhor the Chickpea Seller) is an 1875 Turkish-language operetta by the Ottoman-Armenian composer Dikran Tchouhadjian. Leblebici Horhor is often claimed as the first original Turkish operetta, though Tchouhadjian's Arif'in Hilesi (Arif's Trick) was at least year earlier - it is reported in 1874. Tigran Tchoukhajian was an Armenian composer, conductor, public activist and the founder of the first opera institution in the Ottoman Empire. He is considered the first opera composer in Turkish history.
1958Very Good Turkish In modern aesthetics cloth bdg. Roy. 8vo. (24 x 17 cm). In Turkish. [Lxiii], [4], 317 p., 1 errata. Hos sadâ. Son asir Türk musikisinaslari. First Edition. "Nice sound: Biographies of musicians since 1875". Best reference on the Turkish / Ottoman musicians in the 19th century. Historian of literature and bibliographer. He is a descendant of the esteemed. Hüseyin through his father. He was brought up with private tutoring. He took lessons from Ipekli Tahir Efendi (father of Mehmet Akif Ersoy), Hasan Tahsin. Efendi (Clerk of Beyazit Library and the imam of Ali Pasa Mosque) and from Trabzonlu Hüsnü Efendi. He left Political School because of health problems. He continued with his lectures for some time at Law School and at Madrasah. He learnt Arabic, Persian and French and was interested in calligraphy and music.
1989Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xiv], 307 p. 1 folded page (errata), musical scores. Tanbur metodu. Türk mûsikîsi nazarî bilgileriyle. A very comprehensive reference on tambura methods.