Claudia StrandBiblio.com
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2007réf. BN367524Prestel 2007. 2007. Hardcover. Giuseppe Arcimboldo Giuseppe Arcimboldo Claudia Strand Prestel hardcover
réf. *W039127.- Londres. 1980. Dr. W. Junk bv Publishers The Hague. 4º. XV- 419 p. Con ilustraciones y fotografías. Tela editorial. . . . hardcover
2008réf. 761UNREAD. SIGNED. Limited Edition. Fine condition. Copy # 187 of just 300 numbered hardcovers signed on the limitation page by Jeff Strand. The Fine dust jacket with artwork by Alan M. Clark is enclosed in a protective archival cover. Will be carefully packed in a box not just a padded envelope and mailed with delivery confirmation. We ship by the next business day. Synopsis: Cemetery Dance magazine says that "No author working today comes close to Jeff Strand's perfect mixture of comedy and terror." Gleefully Macabre Tales compiles 32 of his most twisted blends of cringe-worthy horror and ghoulish humor with a couple of serious pieces thrown in just to mess with you. This collection includes tales from his three chapbooks Two Twisted Nuts Socially Awkward Moments With An Aspiring Lunatic and Funny Stories of Scary Sex and numerous other stories both popular and obscure including "Really Really Ferocious" the one with the wiener dog "High Stakes" the one with the slot machine "Roasting Weenies by Hellfire" the one with Satan "The Bad Candy House" the one with a very unpleasant old man at Halloween and "The Socket" the one with the eyeball socket.It also includes two of his entries in the World Horror Convention gross-out contest. But you don't want to read them. So if you're looking to laugh gasp gag or do all three at the same time making sort of a weird sound that hurts your lungs and elicits odd glances from nearby pedestrians don't miss Gleefully Macabre Tales! Delirium Books hardcover
réf. 23054191-nnew. unknown
réf. 23054191like new. unknown
2015réf. x-1138827126Routledge 2015. Hardcover. New. 233 pages. 9.50x6.50x1.00 inches. Routledge hardcover
2020réf. x-0367598183Taylor & Francis 2020. Paperback. New. 258 pages. 9.21x6.14x0.55 inches. Taylor & Francis paperback
2016réf. Manohar-9781138827127Routledge 2016. Hardcover. New. Routledge hardcover
2016réf. Manohar-9781138827127Routledge 2016. Hardcover. New. Routledge hardcover
réf. 162169206X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1621692485.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1994réf. 109412Hatier Broché Hatier Profil d'une oeuvre 1998, In-12 broché. 175 pages. Trés bon état.
2009réf. 142656New York: Harlan & Weaver 2009. three broadsides loosely inserted into custom cloth chemises then inserted into a custom cloth slipcase. 84.5 x 60 cm 33.25 x 23.5 in. three broadsides loosely inserted into custom cloth chemises then inserted into a custom cloth slipcase. The Golden Frogs of Panama provides an intimate view of Strands working process. The evolution of his poem is mapped out in cursive long hand punctuated by several drawings of wide-eyed frogs; Strand's erasures revisions and additions are evident. Writing echoes the printmaking process: each medium produces drafts or proofs and thus a physical history of its progress. Strand exploits this concept by laying out his drafts for The Golden Frogs on one page the usually unseen history of his works development exposed and further redefined as image. His handwriting is the painters gesture the lines of a mind in active thought - abstract and calligraphic but ultimately readable. As Jorie Graham says in a related catalogue essay "What is more capable of representing reality - a drawn image or a word" The Golden Frogs of Panama was printed from a direct gravure plate in black ink on Hahnemühle bright white paper in an edition of 20. A small edition of prints hand colored by the artist were also available. It is a bleed print. The plate was made by Renaissance Press New Hampshire. The broadsides are about 36 x 48 inches with Mark Strands holograph manuscript of the poem covering the entire canvas the text interspersed with watercolor illustrations of frogs. The canvas/manuscript traces the development of the poem The Golden Frogs of Panama. Strand began using this medium after he suffered a back injury and found that writing in a standing position was easier for him. The poem was inspired by an article he read in The New Yorker describing their extinction. Mark Strand b.April 11 1934 in Summerside Prince Edward Island - d. November 29 2014New York was a American man of letters. Strand who would go on to win many awards in his career including the Pulitzer Prize thought highly enough of this his first collection to include ten of these poems in his 1980 Selected Poems. The text: Mark Strand The Golden Frogs of Panama 2009 The dying sun gives way to the sightless moon A dusting of dead leaves darkens the lawn The Golden Frogs of Panama are gone. "Never too soon" says the clean-shaven man Slouched in the rear of a black limousine; "Never too soon" he repeats looking down At his manicured nails "so what if the green Is gone from Green Hill if the north is flooded with rain And the southern jungles are dry as bone Its time to move on." The Golden Frogs of Panama are gone. And the polar bear and whooping crane And soon the panda and gorilla will go down One by one never to be seen again Not by us not by anyone. Harlan & Weaver unknown
2009réf. 142656New York: Harlan & Weaver 2009. three broadsides loosely inserted into custom cloth chemises then inserted into a custom cloth slipcase. 84.5 x 60 cm 33.25 x 23.5 in. three broadsides loosely inserted into custom cloth chemises then inserted into a custom cloth slipcase. The Golden Frogs of Panama provides an intimate view of Strands working process. The evolution of his poem is mapped out in cursive long hand punctuated by several drawings of wide-eyed frogs; Strand's erasures revisions and additions are evident. Writing echoes the printmaking process: each medium produces drafts or proofs and thus a physical history of its progress. Strand exploits this concept by laying out his drafts for The Golden Frogs on one page the usually unseen history of his works development exposed and further redefined as image. His handwriting is the painters gesture the lines of a mind in active thought - abstract and calligraphic but ultimately readable. As Jorie Graham says in a related catalogue essay "What is more capable of representing reality - a drawn image or a word" The Golden Frogs of Panama was printed from a direct gravure plate in black ink on Hahnemühle bright white paper in an edition of 20. A small edition of prints hand colored by the artist were also available. It is a bleed print. The plate was made by Renaissance Press New Hampshire. The broadsides are about 36 x 48 inches with Mark Strands holograph manuscript of the poem covering the entire canvas the text interspersed with watercolor illustrations of frogs. The canvas/manuscript traces the development of the poem The Golden Frogs of Panama. Strand began using this medium after he suffered a back injury and found that writing in a standing position was easier for him. The poem was inspired by an article he read in The New Yorker describing their extinction. Mark Strand b.April 11 1934 in Summerside Prince Edward Island - d. November 29 2014New York was a American man of letters. Strand who would go on to win many awards in his career including the Pulitzer Prize thought highly enough of this his first collection to include ten of these poems in his 1980 Selected Poems. The text: Mark Strand The Golden Frogs of Panama 2009 The dying sun gives way to the sightless moon A dusting of dead leaves darkens the lawn The Golden Frogs of Panama are gone. "Never too soon" says the clean-shaven man Slouched in the rear of a black limousine; "Never too soon" he repeats looking down At his manicured nails "so what if the green Is gone from Green Hill if the north is flooded with rain And the southern jungles are dry as bone Its time to move on." The Golden Frogs of Panama are gone. And the polar bear and whooping crane And soon the panda and gorilla will go down One by one never to be seen again Not by us not by anyone. Harlan & Weaver unknown books
1999réf. Q-089221466XNew Leaf Press 1999-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! New Leaf Press paperback
réf. 42194970like new. unknown
réf. 42194970-nnew. unknown
réf. A9781013276019Hardback. New. hardcover
réf. A9781013276002Paperback / softback. New. paperback
réf. B9781013276019Hardback. New. hardcover
réf. B9781013276002Paperback / softback. New. paperback
réf. 1013276000.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986réf. 201001001Klett-Cotta 1986-01-01. Paperback. Very Good. 0x0x0. please read name inside cover with light pencil - no marks on text - dj is very good - my shelf location we-g-14 Klett-Cotta paperback
