Strand, PaulBiblio.com
3 673 résultats
1950réf. 203264New York: Oxford University Press 1950. First edition. Cloth. Slight lean; some rumples from dampness; near vg in rubbed duast jacket with a handful of chips and short tears. 4to 248pp; original cloth. Signed by Strand in blue ink on the dedication page scarce thus. Oxford University Press unknown
1980réf. 16001New York: Aperture 1980. First edition Deluxe issue. Hardcover. vg. 1/450. Tan cloth title stamped in gray and white on cover with matching slipcase in original publishers shipping box. Some tearing to tape on box abrasions on part of title on fore-edge of box. Illustrated with 94 reproductions of black and white photographs by Paul Strand. Includes original 7 1/2" x 9 1/2" hand-pulled dust-grain photogravure Iris 1928 mounted on heavy card stock 13 3/4" x 16 3/4". Photo protected by printed tissue guard signed by Hazel Strand all resting in paper- and original shipping sleeve. Blind-stamp of the estate in margin on paper sleeve. Preface by Paul Metcalf. Afterword by Beaumont Newhall. Shipping box and photogravure in very good book and slipcase in near fine condition. Paul Strand 1890-1976 was an American photographer and filmmaker who helped establish photography as an art form in the 20th century. Film credits include Manhatta 1921 Redes 1936 and Native Land 1942. Nancy Newhall 1908-1974 was a photography critic and founder of the influential photographic magazine 'Aperture'. Aperture hardcover
1950réf. 000592New York: Oxford University Press 1950. First Edition. . Cloth. Very Good/Very Good. Paul Strand. Cloth in mylar protected dust jacket pp. 248 with over one hundred b/w photographs by Paul Strand and text selected and edited by Nancy Newhall. An autobiography of New England made up of selections from the most vivid and intimate documents available skilfully integrated with Strand's maginificent photographs; text includes journals letters eyewitness accounts trials poems and credos. Some edge chipping and creasing to DJ. Size: Quarto Oxford University Press hardcover
1962réf. 215563London: MacGibbon & Kee 1962. First edition and first printing. Hardcover. 150 pages. Published 6 years before the U.S. edition. Features commentary by Basil Davidson. A collection of over 145 of Strand's photographs taken in the Outer Hebrides islands of South Uist Benbecula and Eriskay. A near fine copy in cloth boards with some slight bumping to the bottom edge of the front board and some slight tapping to the top right corner and in a very good with some edge chips and tears and wear. Still a nice copy of this beautiful book. MacGibbon & Kee unknown
1962réf. 217021London: MacGibbon & Kee 1962. First edition and first printing. Hardcover. Published 6 years before the U.S. edition. Commentary by Basil Davidson. A collection of over 145 of Strand's photographs taken in the Outer Hebrides islands of South Uist Benbecula and Eriskay. A tight near fine copy in cloth boards with some very minor wear. No dust jacket. A very nicely printed book. MacGibbon & Kee unknown
1962réf. 031281London: MacGibbon & Kee 1962. Book. Very Good. Buckram. 1st Edition. 4to - over 9¾ - 12" tall. Grey buckram lettered in black. Wrapped in Photographic dust jacket. Some wear and shallow chipping to extremities but still a very sharp copy. One of the truly great photography books by Paul Strand. . MacGibbon & Kee Hardcover
1968réf. 1666New York: Grossman 1968. Hardcover. Very Good/very good. 105 photos Grossman hardcover
1968réf. 15110Grossman Publ New York 1968. 1st edition. Hardcover Original Cloth. Fine Condition. Quantity Available: 1. Category: Great Britain; Scotland; Photography. Pictures of this item not already displayed here available upon request. Inventory No: 15110. . Grossman Publ hardcover
2002réf. 046063Aperture 2002. Hardcover. Fine/Very Good. Nicely kept with covers looking new. With striking b/w photography many images on double pages. Crisp bright pages. Jacket rubbed at upper spine. Oversize. Benefits the Friends of the Albany CA Library. Aperture hardcover
2016réf. 88301Birlinn 2016. New book still cellophane wrapped. Price written on the cellophane in marker pen. Hard. New/New. 4to. Birlinn Hardcover
réf. 68832782-20Birlinn Limited. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Birlinn, Limited unknown
2002réf. 016523New edition of a beautiful collection of photographs taken in the mid-1950s on the island of South Uist on the west coast of Scotland. 125 pages illustrations. Second edition second printing. Grey cloth boards unclipped dust jacket now in a removable protective sleeve. Slight shelf wear to jacket edges no inscriptions tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Aperture hardcover
réf. 104594Dresden Verlag der Kunst 1962. . First edition; 4to 28 x 23 cm; presentation inscription by photographer on half title page reads 'To Mohamed and Aicha Ouda with friendship and much affection. Paul Strand. Cairo. April. 1965.' numerous black & white photographic illustrations; publisher's printed grey cloth pictorial dust wrapper chipped and worn; overall a very good copy. One of the most influential photographers of the twentieth century Paul Strand 1890-1976 was born in New York City and went on to study under Lewis W. Hine before becoming a commercial photographer in 1912 following Alfred Stieglitz in his commitment to 'straight' photography. In 1933 he was appointed chief of photography and cinematography in the Secretariat of Education in Mexico. After 1942 he concentrated on still photography for his records of life in many parts of the world. This presentation copy is inscribed by Paul Strand to Mohamed Ouda and his wife. Ouda 1920-2006 was an Egyptian thinker and writer. He was one of Egypt's staunchest Nasserists whose motto in life was 'You never own anything. It is things that own you' - a motto which earned him the title of 'the Egyptian Gandhi'. Dresden, Verlag der Kunst, 1962. hardcover
réf. 93748New York Aperture Foundation 2002. 4° 125 S. zahlr. Abb. OLwd. mit OU. Kleiner Fleck a. einer S. tadell. Second edition. Schweiz- Tir a'Mhurain is a collection of photographs that reflects the impressions gathered by Paul Strand and his wife during their 3-month visit to the Hebrides in 1945. Juxtaposing people and landscape Strand's beautifully sequenced photographs depict the perfect complicity he saw between nature and habitation in their wild terrain. Whether it is a view of the rocks and the sea or a grinning shepherd boy; scuddling clouds hanging over seaside house or the wrinkled face of an old lady framed by a knitted shawl Strand's images transcend the ephemeral. This extended portrait captures the essence and complexity of a singular place. As title included in Parr - Badger The Photobook Vol. I 010 New York, Aperture Foundation, 2002 unknown
1955réf. 67069Milano: Giulio Einaudi editore S.p.A. 1955. First edition. Hardcover. Good/Fair. 104pp. Slim quarto 30 cm Tan cloth over boards. The boards are darkened at the edges the bottom edge of the front board a bit more so. The front endpaper is cracked along the hinge and has a previous owner's bookplate and a name in pen. In a worn dust jacket with a 7 inch taped tear to the front panel and a loss that is 1/4 inch deep that extends across the length of the front panel. The rear panel is for the most part free of flaws. Italian text. A portrait of the rustic Italian village of Luzzaro featuring illustrations from black-and-white photographs by Paul Strand and text by Italian screenwriter Cesare Zavattini "The Bicycle Thief". American photographer and filmmaker Paul Strand 1890-1976 known for his street portraits strove to express the feeling of a land and its inhabitants in an honest and gracious manner and his approach greatly influenced American photography. Considered to be one of the first significant photo-books published in Italy. The image on the front of the dust jacket has become iconic. Giulio Einaudi editore S.p.A. hardcover
1955réf. 179175Torino Italy: Giulio Einaudi 1955. First edition. Hardcover. First printing. Features text in Italian by Cesare Zavattini. A terrific collection of Strand's black and white photographs of rural life in Italy. A tight very near fine copy in a close to near fine dust jacket that has a few small edge tears and some of the usual fading to the spine and edges of the front panel. Still a very nice copy. Giulio Einaudi unknown
1955réf. 517885Milano: Giulio Einaudi editore S.p.A. 1955. Hardcover. Very Good/Good. First edition. Text in Italian by Cesare Zavattini. Quarto. 107pp. illustrated full-page halftone photographs by Paul Strand. Gray cloth stamped in red and black. Noted scholar and author's neat ink name on front flyleaf binding has moderate toning overall very good in good only dust jacket quite soiled at the extremities and shallow chips at the upper edges. Zavattini was a noted screenwriter and collaborator with Vittorio de Sica including The Bicycle Thief and other noted Italian directors. Giulio Einaudi editore S.p.A. hardcover
1955réf. BOOKS092615ITorino: Giulio Einaudi Editore. Fine copy in fine dust jacket. 1955. 1st. hardcover. 4to 105 pp. . Giulio Einaudi Editore hardcover
1997réf. 23211New York: Aperture 1997. 1st thus. hardbound. Very Good in Very Good dustwrapper/Dustwrapper. 4to. profusely illustrated 1st English-language edition first printing 10 9 8 7 6 5 4 3 2 1 of Paul Strand's photographic study of an Italian village Luzzara in the Po Valley produced along with Italian screenwriter Cesare Zavattini who provides the text; first published in Italian in 1955 and not published in English until the present edition; numerous text and full-page b&w plates throughout; green cloth boards with silver titling to spine; Very Good and clean throughout in Very Good dustwrapper. Aperture hardcover
réf. 114688Milan Giulio Einaudi editore S.p.A. 1955. . First edition; 291 x 229 mm 11½ x 9 in; black-and-white photographs light cockling faint toning to margins; plain endpapers number to front free endpaper in black ink light grey cloth-covered boards titles stamped in black and red on spine toning to top and bottom edges photo-illustrated dust-jacket printed in green text in white and black usual fading to cover short tear and chip to upper panel top edge short tear to lower panel bottom edge a very good copy; 110pp. Un Paese A Village comprises Paul Strand's portraits of the inhabitants of the Italian village of Lazzaro Southern Italy and photographs of everyday life there in the 1950s. Milan, Giulio Einaudi editore S.p.A., 1955. hardcover
réf. 91270New York 1916. . Photogravure on japan paper from Camera Work No. 48 annotated on the reverse image size 13.4 x 16.6 cm. sheet 28.1 x 20 cm mounted and framed. An iconic image of Wall Street and a turning point in modern photography. Wall Street depicts a scene of everyday life in Manhattan's Financial District. Workers are seen walking past the J.P. Morgan building in New York City on the famous Wall Street of which the photograph takes its name. The photograph is famous for its reliance on the sharpness and contrast of the shapes and angles created by the building and the workers that lead to its abstraction. This photograph is considered to be one of Strand's most famous works and an example of his change from pictorialism to straight photography. Strand moved from the posed to portraying the purity of the subjects. There is no focal point with the lines converging off of the frame of the image. The financial building take majority of the frame. Emphasis is placed on the strong shapes created by the architecture of the building. The workers are included in the image but are faceless and are trumped in size by the massive square shapes from the building they walk past. Also the workers are captured in motion which on film makes them appear blurry. This aesthetic that Strand creates in Wall Street is his break toward the modern. Social change was important to Strand. With Wall Street he sought to portray a social message. He captured the faceless people next to the looming financial building in order to give a warning. Strand shows 'the recently built J.P. Morgan Co. building whose huge dark recesses dwarf the passers-by with the imposing powers of uniformity and anonymity' Ollman Art Review: Paul Strand: A Transition Caught on Film. The people cannot escape the overwhelming power that this modern establishment will have on their future and the future of America. He warns us to not be the small people that look almost ant-like next to this building that has a massive amount of control over the American economy. The photo now simply titled 'Wall Street' was one of six Paul Strand pictures Stieglitz published in Camera Work. In three of the six pictures humanity strides out from abstract ideas and each figure was a study in itself an irregular item complimented by modular formats that surround it. Another set of eleven Strand photos were published in the magazine's final issue in 1917 and those pictures overwhelmingly endorsed by Stieglitz as 'brutally direct' made Strand's reputation. New York, 1916. unknown
1971réf. 196282New York: Aperture 1971. First edition. Hardcovers. Two volume set. A comprehensive look at some of the most important photographs from one of the giants of the medium. Includes numerous essays on Strand by a wide array of photographers and photo historians. Both books in fine condition in cloth boards and and both dust jackets are in very near fine condition. One of the freshest sets I've seen of books that are very prone to wear. Please note that this is a heavy and oversized book and will require extra shipping. Aperture unknown books
1971réf. 178740Millerton NY: Aperture 1971. First edition. Hardcover. The one volume edition of this monograph published on the occasion of a major show of Strand's photographs. Includes most of his best known images. A clean near fine copy in photo-illustrated boards with some minor wear a former owner's embossed stamp to the half title page and with a laid in invitation to an event at the Philadelphia Museum of Art for a show related to this book. No dust jacket as issued. Still a very nice copy. This is a heavy and oversized book and will require extra shipping. Aperture unknown books
1972réf. 1665Aperture 1972. Hardcover. Very Good/very good. 2 vols. as publlished complete. All illus. Aperture hardcover books
1962réf. 352268Rabat Morocco 1962. 2 pp. 4to. Fine with envelope. 2 pp. 4to. Paul Strand writes to his fellow photographer Emauel Weil at the St. Regis in Paris responding to the slightly younger photographer's enthusiasm with recollections of his own feelings becoming a photographer and relating information about two books that Strand has in line to publish. unknown books
