150 résultats
réf. 125645N.p.: Matrixbest Production Circa 190. Vintage pre-release promotional poster for the 1980 film featuring Sid Vicious from the film performing "My Way" noted on the bottom banner as "From the forthcoming film." Julien Temple's now-classic mockumentary about an unscrupulous manipulative music manager who takes advantage of a British punk rock band loosely based on the formation rise and fall of the Sex Pistols told from manager Malcolm McLaren's perspective. Set and shot on location in London. 17 x 25 inches. Light wear at the extremities overall Near Fine. Matrixbest Production unknown
réf. 125645N.p.: Matrixbest Production Circa 190. Vintage pre-release promotional poster for the 1980 film featuring Sid Vicious from the film performing "My Way" noted on the bottom banner as "From the forthcoming film." Julien Temple's now-classic mockumentary about an unscrupulous manipulative music manager who takes advantage of a British punk rock band loosely based on the formation rise and fall of the Sex Pistols told from manager Malcolm McLaren's perspective. Set and shot on location in London. 17 x 25 inches. Light wear at the extremities overall Near Fine. Matrixbest Production unknown books
1994réf. 15792JNew York: St. Martin’s Press 1994. First Edition First Printing. Signed by Johnny Rotten John Lydon. Additionally laid in is a color polaroid photograph of Johnny Rotten signing copies of this book which is also handsigned by Johnny Rotten. Hardbound. Fine in a fine dust jacket. 329 pages. Illustrated. St. Martin’s Press hardcover
1892réf. 2911Paris, Librairie Marpon et Flammarion, s. d. (circa 1892) ; in-4, demie-toile violette à la bradel, pièce de titre miel entre deux doubles filets dorés, un fleuron décoratif doré au dos, double filet doré en pied du dos ; (4) ff. (bl.), 14 pp. (faux-titre, titre, dédicace, citation, préface), IV pp. (introduction), 300 pp., (5) ff. (2 ff. de table, bl.) ; 17 planches hors-texte d'illustrations en noir sur papier blanc fort, quelques illustrations en noir in-texte.
1877réf. 124881877 P., Tanera, 1877, 1 vol. in-4° (250 x190) relié 1/2 chagrin bordeaux, dos à 5 nerfs avec auteur et titre dorés, plats de papier marbré noir et rose, de (3) ff. (faux-titre, titre et préface) - 195 pp. (errata au verso de la p. 195) - 8 pp. (titre de l'atlas et table des planches) - 58 planches.Papier jauni, très rares rousseurs, très bel exemplaire.
1977réf. 41299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown
1977réf. 41299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown
1977réf. 41299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown books
1977réf. 41299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown books
1976réf. 175825London: Glitterbest Ltd November 1976. First edition. An original 1976 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with their management details at the back. The item was originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto pp. 24 including the covers unbound on various colours of paper. With numerous images throughout the text. Small stain to lower edge causing minor loss to a couple of pages otherwise in good condition. unknown
1980réf. 149824Manchester: Factory Records 1980. FACT 30. Vintage cassette containing interviews with members of the Sex Pistols housed in a vinyl pouch. Designed by Peter Saville. Factory Records' Christmas gift for 1980 despite having never released any music by the band was a cassette containing a 1977 interview of Sid Vicious and Steve Jones by Judy Vermorei on side A and an undated one featuring Paul Cook Johnny Rotten and Malcolm McLaren's grandmother by Bondpen Publishing on side B. Cassette: Near Fine with some light rubbing to the gold paint. Tape unplayed and unexamined. Vinyl pouch: 6.5 x 4.5 inches. Lightly rubbed and Near Fine. Robertson Factory Records: The Complete Graphic Album. Factory Records unknown
1980réf. 149824Manchester: Factory Records 1980. FACT 30. Vintage cassette containing interviews with members of the Sex Pistols housed in a vinyl pouch. Designed by Peter Saville. Factory Records' Christmas gift for 1980 despite having never released any music by the band was a cassette containing a 1977 interview of Sid Vicious and Steve Jones by Judy Vermorei on side A and an undated one featuring Paul Cook Johnny Rotten and Malcolm McLaren's grandmother by Bondpen Publishing on side B. Cassette: Near Fine with some light rubbing to the gold paint. Tape unplayed and unexamined. Vinyl pouch: 6.5 x 4.5 inches. Lightly rubbed and Near Fine. Robertson Factory Records: The Complete Graphic Album. Factory Records unknown books
2010réf. C88785London: Concert Live Publishing 2010. First Edition. Hardback. Hardcover Hardcover. Fine. First Edition. Hardback. Folio. 253 pages. 36 by 35 cms.A look into the life and mind of John Lydon aka Johnny Rotten. Striking inlaid cover with his skull x-ray black moire boards and leather style unlettered spine With chapters on Roots Sex Pistols Life Screen Public Image Ltd. Mr RottenÕs Scrapbook is abn exciting and intimate journey through John LydonÕs life from inception to present day.The volume is illustrated throughout with numerous images including previously unseen John Lydon paintings and artwork. Published in a limited edition of 750 numbered copies signed by Lydon this numbered 659. The edition sold out on publication and is seldom offered for sale. The price also includes a 12in vinyl picture disc built into the back of the book featuring live recordings from his band Public Image Ltd PiL taken from shows in 2009 as well as spoken word tracks. Loosely inserted is a black sealed envelope with 'Teets or Tonsils Open up' in gold on cover it remains sealed. Comes in a stylish black moir slipcase boldly lettered in red and original plain protective cardboard box. Flamboyantly signed in red ink '""Johnny Rotten Was Here!!' the W of 'was' formed into breasts. Fine. As new. In original plain slightly used plain mailing box fwiw. Concert Live Publishing, hardcover
réf. 364602United Kingdom 1976. Softcover. Near Fine. Two programs. Octavos. Stapled pictorial wrappers. Near fine or better with only a bit of wear along the spine. Two English football programs from 1976 Manchester City F.C. Match Mag and Ipswich Town that include two of the earliest examples of the Jamie Reid-designed Sex Pistol adverts one full page and one half page for the Pistol's infamous Anarchy in the U.K. tour. Both are dated December 4 1976 just three days after the Pistol's first run-in with the press after famously cursing on a live evening broadcast of Thames Television's Today program. And like that appearance these ads demonstrated the media savvy of both the Pistols and their manager Malcolm McLaren who knew that a concert audience of football hooligans was far more likely to generate press coverage. It is well-established that many of the early instigators of the punk scene were football fans as evidenced by the influence of football zines on music zines and their occasional commingling. At the very least the ads are prima facia evidence of McLaren's brilliant and unusual marketing of the tour that brought punk into the public eye. unknown
réf. 364602United Kingdom 1976. Softcover. Near Fine. Two programs. Octavos. Stapled pictorial wrappers. Near fine or better with only a bit of wear along the spine. Two English football programs from 1976 Manchester City F.C. Match Mag and Ipswich Town that include two of the earliest examples of the Jamie Reid-designed Sex Pistol adverts one full page and one half page for the Pistol's infamous Anarchy in the U.K. tour. Both are dated December 4 1976 just three days after the Pistol's first run-in with the press after famously cursing on a live evening broadcast of Thames Television's Today program. And like that appearance these ads demonstrated the media savvy of both the Pistols and their manager Malcolm McLaren who knew that a concert audience of football hooligans was far more likely to generate press coverage. It is well-established that many of the early instigators of the punk scene were football fans as evidenced by the influence of football zines on music zines and their occasional commingling. At the very least the ads are prima facia evidence of McLaren's brilliant and unusual marketing of the tour that brought punk into the public eye. unknown books
réf. 140945149London: Cassell & Co 2001. First edition. First edition. Signed by both authors as well as original Sex Pistols Paul Cook and Glen Matlock famous scenester Helen of Troy Helen Wellington-Lloyd Generation X & Sisters of Mercy bassist Tony James; photographer journalist and manager Leee Black Childers; photographer of radical movements Nat Finkelstein; and one other person. 399 pp. Quarto. Bound in publisher's black cloth with white spine lettering tartan endpapers. Slightly shaken otherwise Fine in a Near Fine dust jacket lightly worn along edges. A photo-illustrated history of UK punk signed by some major figures in the original British scene. Cassell & Co unknown books
1976réf. 175828London: Glitterbest Ltd May 1976. Sex Pistols self promotional catalogue First edition of this original 1977 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with the aim of promoting their forthcoming single "God Save the Queen". The item was originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto pp. 12. With numerous images throughout the text. Original card covers unbound lettering and illustrations to covers in black. All in fine condition. unknown
1976réf. 175821London: Glitterbest Ltd November 1976. First edition of this 1976 promotional press pack for the Sex Pistols containing music press and promotional material collaged and photocopied with their management details at the back. This example as originally obtained from Joseph Corré the son of Malcolm McLaren and Vivienne Westwood and formed part of the Stolper/Wilson collection. Quarto 20 pages including the covers unbound on coloured paper. With numerous images throughout the text. All in fine condition. unknown
réf. 192626London: Ray Stevenson 1977. The Censored Sex Pistols Scrap Book First edition. This is the first publication of the Sex Pistols Scrapbook self-published by the photographer Ray Stevenson and withdrawn from sale when Malcolm McLaren threatened to take legal action over the cover design which he claimed ripped off Jamie Reid's album art for Never Mind the Bollocks. A revised edition was published the following year with a different cover design titled The Sex Pistols File. Quarto. Photographic illustrations throughout. Original wrappers lettering to front cover in yellow red and black. Contents clean and bright; some marks and scuffs to covers: a very good copy indeed. unknown
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown books
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown books
réf. 169338London: Virgin Records 1977. Original poster for the Sex Pistols third single An original Virgin Records promotional poster for the Sex Pistols' third single "Pretty Vacant" signed and inscribed by the artist lower right "Jamie Reid Demand the impossible". This example is from the collection of Hilary Gerrard Ringo Starr's business manager from the early 1970s and director of the Beatles Apple Corps Ltd. The B side was a cover of "No Fun" by the Stooges released in July 1977. Reid liberated the idea of the two buses from Point-Blank an American Situationist pamphlet from 1973. Offset lithograph on white matt art paper. Sheet size: 72 x 100.7 cm. Framed size: 74.5 x 102.7 cm. Tape residue to extreme corners otherwise in excellent condition. Presented in a black frame with conservation acrylic glazing. unknown
réf. 176255London: Jamie Reid 1977. She aint no human being This original artwork was intended to be used as bunting flags for the Sex Pistols's river boat promotional stunt on the River Thames outside the Houses of Parliament for their God Save the Queen single and are hole punched to the top corners. On 7 June Virgin Records hired a boat named the Queen Elizabeth from Westminster to Tower Bridge on which the Sex Pistols could play live. The party ended when the boat returned and was raided by the police. While none of the band was arrested police detained the Pistols manger Malcolm McLaren and ten others including journalists. Triangular bunting was used on the day and these prints were kept aside. Two commercially printed Union flags on card overprinted in black with the official portrait of Queen Elizabeth II taken by Peter Grugeon for her Silver Jubilee each doctored by Jamie Reid. The first shows the Queen with a safety pin in her mouth with swastika eyes and the Sex Pistols ransom logo lower left; this was the original idea for the cover of the Sex Pistols single God Save the Queen. The second shows her with a safety pin in her mouth the Sex Pistols ransom logo lower left and the words "God Save The Queen She Aint No Human Being" circled around her head taken from the lyrics of the single. Presented float mounted in a lime waxed frame. Each sheet 20 x 29 cm. Framed size: 51 x 65.1 cm. unknown
