4.047 Ergebnisse
1876Best.-Nr. 500037356London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. Frederic James Shields March 14 1833February 26 1911 was a British artist illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown. This title not mentioned on the net. 15" by 22" though the actual images are 6".5 by 8.5". Marginal damp stain The English Picture Publishing Company paperback
1866Best.-Nr. 1222Augusta Georgiano publisher 1866.Folio broadside approximately 15" x 13" printed on medium paper employing different fonts & sizes of type. This copy with extensive annotations in pencil providing notes & prices realized suggesting the original owner was present for the sale. Not found in OCLC as of 7/7/2022. Old folds shallow loss in the upper margin briefly affecting a few letters moderately foxed toned & soiled couple of nicks at fold intersects still an attractive example of a fragile broadside. Producing a significant portion of the armaments used late in the Civil War the Augusta Arsenal was not surrendered until May 3 1865. NP books
1849Best.-Nr. 666Couverture rigide Chez Les principaux libraires et chez l'Auteur, Plainpalais, 386 1849 Genève 21x14 cm
1998Best.-Nr. SBBIH-Q4VDY2J4P5DZ2.13.61U.S. 1998. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. 2.13.61,U.S. paperback
1818Best.-Nr. 000013Paris Janet, Janet et Cotelle 1818
1629Best.-Nr. 21438Lugd. Batav. (Leyde), ex officina Elzeviriana, 1629 ; in-24 (108 mm), vélin rigide de l’époque, titre manuscrit au dos ; [16], 498 pp., [1] f. de Privilège, titre gravé illustré de blasons.
1770Best.-Nr. 21433Paris, Valade, 1770 ; in-8 (200 mm), demi-veau fauve, pièces de titre et de date, en queue, grenat (reliure de l’époque) ; VIII, 155 pp., [1]p. Fautes à corriger ; portrait en frontispice, bandeau armorié et cul-de-lampe au chiffre, gravés en taille douce par L. Le Grand.
1908Best.-Nr. 20939Privas, Imprimerie Centrale, 1908 ; in-4° (315 mm), demi-chagrin rouge sang, dos à nerfs plats, titre doré (reliure de l'époque) ; [6], 495, [1], LXI pp., nombreux blasons.
1600Best.-Nr. 21332Paris, Jérémie Perrier, 1600 ; in-8 (166 mm), demi veau havane, dos lisse à faux nerfs de filets dorés, fleurons à froid, titre en long (reliure ancienne postérieure); [4], 60 ff. Fleuron au titre, gravé sur bois montrant un chevalier qui pique un chien sauvage qui l’attaque, lettrines et bandeaux gravés sur bois ; l’Achevé d’imprimer est du 15 janvier 1600.
1912Best.-Nr. 16140Paris, Honoré Champion, 1912 ; in-4 ; demi-chagrin maroquiné vert-empire à coins, dos à nerfs, titre doré, couverture et dos conservés (reliure moderne) ; X, (2), 507, (1) pp., 5 planches hors-texte de blasons chromolithographiés.
1926Best.-Nr. 20501926. Very good. Etching on watermarked FJ Head cream laid paper with a deckle edge 11 1/8 x 8 3/4 inches 283 x 223 mm; sheet 14 3/4 x 11 1/2 inches 374 x 292 mm full margins. Signed and dated in the lower margin in pencil. From the edition of 100 printed by Frederick Reynolds in 1926. In very good condition with scattered light areas of minor discoloration unobtrusive and only visible when the sheet is viewed through raking light. Fletcher 176. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
Best.-Nr. 310565R Ware J and P Knapton T Longman C Hitch D Browne H Lintot C Davis J Hodges A Millar W Bowyer J Whiston J and J Rivington & J Ward 1753. 15 VERY TIDY DETAILED MAPS PRESENT folio half leather bound marbled boards gilt lettering to leather title plates with raised bands & gilt tooling to spine paginated 697-1526 with numerous additions annals & index to rear illus & folding maps VG moderate scuffing & surface loss to board edges & extrems 5mm missing from top edge of spine moderate scuffing & cracking to spine & hinges moderate chafing & surface loss/soiling to boards heavy tanning & staining to page edges light to moderate insect damage to some page corners throughout light to moderate tanning & wrinkling to eps occasional sm closed tearing to edge of maps & other pgs age appropriate tanning & foxing to pages- increasing towards rear pages occasional light crack to some gutters- otherwise gutters largely intact R Ware, J and P Knapton, T Longman, C Hitch, D Browne, H Lintot, C Davis, J Hodges, A Millar, W Bowyer, J Whiston, J and J Rivin hardcover
1979Best.-Nr. 167218N.p.: N.p. 1979. Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1979Best.-Nr. 167218N.p.: N.p. 1979. Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
Best.-Nr. 2511180068Glitterati Incorporated 2017-01-03. Hardcover. Like New. 12x1x13. Folio. 319 pages : chiefly illustrations chiefly color portraits ; 34 cm. Hardcover and dust jacket. Minor shelf wear to dj. Good binding and cover. Clean unmarked pages. "Provocateur' brings together in a single lavish volume several of the LA-based photographer's collections including a series of retro-style glamour portraits ethereally decadent Marie Antoinette-inspired visions and rustic woodland scenes that serve as a backdrop for modern-day nymphs. No stranger to controversy unaffected by the feathers he ruffles Tyler pushes his subjects - often the young elite of Hollywood - and himself to the limits going well outside usual comfort zones." - Publisher. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Glitterati Incorporated hardcover
2007Best.-Nr. CBS-9781588296337Sp Springer 2007. New. Sp Springer unknown
2007Best.-Nr. CBS-9781588296337Sp Springer 2007. New. Sp Springer unknown
1673Best.-Nr. 10661À Chaalons, Imprimerie de Seneuze, s.d. (achevé d'imprimer le 1er septembre 1673) ; in-8 ; plein veau marbré, dos à nerfs décoré et doré, pièce de titre grenat, tranches rouges (reliure de l'époque) ; 160 pp.
Best.-Nr. 107864A Paris, chez Claude Collet, tenant la boutique au Palais, en la gallerie des Prisonniers, 164, 1 volume in-12 de 170x110x15 mm environ, 4ff. (titre, Epître au Prince de Conty), 93 feuillets (1numéro pour 2 pages), reliure signée Bibolet, plein veau havane, dos à nerfs portant titres dorés sur pièce de titre noire, orné de petits fers dorés aux entrenerfs, plats encadrés d'un triple filet doré avec petit fer à chaque angle, tranches coupes et chasses dorées, gardes marbrées. Edition originale illustrée de 9 petits blasons dans le texte, avec un ex-libris armorié de la Bibliothèque du Comte Greffulhe. Petite tache sur le premier plat, frottements sur les coins et les mors, papier légèrement jauni par endroits, sinon bon état, bel exemplaire dans une fine et délicate reliure.
1982viii, 212 pages. Index. Footnotes. Generously illustrated with informative black and white reproductions of photos. "Provides a standard reference to the serious researcher and collector and gives to everyone an interesting insight into many aspects of what has made the Force what it is today. Most of the illustrations are being published for the first time." - Foreword. Clean, bright and unmarked with very light wear. Includes replica dust jacket preserved in archival-grade Brodart. A high-quality copy of this unsurpassed reference. Book
2013Best.-Nr. Adhya-9781848606647SAGE PUBLISHING 2013. HB. New. SAGE PUBLISHING hardcover
2013Best.-Nr. Adhya-9781848606647SAGE PUBLISHING 2013. HB. New. SAGE PUBLISHING hardcover
1929Best.-Nr. 55151929. Arms John Taylor. Arms John Taylor. BASILICA OF THE MADELEINE VEZELAY THE ABBEY CHURCH OF STE. MADELEINE. F.223 3rd state of 3. "French Churches" series Arms Churches of France p. 146. Edition of 130 printed on blue laid paper by Peter Platt. 12 3/4 x 7 3/8 inches; 324 x 188 mm. Inscribed "3rd State" and signed in pencil. unknown
Best.-Nr. 9435Arms John Taylor. Arms John Taylor. CRYSTAL AND JADE. F.301. Etching with aquatint 1940. Trial proof "vi" from a group of 16 proofs of the 6th State printed before the edition of 377. Numbered "vi" and signed in pencil. 7 1/2 x 6 5/8 inches 191 x 169 mm. In excellent condition. unknown
Best.-Nr. 10665Arms John Taylor. Arms John Taylor. MONT ST. MICHEL. Fletcher 182. Etching 1926. Edition of 100. Signed and dated in pencil. 15 x 11 3/4 inches 381 x 299 mm. Number 9 of the French Church series illustrated on page 64 of Dorothy Noyes Arms "Churches of Framce." In very good condition. unknown