529 résultats
réf. 51981Includes 1 The Crawford House with lake 2 Jacob's Ladder 3 Great Crawford Notch 4 The Crawford House without lake and 5 the print "Tip-Top House Mount Washington." The postcards have been used. For the lot. unknown books
réf. 3182carte n.b., 14x9 - écr. manus. d'ép. au dos
1940réf. 64352Asheville NC: Asheville Post Card Co. May 9 1940. Thick oblong 12mo. 5.6 x 3.6 x 2.5 in. 120 pp unpaginated. on thick gray-green paper stock leporello accordion-style format w/ 114 tipped-in sample colour-litho printed postcards many on linen matte finish others printed photos. Typed title label mounted minor shelfwear rubbing pencil markings crossing out the label indicating that they were probably now all out-of-stock originally still a VG exemplar. First edition thus of this salesman sample postcard catalogue portfolio revealing the remarkable range of styles and types of souvenir postcards issued by the Asheville Postcard Co. on the eve of World War II. Many of the view postcards included here depict the Virginia countryside automobile travel automobile camping historic University of Virginia Monticello Skyline Drive homes of James Monroe Woodrow Wilson the Shenandoah River and the Blue Ridge Mountains. Also included are views of typical Mountain Cabins Mountaineer family homes black bears and tobacco fields. Of additional interest are the series of racist stereotypical African-American Cards including watermelon eating “The Darkey Preacher” and African-American sharecropper family featuring “Seven-Up in Dixieland” showing seven children in front of a ramshackle cabin. LeCompte 1890-1970 began as a postcard salesman and souvenir novelties before World War I and by 1921 had partnered with J.L. Widman to set up the Asheville Postcard Co. quickly becoming the largest distributor of postcards south of Washington D.C. and even began shooting many of his own photos and artwork. By the end of the 1930’s he had taken up residence in the historic Biltmore Hotel operating his company in conjunction with the souvenir concessions later. Worldcat locates 1 similar survivor salesman sample w/ different dates UVA; See some of the cards included here residing in the L.C. LeCompte Postcard Collection D.H. Ramsey Library Special Collections Univ. of North Carolina Asheville P77.5. Asheville Post Card Co., unknown
réf. 3190carte n.b., 14x9 - écr. manus. d'ép. au dos
réf. 2080502106906628Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 2080502106907319Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1995réf. 1501080046xbvkStadthagen, Bernhard-Pätzold, 1995. 66 einseitig bedruckte Blätter, jeweils mit Abbildung einer Postkarte (wenige farbig) und genauer Beschreibung der abgebildeten Gebäude bzw. der dazugehörenden Personen. - Farbig illustrierter kartonierter Originaleinband mit Deckel- und Rückentitel; gr.-8vo.(ca. 23 x 17 cm).
réf. 4429Hong Kong, Royal Hong Kong Police Museum, no date (ca 1980). 1 set of 10 postcards under iluustrated slipcase, being photographic reproductions in black and white of original pictures exhibited in the Hong Kong Royal Police Museum.
Couverture reliee sous jaquette, 2 volumes, 126 +126 pages, Illustrated. ISBN 2903255318. Tome 1.Tome I: De Thann A Saint-Hippolyte. / Tome 2. de Kintzheim a Cleebourg.
réf. 52571Strasbourg, . Diffusion Difal, 1991 Couverture reliee sous jaquette, 2 volumes, 126 +126 pages, Illustrated. ISBN 2903255318.
Sm. 8vo., with 32 glossy plates arranged concertina style, and folding into cloth covers, double-page city plan on paste-downs and coloured illustrated title mounted on upper board, a near fine copy. Each plate is captioned on obverse in Italian with an extended caption on reverse in Italian, French, English and German.
1950réf. 1036N.p. Pompei 1950. Small 8vo. 165 x 120 mm. 6 1/2 x 4 3/4 inches. Illustrated with 32 color postcards linked together in accordian fashion and bound in boards decorated with a view of ancient Pompei and Blessed Virgin Mary. High gloss tourists cards printed in color each with an legend describing the image in Italian French English and German. Nice survival in quite good condition. unknown books
réf. 64743Milano, , Original publishers paper-covered boards, 36 pages, 18 views in colour, 20 x 14.5 cm, good condition .
193312 postcards in cream paper covers with gilt lettering. VG condition. 18253. eng
Card folder containing twenty color postcards of artwork from the Prado Museum, the Spanish National Art Museum, in Madrid, Spain. The postcards are 3 5/8"w x 6"h. No date of publication shown; circa 1960. Includes work by Goya, Ribera, Greco, Murillo, Velazquez.
1905réf. 15201Berlin, Verlag F. Nixdorf o.J., circa, 1905. mit sehr vielen Abb. Original-Schwarzweiß-Postkarte (Format 30 cm) [2 Warenabbildungen]
réf. 2080502106915097Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1928réf. 2080502106905683Not Available 1928. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1922réf. 189081922. Very good condition. 12 larger than post card blanks of tourist series of images of New Zealand with blank versos and captions in white. Printed on thick card stock obviously produced on a contact sheet ad cut up for inclusion in a tourist's scrap album. Two photographs per sheet each measuring 5 5/8 x 3 5/8". Photographs include: Manawatu Gorge Wairua Falls The Drop Scene Wanganui River Mt. Ngauruhoe Bowen Falls and Peak Milford Sound Mitre Peak Milford Sound Arthur River Milford Sound Mt. Cook and Hooker Glacier Prince of Wales Feather Geyser Wairakei Otira Gorge Stirling Falls Milford Sound and Sutherland Falls Milford Track. Tourist Series 19 20 21 23 37 41 42 43 44 46 & 48. Very good condition. unknown
1920réf. List3820Chicago Illinois: Schlink Studio 1920. Real photo postcard measuring approximately 3 ½ x 5 ½ inches. Studio portrait of an African American musician standing in overcoat hat gloves and cane beside a chair displaying a saxophone and clarinet. Divided postcard back. Light wear and soiling with small loss or surface disturbance at lower margin; very good. A real photo postcard portrait of an African American musician posed with saxophone and clarinet. The sitter is not identified but the portrait was clearly made to present him as a professional or semi-professional performer rather than as an informal amateur. The formal clothing cane and carefully arranged instruments give the image the character of a publicity or theatrical portrait. The combination of saxophone and clarinet is especially appropriate to early twentieth-century dance-band and jazz performance when reed players commonly doubled on both instruments. The photograph likely dates from the period in which Black musicians circulated through local orchestras theater bands dance halls vaudeville circuits and early jazz ensembles often leaving behind few named records apart from photographs like this. A strong real photo postcard portrait of an African American reed player with good visual presence and clear musical content. . Schlink Studio unknown books
1930réf. 91724n.p. 1930. Very Good. Approx. 14 x 9 cm. Unused and undated. Glossy Sepia-toned. Modest soiling and wear mostly on non-photo side. Decent detail. Indistinct background. Wearing dead birds as hats was apparently popular in the late 19th and early 20th century although this postcard seems later than that. unknown books
1920réf. List3820Chicago Illinois: Schlink Studio 1920. Real photo postcard measuring approximately 3 ½ x 5 ½ inches. Studio portrait of an African American musician standing in overcoat hat gloves and cane beside a chair displaying a saxophone and clarinet. Divided postcard back. Light wear and soiling with small loss or surface disturbance at lower margin; very good. A real photo postcard portrait of an African American musician posed with saxophone and clarinet. The sitter is not identified but the portrait was clearly made to present him as a professional or semi-professional performer rather than as an informal amateur. The formal clothing cane and carefully arranged instruments give the image the character of a publicity or theatrical portrait. The combination of saxophone and clarinet is especially appropriate to early twentieth-century dance-band and jazz performance when reed players commonly doubled on both instruments. The photograph likely dates from the period in which Black musicians circulated through local orchestras theater bands dance halls vaudeville circuits and early jazz ensembles often leaving behind few named records apart from photographs like this. A strong real photo postcard portrait of an African American reed player with good visual presence and clear musical content. . Schlink Studio unknown
1930réf. 91724n.p. 1930. Very Good. Approx. 14 x 9 cm. Unused and undated. Glossy Sepia-toned. Modest soiling and wear mostly on non-photo side. Decent detail. Indistinct background. Wearing dead birds as hats was apparently popular in the late 19th and early 20th century although this postcard seems later than that. unknown
Good English Original bdg. HC. Oblong Roy. 8vo. In German. 112 p. Color and b/w ills. Postcards of Ratzeburg in Schleswig-Holstein, Germany from a special collection. Ratzeburg auf alten Ansichtskarten.
2018New English Paperback. Cr. 8vo. (20 x 14 cm. Edition in English. 228 p., ills. Questions and answers the history of Izmir. Izmir, which has hosted many cultures from yesterday to today, including Roman, Byzantine, Seljuk and Ottoman, is a cradle of civilizations with its cultural riches. Therefore, this book tries to find answers to the questions about how the city transformed from Smyrna to Izmir and how it became an international port as a small town.
