TANBÛRÎ CEMÎL BEY, (1873-1916).MareMagnum
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1993Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [vii], 206 p. Rehber-i mûsikî. Tanburi Cemil Bey was a musician and virtuoso on Turkish tanbur, classical fiddle, alto fiddle, cello, violoncello and lute. First Edition in 1901 and in Ottoman Turkish (Turkish with Arabic letters). This Edition includes Ottoman facsimile and Turkish translation.
1904Very Good Turkish, Ottoman (1500-1928) Original decorative cloth bdg. in Ottoman style. 4to. (29 x 21 cm). In Ottoman script. 146 p., b/w ills. and musical scores. Litho. Rehber-i mûsikî. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. First Edition. Extremely rare. Özege 16642. Akdogu I, 82.
1997Fine Turkish Paperback. 4to. (28 x 20 cm). In Turkish. 2 volumes set: ([xv], 192 s.; [xv], 175 p.), musical scores. Uygulamali temel - teknik baglama egitimi. 2 volumes set. Vol. 1: Dagar I. Temel müzik bilgileri. Vol. 2: Dagar II. Usuller, genel müzik bilgileri, çokseslilik. Musical scores by Onur Akdogu.
2017New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 2 volumes set: (542 p.), ills. and musical scores. Baglama method, baglama tuning. Vol.1: Exercises & repertoire. Vol. 2: Scales & positions.= Baglama metodu, baglama düzeni. Cilt 1: Arastirmalar ve repertuvar. Cilt 2: diziler ve pozisyonlar. 2 volumes set.
2016New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English and Turkish. With a CD. 30 p., ills. A composer of Beyoglu: Karnik Garmiyan.= Bir Beyoglu bestekâri: Karnik Garmiyan. [CD - Book]. Compositions of Armenian compositor Karnik Garmiyan come alive in this book with a CD. Songs by Sema Moritz.
2014New English Original bdg. HC. 4to. (28 x 20 cm). In Turkish. 254 p., with a DVD, color ills. Mokharram tradition in Turkish culture and Turkish religious classical and mystic music: Muharremiyes are dirges and anthems describing love of Ahl al-Bayt and Karbala case occured in the first ten days of the sacred Moharram month.
1990Very Good English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In English. 110, [2] p., b/w and color ills., and musical scores. Azerbaijanian tar. Craftsmanship and performance of the tar and the skills related to this tradition play a significant role in shaping the cultural identity of Azerbaijanis. The Tar is a long-necked plucked lute, traditionally crafted and performed in communities throughout Azerbaijan and Iran. Tar features alone or with other instruments in numerous traditional musical styles. It also considered by many to be the country¿s leading musical instrument.
1997Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [6], 320 p., b/w ills. Ege'de müzikçiler ansiklopedisi (Izmir ve ilçeleri). Composers and musicians from Izmir, Aegean region in Turkey. An encyclopedic study.
2012New Turkish Paperback. Oblong cr. 8vo. (14 x 20 cm). In Turkish. 92 p., musical scores. Ud metodu 4: Görerek - dinleyerek. [With a DVD].
1993Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 174, [2] p. Zaman, mekân, müzik: Klasik Türk musikisinde egitim (mesk), icra ve aktarim.
1925Fine English Paperback. Demy 8vo. (22 x 14 cm). In english and Turkish [20] p., color ills. Turkish musical instruments.= Türklerde musiki aletleri.
1985Very Good English Original decorative cloth bdg. Faded on cloth, chipped right corner. A good copy. Demy 8vo. (21 x 14 cm). Edition in English. 150, [2] p., 1 b/w portrait of Hajibeyov, musical scores. Printed to 1000 copies. Uzeyir bey Abdul Huseyn oglu Hajibeyov was a Soviet composer conductor, publicist, playwright, teacher, translator, and social figure of Azerbaijani origin. He is recognized as the father of Azerbaijani composed classical music and opera. Uzeyir Hajibeyov composed the music of the national anthem of Azerbaijan Democratic Republic (which was re-adopted after Azerbaijan regained its independence from the Soviet Union in 1991). He also composed the anthem used by Azerbaijan during the Soviet period. He was the first composer of an opera in the Islamic world. This book is a scientific and theoretical research work on the principles of Azerbaijan folk music and a practical guide to composing music in Azerbaijan modes in folk style. Contents: Editor's foreword.; Preface.; Intro.; Historical info.; Main principles: Sound system.; ways of combining tetrachords.; Principles of formation of the scales of Azerbaijan modes.; Principles of formation of Azerbaijan modes.; Principles of composing music in Azerbaijan modes in folk style: The structure of perfect quarts.; The structure of perfect quints.; The structure of perfect sixths.; The structure of major sixths.; Auxiliary modes: Rythmical pecularities of Azerbaijan music.; Permissible chromatic moves.; Melodic embellishments (melisms).; Supplement.; List of popular Azerbaijan musical terms. First Edition in Russian, Baku, 1945: 'Osnovi Azerbaidjanskoi narodnoi muziki'. OCLC: 463948999 / 989388656 / 1015084645.
2019New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 176 p., musical scores. Compositions for baglama: In baglama Bozuk, Misket and Müstezat tunings.= Baglama için besteler: Baglama, Bozuk, Misket ve Müstezat düzenlerinde. The instrument of Baglama, which has been shaped within many years in the rural areas and has a rich and profound history, began to create its tradition in the urban areas after the establishment of the Turkish Republic. In the past, this instrument mostly passed down the vocal melodies; however, now it is agreed by many music authorities that it is about time it must be a part of instrumental music on its own as well. The primary purpose of this book is to contribute to Baglama new tradition without ignoring its richness dating back to old times. This book involves twenty works composed in the tunings of baglama, of bozuk, of misket and of müstezat. Those compositions, prepared to be played in both picked and pickless (selpe) styles, are thought to be beneficial for baglama education as well, and thus it is agreed that methodical symbols should be used in the notation.
2019New English Paperback. 4to. (29 x 21 cm). In English, German, and Turkish. 358 p., ills. and musical scores. Saz method: Saz (Baglama), Anatolian long-necked lute.= Saz-Schule: Saz (Baglama), Anatolische Langhalslaute.= Baglama metodu: Saz (Baglama).
1925Very Good Turkish, Ottoman (1500-1928) Paperback. 4to. (29 x 21 cm). In Ottoman script. 79 p., Portrait of Cemil on cover, b/w ills. and musical scores. Hegira: 1341 = Gregorian: 1925. Rehber-i mûsikî [Rahperi moussiki]. (French: Tambouri Djemil Bey), (1873, Istanbul - July 28, 1916, Istanbul) was an Ottoman tambur, yayli tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the taksim (taqsim), (improvisation on a makam / maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Second Edition. Extremely rare. Özege 16642 / 2. Akdogu I, 82.
1976Réimpression en fac-similé du catalogue de la collection Albert Nachet publié en 1929 (Paris, Georges Petit): importante collection de 148 instruments scientifiques (microscopes (89); lunettes, lorgnettes, télescopes; montres et cadrans solaires; astrolabes, graphomètres, compas, miroirs, etc) avec notices et illustrations (134 vignettes en 16 planches) et index des noms, précédé d'une "Notice sur l'invention du microscope et son évolution" par Albert NACHET; suivi du catalogue des "Livres anciens [XVIè-XIXè siècles] de la bibliothèque Nachet sur les microscopes et sur les instruments de mathématiques" et d'un petit dictionnaire des "savants, amateurs et constructeurs". Tirage à 300 exemplaires; exemplaire justifié n°242, bien complet de sa jaquette. Français
1897Manuel "comprenant la description et l'emploi des appareils et procédés les plus perfectionnés; le bouchage des bouteilles et le mécanisme des siphons; la comptabilité et la législation concernant la fabrication des boissons gazeuses; renfermant différentes recettes pour la préparation des limonades gazeuses et des boissons étrangères; la champanisation des vins et du cidre pour les rendre mousseux, plus salubres et plus faciles à conserver; la description et l'emploi des appareils employés par les entrepositaires de bière", par les ingénieurs L. GASQUET et E. JARRE; 141 figures de L. CHAUMONT. Edition de 1897 remise en vente: catalogue éditeur de 1924 in fine. Français
1988Auction catalogue. Sale no. 27,020. Size: 8vo - over 7¾" - 9¾" tall eng
19491st edition. VG ex-college library copy rebound in green cloth with gilt spine lettering. Bookplate on the front endpaper. 14538. eng
1989In 8°, br. edit. ill. con ali, pp. 117,(3), con num. fot. b.n. n.t.; testo in italiano e in inglese, ottimo es..
120 illustrated auction catalogues, all in the orig. red printed wrappers, a good majority include the printed list of prices realized. Although the majority relate to photography and the photographic images, other subjects covered include: mathematical, optical and medical instruments; nautical and aeronautics; automata toys, musical boxes, talking machines, railwayana and other collectors' items.
First edition, 8vo, 2 vols., 8pp. publisher's catalogue tipped in before title, viii, 540; iv, 576pp., ownership inscription at head of title "Thomas Pearson, 1873.", 9 engraved plates, original boards, uncut, head of spines chipped original printed labels on spines. Amongst the numerous subjects covered are Astronomy, Adam Smith's Theory, Chemistry, Chronology, Electricity, Fluxions, Galvanism, Geography, Hydraulics, Optical Instruments, Mathematics, Mechanics, Political Economy, Navigation, Philosophy, Malthus on Population, Surveying, Telescopes and Zoology.
First edition, 8vo (200 x 122 mm), iv, 290, [2]pp., with final errata leaf, 19 folding engraved plates, some light offsetting, minor browning from turn-ins, contemporary tree calf, smooth spine ruled in gilt, black leather lettering piece, joints slightly cracked otherwise a fine copy. The work was published anonymously and was long attributed to the English clergyman, the Rev. Francis Kelly Maxwell (1729-1782). However, it has recently been attributed to John Maxwell who was a property manager in Scotland for Sir William Pulteney and an amateur violinist. "In the 'Essay upon Tune' Maxwell presented his discovery to the public, namely, a division of the octave into forty-four distant pitches with the mechanism to enable an organ to produce these pitches."?Kassler. Provenance: Ownership inscription and bookplate of Sir Michael R. Shaw-Stewart, 7th Baronet (1826-1903). Kassler, The Science of Music, pp.760-1.
In-4, 98p. Tirage limité à 500 exemplaires numérotés (notre exemplaire n'est pas justifié). Texte bilingue français et anglais. Importante iconographie, reproductions de tableaux, photographies d'instruments, croquis, etc... Préface de Maurice Béjart. Avant-propos de Christophe Coin. A l'état de neuf.
1989Minor shelfwear. Foxing/dustsoiling to top of textblock. ; 11.3 X 8.8 X 1.0 inches; 288 pages