155 résultats
réf. 176255London: Jamie Reid 1977. She aint no human being This original artwork was intended to be used as bunting flags for the Sex Pistols's river boat promotional stunt on the River Thames outside the Houses of Parliament for their God Save the Queen single and are hole punched to the top corners. On 7 June Virgin Records hired a boat named the Queen Elizabeth from Westminster to Tower Bridge on which the Sex Pistols could play live. The party ended when the boat returned and was raided by the police. While none of the band was arrested police detained the Pistols manger Malcolm McLaren and ten others including journalists. Triangular bunting was used on the day and these prints were kept aside. Two commercially printed Union flags on card overprinted in black with the official portrait of Queen Elizabeth II taken by Peter Grugeon for her Silver Jubilee each doctored by Jamie Reid. The first shows the Queen with a safety pin in her mouth with swastika eyes and the Sex Pistols ransom logo lower left; this was the original idea for the cover of the Sex Pistols single God Save the Queen. The second shows her with a safety pin in her mouth the Sex Pistols ransom logo lower left and the words "God Save The Queen She Aint No Human Being" circled around her head taken from the lyrics of the single. Presented float mounted in a lime waxed frame. Each sheet 20 x 29 cm. Framed size: 51 x 65.1 cm. unknown
2007réf. 1-1575609436Cherry Lane Music 2007. Paperback. New. 71 pages. 11.75x8.75x0.25 inches. Cherry Lane Music paperback
réf. 1788400275.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 160718London: Virgin Records 1977. An original Virgin Records promotional poster for the Sex Pistols fourth single Holidays in the Sun the B side was Satellite. The beach image was taken from a previously published translation of a Situationist International book Reid had worked on Leaving the 20th Century with added speech bubbles featuring lyrics from the song. Offset lithograph in two colours on white matt art paper. Sheet size: 70 x 100.5 cm. Framed size: 73 x 103.5 Light creasing otherwise in excellent condition. Presented in a black frame. unknown
1979réf. 160737London: Virgin Records 1979. An original Virgin Records promotional poster for the second Sex Pistols album which was the soundtrack of the film with the same name. The actress in the centre Helen Wellington-Jones was a punk who starred in the film. The double album was first released on 26 February 1979 15 months before the movie's premiere. Offset lithograph in colours on white matt art paper. Sheet size: 99.5 x 70 cm. Creasing to edges with loss to ink otherwise a bright copy. unknown
réf. 161256London: Virgin Records 1977. An original Virgin Records promotional poster for the Sex Pistols fourth single "Holidays in the Sun" the B side was "Satellite". The beach image was taken from a previously published translation of a Situationist International book Reid had worked on "Leaving the 20th Century" with added speech bubbles featuring lyrics from the song. Offset lithograph in two colours on white matt art paper. Sheet size: 100.5 x 70 cm Light creasing otherwise in excellent condition. unknown
réf. 161259London: Virgin Records 1977. An original Virgin Records promotional poster for the Sex Pistols fourth single "Holidays in the Sun" the B side was "Satellite". Reid liberated the images from a Belgium tourist brochure and added speech bubbles with lyrics from the song. The tourist company sued and the record sleeve and related promotional material had to be withdrawn. Offset lithograph in two colours on white matt art paper. Sheet size: 100.5 x 70 cm Light creasing otherwise in excellent condition. unknown
réf. 161262London: Virgin Records 1980. An original promotional poster for the Sex Pistols film directed by Julien Temple. The film starred amongst others; the Sex Pistols Malcolm McLaren Helen Wellington-Jones Mary Millington Liz Fraser and Irene Handl. This poster was also issued folded with the single album soundtrack released 6 June 1980 to coincide with the movie premier. The double album soundtrack was first released on 26 February 1979 15 months before the film release. Offset lithograph in colours on white matt art paper. Sheet size: 69 x 93 cm. Creasing mainly to edges otherwise very good unfolded. unknown
réf. SONG1788400275Cassell 2018-09-04. hardcover. Used: Good. 2.00x15.00x15.00. Buy with confidence. Excellent Customer Service & Return policy. Cassell hardcover
1980réf. 149824Manchester: Factory Records 1980. FACT 30. Vintage cassette containing interviews with members of the Sex Pistols housed in a vinyl pouch. Designed by Peter Saville. Factory Records' Christmas gift for 1980 despite having never released any music by the band was a cassette containing a 1977 interview of Sid Vicious and Steve Jones by Judy Vermorei on side A and an undated one featuring Paul Cook Johnny Rotten and Malcolm McLaren's grandmother by Bondpen Publishing on side B. Cassette: Near Fine with some light rubbing to the gold paint. Tape unplayed and unexamined. Vinyl pouch: 6.5 x 4.5 inches. Lightly rubbed and Near Fine. Robertson Factory Records: The Complete Graphic Album. Factory Records unknown
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown
1977réf. 41299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown
2017réf. 58088Cassell: London 2017. First edition & 1st printing. Oversize hardcover. Fine copy in pictorial boards as issued without dustjacket as new. A compendium of Sex Pistols activities and coverage by month in 1977. First printing with ''10 9 8 7 6 5 4 3 2 1'' on copyright page. SIGNED BY JOHN LYDON/''Johnny Rotten was here'' on publisher's printed bookplate affixed to the title page. : These were distributed as a signed first edition directly via the publisher to independent bookshops and select collectors' outlets. Cassell: London unknown
réf. DADAX1788400275Cassell 2018-09-04. hardcover. New. 2.00x15.00x15.00. Buy with confidence. Excellent Customer Service & Return policy. Cassell hardcover
réf. 364602United Kingdom 1976. Softcover. Near Fine. Two programs. Octavos. Stapled pictorial wrappers. Near fine or better with only a bit of wear along the spine. Two English football programs from 1976 Manchester City F.C. Match Mag and Ipswich Town that include two of the earliest examples of the Jamie Reid-designed Sex Pistol adverts one full page and one half page for the Pistol's infamous Anarchy in the U.K. tour. Both are dated December 4 1976 just three days after the Pistol's first run-in with the press after famously cursing on a live evening broadcast of Thames Television's Today program. And like that appearance these ads demonstrated the media savvy of both the Pistols and their manager Malcolm McLaren who knew that a concert audience of football hooligans was far more likely to generate press coverage. It is well-established that many of the early instigators of the punk scene were football fans as evidenced by the influence of football zines on music zines and their occasional commingling. At the very least the ads are prima facia evidence of McLaren's brilliant and unusual marketing of the tour that brought punk into the public eye. unknown
2001réf. 11970New York: Thunder's Mouth Press 2001. First US Edition. Wraps. Very Good in Wraps. First US Edition. Wraps. From the Collection of Jenny Lens. Toning and shelfwear around edges else tight bright and unmarred. Color paper wrappers. Large 8vo 399pp. illus b/w color. Thunder's Mouth Press unknown
2005réf. I-682-347Alfred Publishing 2005. Paperback. Very Good. Edition 2005. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Alfred Publishing paperback
réf. 169338London: Virgin Records 1977. Original poster for the Sex Pistols third single An original Virgin Records promotional poster for the Sex Pistols' third single "Pretty Vacant" signed and inscribed by the artist lower right "Jamie Reid Demand the impossible". This example is from the collection of Hilary Gerrard Ringo Starr's business manager from the early 1970s and director of the Beatles Apple Corps Ltd. The B side was a cover of "No Fun" by the Stooges released in July 1977. Reid liberated the idea of the two buses from Point-Blank an American Situationist pamphlet from 1973. Offset lithograph on white matt art paper. Sheet size: 72 x 100.7 cm. Framed size: 74.5 x 102.7 cm. Tape residue to extreme corners otherwise in excellent condition. Presented in a black frame with conservation acrylic glazing. unknown
1994réf. 15792JNew York: St. Martin’s Press 1994. First Edition First Printing. Signed by Johnny Rotten John Lydon. Additionally laid in is a color polaroid photograph of Johnny Rotten signing copies of this book which is also handsigned by Johnny Rotten. Hardbound. Fine in a fine dust jacket. 329 pages. Illustrated. St. Martin’s Press hardcover
réf. 140945149London: Cassell & Co 2001. First edition. First edition. Signed by both authors as well as original Sex Pistols Paul Cook and Glen Matlock famous scenester Helen of Troy Helen Wellington-Lloyd Generation X & Sisters of Mercy bassist Tony James; photographer journalist and manager Leee Black Childers; photographer of radical movements Nat Finkelstein; and one other person. 399 pp. Quarto. Bound in publisher's black cloth with white spine lettering tartan endpapers. Slightly shaken otherwise Fine in a Near Fine dust jacket lightly worn along edges. A photo-illustrated history of UK punk signed by some major figures in the original British scene. Cassell & Co unknown
2000réf. Q-0312264941St. Martin's Griffin 2000-03-16. Paperback. New. New. In shrink wrap. Looks like an interesting title! St. Martin's Griffin paperback
réf. 0571537138.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2111902158904160Omnibus Press N.A. Soft Cover. Fine. Volume: 1 Omnibus Press paperback
1977réf. 2090502113709600Not Available 1977. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 2090502113715590Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback