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1775réf. 3823The complete text of the Causes and Necessity of their Taking Up Arms appears on pages 2 and 3 of the newspaper. The Second Continental Congress convened in Philadelphia on May 10 1775 only about seven months after the First Continental Congress had adjourned. But with the battles at Lexington and Concord occurring in April 1775 hostilities had begun and the Congress needed to act. The action was the issuance on July 6 of the "Causes and Necessity of Taking Up Arms" a pivotal founding document that laid out the colonies' justification for war while making it clear that it was a defensive action and not a declaration of independence. An initial draft of the Causes was rejected by the Congress as being too harsh. Thomas Jefferson and John Dickinson produced the new draft which the Congress approved. In the end the Causes was a masterful blend of airing grievances and reaching out for reconciliation while also clearly stating that independence was on the table if necessary. While the British Parliament was the primary intended audience of the Causes it was also critical that the document satisfy the strongly divided Congress itself. At the time there was extreme tension between those advocating for independence and those in favor of a peaceful reconciliation. The final document provided enough justification to satisfy both sides - and allowed the journey to nationhood to continue to the next watershed moment the Declaration of Independence just a year later. In addition to the important publication of the Causes this issue of the Virginia Gazette includes a brief mention debunking a report of an engagement in the days following that at Bunker Hill. It also prints "General Gage's false and audacious account of the late battle near Boston Bunker Hill." As an aside it should be noted that during 1775 there were three newspapers all named the Virginia Gazette and all published concurrently in Williamsburg. They are easily distinguished by their respective publishers Pinkney in the case of the offered newspaper. A rare and important paper very nicely preserved. Reference: Brigham History and Bibliography of American Newspapers 1690 1820 noting holdings only at Library of Congress and New York Historical Society. Condition: Disbound; untrimmed. Expected age toning. Small ink blot in masthead and a spot of foxing to the first leaf. Overall a very good example. ICN 7811. John Pinkney
réf. 067-Ao.J. Kupferstich, um 1503, auf Bütten mit Wasserzeichen: Kleines Stadtwappen mit einem Spitzturm und zwei Zinnentürmen (vgl. Meder 275, um 1560/80). 18,5:12,1 cm. Literatur: Bartsch 100; Meder 97, f (von g). - Mit dem Monogramm in der Platte. Mit ca. 1 cm breitem Rändchen um die Plattenkante. - Guter, tiefschwarzer Abdruck mit feinen Kratzern, schwach fleckig und mit winziger Nadelspur. Dieser Kupferstich entstand in einer Zeit, in der sich Dürer ganz besonders in die Arbeit mit dem Grabstichel vertiefte und die unterschiedlichen Materialoberflächen zu gestalten suchte. Provenienz: Verso Sammlervermerk von 1861.
1839réf. 001064Paris Imprimerie Royale 1839
1745réf. 003350Frères Bruyset, 1745. 12 volumes in-12 (169 x 104 mm), maroquin vert olive, dos lisse, armes frappées à froid au centre des plats, filet à froid en encadrement avec fleurs de lys aux angles, filet de coupes, dentelle intérieure, contre-plats et gardes de tabis rose, tranches dorées (dos passé, quelques défauts d'usage, quelques traces, coins émoussés, quelques rousseurs). Exemplaire aux armes de Louis de France, Dauphin (Versailles 1729-Fontainebleau 1765), troisième enfant et aîné des fils de Louis XV et Marie Leczinska. Chevalier de la Toison d'Or en 1739 et chevalier des ordres du Roi en 1742, il épousa en premières noces, le 23 février 1745, Marie-Thérèse-Antoinette, Infante d'Espagne, dont il eut une fille, morte à deux ans, et en secondes noces, le 9 février 1747, Marie-Josèphe de Saxe qui lui donna huit enfants. Ex-libris de La Rochefoucauld Duc de Bisaccia. // 12 twelvemo volumes (169 x 104 mm), green-olive morocco, smooth spine, central arms stamped in blind on covers, blind-fillet border with fleurs-de-lys on corners, fillet on turns-in, inner dentelle, gilt edges (spine faded, some defects of use and stains, corners used, some spots). Precious copy bearing the arms of Louis de France, Dauphin (Versailles 1729 - Fontainebleau 1765), third child and elder son of Louis XV and Marie Leczinska. " Chevalier de la Toison d'Or " in 1739 and " Chevalier des Ordres du Roi " in 1742, he first married on february 23rd 1745 Marie-Thérèse-Antoinette, Infante d'Espagne, with whom he had a daughter, dead at two-years-old, and secondly, on february 9th 1747, Marie-Josèphe de Saxe with whom he had eight children, including five sons, three of them being Louis XVI, Louis XVIII and Charles X. Bookplate La Rochefoucauld Duc de Bisaccia.
In -4°, 56 cc. Cartonato. Frontespizio inciso con bordura ai quattro lati; secondo frontespizio compreso entro bordura di quattro legni. La prima parte del libro è in latino, la seconda in spagnolo. Esemplare particolarmente fresco e marginoso, cartonato d’aspetto (cm. 20 x 15,4). Engraved title page with border on sides; the second title page is included in wooden border: the first part of book is in latin, the second in spanish. A very fresh and wide margined copy, boards.
In -4°, pp. (8), 220; con 17 tavv. di cui quattro ripiegate e una doppia, tagli dorati. L’impaginazione delle tavole è apparentemente disordinata, ma corrisponde a quella riscontrata in altre copie: libro completo e in ottime condizioni. Legatura alle armi del vescovo John Ernest Emmanuel von Harrach. Binding with arms of Harrach Bishop.
réf. 7751Arms John Taylor. Arms John Taylor. LE PENSEUR DE NOTRE DAME. F.136. Etching 1923. 1st State edition of 150. 12 5/8 x 10 1/8 inches; 322 x 252 mm. Signed in pencil. In excellent condition. Framed. unknown
réf. 54897Glasgow & London: Oatts & Runciman. 1888. FIRST EDITION. Large folio. 50 x 38 cm. Title preface index "frontispiece" mounted on verso of index and 31 lithographed plates mounted one per page as published each with accompanying leaf of descriptive text. Original publisher's navy blue pictorial cloth with gilt title and decorations to upper cover all edges gilt. Slight rubbing at extremities of binding a few finger smudges to margins of some pages. Generally a very nice clean copy. The Royal Clyde Yacht Club was the biggest in Britain at the end of the nineteenth century larger even than the Solent Yacht Club and Clyde yachts were world-famous as pioneers of the relatively new sport of yacht racing. This book reproduces in chromolithography a series of watercolours by Henry Shields RBA 1859-1935 showing famous yachts or "white wings" mostly built 1880-87 with four boats built prior to 1880 included as notable precursors of the Clyde yacht boatbuilding style. Three of them the "Genesta" "Galatea" and "Thistle" had made attempts to win the America's Cup. Glasgow & London: Oatts & Runciman. 1888 hardcover
1667réf. 16335A La Haye; A Brusselles, Chez Jean Rammazeyn; chez l'auteur & aussi chez François Foppens, 1667. In-folio de [34]-484 (chiffrée 496)-[12] pages, plein en veau marron du temps, dos orné de filets et fleurons dorés, supra-libros "G. Gomer van Berckmans 1667" au premier plat, et au second la devise "Desir · Romp · Repos".
1579réf. 182021579 un volume, reliure plein veau vert petit in-quarto (binding full calfskin in-quarto), reliure tardive (XVIIIème), dos long (spine without raised band), décoration or (gilt decoration) à filets et roulettes or (gilt lines and fillets), fers spéciaux (special blocking stamps), titre frappé or (gilt title), roulette encadrée de part et d'autre d'un filet or en place des nerfs, dos encadré de deux double filets or, entre-nerfs avec fers spéciaux or : "croix fleurie", fleuron branche et fleur en pied, plats décorés d'un triple filet or en encadrement, dos et plats légèrement insolés, roulettes sur les coupes et sur les chasses (fillets decoration on the turn-ins), toutes tranches lisses dorées (all edges gilt), pages de garde en papier peigné caillouté (endpapers with painting paper ),"ex-Libris manuscrit à la mine de plomb : " Au Baron de Wismes, acheté en 1859, 21 rue de Varennes, Il Vient de chez les JACOBSEN à Noirmoutier (Cornil Guilain, Jean Corneille et Auguste Jacobsen (1709-1870) d'une famille originaire de Dunkerque qui construisirent de nombreuses digues et polders, ils descendaient du corsaire Michel Jacobsen), Jost Amman etc Feyrabend Frankfort 1579 signé des initiales Y.W. au crayon violet (Yves de Wismes, Baron), Texte en latin, L'illustration se compose d'une Marque de l'Editeur en bas de la page de titre, gravée sur bois en noir + une gravure Frontispice gravée sur bois en noir + 274 superbes figures sur bois gravées par Jost Amman représentant, face aux armoiries des notables, des sujets de la vie quotidienne : danseurs, musiciens, hommes à cheval, scènes de chasse, marchands, médecins, juges, ainsi que différentes divinités. L'ouvrage comporte une deuxième partie avec des écussons vides et se termine par 7 feuillets contenant à chaque fois quatre blasons vides identiques, sans pagination (123 ff), 1579 Francofurti ad Moenum : apud G. Corvînum, impensis S. Feyerabendii, (1579 Francfort, Sigmond Feyrabend pour G. Gorvin Editeur),
In-12°, (24cc), 560pp, (4cc), occhietto, fregi e iniziali xilografiche, bellissima legatura in marocchino rosso alle armi dell’Arcivescovo di Tarso Francesco Maria Febei su entrambi i piatti, titolo in oro al dorso, fregi, nervature, tagli in oro. Esemplare di dedica allo stesso Arcivescovo Febei. Si tratta dell’opera più famosa del giurista umbro Antonstefano Cartari. In-12°, (24cc), 560pp, (4cc), half-title, wooden engraved ornaments and tail ornaments, splendid red morocco binding, gilt coat of arms of Archbishop of Tarsus Francesco Maria Febei on both sides, gilt title at the spine, ornaments, bands, gilt edges. It is the most known work of Umbrian jurist Antonstefano Cartari. Dedication copy to the same Archbishop Febei.
In -4°, pp. (16), 557, (9) - errore di numerazione alle pp. 120-23; antiporta incisa in rame; legatura in pelle con fregi in oro alle armi di Benedetto XIV. Tagli dorati. Calf binding with golden ornaments, gilt edges.
In -folio, pp. (42), 489, (71); frontespizio inciso in cornice, con vignette che raffigurano cinque concilii. Manca un ritratto all’antiporta. Legatura alle armi del Cardinale Barberini. A portrait missing at frontispiece; binding with Barberini coat of arms.
1680réf. 2171Paris, chez l'auteur, 1680. Petit in-4, 17 x 21,5 cm. Reliure de l’époque en plein veau brun, dos à nerfs orné, tranches mouchetées rouges. 3 ff., 21 pl., 58 pl., 2 ff. Edition originale de ce rare et remarquable ouvrage, l’un des plus utiles et connus de son époque, dont se servaient les artistes et les artisans. Il s’agit d’un recueil de deux séries de 79 planches gravées au total. La première série comprend, à pleine page, 21 « chiffres fleuronnez » des plus importantes personnalités de la fin du XVIIe siècle. La seconde série comprend 58 planches représentant 348 combinaisons de chiffres de 2 à 5 lettres, classées par ordre alphabétique, à raison de 6 chiffres par planche. Comme souvent, il manque la page aux armes de la Dauphine, avec l’adresse de l’auteur, qui faisait office de frontispice pour la deuxième série. Saffroy signale une planche dépliante à la fin, elle n’est cependant pas décrite par Brunet et n’est présente dans aucun des exemplaires que nous avons pu consulter. Saffroy, I, 2682 ; Brunet, III, 1547-1548 et Supplément II, 1060. Planche XVIII de la 1ère série reliée entre les planches XV et XVI.
1975réf. 86111Art Center. As New. 1975. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B000VUMBAQ. 76 pages; 28 illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Art Center paperback
1972réf. WRCLIT57595Madison WI: Shenanigan Press Ltd and the Omar Space Corp Ltd. 1972. Portfolio of ten mixed media prints 20 x 16cm enclosed in screen-printed fiber paper over stiff card portfolio. One internal plain card fold-in flap in portfolio torn portfolio paper covering perhaps naturally a bit frayed with a couple small chips; the prints are in fine state. A scarce early portfolio of Shields's work limited to ten copies with each print signed and dated on the verso by the artist. Shields 1944 - 2006 was widely known for his colorful prints and collages which often involve multiple processes such as stitching dyeing application of fabrics or other materials and screen-printing. This is a very uncommon portfolio exhibiting an early approach to his characteristic methods. Acton JONES ROAD PRINT SHOP AND STABLE 1971 - 1982: A CATALOGUE RAISONNÉ 78. Shenanigan Press Ltd and the Omar Space Corp, Ltd. unknown books
1888réf. 176492Glasgow: Oatts & Runciman 1888. A beautifully illustrated yachting monograph First and only edition of this handsome visual record this copy in the scarcer publisher's morocco binding it is usually found in blue cloth. The Royal Clyde Yacht Club founded in 1856 was the biggest in Britain at the end of the 19th century and Clyde yachts were world famous as pioneers of the relatively new sport of yacht racing. "It will be seen that for the most part the period dealt with is that lying between the beginning of 1880 and the end of 1887. Four boats built prior to 1880 have been given a place in our book - namely the Cyprus Madge Neva and Viril - because they were amongst the most notable of the boasts which ushered in the type so popular in after years" Preface. The fine chromolithographs reproduce a series of watercolours by Henry Shields RBA 1859-1935 showing famous yachts or "white wings". Three of them were America's Cup challengers: the Genesta 1884 Galatea 1886 and Thistle 1887. Folio. Chromolithograph frontispiece bound after list of plates us usual and 31 mounted chromolithographic plates small sketches of Clyde Regatta incidents in the text. Publisher's dark purplish red hard-grain morocco bevelled boards smooth spine covers with four blind rules at head and foot front cover with gilt yacht vignette back cover with blind ornamental cartouche French Curl pattern marbled endpapers original dark red cloth inner hinges gilt edges. Ownership inscription on title page verso of one S. C. Graham Robertson dated June 1888; possibly the Graham Robertson who was Marine Surveyor to the Government of Bengal and in 1894 elected a member of the Royal Institute of Naval Architects. A few shallow scratches and abrasions to covers more noticeably to back cover some skilful recolouring of leather at extremities scattered foxing. A very good copy. hardcover
1778réf. 117520Jean- Michel Briolo 1778-1780 4 in-folio A Turin, Chez Jean-Michel Briolo, 1778-1780, 4 volume in-folio de 255x400 mm environ, XXVIII, 435 - 458 - 444 - (3) ff. (faux-titre, titre, Au lecteur), 675 pages, (2) ff., 174 pages (Bibliothecae Sebusianae), contient 1 frontispice, 1 portrait gravé et 3 planches. Demi basane mouchetée à coins, dos lisses portant titres et tomaisons dorés, tranches mouchetées de rouge. Coiffes, coins, coupes et plats frottés, des traces de mouillures au tome I et III, légères salissures sur certains feuillets, quelques rousseurs sinon intérieur propre, assez bon état.
1830réf. 098377London: Sherwood Gilbert and Piper. Illustrated with engravings of family crests and arms. There is some very minor marginalia in pencil. Some foxing to pages. There is also an Errata List of 112 subscribers Index to Pedigrees in volume. Leather bound folio has rubbing and weather with some stains. There is a very short crack to the front outer joint. Pages are in very good condition. . Good . Hardcover. 1st Edition. 1830. Sherwood, Gilbert, and Piper hardcover
In -8°, pp. 45, (1) ma manca un ritratto calcografico a piena pagina di Santa Elisabetta, appena dopo il frontespizio. Manca anche la carta B7 che è stata manoscritta e riinserita. Legatura in marocchino alle armi Savoia. A portrait of Saint Elisabeth is missing just after the title page. Also B7 leaf is missing: it has been hand copied and reinserted. Morocco binding at Savoia arms.
1657réf. 16495A Paris, chez Charles Clouzier, Gervais Clouzier & Antoine Clement, 1657. In-folio de [4]-48 (mal chiffrées 51) - 532 pages (très mal chiffrées 608), demi-veau brun à petits coins, dos à nerfs orné d'un pièce de titre beige, tranches mouchetées de rouge. Signature sur la page de titre Jacques Charles Bardin.
1767réf. 002781Amsterdam, et se trouve à Paris Prault le Jeune, 1767
1879réf. 12340Paris, Librairie Générale (Imprimerie E. Capiomont et V. Renault), 1879 ; in-folio, demi-chagrin maroquiné cerise à coins, dos à nerfs soulignés de filets à froid, caissons décorés et dorés, double filet doré sur les plats, titre et tête dorés, filets dorés sur les plats (reliure de l’époque) ; (4), 66, (2) pp., 12 eaux-fortes hors-texte dont une aquarellée en frontispice.
Prima e unica edizione.