(Greve), Otto ThottBiblio.com
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réf. 1174987707.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1248154509.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1594263507.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0243305001.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 065687516X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. DADAX027460468XWentworth Press 2018-08-02. hardcover. New. 6.14x1.00x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover
1968réf. ABE-175120224807332 PAGES-30 CM X 43 CM-SURSAUT NATIONAL-DE GAULLE: "L'ENTREPRISE COMMUNISTE TOTALITAIRE A VOULU METTRE LA POPULATION EN POSITION DE CRAINTE ET DE RESIGNATION"-APRES SIX ANNEES D'EXIL GEORGES BIDAULT RETOUR EN FRANCE ET RENTREE POLITIQUE-M.SEGUY, DELEGUE SYNDICAL DE "L'ENTREPRISE TOTALITAIRE"-MENDES VIENT DE FAIRE DON DE SA PERSONNE.A LA GAUCHE-QUI PAIERA LA NOTE?-LE SIXIEME GOUVERNEMENT DE LA CINQUIEME REPUBLIQUE-L'HALLUCINANT DESTIN DU CLAN KENNEDY, 3 PAGES-ON NE BOMBARDE PLUS HANOI ON BOMBARDE SAIGON, 2P-VAN DONGEN, DECES, PHOTO-LES PAYSAGES IMAGINAIRES DE SUZANNE J. CHAPELLE, PHOTO-DANS LES GALERIES: JOAQUIN FERRER-LA GUERRE DES BOUFFONS, PHOTO JEAN-LOUIS BARRAULT-EN 4 DE COUVERTURE: ROBERT KENNEDY-(DS25)
1992réf. 73541992 Texte de Ken Johnson (allemand et traduction française) et reproduction des oeuvres. Köln: Galerie Karsten Greve, 1992. Relié: 24x 30 cm, 70 p. très bon état.
réf. ABE-1720448106046FORMAT 21 CM X 30 CM-138 PAGES-TEXTE EN ANGLAIS-(25C)
réf. 142476New York NY: Thornwillow Press Ltd 2004. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. Thornwillow Press. oblong 8vo. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 50 copies bound thus. Signed by Mark Strand and Wendy Mark on the title page as well as with the signature of the printer Luke Ives Pontifell on the colophon. Fine in fine clamshell box. This facsimile edition of Candy: a Poem by Mark Strand 2004 is letterpress printed from the hand-written manuscript. Printed by Luke Ives Pontifell at his Thornwillow Press on handmade paper and bound at the press. From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography. Thornwillow Press, Ltd unknown
2004réf. 142475New York NY: Thornwillow Press Ltd 2004. full crushed light brown moroccan goatskin eight inlaid gems Opals Citrines and Carnelians in a circular pattern with the title in gilt on the front board marbled endsheets cloth clamshell box with leather spine title in gilt on spine. Thornwillow Press. small oblong 8vo. full crushed light brown moroccan goatskin eight inlaid gems Opals Citrines and Carnelians in a circular pattern with the title in gilt on the front board marbled endsheets cloth clamshell box with leather spine title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 4 unique manuscript copies bound thus. Signed by Mark Strand and Wendy Mark on the half-title and title pages as well as the publisher Luke Ives Pontifell on the colophon. Fine in fine clamshell box. Produced under the direction of Luke Ives Pontifell at his Thornwillow Press on handmade paper. From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography." Having received her Masters of Fine Arts from Columbia University Wendy Mark has been producing wonderfully illustrative art primarily to coincide with poetical works. Not only has she worked with Mark Strand on this project but she has worked with other authors such as Charles Simic and Paul Muldoon among others. Thornwillow Press, Ltd unknown
réf. 142476New York NY: Thornwillow Press Ltd 2004. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. Thornwillow Press. oblong 8vo. quarter crushed tan morocco over paste-paper covered boards leather tips title in gilt on spine marbled endsheets cloth clamshell box with title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 50 copies bound thus. Signed by Mark Strand and Wendy Mark on the title page as well as with the signature of the printer Luke Ives Pontifell on the colophon. Fine in fine clamshell box. This facsimile edition of Candy: a Poem by Mark Strand 2004 is letterpress printed from the hand-written manuscript. Printed by Luke Ives Pontifell at his Thornwillow Press on handmade paper and bound at the press. From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography. Thornwillow Press, Ltd unknown books
2004réf. 142475New York NY: Thornwillow Press Ltd 2004. full crushed light brown moroccan goatskin eight inlaid gems Opals Citrines and Carnelians in a circular pattern with the title in gilt on the front board marbled endsheets cloth clamshell box with leather spine title in gilt on spine. Thornwillow Press. small oblong 8vo. full crushed light brown moroccan goatskin eight inlaid gems Opals Citrines and Carnelians in a circular pattern with the title in gilt on the front board marbled endsheets cloth clamshell box with leather spine title in gilt on spine. 34 pages. Monotypes by Wendy Mark. Limited to 1000 copies of which this is one of 4 unique manuscript copies bound thus. Signed by Mark Strand and Wendy Mark on the half-title and title pages as well as the publisher Luke Ives Pontifell on the colophon. Fine in fine clamshell box. Produced under the direction of Luke Ives Pontifell at his Thornwillow Press on handmade paper. From the artist: "This whimsical and beautiful poem by former U.S. Poet Laureate Mark Strand celebrates the many virtues joys and challenges of candy. The monotypes by Wendy Mark were made especially for this edition and were reproduced from her originals using offset lithography." Having received her Masters of Fine Arts from Columbia University Wendy Mark has been producing wonderfully illustrative art primarily to coincide with poetical works. Not only has she worked with Mark Strand on this project but she has worked with other authors such as Charles Simic and Paul Muldoon among others. Thornwillow Press, Ltd unknown books
1975x + 102 pages. Black and white reproduction of one-page photo-montage entitled Editorial Staff, Jewish Canadian Eagle & Canadian Jewish Chronicle. "We believe that these pages constitute an addition to the small shelf of Canadian Jewish histories, a supplement to Sack's volume which is the premier book of Jewish Canadiana." - from v. Chapters include: Unmarked with moderate wear. Staining to edges of textblock. Binding intact. A sound copy of this important work. Book
1950287 pages. Index. Black and white photos. Detailed diagrams. Features "Canada Tru-Lay steel wire rope for every purpose". Contents include: Flattened Strand; Wire Rope Slings; Wire Rope Fittings; Care and Maintenance; Splicing of Wire Rope; Excavating and Contracting Ropes; Industrial Ropes for Material Handling; Ropes for Mining; Logging Ropes; Marine Ropes; Gas and Oil Well ropes; Elevator Ropes; Engineering data; Glossary. Diagrams of the High Lead, North Bend/Tight Skyline, Skidder, Slack Line, and Tyler Systems of log transport. Great series of photos demonstrating how to splice a very thick wire rope. Decorated black imitation leather covers. Prior owner's detaills inside front cover. Binding somewhat tender but intact. Average soiling and wear. A worthy copy of this nostalgic, interesting and informative volume. Book
1619réf. 23330N. Y.: Camera Work 1916-1917. First only editions of the final two issues of Alfred Stieglitz's monumental photographic periodical Camera Work including in number 48 the earliest appearance in print of the work of Paul Strand and in number 50 an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "The work of Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kind of forceful representation he found in painters like Picasso and Matisse and he presented Strand's work as a clean break even changing the time-tested production methods of Camera Work Strand's photogravures were printed on thicker paper and with different inks." - Roth 101 pp. 42-43. Issue No. 48 includes six photographs by Strand six halftones by Steiglitz of installations at his gallery 291 and single photographs by Frank Eugene Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures all after work by Strand among them "The White Fence" "Abstraction Porch Shadows" and "Abstraction Bowls". One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality character and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits basic to the rest of his development are the first clear expression of his own aesthetic philosophy." - Milton W. Brown "The Three Roads" in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. Aperture 1990 p. 29. Although not noted in the volumes these two issues of Camera Work came from the collection of James Johnson Sweeney at various times the Curator of Painting and Sculpture at MOMA the second Director of the Guggenheim Museum and the Director of the Museum of Fine Arts Houston. . Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . 2 volumes small folio illustrated with 9 and 11 original photogravures respectively original printed wrappers. Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . Camera Work unknown books
1619réf. 23330N. Y.: Camera Work 1916-1917. First only editions of the final two issues of Alfred Stieglitz's monumental photographic periodical Camera Work including in number 48 the earliest appearance in print of the work of Paul Strand and in number 50 an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "The work of Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kind of forceful representation he found in painters like Picasso and Matisse and he presented Strand's work as a clean break even changing the time-tested production methods of Camera Work Strand's photogravures were printed on thicker paper and with different inks." - Roth 101 pp. 42-43. Issue No. 48 includes six photographs by Strand six halftones by Steiglitz of installations at his gallery 291 and single photographs by Frank Eugene Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures all after work by Strand among them "The White Fence" "Abstraction Porch Shadows" and "Abstraction Bowls". One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality character and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits basic to the rest of his development are the first clear expression of his own aesthetic philosophy." - Milton W. Brown "The Three Roads" in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. Aperture 1990 p. 29. Although not noted in the volumes these two issues of Camera Work came from the collection of James Johnson Sweeney at various times the Curator of Painting and Sculpture at MOMA the second Director of the Guggenheim Museum and the Director of the Museum of Fine Arts Houston. . Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . 2 volumes small folio illustrated with 9 and 11 original photogravures respectively original printed wrappers. Among the most sought-after issues of Camera Work these two numbers are complete and in remarkable condition. The plates are clean free of foxing and creasing. The text blocks are clean bright and sound largely unopened. A bit of offsetting from plates to the facing pages as usual somewhat more pronounced in No. 49/50 but not affecting the images themselves. Wrappers are clean with only very light wear; the hinges are firm and there is no creasing or darkening of the spines. Overall both issues are in near fine and extremely scarce thus. . Camera Work unknown
réf. 0366306456.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0366306480.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 13982866Paris: Seghers / Laffont, 1975 in-8, 223 pages. Broché, couv. un peu poussiéreuse, sinon bon état.
réf. 593217e année - 23 - 1er décembre 1932 - Organe théorique du Parti Communiste Français (S.F.I.C) - Bureau d'Edition : 132, Faubourg Saint-Denis, Paris (10e) - bimensuel - in-8 broché Sommaire : Budget de misère et de guerre impérialiste Après Berlin. Genève (Radier) - Tenons ferme le gouvernail (A. Piccard) - Un nouveau pas en avant de la révolution espagnole (A. Marty) - Histoire de la grève Jaeger (Buland, Hanot, Honel, Timbault) - Quelques enseignements de la grève belge (R. G. Radi) - Remarques sur la situation en Bretagne (Signor)La travail parmi les étudiants : Pour une association des étudiants révolutionnaires (Block) - Projet de thèses sur le travail révolutionnaire parmi les étudiantsLes classes et l'état : Lettre du camarade Long-Chau - Réponse du camarade V. Masson - Sachons nous maintenir dans les usines (Aumale)Les dossiers de l'Agitateur : Crise économique en France. Mouvement des salaires (G. P.) - Les pronostics bourgeois de la reprise ne se sont pas réalisés - Panorama de la quinzaineBoîte aux lettres
réf. 5961110e année - N° 21 - 1er novembre 1933 - Revue bimensuelle publiée par le C.C. du Parti Communiste Français (S.F.I.C) - Imp. Centrale, 5, rue Erard, Paris (12e) - bimensuel - in-8 broché Sommaire : Deux hors-texte : I.V. Staline ; Une séance des commissaires du peuple en 1917 - La crise ministérielle Pour le 16e anniversaire d'Octobre - Le triomphe de l'agriculture socialiste (M. Romier) - Après les deux congrès syndicaux (B. Frachon) - Sur une enquête du Temps. Qui est mort et qui est vivant ? (L. Rudas) - La "généreuse" loi des allocations familiales (Jean Dupuy)La presse du Parti : Un mois de "Travailleur alpin" (J. B.) Mouvement communiste : Sur une expérience du front unique dans le 17e (Reynier) - L'activité du Parti dans la grève de la batellerie (A. Mercier) - Le problème du renforcement idéologique du Parti (A. Havez) - Panorama du mois
réf. 5960510e année - N° 11 - 1 juin 1933 - Revue bimensuelle publiée par le C.C. du Parti Communiste Français (S.F.I.C) - Imp. Centrale, 5, rue Erard, Paris (12e) - bimensuel - in-8 broché Sommaire : La "nouvelle tranche"Premier mai 1933 en France (Frachon) - Le pacte franco-soviétique à la Chambre (L. Constant) - La grève Citroën (Galopin) - Où va le Parti Ouvrier Indépendant ? (Is)La presse hebdomadaire du parti : "La Dépêche de l'Aube" au tournant (J. B.) - La correspondance ouvrière (Romeas)Les dossiers de l'agitateur : La crise économique : 1. France. 2. La crise mondiale (G. P.) - La S.F.I.O. et l'inflation (F. A.) - La misère et l'exploitation en Indochine (H. C.)Vie des cahiers Boîte aux lettresPanorama de la quinzaine
réf. 6073311e année - N° 10 - 15 mai 1934 - Les publications Révolutionnaire. Editions du Parti Communiste français - Revue bimensuelle publiée par le C.C. du Parti Communiste Français (S.F.I.C) - Imp. Centrale, 5, rue Erard, Paris (12e) - bimensuel - in-8 broché - Sans le supplément Sommaire : Après le 1er Mai. Front unique de lutte pour les revendications contre le fascisme et la guerre (Marcel Gitton) La crise du Parti socialiste. I. A la veille du Congrès de Toulouse (Lucien Constant) - Les enseignements de la grève des chauffeurs de taxis parisiens (Ch. Garcias) - Où en est le Parti radical ? (Paul Cornet) - Le Parti communiste allemand en lutte contre la loi fasciste de "protection du travail" (Friedrich Schulz) La presse du Parti : La préparation du 1er Mai (J. B.)Mouvement communiste : Faisons fonctionner les fractions communistes dans l'Union des Coopérateurs (Léon L.) - Sur la diffusion de la littérature dans le rayon du 18e (Michel)
réf. 44983190like new. unknown
