Paul Strand, Mark Haworth-BoothBiblio.com
3 576 résultats
1997réf. 601463New York: Aperture 1997. First Edition Thus; First Printing. Hardcover. Near Fine in a Very Good dust jacket.; Masters of Photography; 8vo 8" - 9" tall. Aperture hardcover
1972réf. 601698New York: Aperture 1972. First Edition; First Printing. Hardcover. Near Fine in boards.; From the personal collection of notable aerial photographer Owen Kanzler.; Folio 13" - 23" tall. Aperture hardcover
1970réf. 88329Chicago and London: St James Press 1970. Octavo 25.5cm; brown cloth-covered boards with titling stamped in gilt on spine and front cover; dustjacket; xx12431pp. Light shelf-wear with soil to edges of textblock; Very Good. Dustwrapper unclipped priced $25.00/£8.50 has modest shelf-wear with tiny tears and chips to extremities; Very Good. Biographical and bibliographical information of poets publishing works in English including Hayden Carruth Edward Lucie-Smith Julian Symons and many more. 88329. St James Press unknown
1971réf. 9033443Aperture 1971. 1st. Hardcover. Very Good. Beautifully illustrated throughout in original black and white. Bound in illustrated vinyl. Book has light foxing on a few pages not affecting images. 10 x 12 inches. 380 pages. Aperture hardcover
1977réf. 9033509New York: Aperture 1977. 1st. Hardcover. Fine/Very Good. Photography by Strand text selected and edited by Nancy Newhall preface by Metcalf afterward by Beaumont Newhall. Illustrated throughout in black and white. Book is fine dust jacket has mild shelfwear. 9 1/2 x 11 3/4 inches. 256 pages. Aperture hardcover
2005réf. 66227East Hampton: Glenn Horowitz Booksller 2005. First Edition. One of 50 copies of the signed issue the total edition was 500 copies. Gray printed wrappers with French flaps; oblong small 4to.; housed in a black cloth slipcase; 25pp; 12pp. illus. Signed by both Mark Strand and Jorie Graham. A Fine copy. Lovely production by Jerry Kelly. Glenn Horowitz Booksller unknown
1968réf. 81524New York: Grossman Publishing 1968. First Edition. Quarto. 28cm. Publisher's grey heavy grain cloth titled in black to spine and front board. Dustjacket. 150pp. Clean and strong in a handsome pictorial dustjacket. Trifling soiling to the extremities and edges a little general grubbiness and shelfwear but a very good copy. Internally clean. A rather stark and beautiful black and white photo-essay on the remaining Hebridean islanders and how their rather archaic lifestyles are affected by the encroachment of the modern world. Grossman Publishing unknown
1980réf. 66210New York: Atheneum 1980. First Edition. Purple cloth in dust jacket; large 8vo. 152 pp. Signed by the poet on the title page. From his first five books and new poems. Clean tight copy top stain still bright and even; Near Fine in like dust jacket. Atheneum unknown
1987réf. 66167Portland OR: Charles Seluzicki 1987. First Edition. Gray-brown wrappers sewn into matching wrappers with orange title pasted on; large 8vo. 16 pp. Printed by Barbara Cash at the Ives Street Press in Sweden Maine on Rives BFK. Number 104 of 187 copies signed by the poet. Two reporoductions of drawings by Joseph Albers. Fine. Charles Seluzicki unknown
1979réf. 66518Iowa City: Grilled Flowers Press 1979. First Edition. Limited Edition Letter "F" of 26 copies signed by Strand. Octavo 20cm; black and blue wrappers. Spine a bit sunned small smudge on front else Fine. Prose and Poetry some translations of Octavio Paz and an extended interview conducted by publisher Frank Graziano as well as essays by Octavio Armand and David Brooks. Quite scarce in limited edition. 66518. Grilled Flowers Press unknown
1971réf. 66513Cambridge: Halty Ferguson 1971. First edition. White cloth lettered in gilt. One of 1000 copies. 29 pp. Compliments of the publisher card laid in. Translations from the Quechua descendants of the Incas. A short book nicely printed at the Ferguson Press; issued without a dust jacket. Cloth lightly soiled otherwise fine. Halty Ferguson unknown
2000réf. 66204New York: Knopf 2000. First Edition. White boards in dust jacket; small 8vo. 142 pp. Signed by the poet on the title page. Fine in a fine dust jacket. Knopf unknown
2007réf. 66209New York: Knopf 2007. First Edition. Yellow wrappers; 8vo. 267 pp. Uncorrected proof signed by the poet. Laid in a color photograph of Strand signing books. Near fine. Knopf unknown
1964réf. 66486Iowa City: The Stone Wall Press 1964. First Edition. Red cloth stamped in gilt at spine in acetate dustjacket; 8vo. 53 pp. A Fine copy of the poet's first book number 105 of 225 copies printed by Kim K Merker of the press. The gilt a bit dull else Fine. Clear acetate jacket has one chip else minor loss and wear at edges. The Pulitzer Prize winner's first collection; ten of the poems first included here are reprinted in his "Selected Poems" 1980. The Stone Wall Press unknown
1987réf. 63312Chicago: Allied Printing 1987. Original placard with text offset printed in dark blue on chipboard measuring 35.5cm x 56cm 14" x 22". Hint of foxing along upper margin else very Near Fine. A relic of the month-long NFL players' strike during the 1987 season. During the brief period that NFL players went on strike owners were forced to hire replacements to come in and play the games; in Chicago those players were known as "the Spare Bears" who went 2-1 in the three games they played during the strike. An intersting placard produced by the United Steelworkers of America showing solidarity with the striking Bears. Not separately listed in OCLC. Allied Printing unknown
1987réf. 63309Chicago: S.i. 1987. Original poster with text and team photo offset printed on white stock measuring 42.5cm x 28cm 16.75" x 11". A Fine copy. A relic of the month-long NFL players' strike during the 1987 season. During the brief period that NFL players went on strike owners were forced to hire replacements to come in and play the games; in Chicago those players were known as "the Spare Bears" who went 2-1 in the three games they played during the strike. The present poster possibly produced by the Chicago NFL Players Association draws attention to the strike in hopes of supporting the "Real Bears." Not separately listed in OCLC though we note an example held by the Chicago Public Library in their Chicago City-Wide Collection. S.i. unknown
1892réf. 62000Indianapolis: Indianapolis Lodge 64 International Association of Machinists 1892. Broadside strike circular 11" x 8-1/2". Text printed in black on cream wove stock. Text in 43 lines including header and signature; ca 350 words. Small scuff at center-right costing a few characters but no loss of sense; old folds; Very Good overall. The circular announces a strike action by Indianapolis machinists against the Pennsylvania Railroad which had instituted a piece-work system at the beginning of 1892 and calls for a general boycott on the Penn; it is specifically addressed to fellow union members traveling to the IAM's national convention in Indianapolis imploring them to travel by some other route. "The 'sweating system' or as the Pennsylvania R.R. Co. is pleased to call it 'piece work' unless checked will degrade the toilers to such an extent that they will be.little better than the Russian serfs who can not call their souls their own lest the Czar by a single word would send them before their Maker." An uncommon flyer from a little-remembered and presumably short-lived rail strike one of hundreds of small local labor actions in the turbulent year of 1892. Not separately recorded in OCLC. Indianapolis Lodge 64, International Association of Machinists unknown
réf. 54246n.p. n.d. Detroit ca 1997. Machine lithograph 18" x 22" printed in black and red on white background. Signed by the artist lower right. Fine. Poster published during the Detroit News Strike when staff from Detroit's two major dailies the News and the Free Press striking over wages and conditions left to form their own weekly tabloid The Detroit Sunday Journal which ran through 1999. The poster depicts four uniformed policemen forcibly removing a striking worker from the picket line with the one-word caption "A' rest." On her website Detroit graphic designer Susan Kramer identifies herself during this period "as an employee of the Detroit Newspaper Agency active member of the Communication Workers of America.and assisted in publishing the Detroit Sunday Journal." Another of Kramer's posters "Standing Strong in Detroit" was sold to raise more than $30000 to support the strike see: atdetroit-dot-com/susankramer. unknown
réf. 0470127643.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0826311067.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0385352514.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1971réf. 120119-ENew York: Aperture 1971. Book. Illus. by Paul Strand. Near Fine. Hardcover. 1st Edition. 1st. Edition 1971 1st. Printing Gray cloth hardcovers in the dust jackets un - paginated . Both volumes have black & white full page plates . Condition : Fine with ex-owners name penned on the first blank page in both volumes . Dust jackets are Very Good with very small edge chips at the tops edges. see images Size: Folio - over 12 - 15" tall. Aperture Hardcover
réf. 78424Syke und Diepholz Landkreis Diepholz 1984. . Redaktionsschluß 31. Okt. 1983. - Gutes sauberes Exemplar. - Selten Syke und Diepholz, Landkreis Diepholz, 1984. unknown
1972réf. 120117New York: Aperture 1972. Rilegato tela sovracoperta cloth dust jacket. Ottimo Fine. Volume I: The years 1915-1946. Volume II: The Years 1950-1968. Photographs selected sequenced and sized by Paul Strand Hazel Strand and Michael Hoffman. 2 volumes. 4to. pp. 382. Ottimo Fine. Prima edizione First edition. Aperture, hardcover
1969réf. 119964London: MacGibbon & Kee 1969. Rilegato tela sovracoperta cloth dust jacket. Ottimo Fine. 105 photographs by Paul Strand. Text by James Aldridge. 8vo. pp. 156. Ottimo Fine. Prima edizione First edition. Il fotografo Paul Strand dopo la seconda guerra mondiale si dedicò alla realizzazione di libri dedicati a popoli e Paesi. Il fotografo marxista insistette per stamparli a Leipzig ex Germania dell'Est adducendo motivi tecnici più che politici ovvero l'esistenza di uno speciale processo di stampa disponibile unicamente dall'altra parte della cortina di ferro. I libri vennero banditi negli USA a meno che le copie importate recassero il timbro ''stampato in Germania occupata dall'URSS''. Clausola che Strand ovviamente non avrebbe mai accettato. MacGibbon & Kee, hardcover
