Merian, Maria SibyllaAntiquariat.de
6 485 résultats
1714réf. 7500CBAmsterdam, Valk, 1714-1717. Kl.-4°. 1 Bl., (6) S. 8?30; (2) Bl., 30 S.; (4) S. 5?24. Mit Portrait, 3 Frontisp. (davon 2 kol.) und 150 kol. Kupferfafeln. Lederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7500CB|7500CB_2|7500CB_3|7500CB_4 [4 Warenabbildungen]
1790réf. ST19326Amsterdam: H. Keyzer H. Gartman en W. Vermandel 1790. 555 x 345 mm. 21 7/8 x 13 3/4". 2 p.l. 62 folding plates. Attractive late 19th or early 20th century retrospective polished brown calf by L. Guétant stamp-signed in gilt on tail of spine double gilt-ruled border floral cornerpieces raised bands spine panels with scrolling floral borders and central flower ornament gilt titling. With title vignette and 62 ENGRAVED FOLDING PLATES ALL WITH BEAUTIFUL HAND COLORING AND HIGHLIGHTED WITH GOLD depicting Bible scenes from the Old and New Testament 61 of which are by Jan Luyken. A Large Paper Copy. For earlier editions: Graesse IV p. 308; Brunet III 1245-46; Klaversma & Hannema 159-164. Light rubbing to joints and edges boards just a little marked trivial foxing and faint spots here and there but A REMARKABLY FINE COPY the binding lustrous and showing little wear the paper extremely bright and fresh the margins immense and the paint and gold unusually vibrant. The marvelous illustrations of Dutch engraver and poet Jan Luyken comprise this collection of "remarkable stories" from the Bible each depicted with panoramic grandeur and enhanced with a wide range of finely applied colors and gold. Luyken 1649-1712 had written and illustrated erotic poetry as a young man but later became a devout Pietist after reading the works of German mystic Jakob Böhme. He became a member of the Baptist Church in 1673 and thereafter devoted his talents to producing religious works. The vast scenes here are notable in their scale detail and animation. There are a number of battle scenes from the Old Testament as well as dramatic depictions of the plagues and a fascinating episode from the histories of Josephus depicting Herod's soldiers being lowered down the side of a cliff in large boxes suspended from chains in order to attack the thieves hiding in caverns on the cliffside. There is a majestic portrayal of the Queen of Sheba arriving at the court of Solomon a peaceful scene of Adam naming the beasts in the Garden of Eden and a festive celebration of the Feast of Tabernacles. New Testament scenes include a terrifying final judgment a blinding conversion of St. Paul and scenes from that Apostle's travels. The engravings have one common trait: they are heavily populated whether by men or beasts and one of Luyken's special gifts is to render every person in the crowd as an individual with his own concerns and reactions to the events at hand. The engravings while already greatly pleasing in black and white are even more stirring and memorable when seen in the full color and gold used here. Expansive tableaus are given greater definition and clarity and events such as Noah’s flood and the destruction of Sodom and Gomorrah are rendered even more successful in expressing the awesome powers of the Almighty. The illustrations are quite definitely Protestant in point of view: there are no depictions of the Virgin Mary not even a Nativity scene. Except for engravings of the Annunciation to the Shepherds and the Massacre of the Holy Innocents the illustrations focus on Jesus as an adult and on the work of his Apostles spreading the gospel. There were earlier editions containing Luyken's 62 large plates which originally appeared without text as here in 1708 and they appeared again with a text in Dutch in 1729 and in French in 1732. Copies of these editions appear with some regularity in the marketplace but are usually not colored and are often found incomplete or with other major condition issues. We can trace no record in RBH or OCLC of a copy of our 1790 edition and we can find nothing that compares with the quality of coloring and grand height attained by the monumental margins seen here. H. Keyzer, H. Gartman en W. Vermandel unknown
1729réf. 55765A la Haye, chez Isaac van der Klott, 1729-47. Large folio. (54 x 35 cm.). 3 uniform contemporary full mottled calf. Spine with 9 compartments, divided by 8 raised bands. Compartments richly gilt. Titlelabels with gilt lettering. Light wear to top of spine on volume I. Small stamp on title-pages. LXI,132 II,336(6),357,(1) pp. 3 engraved titlevignettes, 10 half-page engraved headpieces and 101 fine engraved plates (10 maps, 12 battle-scenes 77 plans and views, 2 portrait-plates (one as frontispiece in Vol. III) mostly double-page (also triple-page or more). 6 tables, some folding. Internally fine and clean, printed on good paper. Wide-margined.
1789réf. 60389Paris, l' Imprimerie Royale, Plassan, 1749 - 1789. 4to (262 x 205 mm). Uniformly bound in 32 contemporary full sprinkled calf bindings with five raised bands and richly gilt spines. Leather tome- and title-labels to all volumes. Edges of boards gilt. Light wear to extremities primarily affecting head and foot of spines, corners bumped. Internally with light occassional, marginal brownspotting, but generally fine. With ""J. Collin"" (Danish zoologist Jonas Collin) to top margin of most front free end-papers. An overall nice set comprising the following:Histoire Naturelle, Générale et Particulière (15 vols) - 578 plates and 2 maps.Supplément à l'Histoire naturelle (6 vols) - 141 plates and 2 maps.Histoire naturelle des Oiseaux (9 vols) - 257 plates.Quadrupedes Ovipares et des Serpens (2 vols) - 66 plates. A total of 1042 plates and 4 maps. Wanting the portrait. The complex collation of this work has not been accurately described by bibliographers. Nissen and Heilbrun differ in the listing of number of plates and misname the descriptions of the plates.
1774réf. YTB-5Le Jay - J. Tonson & J. Watts (1774) 2 ouvrages en 4 volumes in-4 de : I/ (1) f. pour le portrait, (2) ff., XV pp., (4) ff., 363 pp., (6) ff., XVIII pp., (1) f. bl., (1) f., 95 pp. ; II/ 538 pp., (8) ff. de table.; III/ (1) f.,411 pp., (12) pp. de table ; IV/ (1) f. pour le portrait, (4) ff., LIV et 416 pp. Maroquin bleu nuit, triple filet or encadrant les plats, dos lisses richement ornés, pièces de titre et de tomaison en maroquin rouge, double filet or sur les coupes, roulette intérieure dorée, tranches dorées. Reliure de l’époque. 289 X 230 mm. EXCEPTIONNELLE REUNION, EN TRES BELLE RELIURE HOMOGENE EN MAROQUIN DU TEMPS, DE L’EDITION ORIGINALE IN-4 DU VOYAGE DE MONTAIGNE ET DE LA PREMIERE EDITION COMPLETE DES ESSAIS. LES EDITIONS ANCIENNES DES « Essais » DE MONTAIGNE EN MAROQUIN DE L’EPOQUE ONT DE TOUT TEMPS ETE RECHERCHEES. SUPERBE ET PRECIEUX EXEMPLAIRE, GRAND DE MARGES (hauteur : 289 mm), SUR GRAND PAPIER, CONSERVE DANS SON MAROQUIN BLEU NUIT DE L’EPOQUE. L’exemplaire répertorié par Philippe Desan mesurait 283 mm de haut et l’exemplaire répertorié par André Pottiée-Sperry : 285 mm. Tchemerzine ne cite que 3 exemplaires, tous reliés en veau ancien : « Bénard, 4000 frs ; Roussel, 1300 frs ; De Backer, 3650 fr. ». EXCEPTIONNELLE REUNION DES ESSAIS ET DU JOURNAL DE MONTAIGNE CONSERVES DANS LEUR RELIURE HOMOGENE EN SUPERBE MAROQUIN BLEU NUIT DU TEMPS.
1792réf. 494721792 Paris, chez Dufart, Favre, 1792 - Edition Originale - In-16 -Reliure 1/2 chagrin rouge postérieure- dos lisse - Gravure en frontispice - XXXVI-107 pages - Bon exemplaire - Réf. 49472
1796réf. 41095, , 1796-1797. Ensemble 24 volumes.
1733réf. 11268A Rotterdam, chez Jean-Daniel Beman, 1733-1741. 16 vol. in-12, demi-basane brune à petits coins, dos lisse orné de roulettes dorées (reliure italienne de la fin du XVIIIe siècle).
1729réf. 56915A la Haye, chez Isaac van der Klott, 1729-47. Large folio. (54 x 35 cm.). 3 uniform contemporary full mottled calf. Compartments richly gilt. Tome- and titlelabels with gilt lettering. Some wear to top of spine and some cracking to leather along joints on volume I-II. Corners a bit bumped. Small stamp on title-pages. LXI,132 II,336(6),357,(1) pp. 3 engraved titlevignettes, 10 half-page engraved headpieces and 95 fine engraved plates (7 maps, 13 battle-scenes 73 plans and views, 2 portrait-plates (one as frontispiece in Vol. III)) mostly double-page (also triple-page or more). 8 tables, some folding. Internally fine and clean, printed on good paper. Wide-margined.
1729réf. 54188Nürnberg, Christopher Riegel, 1729. Folio. (38x25 cm.). Bound in two unifrom later half vellum with handwritten titles and line bands on spine, all in black ink. Bound partly uncut. Half-title, (8), 362, (363-367), 368-626 pp. + Tractatus Praecipui 53 pp. + Index (9) pp. + Informatio pro Bibliopegis &c (2) pp. Engraved allegorical frontispiece (by Jean Boulanger after D.K. Ehrenstrahl). 12 engraved portraits and 115 fine engraved plates (numbered up to 112, some numbers omitted, some unnumbered, some double-numb - COMPLETE). Plates are double-page, but some of the plates folded three times and made from more than one copperplate" the plate with the view of Stockholm, showing the procession of the funeral of Carl X Gustav, is printed from 13 plates and is 450 cm. long. One plate (Expeditio Gloriosa... qua Mare Balticum) shaved in left and right margins, loosing part of the printed frame. Many engraved vignettes, coins and medals in the text. Although the binding is rather new, it is the copy's first binding, thus the first and last few leaves in both volumes have some brownspots and some soiling, otherwise rather clean with some scattered brownspots, mainly to margins. A few corners with minor repairs (no loss). 7 plates in part I having a wormtract in upper right corners, not affecting the engravings.
1779réf. 148241779-1781, imprimerie royale, in-4 plein cuir de XVI+707 et 844 pages, gardes marbrées, dos à 5 nerfs, titrages dorés, 13 planches dépliantes en fin de chaque ouvrage. | Etat : Bon état général, dos, champs et mors usés, rousseurs, manque de la 14ème planche du 2nd volume, complet de ses 2 volumes. (Ref.: MA87)
1795réf. 231141795. Transgender and Cross-DressingLGBTQ D'Eon de Beaumont Charlotte Geneviève. Autograph Note Signed 8 March 1795 written and signed by one of the earliest recorded transgender women in Europe. The letter dates to D'Eon's time in England after her diplomatic career military service and public gender transition made her one of the most documented transgender individuals of the eighteenth century. D'Eon de Beaumont Charlotte Geneviève and Mary Watterison. 8 March 1795. 1 manuscript pages on one sheet bifolded. Approx. 8 x 12.5 inches. In English and French. Manuscript letter written from Mary Watterison to Madam D'Eon with a note in D'Eon's hand below signed "D". Watterison writes to D'Eon explaining that she can no longer afford to continue renting her a room at the agreed upon price and that D'Eon will have to vacate the room by the following Wednesday or pay more for her rent. D'Eon writes a note below stating that she responded in person and will leave the apartment rather than changing their deal. The letter reads in part: "1795 My good madam / I am sure your considerate liberality of heart will not only pardon but applaud what nesesety only could compel me to inform you. Which is that the great loss I find from letting the lodgings at the prise I first agreed too is such as I realy cannot afford. for indeed the prise is not equel even to the trouble of our servants without reconing a farthing for the rooms.And now my dr Madam as I never wish to gain anything by you therefore hope you are too good to wish me to lose by you you must pardon me if I say I realy consider myself as a cleer looser of 10/6 per week for the past time you have been here if you give me no more then first proposed therefore must beg you to have other lodgings by next Wednesday or else promise to pay me after the rate of a guinea per week besides five.with much true respect for you person great veneration for you superior talants. I am good Madam your most sincere wellwisher respectful humble servt. / Mary Watterison." Below in Chevalier D'Eon's hand in French translated "Received this letter before dinner on Sunday March 8 1795 in Liverpool. Responded in person that I would return her apartment next Wednesday at the end of my week of my month that I never change a done deal / D." Financial difficulties plagued the Chevalier after she relocated permanently to England in 1785. With her pension abolished her dueling career ended by poor health and many of her old acquaintances in France lost to exile or execution D'Eon turned to her community in England for survival. Her friends and acquaintances provided her with both solace and financial support when she was unable to pay her debts though she always remained dignified proud and unwilling to be taken advantage of as evidenced by her statement at the end of the letter: "I never change a done deal." In correspondence from this point in her life D'Eon expresses both grave financial anxiety and profound gratitude to those keeping her from destitution as well as a deep belief in the manifestation of God as one's community. By 1795 D'Eon had lived publicly as a woman for decades following the international scandal that surrounded her gender in the 1770s. The manuscript offers insight into D'Eon's life and financial difficulties in England while her gender was publicly subject to rumor debate and trial. Notably though expressing frustration and displeasure with D'Eon Mary Watterison always uses the feminine title "Madam" indicating a consistent respect for her gender identity. Soiling and tanning to edges particularly at upper right margin; legible throughout; intact and well preserved. An unusual firsthand document of an early transgender pioneer identifying herself with feminine pronouns in eighteenth century Europe. unknown
1744réf. 56102Halle, Johann Justinus Gebauer. 1744-1793 4to. Bound in 65 (Theil 48 in 3 volumes) nice contemporary full calf with raised bands and richly gilt spines. A few volumes have some wear to upper spines. With 58 frontispices, 124 engraved plates, and 103 engraved folded maps. Internally nice and clean.
1792réf. 88280Metz le 4 [janvier-février 1792] | 11.50 x 17.10 cm | une feuille
1749réf. YTB-19Amsterdam, Arkstee et Merkus, 1749. Edition originale. Amsterdam, Arkstee et Merkus,1749. In-4 de (4) ff., XVI et 333 pp., (1) p. d’errata et 34 planches gravées. Maroquin rouge, triple filet doré encadrant les plats, dos à nerfs orné à la grotesque, double filet or sur les coupes, roulette intérieure dorée, tranches dorées. Reliure par Jacques Antoine Derome, avec étiquette. 255 X 210 mm. EDITION ORIGINALE FRANÇAISE DU CELEBRE VOYAGE AUTOUR DU MONDE D’ANSON. Elle est illustrée de 34 belles planches dépliantes représentant des navires, des cartes et des vues d’Argentine, du Brésil, du Pérou, du Mexique et de la Chine. Elle est demeurée inconnue de Chadenat. Sabin, 1637 ; Cordier Sinica, III, 2096 ; Allibone, III, 2563 ; Borba Moraes, I, 38-39 ; Palau, 12 865.
1780réf. 25574Paris: D. Lothrop & Company. Very Good with No dust jacket as issued. 1780-1804. First Edition. Hardcover. Full leather is what appears to be contemporary bindings. The first 2 volumes have minor separations along the ends of the hinges. The Atlas volume is missing the title page and has numerous notations in the first maps in French. ; 8vo 8" - 9" tall . D. Lothrop & Company hardcover
1708réf. 219243東京. Tokyo.: 須原屋茂兵衛. Suwaraya Mohei. Hoei 5 1708. Black and white woodblock map with yellow outlining in original hand colour 55.8 x 127cm map; 59.5 x 131cm sheet folding into the original Japanese wrappers chipped and rather worn 26.4 x 17.4cm the map with old repairs laid down on washi rather browned and wormed at the folds but with no serious loss the sheet age-toned and a little dusty but overall in remarkably good condition. Preserved in a modern blue linen Japanese case with toggle-closures. A famous woodblock-printed Japanese map of the world by renowned Edo Period map-maker Ishikawa Tomonobu who is also known as Ishikawa Ryūsen. This is a revised version of an earlier map produced by Ishikawa in 1688. The map appears to draw on Chinese and Portuguese geographical knowledge. The Chinese production of world maps had been transformed by the influence of the Italian Jesuit Matteo Ricci who collaborated with Chinese cartographers to produce a 1584 map of the world. In Japan the production of maps of "the myriad countries" or "the international countries" bankoku had been inspired by contact with Portuguese missionaries and with the Dutch in the 16th century. Ishikawa's map broadly resembles the Ricci map in being placed in an oval frame with the Pacific and thus also China and Japan at the centre. The content though is different. While Ricci's map is oriented to the north Ishikawa's is oriented to the east with America at the top of the page and the sketchy outlines of Europe including 'Ikiresu' England and a large and clearly marked Holland and Africa 'Kafuri' at the bottom. This orientation apparently influenced by the first world map in Japan "Bankoku Sōzu" 万国総図 which was published in 1645. Interestingly although Ishikawa had earlier produced a quite detailed and fairly accurate map of Japan the Japan shown on this world map is a rather loosely outlined collection of islands in which for example Ryūkyū the Ryukyu Kingdom now Okinawa and Hachijōjima appear much larger than they are in reality. Japan is also unusually oriented making it appear as though Ezo now Hokkaido is in the middle of the Pacific. It seems that the cartographer's interest here was less in outlining Japan in detail than in broadly setting out the country's place in relation to the land masses to the east and west. Like other Japanese world maps of the Edo period and like Ricci's map Ishikawa's image of the world includes imagined countries such as 'The Land of Giants". The continuing centrality of China in Japanese thought is indicated by the fact that Ishikawa's map contains a very clearly marked depiction of the Great Wall and that the map is decorated at the top with depictions of a Japanese and a Chinese sailing ship. The text at the bottom gives estimated distances between Hizen Province where the port of Nagasaki provided Japan's main official outlet to the world in this age of seclusion and various places in China and between Hizen and the Ryūkyū Kingdom. It also gives the estimated distance from Korea to Tsushima Island which served as Japan's gateway for diplomatic and trade relations with Korea. Engelbert Kaempfer a German physician and explorer brought back the 1688 edition of this map printing to Europe after his stay in Japan between 1690 and 1692. The map was introduced to European audiences in the 17th century and impacted on later European cartographic endeavours. Copies of this rare and historically significant map are held only in a handful of major collections: the British Library National Diet Library NDL of Japan the Staatsbibliothek of Berlin University of California Berkeley's Japanese Historic Maps Collection and the University of British Columbia. . 須原屋茂兵衛. [Suwaraya Mohei]. unknown
1796réf. 231691796. Transgender and Cross-DressingLGBTQ D'Eon de Beaumont Charlotte Geneviève. Autograph Letter Signed 11 July 1796 written and signed by one of the earliest recorded transgender women in Europe in her feminine title offering direct manuscript evidence of her self-identification as a woman with the female title and pronouns "La chevaliere d'Eon" and "Mlle d'Eon". The letter dates to D'Eon's time in England after her diplomatic career military service and public gender transition made her one of the most documented transgender individuals of the eighteenth century. Though some accounts claim D'Eon's gender transition was a hoax or political ruse this quiet and courteous social note confirm D'Eon's personal identity as a woman. D'Eon de Beaumont Charlotte Geneviève. 11 July 1796. 2 manuscript pages on one sheet. 4.5 x 7.5 inches. In French. Autograph letter written from Oxford and addressed to "Dr. Legge at Oxford 11/juillet 1796" thanking Dr. Legge for "toutes les bontés" all the kindnesses shown during d'Eon's stay and extending respects to "Madame Legge." D'Eon refers to herself in the third person with explicitly feminine language opening with "La chevaliere d'Eon est venue prendre congé" later stating "Mlle d'Eon a aussi l'honneur de présenter ses respects." The letter praises Legge for his moral and medical goodstanding describing his "savoir" "bienveillance" and "douceur" toward his patients and calling him in effect a physician to humanity. The letter reads in full: "Dr. Legge at Oxford 11 July 1796 The Chevalier d'Eon has come to take her leave of Dr. Legge and to offer him her most sincere thanks for all the kindnesses he was good enough to show her during her stay in Oxford. Mlle d'Eon also has the honor of presenting her respects to Mrs. Legge and of expressing to her as well her particular gratitude for all her courtesies. She wishes the devoted wife and her husband health and prosperity in all their endeavors at this illustrious university which honors her just as much as Mr. Legge does. Oxford July May Fortune-after the storms of her past life-enable her one day to demonstrate her gratitude to him; this gratitude will always remain as fervent as her attachment to Dr. Legge who-through his knowledge his benevolence of heart and his zeal and gentleness toward his patients-truly deserves to be called the Physician of the Human Race in the moral as well as the physical sense." Health and financial difficulties plagued the Chevalier after she relocated permanently to England in 1785. She was often confined to her bed by illness and old injuries including a broken leg suffered during her years as a spy. With her pension abolished her dueling career ended by poor health and many of her old acquaintances in France lost to exile or execution D'Eon turned to her community in England and her faith to keep her spirits high. Her friends and acquaintances provided her with both solace and financial support when she was unable to pay her debts. Correspondence from this point in her life indicates that D'Eon had a deep belief in the manifestation of God as one's community and expressed profound gratitude in her letters to those keeping her from destitution. By 1796 d'Eon had lived publicly as a woman for decades following the international scandal that surrounded her gender in the 1770s. This letter reflects her identity in personal social correspondence worlds away from the scandal and political intrigue surrounding her initial transition. The manuscript offers insight into a transgender woman's feminine identity and pronouns in her own hand while her gender was publicly subject to rumor debate and trial. Faint soiling and tanning to edges; legible throughout; intact and well preserved. An unusual firsthand document of an early transgender pioneer identifying herself with feminine pronouns in eighteenth century Europe. unknown
1778réf. AMO-4503A Paris, chez la veuve Duchesne, 1778 [de l'imprimerie de Claude Simon] [de l'imprimerie de Clousier]. 6 volumes in-8 (21,5 x 13,5 cm) de XVI-594, 600, 479, 462, 472 et 524-(3) pages. 1 portrait de l'auteur en frontispice et 2 figures d'après Marillier. Reliure de l'époque plein maroquin rouge à grain long, dos lisses richements ornés aux petits fers typiques de l'époque Directoire (1795-1799), pièces de titres (auteur et titre de chaque volume) en maroquin vert, roulette dorée en encadrement des plats et sur les coupes, doublures et gardes de papier marbré, encadrement intérieur de roulettes dorées, tranches dorées (reliure signée Bradel le Jeune, rue d'Ecosses, n°1, quartier Ste Geneviève, à Paris - avec son étiquette contrecollée au verso de la garde du premier volume). Impression sur papier fort à belles marges (grand papier). Excellent état de l'ensemble des volumes, reliures et intérieur. Très frais. Quelques infimes marques et ombres aux reliures qui sont néanmoins dans un splendide état de conservation.
1776réf. 601551 vol. in-12 reliure début XIXe demi-basane marbrée, Chez Demonville, Paris, 1776, 144-120pp. (avec deux pages de titres identiques pour les deux parties) avec une carte dépliante en couleurs (format 35 x 17 cm). Titre complet : Journal, dédié à Monsieur, Frère du Roi. Table Générale des Journaux anciens et modernes, Contenant les Jugements des Journalistes sur les principaux Ouvrages en tout genre ; Suivie d'Observations impartiales, & de Planches en taille-douce ou en couleurs. Septembre N° I : Tome Premier [ Avec : ] Septembre N° I : Tome Premier [ Edition originale ] [ With one of the earliest color printed maps of North America ]
1730réf. 60026Lisboa Occidental, na Officina de Joseph Antonio da Sylva, 1730. Folio (29 x 195 mm). In recent green half calf with five raised bands and gilt lettering and ornamentation to spine. Title-page mounted and with repair to outer margin, no loss of text. Last leaf with repair to lower outer corner, also with no loss of text. First and least few leaves with brownspotting. Very light browning in margins throughout. Title printed in red and black, woodcut initials and head-pieces. A fine and clean copy. (14), 716 pp. (Here with the often missing half title, but wanting the final blank).
1736réf. 10314Paris, Imprimerie Royale, 1736-1770. 35 vol. in-4, veau blond, dos orné à nerfs, pièces de titre en maroquin rouge et de tomaison en maroquin olive, tranches rouges (reliure de l'époque).
1790réf. 11124Paris, Desenne, 1790-1796. 10 tomes en 10 vol. in-8, demi-basane marbrée, dos lisse orné, pièce de titre en maroquin noir et de tomaison fauve, tranches rouges (reliure de l'époque).
1723réf. 582957 vol. in-folio (45,4 x 28,5 cm en marges) reliure de l'époque plein veau marbré, dos à 6 nerfs ornés (différence entre les fers des 3 premiers volumes et des 4 derniers), A Amsterdam, 1723-1737, Tome I (Juifs et Chrétiens catholiques), 1723 : 1 f. blanc, 6 ff., XLVII pp., 4 ff., 66 pp., 1 f., 153-206 pp., 1 f. 1 f. blanc, avec 35 planches hors texte ; Tome II (Catholiques), 1723 : 2 ff., 197-104 pp. avec 27 planches hors texte ; Tome III (Cérémonies des peuples des Indes Occidentales), 1723 : 2 ff., 211-150 pp., 1 f., 1 f. blanc, avec 45 planches hors texte ; Tome IV (Des Peuples Idolâtres), 1728 : 2 ff., 386-38-84 pp. et 1 f. n. ch., avec 58 planches hors texte ; Tome V (Cérémonies des Grecs et des Protestants), 1733 : 396 pp. avec 15 planches hors texte ; Tome VI (Anglicans, Quakers, Anabaptistes), 1736 : 2 ff., 13-348 pp. et 1 f. n. ch. (carton en sus : pp. 187-188), avec 14 planches hors texte ; Tome VII (Mahométans) : 2 ff., 291-32-160 pp. avec 26 planches hors texte (dont la dernière rehaussée en couleurs)
1797réf. 44629Philadelphie, chez l’auteur ; Paris, Dupont ; Hambourg, les principaux libraires, 1797-1798. 2 volumes in-4 (285 x 225 mm) de XIX-(1)-788 pp., 1 carte dépliante et VIII-856 pp., 1 tableau dépliant, demi-veau fauve moucheté, dos lisse orné de filets dorés, entièrement non rogné (reliure à l'imitation).
