3101 risultati
rif. #[42058]196 pag. karton. unknown
1978rif. 022033New York: The Ecco Press 1978. First Edition. Hardcover. Fine in a Fine dustwrapper. This copy INSCRIBED and SIGNED by the author on the front endpaper incorporating an ORIGINAL DRAWING by the poet to actress and philanthropist Drue Heinz: "This monument is from/Mark Strand and it is for/Drue Heinz/November 26 1981 SLC Utah." Heinz was the publisher of the literary magazine THE PARIS REVIEW 1993 to 2007 and co-founded Ecco Press the publisher of this volume. The inscription and drawing take up the entire page. Laid in is a printed poem card "Some Strophes from Paradise" with a cover illustration by Neil Welliver published by Boss Books in 1993 that is also SIGNED by the poet. The Ecco Press hardcover
1964rif. 043821Iowa City: The Stone Wall Press 1964. 1st Edition 1st Printing. Hardcover. Fine. 53 Pp. Gilt #80 Of A Limited Edition Of 225 Copies Strand's First Book. Red Cloth Gilt; All Text Printed In Grey-Brown With Contents Page Using Arabic Numerals. Fine No Wear Gilt Brilliant No Faults. Lacking The Original Clear Acetate Dust Jacket. The Stone Wall Press hardcover
1964rif. 66486Iowa City: The Stone Wall Press 1964. First Edition. Red cloth stamped in gilt at spine in acetate dustjacket; 8vo. 53 pp. A Fine copy of the poet's first book number 105 of 225 copies printed by Kim K Merker of the press. The gilt a bit dull else Fine. Clear acetate jacket has one chip else minor loss and wear at edges. The Pulitzer Prize winner's first collection; ten of the poems first included here are reprinted in his "Selected Poems" 1980. The Stone Wall Press unknown
1964rif. 66486Iowa City: The Stone Wall Press 1964. First Edition. Red cloth stamped in gilt at spine in acetate dustjacket; 8vo. 53 pp. A Fine copy of the poet's first book number 105 of 225 copies printed by Kim K Merker of the press. The gilt a bit dull else Fine. Clear acetate jacket has one chip else minor loss and wear at edges. The Pulitzer Prize winner's first collection; ten of the poems first included here are reprinted in his "Selected Poems" 1980. The Stone Wall Press unknown books
1911rif. 011936: GEORGES NEWNES LTD. 1911. Hardcover. Good. Brock Rene Bull Joseph Simpson. 1911 B00K: /GOOD/ . B00K: /GOOD/ $2400.17 Reduced From. the STRAND MAGAZINE: an ILLUSTRATED M0NTHLY V0L. XLII July to December. Arthur Conan Doyle; P. G. Wodehouse; E. Phillips Oppenheim; Mrs. Baillie Reynolds; NEWNES George Brock Rene Bull Joseph Simpson. GE0RGES NEWNES LTD. 1911 Blue Colored Cloth Spine With Title In Polished Gold Rectangle Hard Cover B00K: /Good/ Shelf Edge And Corner Wear 800 Numbered Pages Printed On Off White Paper Browning On Edges In Very Good/ Condition That Were Lightly Viewed And Are Clean And Tight To The Spine Slight Wear. Spine Is Weak. Image On Page 609 Is Included. Arthur Conan Doyle on one side and featuring a portrait of Sherlock Holmes THE DISAPPEARANCE OF LADY FRANCES CARFAX by Arthur Conan Doyle. Arthur Conan Doyle titled ONE CROWDED HOUR plus P. G. Wodehouse E. Phillips Oppenheim and Mrs. Baillie Reynolds. Also illustrations by Brock Rene Bull Joseph Simpson. D/j: None. Description Applies To This Book ONLY. This Book Is Hard To Find Will Be Packaged And Shipped Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift. World Wide Shipping AVAILABLE. GEORGES NEWNES, LTD. hardcover
1997rif. CBS-9780824797485Taylor & Francis 1997. New. Taylor & Francis unknown
1997rif. CBS-9780824797485Taylor & Francis 1997. New. Taylor & Francis unknown
1984rif. 022017New York: Harry N. Abrams Inc. 1984. First Edition. Hardcover. Owner name and date at top of title page. Near Fine in a close to Fine dustwrapper. A handsome volume commemorating the fiftieth anniversary of the founding of the Academy of American Poets with an introduction by Robert Penn Warren and wood engravings by Barry Moser. SIGNED by 9 of the 126 poets represented as well as 6 other writers: Gwendolyn Brooks W.S. Merwin Philip Levine John Hollander Mark Strand Gerald Stern William Stafford Edward Albee Andre Dubus Charles Baxter James Merrill Mona Van Duyn Donald Justice and W. D. Snodgrass. One autograph is unidentified despite the fact that all were personally acquired by this cataloger 30 years ago. Harry N. Abrams, Inc. hardcover
2014rif. McClatchy-347Knopf New York 2014 First printing. A fine copy in a fine jacket. A clean copy with price $30.00 intact on front flap. Comes with archival-quality jacket protector. This book came from the library of poet and literary critic J.D. McClatchy from his estate in Stonington Connecticut. McClatchy has laid in Strand's New York Times obituary as well as a memorial program from the American Academy of Arts and Letters which features Strand's "Keeping Things Whole" "Lines for Winter" and "Poem of the Spanish Poet". This copy has been warmly INSCRIBED by Strand to McClatchy "Sandy" on the title page. ASSOCIATION copy. Inscribed by Authors. 1st Edition. Hardcover. Fine/Fine. Knopf, New York hardcover
1968rif. 010786New York : Atheneum 1968. Book. Fine. Cloth. SIGNED AND INSCRIBED BY AUTHOR. 1st Edition. 8vo - over 7¾ - 9¾" tall. First Edition. An important Association Copy of Mark Strand's Second Book of Poems. SIGNED AND INSCRIBED on the half-title page "for Willis with affection and admiration with warm memories of the beginning of this enterprise. - Mark.". Fine. Octavo. In a Very Good Dust Jacket. Small chips at folds and spine ends. Spine sunned and rubbed yet still legible. Strand served as the U.S. Poet Laureate from 1990 to 1991 and later won the Pulitzer Prize for Poetry. He and Barnstone worked together on the translations of Borges's The Sonnets: A Dual-Language Edition with Parallel Text 2010. From the collection of noted poet and translator Willis Barnstone. . Atheneum Hardcover
1968rif. 010786New York : Atheneum 1968. Book. Fine. Cloth. SIGNED AND INSCRIBED BY AUTHOR. 1st Edition. 8vo - over 7¾ - 9¾" tall. First Edition. An important Association Copy of Mark Strand's Second Book of Poems. SIGNED AND INSCRIBED on the half-title page "for Willis with affection and admiration with warm memories of the beginning of this enterprise. - Mark.". Fine. Octavo. In a Very Good Dust Jacket. Small chips at folds and spine ends. Spine sunned and rubbed yet still legible. Strand served as the U.S. Poet Laureate from 1990 to 1991 and later won the Pulitzer Prize for Poetry. He and Barnstone worked together on the translations of Borges's The Sonnets: A Dual-Language Edition with Parallel Text 2010. From the collection of noted poet and translator Willis Barnstone. . Atheneum Hardcover books
1950rif. 018033Oxford Press 1950. Book. Very Good Corners Bumped. Hardcover. Signed by Authors. 1st Edition. A very nice copy of the first edition top edge is a bit dusty small corner bump in a Very Good price clipped dust jacket that has some edgewear. Strand's classic book on the landscape and people of New England. The book is considered one of Strand's best capturing spirit people places and locales. This copy is inscribed and signed by Nancy Newhall and signed under Newhall's signature by Paul Strand. Quite uncommon signed by Strand. Very Good Price Clipped small bump Dj. Oxford Press Hardcover
1969rif. 232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city. Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated. The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown
1969rif. 232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city. Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated. The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown books
1990rif. 499366Iowa City: The Windhover Press 1990. Softcover. Fine. First edition. Illustrated with two original woodcuts by Neil Welliver with another two laid in. 24pp. printed rectos only. Folio. Stitched flexible wrappers with Japanese-style clasps. Fine. Printed on Umbria paper by Kim Merker and Don Howell. Bound by Larry Yerkes. One of 26 lettered copies the only portion of the series 251 total Signed by Strand and Welliver printed on Umbria and with two additional woodcuts the same as illustrate the book laid in. The Windhover Press unknown
1990rif. 499366Iowa City: The Windhover Press 1990. Softcover. Fine. First edition. Illustrated with two original woodcuts by Neil Welliver with another two laid in. 24pp. printed rectos only. Folio. Stitched flexible wrappers with Japanese-style clasps. Fine. Printed on Umbria paper by Kim Merker and Don Howell. Bound by Larry Yerkes. One of 26 lettered copies the only portion of the series 251 total Signed by Strand and Welliver printed on Umbria and with two additional woodcuts the same as illustrate the book laid in. The Windhover Press unknown books
rif. 61547Iowa City: Windhover Press 1990. First edition limited to 251 copies this being one of 26 lettered copies signed by the poet and the illustrator this being copy 'Y'; folio pp. 60 printed on Umbria paper on rectos only in black and blue title page in black gray and blue; 2 woodcuts in the text repeated on 2 separate prints in pocket at the back as issued; light wrinkle to the tops of the first half dozen leaves else fine copy in original plain gray wrappers made by Tim Barrett Japanese-style thong-and-loop clasps. The printer Kim Merker's copy. Bifoliate prospectus laid in. Berger Printing and the Mind of Merker 97: "those twenty-six copies . sold out instantly. Windhover Press unknown books
1964rif. 142743Iowa City IA: Stone Wall Press 1964. cloth acetate dust jacket. Stone Wall Press. 8vo. cloth acetate dust jacket. unpaginated. One of 225 copies of which this is the first issue with the Roman Numerials printed in red on the table of contents page Berger Printing & the Mind of Merker 16. Laugher p.551. The spine is ever-so-slightly faded else a tight bright and unmarred copy. The very rare acetate wrapper is present. Printed by Kim Merker at the Stone Wall Press with Romanee type on Curtis Rag paper using Romanée type. The first book by this Pulitzer Prize winning author. Mark Strand b.April 11 1934 in Summerside Prince Edward Island - d. November 29 2014New York was a American man of letters. Strand who would go on to win many awards in his career including the Pulitzer Prize thought highly enough of this his first collection to include ten of these poems in his 1980 Selected Poems. Stone Wall Press unknown
1964rif. 142743Iowa City IA: Stone Wall Press 1964. cloth acetate dust jacket. Stone Wall Press. 8vo. cloth acetate dust jacket. unpaginated. One of 225 copies of which this is the first issue with the Roman Numerials printed in red on the table of contents page Berger Printing & the Mind of Merker 16. Laugher p.551. The spine is ever-so-slightly faded else a tight bright and unmarred copy. The very rare acetate wrapper is present. Printed by Kim Merker at the Stone Wall Press with Romanee type on Curtis Rag paper using Romanée type. The first book by this Pulitzer Prize winning author. Mark Strand b.April 11 1934 in Summerside Prince Edward Island - d. November 29 2014New York was a American man of letters. Strand who would go on to win many awards in his career including the Pulitzer Prize thought highly enough of this his first collection to include ten of these poems in his 1980 Selected Poems. Stone Wall Press unknown books
rif. 12504New York: ACA Galleries 1999. Limited Edition. Hardcover. Fine. Square small quarto unpaginated. A fine copy in the publisher's cream-white boards with spine label. A few faint erasures to the front free endpaper else lovely. This is one of just 20 limited copies SIGNED by Wendy Mark and Mark Strand on the title page and with an original monoprint also signed and dated by Wendy Mark and laid-in to an envelope which is neatly pasted to the rear paste-down as issued. Per the colophon: "This catalogue was published on occasion of the exhibition WENDY MARK 89 CLOUDS at ACA Galleries New York. November 6-27 1999. Catalogue design The Grenfell Press New York. Printing and binding by Stamperia Valdonega Verona." A beautiful publication. ACA Galleries hardcover
rif. 125421972. Near Fine. A warm gracious 2 pg. ALS from the photographer Paul Strand referencing --among other things-- an evening with Hart Crane. Strand is patiently responding from France to a Vietnam vet whose 2 letters are here included who asks if he and his wife might work for an aging Strand in any capacity. Strand's August 1972 8 1/4" x 10 1/2" letter in response is bright and clean and has held up nicely. His hand is strong and the ball-point ink completely legible. Also includes the original enevelope addressed in Strand's hand and postmarked "Yvesines" France. unknown
rif. 125421972. Near Fine. A warm gracious 2 pg. ALS from the photographer Paul Strand referencing --among other things-- an evening with Hart Crane. Strand is patiently responding from France to a Vietnam vet whose 2 letters are here included who asks if he and his wife might work for an aging Strand in any capacity. Strand's August 1972 8 1/4" x 10 1/2" letter in response is bright and clean and has held up nicely. His hand is strong and the ball-point ink completely legible. Also includes the original enevelope addressed in Strand's hand and postmarked "Yvesines" France. unknown books
1993rif. RSTRPOE00FPRed Butte Press 1993. Fine. Strand Mark. A Poet's Alphabet of Influences. Sucec Bonnie. Salt Lake City UT: Red Butte Press 1993. copy #25 of 75. Illustrated. Tall narrow quarto. Brown cloth with painterly decorations in black. Signed by author. Book condition: Fine in very good taupe linen clamshell box with faint moisture stain at opening. Signed by Mark Strand and Bonnie Sucec on limitation page. Each poem headed with decorative hand-colored initials. Red Butte Press hardcover
rif. 142476New York NY: Thornwillow Press Ltd 2004. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. Thornwillow Press. oblong 8vo. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 50 copies bound thus. Signed by Mark Strand and Wendy Mark on the title page as well as with the signature of the printer Luke Ives Pontifell on the colophon. Fine in fine clamshell box. This facsimile edition of Candy: a Poem by Mark Strand 2004 is letterpress printed from the hand-written manuscript. Printed by Luke Ives Pontifell at his Thornwillow Press on handmade paper and bound at the press. From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography. Thornwillow Press, Ltd unknown