Shields, DavidBiblio.com
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1990Best.-Nr. SBBIH-2VESBDUPXPIYHarperCollins 1990. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. HarperCollins paperback
Best.-Nr. 107856Saint-Maurice Editions du Scex 1974 84. 4° 267 270 S. 175 farbige Wappentafeln. Kunstleder geprägt. Min. gebrauchapurig sonst tadell. Traduction allemande Louis Mühlemann.Sprache: franz. / deutsch. 010 Saint-Maurice, Editions du Scex, 1974, 84 unknown
1636Best.-Nr. 151581636 un fort volume, reliure janséniste plein-vélin ivoire parcheminé (reliure d'époque) in-folio (jansenist's binding full vellum in-folio), titre manuscrit sur le dos à l'encre brune (handwritten title on the spine), plats muets (cover without text), dos à nerfs (spine with raised bands), décoration à filets à froid (blind-stamping decoration) - filets à froid en place des nerfs (blind-stamping lines on the place of raised bands), dos avec un léger manque de velin en pied, coiffe inférieure manquante (is missing tail of the spine), plats décorés à froid (cover blind-stamping), d'un encadrement de triple filet à froid, avec une épidermure avec léger manque en haut à droite du premier plat (light scratches), toutes tranches lisses (all smooth edges), la page de titre manque, orné de 1120 Blasons in-texte gravés sur bois (engraving wood) en noir, trés légères mouillures en partie haute entre les pages 23 et 42 et 260 et 397, sinon légères mouillures en marge n'atteignant ni les blasons ni le texte, Rares feuillets jaunis, et quelques petites taches brunes, 10 feuillets + 1041 pages, 1636 Lyon Jean de Tournes Editeur,
Best.-Nr. 20855Manuscript on vellum three membranes with an initial portrait of the King and the Great Seal attached. The document overall 31 x 24 inches the Great Seal 6 inches in diam. All contained in the original shaped leather over wood case; the case now rather worn and lacking much of the original leather covering. The Great Seal is a rather poor lumpy impression and now lacking the original tin case skippet. The document inscribed to the reverse "The within Patent has been duly recorded in the College of Arms London pursuant to the tenor of His Majesty's Warrant under his Royal Signet and Sign Manual .Examined therewith the thirteenth day of December 1803" and signed George Harrison Clarenceux & Register. Watson has an interesting history. At the age of 14 and in the employ of his uncle on one of his merchant ships whilst swimming in Havana harbour was attacked by a shark and lost his right leg This incident prompted Watson in 1778 to commission John Singleton Copley to paint this dramatic scene known as "Watson and the Shark" for which see our illustration which when exhibited at the Royal Academy caused a sensation. It now hangs in the National Gallery of Art Washington D.C.Watson was a member of the original committee of the Corporation of Lloyd's of London; he was elected as an Alderman of the City of London and served as M.P. for the City of London. Lord Mayor of London in 1796 and a deputy Director of the Bank of England.Copley painted a portrait of Watson in c.1796. This now hangs in Indianapolis Museum of Art. He was also the subject of a caricature by Robert Dighton in 1803. His coat of arms had his severed leg on it and the shark as the crest. hardcover
1643Best.-Nr. 6506London, Flesher, R. Mynne, 1643 ; petit in-8 ; plein veau glacé havane, dos à nerfs richement décoré et doré, titre doré, double filet doré d'encadrement des plats avec au centre les armes de Louis-Urbain Le Fevre, seigneur de Caumartin, marquis de Saint-Ange, comte de Moret (OHR, 651), roulette sur les coupes (reliure fin du XVIIe - déb. XVIIIe) ; (56), 343, (1 bl.), 148, (4) pp. (bien complet du feuillet blanc qui suit le feuillet de titre).
1863Best.-Nr. 0012451863 Toulouse, Bonnal et Gibrac, 1863. Deux volumes grand in-8 (165 X 240 mm) maroquin rouge, dos cinq nerfs, titre doré, date en queue, dentelle intérieure, double filet doré sur les coupes, tranches dorées sur marbrure (Belz-Niédrée). Tome I : LXIV-431 pages - Tome II : 580 pages. Quelques rousseurs éparses.
1598In-4°; pp. (8), 148, 27, (1), 24, (2), 130, (6), (20), 58, (2 colophon e grande marca tipografica). Ai frontespizi legno tipografico; capilettera figurati incisi su legno. Le Lettere di Bessarione scritte a principi d’Italia intorno al collegarsi et imprender guerra contro al Turco, volgarizzate dal signor Pigafetta, hanno un proprio frontespizio, Firenze, Giunti, 1594. Prima edizione delle due opere insieme e edizione originale delle Orazioni. Legatura coeva in piena pergamena. Contiene: L’orazione a Sisto V sulla guerra contro i turchi, una alla nobiltà napoletana per spronarla ad ingaggiare la guerra contro i turchi in Ungheria, Filippiche al re cattolico Filippo di Spagna, Orazioni a Clemente VIII tra cui la cosiddetta Clementina terza, l’Orazione in morte di Francesco de Medici, Il Rota ovvero delle imprese (dialogo tra il vescovo di Otenza Nino de Nini, Bernardino Rota, Alfonso Cambi e Bartolomeo Maranta). Alcuni quaderni leggermente bruniti, alle ultime carte ingialliture a macchie.
Best.-Nr. 1772In the Savoy London: Printed by Tho. Newcomb for James Collins in the Temple-passage from Essex-street; and sold at the Kings-head and the Angel in VVestminster-Hall 1679. Hardcover. Good. Octavo. ii 116pp. A2 B4-P4 Q2. Nineteenth-century red morocco with the arms of a Barlow family on the upper cover. ESTC R236210; Wing B840. With remarks by some members of the same Barlow family regarding the author. The arms on the covers belong to this family. They do not however find any kinship with the author. In the Savoy [London]: Printed by Tho. Newcomb, for James Collins in the Temple-passage from Essex-street; and sold at the Kings hardcover
1757Best.-Nr. 182111757 2 volumes, reliure plein veau havane marbré in-douze (binding full calfskin in-12) (17 x 10,5 cm), RELIURE D'EPOQUE, dos à nerfs (spine with raised band) décoré or (gilt decoration) à filets or et à froid, entre-nerfs à fleurons au fer plein avec rinceaux aux angles (floweret with full blocking stamp), titre frappé or (gilt title), pièce de titre sur fond bordeaux avec double filets or (label of title with double gilt line), tomaison or (manque de dorure), dos avec de très légères craquelures (spine with very light cracks) avec de légers manques de dorure, petit accident à l'échancrure de tête du premier plat (small accident in the top indentation of the front cover) avec mors fendu sur 2 cm, filets sur les coupes (gilt line on the cuts), avec manque de dorure (blurred gilding), Toutes tranches lisses rouges (all red edges), Ex-Libris manuscrit à la mine de plomb au dos de la première page de garde peignée : "...Au Baron de Wismes, rare, acheté 25 chez Petiteau 1855, vient de chez l'Abbé Chalopin...,trés rare et trés recherché...", de la main du Baron Gaëtan de Wismes, Elle est ornée d'un titre-frontispice gravé par Nicolas Le Mire, de 9 planches décrivant les blasons de la famille royale, et de 362 planches d'écussons hors-texte gravés sur bois en noir + Bandeaux, lettrines et culs-de-lampes gravés sur bois en noir, 215 + (212 + 2 ff privilège) pages, 1757 Paris, H. L. Guérin & L. F. Delatour, Laurent Durand et veuve J. B. T. Le Gras Editeurs,
1934Best.-Nr. 9045Paris Les éditions Héraldiques 1934-1952 Sept volumes in-4 reliure de l'éditeur plein chagrin brun, dos à nerfs, titre doré, 398, 470, 390, 536, 473, 537, ii, 447 pages, nombreuses illustrations en n&b in-texte, tableaux généalogiques et 5 planches en couleurs hors texte. Édition originale. Coiffe de tête du tome VI légèrement abîmée, néanmoins très bon état, intérieur frais.
Best.-Nr. Z1-C-060-00883Saunders W.B. Co Ltd. Used - Acceptable. Used - Acceptable. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Saunders (W.B.) Co Ltd unknown
Best.-Nr. Z1-J-019-01732Pennwell Corp. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Pennwell Corp unknown
2008Best.-Nr. SONG1933760265Rowman & Littlefield Publishers 2008-05-15. First Edition. paperback. Used: Good. 6.75x0.75x9.75. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers paperback
Best.-Nr. 538Darkened to spine; gently rubbed with light soiling to rear board; slight loss to spine ends. Very good. Dorothy Noyes Arms and John Taylor Arms. Churches of France. New York: MacMillian Company. 1929. Limited edition No. 151 of 200 numbered copies. Signed by Dorothy Noyes Arms to limitation page with an original tipped-in frontispiece etching pencil signed by John Taylor Arms. Folio approx. 13.5 x 10.5 inches. Illustrated with fifty-one reproductions of etchings and drawings by John Taylor Arms. Publisher's beige quarter cloth over black silk-covered boards lettered in black to spine cloth titles to front cover a few pages remain uncut. . unknown
1931Best.-Nr. 5001931. Superb. Etching on antique cream laid paper 10 x 14 13/16 inches 254 x 377 mm full margins. Signed in pencil and inscribed "Ed. 100" from a total edition of 128. Third state of three. Number 22 from the Italian Series. In good condition with scattered light surface soiling and archival paper tape hinges at the top right and left corners verso. A beautiful impression of this extremely scarce image. Fletcher 238iii/III Illustrated: Page 138 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy.". Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1930Best.-Nr. 7841930. Good. Etching and drypoint on antique cream laid paper 12 3/8 x 6 9/16 inches 315 x 167 mm full margins. Signed dated and inscribed "Edition 100" in pencil lower margin. In very good condition with minor marginal toning and several very small edge losses along the left sheet edge including a loss at the extreme top-right corner well outside of image area. An excellent impression with good inking on 19th century paper which was hand-chosen by the artist. Fletcher 227 Italian Series #15 Illustrated p. 170 in Dorothy Noyes Arms Hill Towns and Cities of Northern Italy. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
1992Best.-Nr. 14829JNew York: Interview Inc May 1992. Laid in is a Typed Letter Signed from Richard Avedon to model & actress Brooke Shields dated April 22 1992 thanking her for Shield’s birthday tribute on page 72 of this magazine. Written on Avedon’s printed stationery “Dear Brooke in Avedon’s hand What a wonderful tribute to us in Interview by you and so beautifully written. then again in Avedon’s hand Really Thanks Dick.” The handwritten parts are very large and flamboyantly written. Both Shields and Avedon shared the month of May for their birthdays. Shield writes in the magazine with side by side portraits of them in part “.One of my best birthday parties was at Richard Avedon’s studio. I wish I had the Polariods. It was just Ariella the makeup artist Polly Mellen and Avedon - the group I grew up with. I could smell the Chinese food from the dressing room: chicken and pine nuts crispy shrimp with sugarcoated walnuts. I came out in a robe with a full face of make-up and there were the usual big blue seltzer bottles with silver pumps on the table and lots of nuts and raisins. And then they surprised me with a cake and champagne. It was really fun like a true birthday party. However I was underage so it was “just one sip for you.’ Twenty minutes later Dick was saying ‘Allright fun is over. Back to work.” When Dick walks into a room with his hair like Einstein’s and plays with his glasses a lot of people are intimidated. And he doesn’t like it if anybody else is around or speaking. But when he works he is so creative so sensitive. He hides behind the camera. It almost becomes a dance. There is a mutual vulnerability and a moment of fusion when he clicks the shutter. You either get it or you don’t.” Interview Inc unknown
1856Best.-Nr. 0040151856 Bordeaux, Gounouilhou, & Paris, Dumoulin, 1856-60. Trois volumes grand in-8 (202 x 275 mm) demi-veau blond, dos quatre nerfs plats ornés d'un double filet doré, pièces de titre et de tomaison vert lierre (reliure de l'époque). Tome I : frontispice couleurs, VIII pages de faux-titre, titre orné d'une grande vignette gravée en noir et préface datée "1er juillet 1856", 483 pages, 49 blasons couleurs collés sur 46 planches de vélin fort ; Tome II : frontispice couleurs, 480 pages dont faux-titre et titre orné d'une grande vignette, 64 blasons couleurs collés sur 60 planches de vélin fort ; Tome III : (2) ff. de faux-titre, 626 pages, 24 blasons couleurs collés sur 23 planches de vélin fort, 52 blasons collés sur 3 pages de vélin fort et 2 planches en noir de blasons. Deux pages ont été remontées au tome I.
1856Best.-Nr. B119438Antwerpen (Anvers), Buschmann 1856-1871 Collectie van de eerste zes volumes, met vele illustraties in tekst en enkele platen buiten tekst, 33x27cm., uniforme intacte contemporaine gecart. banden (gemarbreerde platten, bruinlederen ruggen met titel in goudopdruk en twee labeltjes en met wat slijtage), gemarbreerde schutbladen, ex-libris stempel op titelblad, lichte roestplekjes, tweetalige uitgave: Nederlands-Frans, gewicht: 18 kg., [Inhoud/ contenu ; Volume I: Cathedrale kerk - Eglise cathédrale (xxxix + 463 + 8pp.) // vol.II: Antwerpen parochiekerken 1e afdeling - Eglises paroissiales 1e partie (clxii + 518pp.) // vol.III: Antwerpen parochiekerken 2e afd. - Eglises paroissiales 2e partie (cxxx + 609,[1] pp.) // vol.IV: Antwerpen abdyen en kloosters 1e afd. - Anvers abbayes et couvents 1e partie (ccix + 539pp.) // Vol.V: Antwerpen kloosters - Anvers Couvents (585pp. + 8pp. Rapport) // Vol.VI: Antwerpen kloosters der orde van St.Franciscus - Anvers couvents de l'ordre de St-François (xx + 312,[1] pp.)], [Edition bilingue: néerlandais-français, les premiers 6 volumes, avec de nombreuses illustrations dans le texte et quelques planches hors-texte, 33x27cm., reliures uniformes cart. contemporaines intactes (plats marbrés, dos en cuir brun avec titre doré et deux étiquettes et avec quelques traces dusage), cachet sur la page de titre, avec des rousseurs légères, bon état, poids: 18kg.] B119438
1888Best.-Nr. h1121Glasgow: Oatts & Runciman. G : in good condition. Cover rubbed with edge-wear. Sporadic foxing. 1888. First Edition. Blue hardback cloth cover. 510mm x 390mm 20" x 15". 64pp plates. 32 colour plates. Heavy book extra shipping needed for overseas. . Oatts & Runciman hardcover
1779Best.-Nr. 16522Turin, François-Antoine Mairesse, (1779) ; in-4 ; veau fauve marbré, dos décoré et doré, armes dorées des Pingon au centre du premier plat, triple filet d’encadrement, double filet sur les coupes, tranches dorées (reliure de l’époque) ; 58 pp., (1) f. d’errata, en arbre généalogique dépliant, 1 planche sur cuivre représentant les faces de la médaille d’Emmanuel Philibert Pingon et les blasons des branches aînée et cadette.
1731In -folio, pp. (8), 125, (3); frontespizio in cornice calcografica, un’incisione a piena pagina raffigurante Clemente XII precede il testo, due grandi testate incise in rame. Legatura in pergamena alle armi Falconieri, tagli spruzzati. Vellum binding with Falconieri arms; marbled edges.
Best.-Nr. 15937Paris, Delloye, 1837-1838 ; 2 tomes in-4 ; demi-veau glacé mandarine, dos à quatre nerfs, fleurons à froid, titre doré (reliure de l'époque) ; LVI, 208, (2) pp. ; 261, (3) pp. et en tout 2 vignettes de titre, 18 planches hors-texte de costumes lithographiées, aquarellées et gommées, 69 gravures hors-texte en noir et blanc, 2 planches lithographiées de blasons coloriés (les cartes et quelques planches n'ont pas été reliées).
1667In -4°, pp. (8), 468; vignetta calcografica al frontespizio, ritratto in rame inciso da G. Federico Pesca. Legatura in piena pelle alle armi Carafa della Stadera. Full calf binding with arms of Carafa della Stadera.
1664In -4°, pp. 533 (3); il volume pubblica le prime tre parti; la numerazione comprende il primo frontespizio inciso. Legatura in marocchino rosso alle armi del cardinale Chigi. “Seconde édition augmentée”. Red morocco binding at Chigi arms.
