1739 risultati
rif. 17500, Antwerpen, EBES, 1988., Paperback, 152 pp. rijkelijk geillustreerd, 208 afbeeldingen.
1992rif. 55860(Stuttgart. 1992). 93 Seiten u. eine Beilage "Festprogramm". Mit zahlreichen Abbildungen. Dekorativ farbig ill. OKart.-Einband. 20x20 cm
2002Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 502, [2] p. 21. YY. Basinda Türkiye'de Müzik Sempozyumu. 15-16 Mart, 2002. Symposium of Music in the Beginning of 21. Century.
1953rif. 71518Troisdorf 1953. 32 Seiten. Mit zahlr. Abbildungen. Ill. Originalbroschur. (Wenige Seiten teils etwas fleckig) 21x15 cm
1994rif. 66348Wildbad Kreuth. (1994). 83, (1) Seiten. Mit zahlreichen Abbildungen u. Werbeanzeigen.
2011rif. 500076798Editions Luc Pire 2011 250 pages 1x21x17cm. 2011. Broché. 250 pages.
2011rif. 500094935Editions Luc Pire 2011 250 pages 1x21x17cm. 2011. Broché. 250 pages.
1979rif. 106785Kempen. 1979. 48 nicht nummerierte Seiten. Mit teils faks. Abbildungen. Farbig ill. Originalbroschur. (Bibl.-Exemplar). 20x21 cm
2010rif. 50701Milwaukee, WI, Backbeat Books 2010 In-4 broché, couverture à rabats 28 cm sur 21,5. Livre en Anglais.144 pages. Occasion comme neuf. Entièrement illustré en couleurs.
1997rif. 34380NY: Clarkson Potter. Fine in Near Fine dust jacket. 1997. Hardcover. 0517703564 . Illustrated by Rodica Prato. First printing. Fine in a very near fine price clipped dust jacket. . Clarkson Potter hardcover books
1997rif. 23511NY: Clarkson Potter. Fine in Near Fine dust jacket. 1997. Hardcover. 0517703564 . Illustrated by Rodica Prato. First printing. Fine in an about fine dust jacket. . Clarkson Potter hardcover books
1934Very Good Turkish Paperback. Folio. (33 x 24,5 cm). In Turkish. 12 p. [SHEET MUSIC] Inci'nin kitabi: Piano için 7 parça, Op. 10. Turkish composer Adnan Saygun composed this set of children's pieces in 1934. The paper provides information about the developments in the field of music in the early years of the Republic of Turkey, first generation composers, called "The Turkish Five", including Ahmed Adnan Saygun. The score includes a page of commentary about the composer and work. Ahmet Adnan Saygun was a Turkish composer, musicologist and writer on music. One of a group of composers known as the Turkish Five who pioneered western classical music in Turkey, his works show a mastery of Western musical practice, while also incorporating traditional Turkish folk songs and culture. When alluding to folk elements he tends to spotlight one note of the scale and weave a melody around it, based on a Turkish mode. His extensive output includes five symphonies, five operas, two piano concertos, concertos for violin, viola and cello, and a wide range of chamber and choral works. The Times called him "the grand old man of Turkish music, who was to his country what Jean Sibelius is to Finland, what Manuel de Falla is to Spain, and what Béla Bartók is to Hungary". Saygun was growing up in Turkey he witnessed radical changes in his country's politics and culture as the reforms of Mustafa Kemal Atatürk had replaced the Ottoman Empire -which had ruled for nearly 600 years- with a new secular republic based on Western models and traditions. As Atatürk had created a new cultural identity for his people and newly founded nation, Saygun found his role in developing what Atatürk had begun. It's a symphonic arrangement. Sheetmusicplus S0.5825.
1884Very Good Turkish, Ottoman (1500-1928) Original decorative 1/4 leather bdg. Demy 8vo. (22 x 15 cm). In Ottoman script. 13, 2, 362 p., 1 plate, 17 numerous ills. [RARE OTTOMAN EDITION of COSMOGRAPHY by GILLEMIN & BRIEUX] Kozmografya yahud ilm-i ahvâl-i sema. Prep. and translated by Hasan Bedreddin. Amédée Guillemin was a French science writer and a journalist. Guillemin started his studies at Beaune college before taking his final degree in Paris. From 1850 to 1860 he taught mathematics in a private school while writing articles for the Liberal press criticizing the Second French Empire. In 1860, he moved to Chambéry where he became a junior deputy editor of the weekly political magazine La Savoie. After the annexation of Savoy by the French empire, he returned to Paris where he became the science editor of l'Avenir national (The Nation's Future). Guillemin presently started writing books of physics and astronomy which became very popular. He wrote "The Sky" which was translated into many languages. His major work, "The Physical World", consisted of five large volumes. His publisher, Hachette, encouraged him to write a series of booklets about astronomy and physics under the title "Small popular encyclopaedia", a scientifically sound but accessible collection about sciences and their applications. French astronomer Jacques Crovisier from the Observatoire de Paris suggests he may have been a source of inspiration for Jules Verne's 1865 novel, From the Earth to the Moon. Charles Auguste Briot was a French mathematician who worked on elliptic functions. The Académie des Sciences awarded him the Poncelet Prize in 1882. This is the rare translation of "Ele?ments de cosmographie" by Guillemin & Briot in the Turkish / Ottoman world. Second Edition. Özege 11206.; TBTK 11733.; Only two copies in OCLC: 949501098.
1924Very Good French Paperback. Folio. (34 x 25 cm). In French. 15 p. 7 p. Stains on pages and cover. [SHEET MUSIC] Ire Valse pour piano Op. 83 par. Marie-Auguste Massacrié-Durand was a French music publisher, organist, and composer. Durand was born in Paris and studied at the Paris Conservatoire with François Benoist. He started as an organist in 1849 in Saint-Ambroise, then at St. Genevieve, St. Roch and St. Vincent de Paul (1862-74). Together with Louis Schoenewerk and other sponsors, Durand founded the company Durand-Schoenewerk & Cie. in December 1869 and acquired the important catalogue of the Paris music publisher Gustave Flaxland (1821-1895), which had grown from approximately 1,200 titles in 1847 to 1,400 titles in 1869. This included the French rights to the early Wagner operas. Following a dispute, the company dissolved on 18 March 1885 and was sold at auction in May 1896. Auguste Durand and Louis Schoenewerk bought the firm in its entirety, and they reconstituted the company with Durand's son Jacques (1865-1928). In November 1891, Jacques replaced Schoenewerk and the name changed to A. Durand & fils. Jacques assumed control of the company in 1909 when his father died, and brought in his cousin Gaston Choisnel (d. 1921) as a partner. Durand became an expert in the publication of works by French composers including Victorin de Joncières, Edouard Lalo, Jules Massenet, Claude Debussy, Camille Saint-Saëns, Maurice Ravel, Albert Roussel and Paul Dukas. The company also published the French editions of Tannhäuser, The Flying Dutchman and Lohengrin by Richard Wagner and many editions of old masters including, in particular, a complete critical edition of Rameau edited under the initial direction of Saint-Saëns. Between 1910 and 1913, Auguste and, after his death, his son Jacques organised concerts to raise awareness of new music. In 1914, Jacques published under the title Édition classique Durand & fils important nineteenth-century works for piano including the music of Chopin edited by Debussy, of Mendelssohn by Ravel and of Schumann by Gabriel Fauré. [.]. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 4 p. [SHEET MUSIC] Se mia trellin Zanthoula. Lyrics by D. Tzeretapoulou. Music by N. Kokkinou. Sotiri Christides [sic. Christidis] who is contemporary of Andria, started music publications in the 1905's. Christides published in almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operettas' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). He may be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 3 p. [SHEET MUSIC] Ztin aponoa zou: N. Kokkinou.; Serenate d'amore: G. Ingenito.; Mi Lizmoniz: E. di Capua.; I. Petalouda: N. Kokkinou. Di Azma kai Klidekumvalon. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
rif. 124420aafLondon / Londres, Down Bros, (1900), in-8vo, 96 p. + 3 planches, le tout richement ill. d’instruments, brochure originale./ Original wrappers, imprint on cover ‘Paris Exhibition 1900’.
2006rif. 59047Verbier. Verbier Festival & Academy. 2006. Ca. 100 Seiten. Mit zahlreichen Fotografien u. einer Musik-CD als Beilage (Special limited edition). Originalbroschur in Original-Kassette. Neuwertig! 27x21 cm
120 illustrated auction catalogues, all in the orig. red printed wrappers, a good majority include the printed list of prices realized. Although the majority relate to photography and the photographic images, other subjects covered include: mathematical, optical and medical instruments; nautical and aeronautics; automata toys, musical boxes, talking machines, railwayana and other collectors' items.
2016New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English and Turkish. With a CD. 30 p., ills. A composer of Beyoglu: Karnik Garmiyan.= Bir Beyoglu bestekâri: Karnik Garmiyan. [CD - Book]. Compositions of Armenian compositor Karnik Garmiyan come alive in this book with a CD. Songs by Sema Moritz.
1590rif. 30831Antwerp: Philip Galle 1590. Each plate depicts a biblical scene and incorporates an illustration of one or more musical instruments with reference in Latin text beneath each image to the musical instrument/s depicted. Each ca. 220 x 285 mm with narrow margins. Plate 5 Saul among the Prophets I Samuel x 10-11 Timbrels harp drums cornet trumpet Plate 6 David playing the harp before Saul I Samuel xvi 23 Harp Plate 9 Solomon takes the Tabernacle into the Temple the Levites singing. 2 Chronicles v 4-6 Trumpets timbrel harp horns drums flute rebec cymbals Plate 10 Elijah and the Kings. Minstrel plays before the Kings of Israel Judah and Edom 2 Kings iii 13-17 Harp Plate 11 Sacrifice of King Asa People of Judah rejoicing 2 Chronicles xv 10-15 Trumpets cornets horns timbrels flute Plate 12 Coronation of King Joas 2 Chronicles xxiii 11 Trumpets harp horn drums cymbals timbrel triangle Plate 13 Inauguration of Jerusalem's Walls by Nehemiah Nehemiah xii 27-39 Cymbals harps trumpets horns Plate 15 Rededication of the Temple by Simon Maccabaeus I Maccabaeus Apocrypha xiii 49-51 Harp timbrels trumpet horn flute Plate 18 The Glory of the Lamb Revelations v 8 and xv 7-8 Multiple harps Miknor wear; occasional foxing; laid down to mounting paper. In very good condition overall. The complete set consists of 18 plates including the title by Andreas Pevernage 1543-91 including a six-part song "Nata et grata polo" a preface in letterpress counted as plate 2 and 16 plates numbered 3-18. Complete copies are very rare. Deutsch locates 5 complete copies only at the Library of Congress; the Paris Conservatoire; the State Library in Berlin; the Paul Hirsch Library now in the British Museum; and an unlocated copy that sold at auction. See Encomium Musices No. 6 of the Harrow Replicas Cambridge: W. Heffer & Sons ca. 1950. Philip Galle unknown books
1964rif. 725427PN. New. 1964. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1959248p. Inked ownership of Harry E. Seyler. 8vo. Paperback. JAZZ 1
1888rif. 55798Troy NY: Published by W. & L.E. Gurley 1888. 12mo. viii 9-362 pp. Woodcut-engraved frontisp. 100s of text illustrations & diagrams. Brick-red coloured pebbled publisher’s cloth gilt lettering stamped on front cover very minor shelfwear slight rubbing front inner hinge starting still VG copy w/ former ownership markings & annotations on ffep. Twenty-seventh edition of this excellent handbook and catalogue from the largest manufacturer of engineering and surveying instruments in the United Stated during the 19th-century helping to fuel the massive expansion of railroads and development across the West. The company produced levels chains railroad compasses solar compasses surveyor’s compasses transits and more. Published by W. & L.E. Gurley, hardcover
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 164 p. For over three decades I had the opportunity to research on Ottoman musical writings in the Turkish libraries and to consult private collections. Concurrently, I was able to study Ottoman musical manuscripts kept in libraries outside Turkey. Along those years of research I carried out persistent investigations that gave me access to a large number of Ottoman materials ranging from the fifteenth century to the end of the nineteenth century. As a result of examining numerous musical manuscripts in Ottoman Turkish literature I discerned the commonplace of themes in the majority of writings and evaluated their structure at formal and generative level. Moreover, I was able to ascertain the significant purport of certain sources over others and to compare several versions of the texts. The idea of this catalogue evolved gradually in my mind from the perception that an explicit presentation of the makams would constitute a valuable reference both for evaluating the historical process of creating and performing music, as well as for establishing the inventory of modal categories and their taxonomic relations. As time passed, I was able to determine the development of a genuine Turkish concept in works that provided descriptive and analytical matter, and to detect through manuscript lines the significance of the process involving the semantics of the practice of music at different periods. The present book is mainly focused upon the practical theory of the makams reflected in the production and performance of the melodic scales the way they are described in Ottoman manuscripts.
