STRAND, MarkABAA
3101 risultati
1990rif. 56299Minneapolis Minnesota: North American Fishing Club 1990. First Edition fourth printing. 8vo. pictorial blue boards with plate on front cover depicting walleye; contents clean & tight. 314 pages. Very Good covers nice & bright; contents clean & tight. North American Fishing Club unknown books
1990rif. 129963Minnesota: North American Fishing Club 1990. First Edition; Sixteenth Printing. Hardcover. Near Fine in boards.; 9.0 X 5.9 X 1.2 inches; 314 pages. North American Fishing Club hardcover
1990rif. Q-0914697285North American Fishing Club 1990-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! North American Fishing Club hardcover
1990rif. 71262Minneapolis Minnesota: North American Fishing Club 1990. First Edition; First Printing. Hardcover. Very Good in boards. Small bump to crown at front panel and to corners.; Complete Angler's Library; 9 X 5.90 X 1.20 inches; 314 pages. North American Fishing Club hardcover
rif. 91270New York 1916. . Photogravure on japan paper from Camera Work No. 48 annotated on the reverse image size 13.4 x 16.6 cm. sheet 28.1 x 20 cm mounted and framed. An iconic image of Wall Street and a turning point in modern photography. Wall Street depicts a scene of everyday life in Manhattan's Financial District. Workers are seen walking past the J.P. Morgan building in New York City on the famous Wall Street of which the photograph takes its name. The photograph is famous for its reliance on the sharpness and contrast of the shapes and angles created by the building and the workers that lead to its abstraction. This photograph is considered to be one of Strand's most famous works and an example of his change from pictorialism to straight photography. Strand moved from the posed to portraying the purity of the subjects. There is no focal point with the lines converging off of the frame of the image. The financial building take majority of the frame. Emphasis is placed on the strong shapes created by the architecture of the building. The workers are included in the image but are faceless and are trumped in size by the massive square shapes from the building they walk past. Also the workers are captured in motion which on film makes them appear blurry. This aesthetic that Strand creates in Wall Street is his break toward the modern. Social change was important to Strand. With Wall Street he sought to portray a social message. He captured the faceless people next to the looming financial building in order to give a warning. Strand shows 'the recently built J.P. Morgan Co. building whose huge dark recesses dwarf the passers-by with the imposing powers of uniformity and anonymity' Ollman Art Review: Paul Strand: A Transition Caught on Film. The people cannot escape the overwhelming power that this modern establishment will have on their future and the future of America. He warns us to not be the small people that look almost ant-like next to this building that has a massive amount of control over the American economy. The photo now simply titled 'Wall Street' was one of six Paul Strand pictures Stieglitz published in Camera Work. In three of the six pictures humanity strides out from abstract ideas and each figure was a study in itself an irregular item complimented by modular formats that surround it. Another set of eleven Strand photos were published in the magazine's final issue in 1917 and those pictures overwhelmingly endorsed by Stieglitz as 'brutally direct' made Strand's reputation. New York, 1916. unknown
1992Book shows light wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 208 pages with b&w photos, eight walk on the Wilde side, including the West End, Strand, Covent Garden, St. James, Mayfair, Marylebone, Belgravia, Knightsbridge Chelsea, Bloomsbury, etc.
rif. DADAX0812997727Random House Books for Young Readers 2015-04-28. First Edition. hardcover. New. 5.87x0.74x8.54. Buy with confidence. Excellent Customer Service & Return policy. Random House Books for Young Readers hardcover
rif. 19119, Frankfurt am Main/Leipzig, Insel, 1996, Brochiert, 125 x 175mm., 168S. + Tafel, illustriert S/W. ISBN 3458335064.
2020rif. 2339142San Francisco: Chronicle Books 2020. 3rd Printing. Hard Cover. Fine/No Jacket - Pictorial Cover. 5x0x8. Fuller Ren. 3rd printing. Brand new from publisher. 2020 Hard Cover. 128 pp. Very Merry Cocktails features more than 50 festive cocktail recipes. This book has something for every holiday occasion whether a kid-friendly cookie party an elegant New Year's Eve soiree or a cozy night in for two. Recipes range from timeless classics and classics with a twist to party punchbowls and zero-proof libations. A perfect stocking stuffer year after year; Includes both cocktails and mocktails; Brimming with vibrant photography. Make and enjoy seasonal drinks like like Hot Buttered Rum the Holiday Bellini 'Tis the Season Sangria and Foamy Mexican Hot Chocolate. With just the right amount of Christmas kitsch this is an essential collection for cocktail enthusiasts holiday hosts and anyone who loves the holiday season. Chronicle Books hardcover books
rif. BN318256C.H.Beck. Softcover. Verwaltung im Internet: Nutzungs- und Gestaltungsmöglichkeiten Verwaltung im Internet: Nutzungs- und Gestaltungsmöglichkeiten Thorsten Bullerdiek Manfred Greve et Werner Puschmann C.H.Beck paperback
rif. LDM0037324We ship worldwide. 100% guarentee. BRAND NEW unknown
rif. BIB-26181242Original Hardcover. Publisher: TiraTiger Förlag Utg. 2024 Original Hardcover 251 p. This book is brand new. Series: Siriuskrönikan Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. hardcover
rif. BIB-8280247Original Hardcover. Publisher: TiraTiger Förlag Utg. 2024 Original Hardcover 230 p. This book is brand new. Series: Siriuskrönikan Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. hardcover
rif. BIB-24431249Original Hardcover. Publisher: TiraTiger Förlag Utg. 2024 Original Hardcover 243 p. This book is brand new. Series: Siriuskrönikan Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. hardcover
rif. ria9783631821954_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Urheberrechtsschranken sind nach der Rspr. grds. eng auszulegen und nicht analogiefähig. Die Autorin geht der Frage nach ob die an den technischen Fortschritt angepasste Weiterentwicklung der Urheberrechtsschranken einzeln als Schranke paperback
rif. 0826311059.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009rif. SONG082634738XUniversity of New Mexico Press 2009-11-16. Revised. paperback. Used: Good. 6.25x1.25x9.50. Buy with confidence. Excellent Customer Service & Return policy. University of New Mexico Press paperback
2025rif. BRG-33_2_662Unknown 2025-05-12. hardcover. Good. 6x0x9. Good condition.May contain light marking/highlighting.Cover and pages may show some wear.Not Satisfied Contact us to get a refund. Unknown hardcover
2005rif. 78821Reutlingen, Städtisches Kunstmuseum Reutlingen, ca. 2005. o. S. 4° Quart, Hardcover/Pappeinband
2002rif. Q-0971851204Ross Publishing Company 2002-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Ross Publishing Company paperback
2006rif. 301445New York: International Center of Photography 2006. First. hardcover. near fine. Weegee. Illustrated with black and white photographs throughout. 149 pages. 4to pictorial boards. New York: International Center of Photography 2006. A near fine copy. International Center of Photography unknown books
2006rif. 301445New York: International Center of Photography 2006. First. hardcover. near fine. Weegee. Illustrated with black and white photographs throughout. 149 pages. 4to pictorial boards. New York: International Center of Photography 2006. A near fine copy. International Center of Photography unknown
1938rif. 234231938. Labor Organizing United Auto Workers and CIO labor photograph archive documenting strike action union leadership and collective bargaining negotiations during the expansion of organized labor in the American automobile industry 1938-1949. The archive traces the period immediately following the 1935 Wagner Act when unions gained federal legal protection for collective bargaining but still faced violent resistance from corporations police departments and municipal governments. Several scenes connect directly to the years surrounding the 1937 Battle of the Overpass in Dearborn when Ford security men beat UAW organizers attempting to distribute union literature outside the River Rouge complex and to the broader wave of sit-down strikes and factory shutdowns that forced General Motors Chrysler and eventually Ford into formal negotiations with the UAW. The captions identify senior labor figures including Walter Reuther R. J. Thomas George Addes and Richard T. Leonard establishing the archive as documentation not merely of rank-and-file unrest but of the institutional consolidation of the UAW-CIO into one of the most powerful industrial unions in the United States. The material also records how labor disputes extended beyond factory gates into courts city halls state legislatures and police jurisdictions revealing the political dimensions of industrial unionism during the New Deal and early Cold War years. Photo archive of 12 Large silver gelatin press photographs one large panorama measuring 9.5 x 16.5 inches 11 press photos ranging from 6 x 8 inches to 8 x 10 inches primarily Detroit Dearborn South Gate and Atlantic City circa 1938-1949. A large-format scene dated 1939 records tear gas and street violence during a UAW strike at the Fisher Body plant with clouds of gas spreading across trolley tracks as helmeted police advance toward crowds of fleeing workers and spectators. Another image shows hundreds of demonstrators carrying a massive American flag through downtown Detroit toward City Hall during protests following clashes between union pickets and police at Federal Screw Works; the verso caption notes approximately forty injuries and references accusations of "police brutality" raised before city council. Additional photographs show UAW-CIO officials seated at conference tables negotiating contracts and appearing in municipal hearing rooms beneath desk microphones and courthouse lighting. Captions identify figures including Walter Reuther George Addes and R. J. Thomas while a 1940 Dearborn caption records the arrest of union leaders for distributing handbills asserting workers' rights under the National Labor Relations Act. South Gate strike scenes outside a General Motors facility show workers carrying placards demanding a thirty percent wage increase while Rev. Louis R. Loe conducts prayer services along the picket line. Convention and leadership photographs from Atlantic City and Washington document labor leaders gathered under the authority of Samuel Gompers and later CIO leadership structures linking local strike activity to national labor organization. The archive illustrates the transformation of the automobile industry from one of the nation's most violently anti-union industrial sectors into the center of postwar collective bargaining power. Ford Motor Company resisted union recognition longer than General Motors or Chrysler relying on private security forces local police cooperation labor espionage and anti-handbill ordinances to suppress organizing inside and outside its plants. Several captions directly reference these legal confrontations including arrests tied to leaflet distribution and disputes over municipal authority to restrict labor organizing in public space. By the late 1940s many of the same figures shown here were negotiating contracts that established wage standards pensions grievance procedures and health benefits that reshaped industrial employment across the United States. Creasing edge wear scattered minor losses adhesive residue and newsroom markings to versos; images remain clear and intact overall. Overall good condition. unknown books
1938rif. 234231938. Labor Organizing United Auto Workers and CIO labor photograph archive documenting strike action union leadership and collective bargaining negotiations during the expansion of organized labor in the American automobile industry 1938-1949. The archive traces the period immediately following the 1935 Wagner Act when unions gained federal legal protection for collective bargaining but still faced violent resistance from corporations police departments and municipal governments. Several scenes connect directly to the years surrounding the 1937 Battle of the Overpass in Dearborn when Ford security men beat UAW organizers attempting to distribute union literature outside the River Rouge complex and to the broader wave of sit-down strikes and factory shutdowns that forced General Motors Chrysler and eventually Ford into formal negotiations with the UAW. The captions identify senior labor figures including Walter Reuther R. J. Thomas George Addes and Richard T. Leonard establishing the archive as documentation not merely of rank-and-file unrest but of the institutional consolidation of the UAW-CIO into one of the most powerful industrial unions in the United States. The material also records how labor disputes extended beyond factory gates into courts city halls state legislatures and police jurisdictions revealing the political dimensions of industrial unionism during the New Deal and early Cold War years. Photo archive of 12 Large silver gelatin press photographs one large panorama measuring 9.5 x 16.5 inches 11 press photos ranging from 6 x 8 inches to 8 x 10 inches primarily Detroit Dearborn South Gate and Atlantic City circa 1938-1949. A large-format scene dated 1939 records tear gas and street violence during a UAW strike at the Fisher Body plant with clouds of gas spreading across trolley tracks as helmeted police advance toward crowds of fleeing workers and spectators. Another image shows hundreds of demonstrators carrying a massive American flag through downtown Detroit toward City Hall during protests following clashes between union pickets and police at Federal Screw Works; the verso caption notes approximately forty injuries and references accusations of "police brutality" raised before city council. Additional photographs show UAW-CIO officials seated at conference tables negotiating contracts and appearing in municipal hearing rooms beneath desk microphones and courthouse lighting. Captions identify figures including Walter Reuther George Addes and R. J. Thomas while a 1940 Dearborn caption records the arrest of union leaders for distributing handbills asserting workers' rights under the National Labor Relations Act. South Gate strike scenes outside a General Motors facility show workers carrying placards demanding a thirty percent wage increase while Rev. Louis R. Loe conducts prayer services along the picket line. Convention and leadership photographs from Atlantic City and Washington document labor leaders gathered under the authority of Samuel Gompers and later CIO leadership structures linking local strike activity to national labor organization. The archive illustrates the transformation of the automobile industry from one of the nation's most violently anti-union industrial sectors into the center of postwar collective bargaining power. Ford Motor Company resisted union recognition longer than General Motors or Chrysler relying on private security forces local police cooperation labor espionage and anti-handbill ordinances to suppress organizing inside and outside its plants. Several captions directly reference these legal confrontations including arrests tied to leaflet distribution and disputes over municipal authority to restrict labor organizing in public space. By the late 1940s many of the same figures shown here were negotiating contracts that established wage standards pensions grievance procedures and health benefits that reshaped industrial employment across the United States. Creasing edge wear scattered minor losses adhesive residue and newsroom markings to versos; images remain clear and intact overall. Overall good condition. unknown
