Strand, Paul. - Nourissier, François.Livre Rare Book
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réf. 69012Lausanne, La Guilde du Livre 1962, 275x220mm, 151pages, cartonnage illustré de l’éditeur. Exemplaire numéroté 1382/5000.
1962réf. 38715Dresden: VEB Verlag der Kunst 1962. First German edition. Hardcover. fair to vg. Quarto. 1511pp. Original photo-illustrated dustjacket over gray cloth with black lettering on cover and spine. Translated from the original "Tira'Mhurain: Outer Hebrides" by Dr. Ludwig Ueberfeldt. Striking portraits and b/w photographs of the life life style and habitat of the people of the Outer Hebrides a diverse archipelago off the West coast of mainland Scottland by American photographer Paul Strand with a text by British historian Basil Davidson. Includes notes on and list of photographs and map of the Hebrides at rear. Text in German. DJ with wear along edges one by four inch chip around head of spine smaller chips and some creasing at bottom of back cover. Light age-toning of book block in margins not affecting images. DJ in overall fair binding in very good interior in good to very good condition. VEB Verlag der Kunst hardcover books
1980réf. 16001New York: Aperture 1980. First edition Deluxe issue. Hardcover. vg. 1/450. Tan cloth title stamped in gray and white on cover with matching slipcase in original publishers shipping box. Some tearing to tape on box abrasions on part of title on fore-edge of box. Illustrated with 94 reproductions of black and white photographs by Paul Strand. Includes original 7 1/2" x 9 1/2" hand-pulled dust-grain photogravure Iris 1928 mounted on heavy card stock 13 3/4" x 16 3/4". Photo protected by printed tissue guard signed by Hazel Strand all resting in paper- and original shipping sleeve. Blind-stamp of the estate in margin on paper sleeve. Preface by Paul Metcalf. Afterword by Beaumont Newhall. Shipping box and photogravure in very good book and slipcase in near fine condition. Paul Strand 1890-1976 was an American photographer and filmmaker who helped establish photography as an art form in the 20th century. Film credits include Manhatta 1921 Redes 1936 and Native Land 1942. Nancy Newhall 1908-1974 was a photography critic and founder of the influential photographic magazine 'Aperture'. Aperture hardcover books
2005183 pages. Chronology. Selected bibliography. "In the history of photography there are but few photographers, who from the point of view of expression, have really done work of any importance. And by importance we mean work that has some relatively lasting quality, that element which gives all art itself real significance." - Alfred Stieglitz, 1916. Printed upon glossy stock. Profusely illustrated with the photographic artistry of Paul Strand. Book clean, bright and unmarked with light wear. Price-clipped dust jacket shows light wear and is now preserved in archival-grade Brodart. A quality copy. Book
réf. 1919798803.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006réf. 3094VB2006. Dordrecht Springer Netherland 2006. 16 x 23 cm. XVI 312 S. XVI 312 p. Softcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. Nato Security through Science Series B:. paperback
2006réf. DADAX1402046472Springer 2006-03-02. 2006. hardcover. New. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2006réf. SONG1402046472Springer 2006-03-02. 2006. hardcover. Used: Good. 6.14x0.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
réf. 0962903507.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2006réf. Q-1401303005Hyperion 2006-05-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Hyperion hardcover
réf. 10194Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. hardcover
2015réf. 10195Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 5 copies. hardcover
2016réf. 10198Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
2016réf. 10503Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
1998réf. Q-0966407571Comprehensive Wellness Pub 1998-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Comprehensive Wellness Pub paperback
réf. 2922405222.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003réf. 1-0785264841Nelson Books 2003. Hardcover. New. 272 pages. 9.50x6.25x1.00 inches. Nelson Books hardcover
2006réf. Q-0785288287Thomas Nelson Inc 2006-09-12. Paperback. New. In shrink wrap. Looks like an interesting title! Thomas Nelson Inc paperback
réf. DADAX0785264841Brand: Thomas Nelson 0000-00-00. hardcover. New. 6.25x1.00x9.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Thomas Nelson hardcover
2005réf. Q-097473084XReal Life Press 2005-01-25. Paperback. New. In shrink wrap. Looks like an interesting title! Real Life Press paperback
2006réf. Q-0974730874Real Life Press 2006-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Real Life Press hardcover
réf. 13828Norway 2024. Limited Edition/Unique. Hardcover. Fine. Limited Edition/Unique. Hardcover. Relief print on thin Japanese paper. Japanese binding. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors." Artistic Artist Statement "Always keep the books tightly stored in the packaging and laying flat. Open the top cover slowly so that the vacuum does not damage the sheets. Flip through the book slowly dragging the edges low over the spread. This will show the play of colors and it will reduce possible creases in the paper. Do not use gloves they will reduce sensitivity and manageability." Practical Artist Statement Please note: we will have several iterations of Randi's remarkable color work with us.`. Tight bright and unbound. Black cardstock boards relief printed on Japanese paper. Oblong fo. np. Illus. color prints. Limited numbered edition this being 1 of 2. hardcover
réf. 11005Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
réf. 11101Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
2019réf. 11102Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
