Strand VBiblio.com
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1997Best.-Nr. CBS-9780824797485Taylor & Francis 1997. New. Taylor & Francis unknown
1984Best.-Nr. 022017New York: Harry N. Abrams Inc. 1984. First Edition. Hardcover. Owner name and date at top of title page. Near Fine in a close to Fine dustwrapper. A handsome volume commemorating the fiftieth anniversary of the founding of the Academy of American Poets with an introduction by Robert Penn Warren and wood engravings by Barry Moser. SIGNED by 9 of the 126 poets represented as well as 6 other writers: Gwendolyn Brooks W.S. Merwin Philip Levine John Hollander Mark Strand Gerald Stern William Stafford Edward Albee Andre Dubus Charles Baxter James Merrill Mona Van Duyn Donald Justice and W. D. Snodgrass. One autograph is unidentified despite the fact that all were personally acquired by this cataloger 30 years ago. Harry N. Abrams, Inc. hardcover
2014Best.-Nr. McClatchy-347Knopf New York 2014 First printing. A fine copy in a fine jacket. A clean copy with price $30.00 intact on front flap. Comes with archival-quality jacket protector. This book came from the library of poet and literary critic J.D. McClatchy from his estate in Stonington Connecticut. McClatchy has laid in Strand's New York Times obituary as well as a memorial program from the American Academy of Arts and Letters which features Strand's "Keeping Things Whole" "Lines for Winter" and "Poem of the Spanish Poet". This copy has been warmly INSCRIBED by Strand to McClatchy "Sandy" on the title page. ASSOCIATION copy. Inscribed by Authors. 1st Edition. Hardcover. Fine/Fine. Knopf, New York hardcover
1968Best.-Nr. 010786New York : Atheneum 1968. Book. Fine. Cloth. SIGNED AND INSCRIBED BY AUTHOR. 1st Edition. 8vo - over 7¾ - 9¾" tall. First Edition. An important Association Copy of Mark Strand's Second Book of Poems. SIGNED AND INSCRIBED on the half-title page "for Willis with affection and admiration with warm memories of the beginning of this enterprise. - Mark.". Fine. Octavo. In a Very Good Dust Jacket. Small chips at folds and spine ends. Spine sunned and rubbed yet still legible. Strand served as the U.S. Poet Laureate from 1990 to 1991 and later won the Pulitzer Prize for Poetry. He and Barnstone worked together on the translations of Borges's The Sonnets: A Dual-Language Edition with Parallel Text 2010. From the collection of noted poet and translator Willis Barnstone. . Atheneum Hardcover
1968Best.-Nr. 010786New York : Atheneum 1968. Book. Fine. Cloth. SIGNED AND INSCRIBED BY AUTHOR. 1st Edition. 8vo - over 7¾ - 9¾" tall. First Edition. An important Association Copy of Mark Strand's Second Book of Poems. SIGNED AND INSCRIBED on the half-title page "for Willis with affection and admiration with warm memories of the beginning of this enterprise. - Mark.". Fine. Octavo. In a Very Good Dust Jacket. Small chips at folds and spine ends. Spine sunned and rubbed yet still legible. Strand served as the U.S. Poet Laureate from 1990 to 1991 and later won the Pulitzer Prize for Poetry. He and Barnstone worked together on the translations of Borges's The Sonnets: A Dual-Language Edition with Parallel Text 2010. From the collection of noted poet and translator Willis Barnstone. . Atheneum Hardcover books
1969Best.-Nr. 232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city. Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated. The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown
1969Best.-Nr. 232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city. Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated. The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown books
1990Best.-Nr. 499366Iowa City: The Windhover Press 1990. Softcover. Fine. First edition. Illustrated with two original woodcuts by Neil Welliver with another two laid in. 24pp. printed rectos only. Folio. Stitched flexible wrappers with Japanese-style clasps. Fine. Printed on Umbria paper by Kim Merker and Don Howell. Bound by Larry Yerkes. One of 26 lettered copies the only portion of the series 251 total Signed by Strand and Welliver printed on Umbria and with two additional woodcuts the same as illustrate the book laid in. The Windhover Press unknown
1990Best.-Nr. 499366Iowa City: The Windhover Press 1990. Softcover. Fine. First edition. Illustrated with two original woodcuts by Neil Welliver with another two laid in. 24pp. printed rectos only. Folio. Stitched flexible wrappers with Japanese-style clasps. Fine. Printed on Umbria paper by Kim Merker and Don Howell. Bound by Larry Yerkes. One of 26 lettered copies the only portion of the series 251 total Signed by Strand and Welliver printed on Umbria and with two additional woodcuts the same as illustrate the book laid in. The Windhover Press unknown books
Best.-Nr. 61547Iowa City: Windhover Press 1990. First edition limited to 251 copies this being one of 26 lettered copies signed by the poet and the illustrator this being copy 'Y'; folio pp. 60 printed on Umbria paper on rectos only in black and blue title page in black gray and blue; 2 woodcuts in the text repeated on 2 separate prints in pocket at the back as issued; light wrinkle to the tops of the first half dozen leaves else fine copy in original plain gray wrappers made by Tim Barrett Japanese-style thong-and-loop clasps. The printer Kim Merker's copy. Bifoliate prospectus laid in. Berger Printing and the Mind of Merker 97: "those twenty-six copies . sold out instantly. Windhover Press unknown
Best.-Nr. 61547Iowa City: Windhover Press 1990. First edition limited to 251 copies this being one of 26 lettered copies signed by the poet and the illustrator this being copy 'Y'; folio pp. 60 printed on Umbria paper on rectos only in black and blue title page in black gray and blue; 2 woodcuts in the text repeated on 2 separate prints in pocket at the back as issued; light wrinkle to the tops of the first half dozen leaves else fine copy in original plain gray wrappers made by Tim Barrett Japanese-style thong-and-loop clasps. The printer Kim Merker's copy. Bifoliate prospectus laid in. Berger Printing and the Mind of Merker 97: "those twenty-six copies . sold out instantly. Windhover Press unknown books
1964Best.-Nr. 142743Iowa City IA: Stone Wall Press 1964. cloth acetate dust jacket. Stone Wall Press. 8vo. cloth acetate dust jacket. unpaginated. One of 225 copies of which this is the first issue with the Roman Numerials printed in red on the table of contents page Berger Printing & the Mind of Merker 16. Laugher p.551. The spine is ever-so-slightly faded else a tight bright and unmarred copy. The very rare acetate wrapper is present. Printed by Kim Merker at the Stone Wall Press with Romanee type on Curtis Rag paper using Romanée type. The first book by this Pulitzer Prize winning author. Mark Strand b.April 11 1934 in Summerside Prince Edward Island - d. November 29 2014New York was a American man of letters. Strand who would go on to win many awards in his career including the Pulitzer Prize thought highly enough of this his first collection to include ten of these poems in his 1980 Selected Poems. Stone Wall Press unknown
1964Best.-Nr. 142743Iowa City IA: Stone Wall Press 1964. cloth acetate dust jacket. Stone Wall Press. 8vo. cloth acetate dust jacket. unpaginated. One of 225 copies of which this is the first issue with the Roman Numerials printed in red on the table of contents page Berger Printing & the Mind of Merker 16. Laugher p.551. The spine is ever-so-slightly faded else a tight bright and unmarred copy. The very rare acetate wrapper is present. Printed by Kim Merker at the Stone Wall Press with Romanee type on Curtis Rag paper using Romanée type. The first book by this Pulitzer Prize winning author. Mark Strand b.April 11 1934 in Summerside Prince Edward Island - d. November 29 2014New York was a American man of letters. Strand who would go on to win many awards in his career including the Pulitzer Prize thought highly enough of this his first collection to include ten of these poems in his 1980 Selected Poems. Stone Wall Press unknown books
Best.-Nr. 12504New York: ACA Galleries 1999. Limited Edition. Hardcover. Fine. Square small quarto unpaginated. A fine copy in the publisher's cream-white boards with spine label. A few faint erasures to the front free endpaper else lovely. This is one of just 20 limited copies SIGNED by Wendy Mark and Mark Strand on the title page and with an original monoprint also signed and dated by Wendy Mark and laid-in to an envelope which is neatly pasted to the rear paste-down as issued. Per the colophon: "This catalogue was published on occasion of the exhibition WENDY MARK 89 CLOUDS at ACA Galleries New York. November 6-27 1999. Catalogue design The Grenfell Press New York. Printing and binding by Stamperia Valdonega Verona." A beautiful publication. ACA Galleries hardcover
Best.-Nr. 125421972. Near Fine. A warm gracious 2 pg. ALS from the photographer Paul Strand referencing --among other things-- an evening with Hart Crane. Strand is patiently responding from France to a Vietnam vet whose 2 letters are here included who asks if he and his wife might work for an aging Strand in any capacity. Strand's August 1972 8 1/4" x 10 1/2" letter in response is bright and clean and has held up nicely. His hand is strong and the ball-point ink completely legible. Also includes the original enevelope addressed in Strand's hand and postmarked "Yvesines" France. unknown
Best.-Nr. 125421972. Near Fine. A warm gracious 2 pg. ALS from the photographer Paul Strand referencing --among other things-- an evening with Hart Crane. Strand is patiently responding from France to a Vietnam vet whose 2 letters are here included who asks if he and his wife might work for an aging Strand in any capacity. Strand's August 1972 8 1/4" x 10 1/2" letter in response is bright and clean and has held up nicely. His hand is strong and the ball-point ink completely legible. Also includes the original enevelope addressed in Strand's hand and postmarked "Yvesines" France. unknown books
Best.-Nr. 63673Salt Lake City UT: Red Butte Press 1993. Limited Edition. Bonnie Sucec. SIGNED. 26pp. Folio 40 cm Gray cloth in matching clamshell. Near fine in a very good clamshell with light soiled marks and a thin moisture stain to the rear. Another charming production by Red Butte Press. Every page is for a different letter of the alphabet and is accompanied by an original illustration from Bonnie Sucec. Bonnie Sucec's work is included in the collections of the Salt Lake Art Center the Utah Arts Council and the Utah Museum of Fine Arts. Signed by the author and the illustrator on the limitation page. A limited edition with a very low limitation. Number 10 in an edition of 75 copies with an additional 20 copies hors commerce. "Mark Strand was recognized as one of the premier American poets of his generation as well as an accomplished editor translator and prose writer. The hallmarks of his style are precise language surreal imagery and the recurring theme of absence and negation; later collections investigate ideas of the self with pointed often urbane wit. Named the US poet laureate in 1990 Strand's career spanned five decades and he won numerous accolades from critics and a loyal following among readers. In 1999 he was awarded the prestigious Pulitzer Prize for Poetry for his collection Blizzard of One." - Poetry Foundation. Red Butte Press unknown
1993Best.-Nr. RSTRPOE00FPRed Butte Press 1993. Fine. Strand Mark. A Poet's Alphabet of Influences. Sucec Bonnie. Salt Lake City UT: Red Butte Press 1993. copy #25 of 75. Illustrated. Tall narrow quarto. Brown cloth with painterly decorations in black. Signed by author. Book condition: Fine in very good taupe linen clamshell box with faint moisture stain at opening. Signed by Mark Strand and Bonnie Sucec on limitation page. Each poem headed with decorative hand-colored initials. Red Butte Press hardcover
Best.-Nr. 142476New York NY: Thornwillow Press Ltd 2004. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. Thornwillow Press. oblong 8vo. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 50 copies bound thus. Signed by Mark Strand and Wendy Mark on the title page as well as with the signature of the printer Luke Ives Pontifell on the colophon. Fine in fine clamshell box. This facsimile edition of Candy: a Poem by Mark Strand 2004 is letterpress printed from the hand-written manuscript. Printed by Luke Ives Pontifell at his Thornwillow Press on handmade paper and bound at the press. From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography. Thornwillow Press, Ltd unknown
1990Best.-Nr. 689Iowa City: Windhover Press 1990. First edition. One of 26 specially bound lettered copies signed by Strand & Welliver with two separate prints laid in at the back; the only signed issue of this publication. As new. Folio original wrappers with Japanese style clasps. As new. Windhover Press unknown
Best.-Nr. 142476New York NY: Thornwillow Press Ltd 2004. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. Thornwillow Press. oblong 8vo. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 50 copies bound thus. Signed by Mark Strand and Wendy Mark on the title page as well as with the signature of the printer Luke Ives Pontifell on the colophon. Fine in fine clamshell box. This facsimile edition of Candy: a Poem by Mark Strand 2004 is letterpress printed from the hand-written manuscript. Printed by Luke Ives Pontifell at his Thornwillow Press on handmade paper and bound at the press. From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography. Thornwillow Press, Ltd unknown books
1964Best.-Nr. 018479Iowa City: Stone Wall Press 1964. First Edition. Hardcover. Sunning to the spine with just a touch of rubbing to the gilt lettering which is clear; contents bright and fresh. Near Fine. Pulitzer Prize-winning poet's scarce first book copy #195 of only 225 numbered copies. Apparently issued with a glassine but not on any of the dozen or so copies we have seen. This copy has a mylar cover on it but we don't believe it to be original. Stone Wall Press hardcover books
1990Best.-Nr. 689Iowa City: Windhover Press 1990. First edition. One of 26 specially bound lettered copies signed by Strand & Welliver with two separate prints laid in at the back; the only signed issue of this publication. As new. Folio original wrappers with Japanese style clasps. As new. Windhover Press unknown books
Best.-Nr. 63673Salt Lake City UT: Red Butte Press 1993. Limited Edition. Bonnie Sucec. SIGNED. 26pp. Folio 40 cm Gray cloth in matching clamshell. Near fine in a very good clamshell with light soiled marks and a thin moisture stain to the rear. Another charming production by Red Butte Press. Every page is for a different letter of the alphabet and is accompanied by an original illustration from Bonnie Sucec. Bonnie Sucec's work is included in the collections of the Salt Lake Art Center the Utah Arts Council and the Utah Museum of Fine Arts. Signed by the author and the illustrator on the limitation page. A limited edition with a very low limitation. Number 10 in an edition of 75 copies with an additional 20 copies hors commerce. "Mark Strand was recognized as one of the premier American poets of his generation as well as an accomplished editor translator and prose writer. The hallmarks of his style are precise language surreal imagery and the recurring theme of absence and negation; later collections investigate ideas of the self with pointed often urbane wit. Named the US poet laureate in 1990 Strand's career spanned five decades and he won numerous accolades from critics and a loyal following among readers. In 1999 he was awarded the prestigious Pulitzer Prize for Poetry for his collection Blizzard of One." - Poetry Foundation. Red Butte Press unknown books
1993Best.-Nr. RSTRPOE00FPRed Butte Press 1993. Fine. Strand Mark. A Poet's Alphabet of Influences. Sucec Bonnie. Salt Lake City UT: Red Butte Press 1993. copy #25 of 75. Illustrated. Tall narrow quarto. Brown cloth with painterly decorations in black. Signed by author. Book condition: Fine in very good taupe linen clamshell box with faint moisture stain at opening. Signed by Mark Strand and Bonnie Sucec on limitation page. Each poem headed with decorative hand-colored initials. Red Butte Press hardcover books
