PARADIN ClaudeLivre Rare Book
5.021 Ergebnisse
Best.-Nr. 9981In folio plein cuir fauve raciné, titre caissons dorés. La page de titre est manquante.Débute à la page 1.1041 pages, 1099 blasons gravés.Jean de Tournes.Genève(Lyon) 1606. Deuxième édition. Alliances généalogiques des Rois de France de lignée Mérovingienne- de lignée Pépinienne- de lignée Saxonique ou de Capet- des rois de Navarre- des Comtés et Ducs d’Anjou- des Comtés et Ducs de Bourbonnais- des Comtés et Ducs de Berri- des Ducs d’Orléans- des Comtés et Ducs d’Angoulesme etc. La page 1041 est entièrement manuscrite. Blasons parfaitement gravés (Saffroy III). Galeries de ver, angle inférieur droit, principalement en milieu de volume, plus ou moins importantes. Manque angle supérieur droit des pages 891 à 898. Raccommodages : coiffes, coins, dos. De nouveau très solide. Dans l’état
Best.-Nr. 196187Imprimerie Impériale Paris 1869 Fort in-4 ( 265 X 210 mm ) de IV-998 pages, pleine toile grise à la bradel, dos lisse janséniste avec pièce de titre de basane acajou ( Reliure moderne ). Collection Documents Inédits sur l'Histoire de France. Première édition du manuscrit laissé par DU CANGE Celui-ci donne dans cet ouvrage l'histoire des familles françaises des colonies chrétiennes de Terre Sainte E.-G. REY tout en suivant le manuscrit de DU CANGE le corrige et complète ( ordre du Temple, ordre Teutonique, rois d'Arménie, rois de Jérusalem et de Chypre, grands officiers d'Arménie, d'Antioche et de Tripoli, Syrie Sainte ). Rousseurs, bon exemplaire. Saffroy ( II, 30497 ): "Ouvrage rare".
Best.-Nr. 23943902-nnew. unknown
Best.-Nr. DADAX1496321480LWW 2015-10-17. Third. hardcover. New. 10.00x1.00x12.00. Buy with confidence. Excellent Customer Service & Return policy. LWW hardcover
2013Best.-Nr. Atlantic-9781848606647Sage Publications 2013. Hardcover. New. Sage Publications hardcover
2013Best.-Nr. Atlantic-9781848606647Sage Publications 2013. Hardcover. New. Sage Publications hardcover
2015Best.-Nr. __1496321340Lippincott Williams & Wilkins 2015. Hardcover. New. 3rd har/psc edition. 589 pages. 11.00x9.25x1.25 inches. Lippincott Williams & Wilkins hardcover
2015Best.-Nr. __1496321480Lippincott Williams & Wilkins 2015. Hardcover. New. 3rd har/psc edition. 806 pages. 12.00x10.00x1.00 inches. Lippincott Williams & Wilkins hardcover
2003Best.-Nr. Manohar-9780415281805Routledge 2003. Hardcover. New. Routledge hardcover
2003Best.-Nr. Manohar-9780415281805Routledge 2003. Hardcover. New. Routledge hardcover
2005Best.-Nr. BN671712Delachaux et Niestlé 2005. 2005. Softcover. Guide des bords de mer: Mer du nord Manche Atlantique Méditerranée Guide des bords de mer: Mer du nord Manche Atlantique Méditerranée Peter Hayward Tony Nelson-Smith Chris Shields et Patrice Leraut Delachaux et Niestlé paperback
1854Best.-Nr. 9579Lyon, Imprimerie Louis Perrin, 1854 ; in-8 ; cartonnage beige de l'éditeur, auteur et titre imprimés au dos en gros caractères gothiques enluminés marron, rouge et bleu ; (1) f. blanc, (6), 460, (2) pp. (la pagination passe de 244 à [251] avec (1) f. de faux-titre entre, sans manque : il s'agit de 2 ff. de blasons vides qui ont été coupés à la fabrication) ; carte rempliée en début d'ouvrage, 1 pl. hors-texte lithographiée en couleurs, 1 gravure sur cuivre hors-texte, 2 vues de Trévoux en-tête, 7 bandeaux et culs-de-lampe par Louis Perrin et en tout 258 blasons identifiés et 15 noms sans blason.
1890Best.-Nr. 16047Paris, Alphonse Picard (Imprimerie Théolier à Saint Etienne), 1890 ; in-4 ; demi-veau rouge à coins, dos à nerfs, titre doré, tête dorée, couverture conservée (reliure postérieure) ; XXXII, 748, (2) pp., 13 héliogravures hors-texte, frontispice et blason du titre en chromolithographie, très nombreux blasons et illustrations in-texte.
Best.-Nr. 49037Revue Mensuelle - collection complète ( 53 Numéros) - Parution du: N° 1 (janv. 1910) au N° 53 (mai 1914) - Siège du journal : Château de la Vieuville, Saint-Brice-en-Coglès (Ille-et-Vilaine) (impression : impr. à Rennes puis Vitré) - In-8 - Brochés, certains débrochés- TRES RARE- Première année - 1 ère Année -1910 - 11 numéros sur 12 numéros - N° 1 à 12 (Manque pages du N° 3 de l'année, pagination 69 à 100) - Environ 200 Armoiries en texte & 400 notices généalogiques par année - Pagination continue 399 pages, y compris Tables des Notices Généalogiques - Deuxième année - 1911 - 2 ème Année - Année complète 12 numéros - In-8, 24 puis 26 cm - ° 13 à 24 -Environ 200 Armoiries en texte & 400 notices généalogiques par année - Pagination continue 413 pages, y compris Tables des Notices Généalogiques - Troisième année - 1912 - Année complète 12 numéros - N° 25 à 36 -Environ 200 Armoiries en texte & 400 notices généalogiques par année - Pagination continue 411 pages, y compris Tables des Notices Généalogiques - Quatrième année - 1913 - Année complète 12 numéros - N° 37 à 48 - Environ 200 Armoiries en texte & 400 notices généalogiques par année- Pagination continue 461 pages, y compris Tables des Notices Généalogiques- Cinquième année - 1914 - N° 49, Janvier à 53, Mai - Environ 200 Armoiries en texte & 400 notices généalogiques par année - Pagination continue 200 pages- Réf. 49037
Best.-Nr. 0500840210-11-1Thames & Hudson. 1. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Thames & Hudson unknown
Best.-Nr. 9842In folio plein cuir fauve raciné, titre caissons dorés. La page de titre est manquante. Débute à la page 1. 1041 pages, 1099 blasons gravés. Jean de Tournes. Genève (Lyon) 1606. Deuxième édition. Alliances généalogiques des Rois de France de lignée Mérovingienne- de lignée Pépinienne- de lignée Saxonique ou de Capet- des rois de Navarre- des Comtés et Ducs d’Anjou- des Comtés et Ducs de Bourbonnais- des Comtés et Ducs de Berri- des Ducs d’Orléans- des Comtés et Ducs d’Angoulesme etc. La page 1041 est entièrement manuscrite. Blasons parfaitement gravés (Saffroy III). Galeries de ver, angle inférieur droit, principalement en milieu de volume, plus ou moins importantes. Manque angle supérieur droit des pages 891 à 898. Raccommodages : coiffes, coins, dos. De nouveau très solide. Dans l’état
2007Best.-Nr. Adhya-9781588296337SPRINGER 2007. HB. New. SPRINGER hardcover
2007Best.-Nr. Adhya-9781588296337SPRINGER 2007. HB. New. SPRINGER hardcover
1784Best.-Nr. 168431784. Kimber Edward. The New Peerage; or Ancient and Present State of the Nobility of England 1784 provides a systematic account of the genealogies titles and heraldic identities of the English peerage during the late eighteenth century a period in which lineage and inherited status structured political authority and social hierarchy. Expanding upon earlier editions the work compiles detailed records of peers by tenure summons or creation including their familial descent marriages and issue alongside heraldic insignia that visually reinforced aristocratic identity. The volume supports research into British social structure genealogical documentation and the institutional role of nobility in governance prior to nineteenth-century reform. Kimber Edward. The New Peerage; or Ancient and Present State of the Nobility of England. Containing a Genealogical Account of All the Peers; Whether by Tenure Summons or Creation. London: W. Owen 1784. Volume I only of three. Small octavo 482 pages bound in full leather. Includes 38 pages of armorial plates at the front illustrating coats of arms crests supporters and mottoes associated with noble families. The text presents extensive genealogical entries detailing lineage collateral branches and familial relationships within the English aristocracy. An armorial bookplate is affixed to the interior. Issued as a revised and expanded edition of the earlier 1766 publication the 1784 volume reflects continued interest in codifying noble lineage during a period when genealogical accuracy carried legal and social significance. Such compilations functioned as reference tools for matters of inheritance title legitimacy and social standing and were used by scholars officials and members of the gentry. Surviving examples of both the original and revised editions appear limited in institutional holdings indicating constrained distribution and long-term retention within private collections. Leather binding worn with bumped corners; front cover detached; initial leaves loose; rear board fragile; pages toned with moderate foxing; overall in fair condition. unknown
1784Best.-Nr. 168431784. Kimber Edward. The New Peerage; or Ancient and Present State of the Nobility of England 1784 provides a systematic account of the genealogies titles and heraldic identities of the English peerage during the late eighteenth century a period in which lineage and inherited status structured political authority and social hierarchy. Expanding upon earlier editions the work compiles detailed records of peers by tenure summons or creation including their familial descent marriages and issue alongside heraldic insignia that visually reinforced aristocratic identity. The volume supports research into British social structure genealogical documentation and the institutional role of nobility in governance prior to nineteenth-century reform. Kimber Edward. The New Peerage; or Ancient and Present State of the Nobility of England. Containing a Genealogical Account of All the Peers; Whether by Tenure Summons or Creation. London: W. Owen 1784. Volume I only of three. Small octavo 482 pages bound in full leather. Includes 38 pages of armorial plates at the front illustrating coats of arms crests supporters and mottoes associated with noble families. The text presents extensive genealogical entries detailing lineage collateral branches and familial relationships within the English aristocracy. An armorial bookplate is affixed to the interior. Issued as a revised and expanded edition of the earlier 1766 publication the 1784 volume reflects continued interest in codifying noble lineage during a period when genealogical accuracy carried legal and social significance. Such compilations functioned as reference tools for matters of inheritance title legitimacy and social standing and were used by scholars officials and members of the gentry. Surviving examples of both the original and revised editions appear limited in institutional holdings indicating constrained distribution and long-term retention within private collections. Leather binding worn with bumped corners; front cover detached; initial leaves loose; rear board fragile; pages toned with moderate foxing; overall in fair condition. unknown books
1944Best.-Nr. 12611944. Very good. Etching on cream wove paper 3 3/16 x 1 9/16 inches 81 x 41 mm full margins. Signed dated and inscribed "II" in pencil lower margin and with an inscription and dedication in the artist's hand in the lower margin. From the second state of 2 before the reduction of the plate. Fletcher states a total of three trial proofs an unknown number of first state impressions and a regular edition of 136 second state impressions. We believe this impression may be an unrecorded second state trial proof impression. In very good condition with notations in pencil in the margins and paper tape at the top corners on the verso and a dog-eared upper right corner well outside of image area. Fletcher 382. No. 32 from the Miniature Series No. 12 from the English Series The inscription in Arms's hand reads: An experiment on wood textures! To my friend FitzRoy Carrington J.T.A. FitzRoy Carrington was born in Surbiton Surrey in England; he was educated at Victoria College Jersey before coming to New York City in 1886. He worked for Frederick Keppel & Co. a dealer of etchings and engravings between 1892 and 1913 and became a member of the firm in 1899. In 1911 the year before he published Prints and their Makers 1912 he became the editor of The Print Collector's Quarterly. After 1913 he became a lecturer on the history of engraving at Harvard University and a curator of prints at the Museum of Fine Arts Boston. He subsequently authored Engravers and Etchers: Six Lectures Delivered on the Scammon Foundation at the Art Institute of Chicago 1917 and On Print Collecting 1929. He died in 1954. -Dumbarton Oaks Research Library and Collection. unknown
1940Best.-Nr. 22851940. Excellent. Etching on antique watermarked fine Barcelona cream laid paper 1 7/8 x 2 /12 inches 49 x 64 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. In excellent condition with a 3-digit accession number written in pencil in the lower margin on the recto. Likely one of only 16 proof impressions of the second state of 2 aside from the regular edition of 276. Printed by Charles S. White. Miniature Series #27; Yucatán Series No. 1. Fletcher 344. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1932Best.-Nr. 10421932. Excellent. Etching on elaborately watermarked antique cream laid Dard Hunter paper 13 5/8 x 7 1/78 inches 347 x 181 mm full margins. Signed titled dated and inscribed "Ed. 100 II." From the edition of a total of 162 impressions printed by Henry Carling in 1932. In excellent condition with natural toning and no visible defects. A fine impression with all of the fine lines printing cleary. Fletcher 248; French Church Series No. 34. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. unknown
1925Best.-Nr. 20431925. Superb. Etching on cream laid watermarked FJ Head paper with a deckle edge 10 1/4 x 5 3/8 inches 262 x 137 mm; sheet 18 1/8 x 10 1/4 inches 457 x 260 mm full margins. Signed titled dated and inscribed "Trial No. 3" in pencil in the lower margin. One of only 3 trial proof impressions before the regular edition of 150. In superb condition with no visible defects. Printed by Frederick Reynolds. Commissioned by The Northshore Arts Association Gloucester MA March 1925. The plate was canceled in May 1925. Fletcher 168. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1983Best.-Nr. 14828JNew York: Greenwich House 1983. Laid in is an Autograph Letter Signed “George” from George Hurrell to actress Brooke Shields and her mother Teri dated 1/12/89. Hurrell writes: “.I still shooting and quite busy - but miss the old glamour days when beauty and romance prevailed in the Hollywood scene.” “.You are the every living dolls.may the T.V. and movie world he blessed with your beauty and tealent for your fans throughout 89-90-91-92 etc. etc and we will be watching.” With the original envelope. Over time Hurrell shot photorgraphs of Brooke Shields in both black & white and color. Fine in a fine dust jacket. Classic collection of Hurrell’s photographs virtually a Who’s Who of the Golden Age of Hollywood. Greenwich House unknown
