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Best.-Nr. 1537558684.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. B9783337221713Paperback / softback. New. paperback
2000Best.-Nr. DADAX0525464506Brand: Dutton Juvenile 2000-07-01. First Edition. hardcover. New. 9.28x0.40x10.28. Buy with confidence. Excellent Customer Service & Return policy. Brand: Dutton Juvenile hardcover
Best.-Nr. 0415283329.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0978299914.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0791444880.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1556231016.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2019Best.-Nr. 106567Toronto Munich and New York: Art Gallery of Ontario; Prestel; DelMonico Books 2019. Pictorial boards 243 pages illustrations chiefly colour; 29 cm. Firm binding clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book.Richly illustrated with colour plates. "This generously illustrated book examines the relationship between 19th-century Impressionism and industry in Europe. The late-19th century was a time of new technology industry and modernity. People were enthralled with their changing world and artists were not an exception. Fascinated by progress in every form artists depicted factories trains and construction sites. Artists such as Claude Monet Edgar Degas Vincent van Gogh and Camille Pissarro began to paint the world around them from laundresses in the basements of Paris to rural laborers in fields. This book focuses on how Impressionist artists engaged and treated the topic of industry in their art. Chapters discuss how Paris was transformed into a bustling modern city the role of women in labor and the demographic shift from rural to urban centers. Paintings drawings and prints along with archival photographs help to illustrate this rich and complicated moment in art history." - Publisher. CONTENTS: Director's foreword by Stephan Jost; Geographies of Impressionism in the age of industry: an introduction by Caroline Shields; That great brouhaha: picturing sound in nineteenth-century France by Joseph L. Clarke; White collars and working bodies in the age of industry by Mary Hunter; Industry and labour at the Impressionist exhibitions by James H. Rubin; Figuring industry in the photographic archive by Monique L. Johnson; Appendix: collecting representations of Industry in the after of Impressionism by Caroline Shields. 1st. Hardcover. Fine. 4to. Collectible. Art Gallery of Ontario; Prestel; DelMonico Books Hardcover
2006Best.-Nr. 220261Berkeley CA: University of California Press 2006. ix 346 pages illustrations chiefly colour; 28 cm. Catalogue of an exhibition at the Crocker Art Museum Sacramento February 17 2006 to May 21 2006 and at three other museums. Firm binding clean inside copy. "Few regions rival the magnificence of California's Monterey Peninsula. This beauty together with a mild climate rich history and simplicity of lifestyle encouraged the development of one of the nations foremost art colonies. From 1875 to the first years of the twentieth century artists were drawn to the towns of Monterey Pacific Grove and then Carmel. Artists at Continent's End is the first in-depth examination of the importance of the Monterey Peninsula which during this period came to epitomize California art. Beautifully illustrated with a wealth of images including many never before published this book tells the fascinating story of eight principal protagonists--Jules Tavernier William Keith Charles Rollo Peters Arthur Mathews Evelyn McCormick Francis McComas Gottardo Piazzoni and photographer Arnold Genthe--and a host of secondary players who together established an enduring artistic legacy. Most previous accounts claim that the 1906 San Francisco earthquake and fire were the reason that artists began to gather on the Monterey Peninsula. Shields challenges this view by demonstrating that the colony began much earlier--and in Monterey not Carmel as often asserted. In an absorbing narrative that combines art and social history Shields describes how beginning with Jules Tavernier's arrival in 1875 art produced on the peninsula broke from its East and West Coast antecedents to become increasingly subjective meditative and simple. He maintains that by the turn of the century the majority of the artists in the region had arrived at a tonal style featuring moody atmospheric effects. Some went one step farther producing canvases reductive in color and form; others practiced a more colorful impressionism. Created to accompany a major traveling exhibition of works of the Monterey Peninsula Art Colony Artists at Continent's End places the movement in its art-historical context comparing its achievement with other approaches including the Barbizon style art nouveau arts-and-crafts and impressionism. / Scott A. Shields is Chief Curator at the Crocker Art Museum in Sacramento California." - Publisher. CONTENTS: Introduction: A place where great souls mingle; A new Eden: Jules Tavernier and the beginning of Monterey's Art Colony; Listening to the earth: William Keith and George Inness; Evening meditations: Charles Rollo Peters and the mystery of Monterey; Pacific Parnassus: Arthur and Lucia Mathews's Arcadia by the Sea; An atmosphere of nostalgia: Evelyn McCormick and the "Adobe Painters"; Manufacturing dreams: Francis McComas and California "Reductivism"; Eternal spirit: Gottardo Piazzoni and the Reverence for Land and Sea; Altars of an undiscovered shore: Arnold Genthe and the Colony at Carmel-by-the-Sea; Conclusion: A fabulous dawn darkened. . 1st. Paperback. Fine. 4to. University of California Press Paperback
Best.-Nr. 62128418Cambridge University Press CUP . Papeback. New. pp. 230 Cambridge University Press CUP unknown
1961Nine issues. (May-June published together). Double column. Illustrated with drawings. 4to. Original printed wraps, slightly soiled. XLib stamp on front covers. SPACE/9
1964Ten issues. Double column. Illustrated with drawings. 4to. Original printed wraps, soiled. XLib stamp on front covers. SPACE/9
Best.-Nr. 0521146844.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0259471887.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1416910409.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. B9780521706544Paperback / softback. New. The Small Arms Survey 2007: Guns and the City offers new and updated information on small arms production stockpiles transfers and measures. This year's thematic section explores the complex issue of urban violence and features a photo essay by award-winning combat photographer Lucian Read. paperback
2009Best.-Nr. __0691137404Princeton University Press 2009. Hardcover. New. 216 pages. 9.50x6.50x1.00 inches. Princeton University Press hardcover
2023Best.-Nr. mon0000352390Scala Arts & Heritage Publishers 04/05/2023 00:00:01. hardcover. New. HARDBACK Scala Scala Arts & Heritage Publishers hardcover
2013Best.-Nr. 2-1581072473New Forums Press 2013. Paperback. New. 292 pages. 11.00x8.50x0.66 inches. New Forums Press paperback
Best.-Nr. 1107670659.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009Best.-Nr. 551H1870Canada: The Geist Foundation 2009. Magazine. Illus. by Dolen Rebecca. Very Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 88 pages. Features: Human civilization in the Fraser Valley; Saharawis in Algerian refugee camps; Petra and David always knew what to do; Poems for memorable customers; and more. Clean and unmarked with light wear. An attractive copy. The Geist Foundation Paperback
1957Best.-Nr. Alibris.0029181The American Arms Collector 1957. First edition. . Hard cover. Very good. first eight issues bound in a hardcover book no jacket as issued pictorial covers not ex lib bound magazines have their covers. Includes: illustrations diagrams. The American Arms Collector hardcover
1932Best.-Nr. 379615NY: Macmillan Company 1932. 1st. Hardcover. Very Good/None. John Taylor Arms. Hardcover brick-red cloth with bright gilt lettering on cover and spine. Illustrated with 56 reproductions of etchings aquatints and drawings by John Taylor Arms each with a captioned tissue-guard. A delightful travelogue with exquisite artwork of John Taylor Arms. He specialized in portraying the gothic architecture of France and Italy. Traveling the back roads and visiting the then out-of-the-way towns of northern Italy by car he visually captures the look and feel as his wife provides a charming travelog. Clean bright copy. Record # 379615 Macmillan Company hardcover
Best.-Nr. 1509394The Sign of the Arrow. Collectible - Very Good. Condition: Very Good; Hardcover no dustjacket as issued. One of 1000 copies issued. Green cloth. 319 pages. A Catalogue Raisonne. The book is in Very Good condition with clean covers and pages sharp corners and a tight square binding. Light wear only. Photos upon request. The Sign of the Arrow hardcover
1970Best.-Nr. 22173Defenders of Christian Faith Kansas City 1970. PBO 1970 1st Edition Pink white & Black Photographic WRAPS of Author sitting in Chair Quilting Fine condition SOFTCOVER Light Wear & corner Bump. Signed by Author. First Edition. Soft Cover. Defenders of Christian Faith, Kansas City paperback
