Strand, Mark; Edward HopperBiblio.com
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2011ref. 97045Knopf. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pp. ; 30 color illustrations. -- with a bonus offer--; Now in rich color thirty of American painter Edward Hopper’s masterpieces with critiques from acclaimed poet Mark Strand. Strand deftly illuminates the work of the frequently misunderstood American painter whose enigmatic paintingsof gas stations storefronts cafeterias and hotel roomsnumber among the most powerful of our time. In brief but wonderfully compelling comments accompanying each painting the elegant expressiveness of Strand’s language is put to the service of Hopper’s visual world. The result is a singularly illuminating presentation of the work of one of America’s best-known artists. Strand shows us how the formal elements of the paintingsgeometrical shapes pointing beyond the canvas light from unseen sourceslocate the viewer as he says “in a virtual space where the influence and availability of feeling predominate.” An unforgettable combination of prose and painting in their highest forms this book is a must for poetry and art lovers alike. . 2011. 0307701247 . Knopf hardcover
2000ref. mon0004216823Oxford University Press 7/29/2026 12:00:01 A. paperback. Like New. 0.4724 9.1732 6.1024. Oxford University Press paperback
1878ref. 20.0135Madrid: Comp. de Impresores y Libr. a cargo de D. A. Avrial 1878. 3ª ed. Holandesa piel. 8x11.5. Cubiertas algo rozadas pero buen ejemplar. Ex-libris y sello del historiador santanderino Buenaventura Rodríguez Parets. Bonita edición miniatura. Comp. de Impresores y Libr., a cargo de D. A. Avrial hardcover
1971ref. 002255New York: Aperture Inc. Unpaginated. Grey paper hardcover with black titles minimal rubbing to board corners foxing to title pages and page edges pictures clean and bright. Size: Folio - over 12" - 15" tall C2 . Very Good. Hardcover. Later Printing. 1971. Aperture, Inc hardcover
2016ref. 2-1138278556Routledge 2016. Paperback. New. 220 pages. 9.21x6.14x1.18 inches. Routledge paperback
ref. 084660227X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1400107717.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ref. LDM0037324We ship worldwide. 100% guarentee. BRAND NEW unknown
2020ref. 1422451Vandenhoeck & Ruprecht 2020. 1st. hardcover. New. 100x18x148. Vandenhoeck & Ruprecht hardcover
ref. 0359449174.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. Juanpebooks074745WE ship worldwide. Brand new 100%guarentee unknown
ref. Juanpebooks069190WE ship worldwide. Brand new 100%guarentee unknown
ref. B9781350185388Paperback / softback. New. paperback
ref. B9781412913515Paperback / softback. New. This invaluable resource explores situations that principals are likely to encounter and presents questions and issues to help them confront difficult ethical dilemmas. paperback
ref. Z1-B-009-01270Mosby. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear and may have sticker on cover but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Mosby unknown
ref. 0755656164.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994ref. G1879906082I3N00University of California Agriculture and Natural Resources 1994. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. University of California, Agriculture and Natural Resources paperback
ref. 45409552like new. unknown
ref. 44970843like new. unknown
ref. 17839934like new. unknown
ref. 44991836like new. unknown
2004ref. 51482New ork: Ironclast Productions 2004. First edition. Hardcover. Near fine condition. Large Quarto. 256 14pp. Original red cloth with gilt lettering on cover and spine in original color-illustrated dustjacket black lettering on spine. Decorative endpapers. 13 frontsipieces three of them double-page. Catalog for the traveling exhibition Beautiful Losers: Contemporary Art and Street Culture at the Contemporary Arts Center Cincinnati Yerba Buena Center for the Arts San Francisco and Orange County Museum of Art Newport Beach. Profusely illustrated with color and b/w reproductions of street art by Thomas Campbell Cynthia Connolly Brian Donnelly Cheryl Dunn Shepard Fairey Phil Frost and others. Comprehensive overview of the works in historical context with insights into methods and inspirations. Conatains biographical notes on artists and contributors at rear. Dustjacket with minor wear along edges. Ironclast Productions hardcover
ref. 11005Norway 2019. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film of an alternative version was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 2 of 3 copies. Please Note: we have a number of variations of this work and there is a discount when buying 3 or more. hardcover
2016ref. 10503Norway 2016. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 4 of 5 copies. hardcover
ref. 10194Norway 2015. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic's Prize on the juried regional exhibition in Trondheim 2017. "The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet's exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader' act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings." Artist statement Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. hardcover
