Dylan, BobBiblio.com
37 052 résultats
2017réf. 69940New York: various publishing companies 2017. All small folio approx. 12" x 9"; some illustrated some in color all generally very good to fine in original pictorial wrappers. Includes: The Freewheelin' Bob Dylan; The Times They Are a-Changin; Another Side of Bob Dylan; Bringing It All Back Home; Highway 61 Revisited; Blond on Blond; John Wesley Harding; Nashville Skyline; Self Portrait; Blood on the Tracks; New Morning; Planet Waves; The Basement Tapes; Desire; Street Legal; Slow Train Coming; Saved; Shot of Love; Infidels; Empire Burlesque; Knocked Out Loaded; Down in the Groove; Oh Mercy; Under the Red Sky; Good As I Been to You; World Gone Wrong; Time Out of Mind; Love and Theft; Modern Times; Together Through Life; Christmas in the Heart; Tempest; Shadows in the Night; and Fallen Angels. Not included are the three most recent studio albums: Triplicate Rough and Rowdy Ways and Shadow Kingdon. Also not included is the sound track for Pat Garrett and Billy the Kid; nor the song book for the inauguaral Bob Dylan as there was none issued. various publishing companies unknown
1960réf. 70643Minneapolis 1960. Approx. 7" x 4¼" pp. 38 2; self-wrappers; saddle-stitched and mimeographed throughout; a fine copy." This copy from the collection of the late Jon Pankake co-founder and co-editor of The Little Sandy Review. "The Little Sandy Review was a folk music fanzine published by Paul Nelson and Jon Pankake in Minneapolis Minnesota. Launched in 1959 the zine was dedicated to reviewing folk music legends such as Woody Guthrie and Pete Seeger as well as then newcomers like Bob Dylan The New Lost City Ramblers and Koerner Ray and Glover. Thirty issues of the zine were published in total before publication ceased in 1965" University of Minnesota Special Collections. Say Nelson and Pankake in the inaugural issue: "We are two people who love folk music very much and want to do all we can to help the good in it grow and the bad in it perish. After reading this issue it should be very apparent to anyone who we think is good and who we think is bad and why . We also want to print a complete coverage of all folk records released that would be of interest to the American folk-record buyer." And so they did for six years reviewing the likes of Pete Seeger Peggy Seeger Bob Gibson Jean Ritchie Muddy Waters New Lost City Ramblers Odetta Blind Willie McTell Maybelle Carter Bonnie Dobson Alan Lomax Woodie Guthrie Marjorie Guthrie Ed McCurdy Lightning Hopkins Joan Baez Greenbriar Boys the Soho Skiffle Group the Dillards Mississippi John Hurt John Lee Hooker "Spider" John Koerner Leadbelly Ramblin' Jack Elliott Lester Flatt & Earl Scruggs Carolyn Hester the Clancy Brothers Judy Collins Peter Paul and Mary and even Gid Tanner and His Skillet Lickers. And native Minnesotan friend of Glover Nelson and Pankake Bob Dylan whose debut album gets a 7-page review in issue 22 - the longest review by far in the entire run of LSR. Dylan's second album Freewheelin' Bob Dylan gets a 5-page review in issue 27 where it is panned. Contributors to No. 5 include Jon Pankake and Paul Nelson and their reviews the Ledbelly Memorial Set I-V The Weavers at Carnegie Hall and Woody Guthrier's Ballads of Sacco and Vanzetti." Also "Something about Woody" by Malvina Reynolds two letters from Woody 2 illustrations of Woody by Joni Tangen a Minneapolis art student "Woody Guthrie and the Gift to be Simple" by Pete Seeger; "A Few Comments About Woody from Canada" by Edith Fowke; and a Woody Guthrie Discography among others. Also an article on the Stinson Record Line. Cover artwork by Jon Pankake. "Over time the value of these reviews grows more apparent as the recordings themselves - re-packaged and re-issued multiple times by now - gain increasing stature as landmarks in the emerging consensus on a formal American roots canon. For all of this to happen though the editors of The Little Sandy Review first had to invent essentially from scratch the foundations of modern rock journalism" David Lightbourne from newvulgate.blogspot.com. unknown
1928réf. 70985Athol Mass: W. Paul Cook -- The Recluse Press 1928. First edition of Wandrei's first book limited to 322 copies issued by the same publisher who attempted to publish Lovecraft's ill-fated The Shunned House. 8vo pp. 40; original purple cloth printed paper label on upper cover fine and bright without the glassine jacket. This is one of a group of remainders - as I remember about 15 - handled by myself and Peter Stern nearly 40 years ago. The estate bookplate we had printed up at the time is not present nor is the prospectus with was laid into several of the copies. W. Paul Cook -- The Recluse Press unknown
1914réf. 68857New York: Frederick A. Stokes Co. n.d. 1914. First American edition 8vo pp. viii 4 379 1; 8 photogravure plates showing 10 illustrations; very good sound and clean copy in original blue cloth stamped in gilt on upper cover and spine. Inscribed "Charles W. Ames and Lady / from Lesley / Christmas 1914." Charles Wilberforce Ames 1855-1921 a native Minnesotan returned from Boston to St. Paul in 1882 and purchased an interest in the West Publishing Company a publisher of law books. This association continued until his death in 1921. Under his guidance the company grew to be one of the largest publishers of law books in the U.S. Ames married Mary Lesley in 1883. They had six children the first born of whom was Charles Lesley. Field Marshal Frederick Sleigh Roberts 1st Earl Roberts 1832-1914 was a British Victorian era general who became one of the most successful British military commanders of his time serving with distinction in India Afghanistan Abyssinia and South Africa. Frederick A. Stokes Co., n.d. unknown
2021réf. 68894Minneapolis & Saint Paul: Carolyn Swiszcz 2021. In all 48 volumes 24 are 4¼" x 2¾ and the minis are 4¼" x 5½" plus 4 others a bit larger; written illustrated and published by Carolyn Swiszcz much in color; printed by photocopier or offset all in chapbook form some stapled some in concertina format generally fine and contained in Swiszcz's hand-made boxes. Zebra Cat Zebra is a bi-monthly mail-order zine which according to OCLC began publication in May 2017 actually 2016 although Swiszcz notes that the series as such did not begin in earnest until 2017. As she writes on her website "The name is inspired by the author hearing her father spell their last name to people on the phone "Z as in 'zebra ' C as in 'cat ' Z as in 'zebra!' I write about childhood memories my neighborhood and other personal observations." This set ex-Jody Williams whose "Tiny Digest books partly inspired me to take up this series" is "complete except for the last 4 issues" email from Swiszcz 01/02/25. These last four have now been acquired and the set below is complete to date. A few stray issues in OCLC but nothing like this. Included are: The robe 2016; This is my bear 2016; The dread 2017; Live each day as if it was your first 2017; Do you remember who sewed you 2017; Cosmetics conflict 2017; Petrified Creatures Museum 2017; Things I learned in art school September 16 2017; Voice of Dad October 2017; Sometimes I forget November 2017 CZC no. 7; It's time to concentrate on my important creative soul work January 2018; Some of my husband's likes and dislikes February 2018; The pit by Kelly Abeln February 2018 with a slip by Swiszcz laid in noting this as "a bonus zine"; Final resting place March 2018; Laundry: using the clothesline is my small way of fighting climate change April 2018; Memory from a summer evening around 1980 May 2018; Top ten weird things in our house by Ramona Webb age 11 July 26 2018; Thoughts like boats June 2018; Meet Ralph Cool July/August 2018; House rating guide for English cottage / storybook style homes September 2018; Closed heart open heart October 2018 with attached slip as issued with a quote by Fred Rogers; A few small blessings of this life November 2018; Backyard mystery December 2018; Meet Neil February 2019 with an 8-p. gathering on yellow paper stapled in giving "A short biography" by Neil as issued; Gray Water April 2019; Sad Park June 2019; I was Sting's #1 fan August 2019 with a bonus zine featuring Sting in pocket on lower wrapper; Meet Merilee October 2019; Pogo December 2019; Inventory February 2020; Notes I love to do lists April 2020; Signal Hills Shopping Center June 2020; West St. Paul places of interest August 2020; Let there be donuts October 2020; Zebra cat zebra minis . Summer Sunday morning December 2020; Cemetery peacock 2021; The real artist 2021; Home town dogs Spring 2021; Zebra cat zebra minis . Thoughts at the YMCA Spring 2022 Pot hole February 2023; Boys and Boomboxes Fall 2023; ASMR Spring 2024; Homesitting Summer 2024; The Nicest Thing December 2024 Victory parade by B. Erin Cole n.d. This is a church by Alex Pears with slip laid in addressed to Dear Zebra Cat Zebra readers introducing Alex Pears. Carolyn Swiszcz unknown
2000réf. 68870Minneapolis: Elisa Brynteson at the Minneapolis College of Art & Design 2000. Edition size not stated artist's book approx. 4" square 8 leaves 8 hand-colored illustrations; original yellow hand-made paper over boards with inset illustration of a flower string-tied; fine. Inscribed by Brynteson on the back pastedown: "For Jody / artists books / fall 2000 / thanks / Elisa" with a small drawing of a flower. Jody is Jody Williams long-time instructor at Minnesota College of Art and Design. Not found in OCLC. Elisa Brynteson [at the Minneapolis College of Art & Design] unknown
2000réf. 68873Minneapolis: Elisa Brynteson at the Minneapolis College of Art & Design 2000. Edition size not stated artist's book approx. 4" square 8 leaves 8 hand-colored illustrations; original blue hand-made paper over boards with inset illustration of a flower string-bound; fine. Inscribed by Brynteson on the back pastedown: "For Jody / Elisa." Jody is Jody Williams long-time instructor at Minnesota College of Art and Design. Not found in OCLC. Elisa Brynteson [at the Minneapolis College of Art & Design] unknown
1999réf. 68878Minneapolis: Minneapolis College of Art & Design 1999. Edition limited to 6 copies this no. 6 signed by Ishii; approx. 6" x 4" two folded sheets glued into board binders printed with text on one side illustrations on the opposite the text from W. B. Yeats's "An Irish Airman Foresees His Death" on front images of airports flight maps airmen on the back; on Rives BFK paper and bound in handmade yellow mottled paper over boards. Fine. "I moved to the United States in 1997. My higher education was in Fine Arts with focuses on printmaking and bookmaking and worked in the field upon graduation. I am a curious person who wants to discover histories and stories. I am fascinated with storytelling through prints drawings recipes and data. As most recent I used my precision hand skills in the world of culinary arts mainly baking" Linkedin. Iowa and Otis College of Art & Design in OCLC. Minneapolis College of Art & Design unknown
2008réf. 68951Minneapolis: Heros & Criminals Press 2008. Edition limited to 100 copies this no. 81; 4½" x 4¾" pp. 32; illustrated throughout; fine in gray paper over boards printed paper label on upper cover; fine. "This edition of the Bad Sparrow is a digitally printed codex version of the first edition a letterpress printed scroll measuring nine inches high and twenty-five feet in length. It is printed on Mohawk Superfine and the cover paper is made by Twinrocker." The first edition from which this was taken "was printed with photopolymer plates and pochoir then hand colored. The paper was Okawara and the typeface is Palatino. All work was executed at the University of lowa Center for the Book. Special thanks to Julla Leonard Sara Langworthy and Sara Sauers for guidance and inspiration. In a variable edition of 5" from the colophon of the original edition. Surprisingly only Iowa in OCLC. Heros & Criminals Press unknown
1997réf. 68936Hopkins Minnesota: Vietnamese Community of Minnesota 1997. First edition 4to pp. 3-434; illustrated throughout; generally a fine copy in original pictorial wrappers. Text in Vietnamese and English. The reasons of leaving -- The resettlement of the Vietnamese refugees in Minnesota -- The resettlement . the first wave -- The boat people -- HO program -- Activities of the Volags and the Vietnamese organizations -- The Vietnamese and economic development in Minnesota -- The education of overseas Vietnamese youth -- An experience in sponsorship -- A contribution to the American culture the Vietnamese food. Vietnamese Community of Minnesota unknown
1998réf. 68869Minneapolis: Svenja Rau at the Minneapolis College of Art & Design 1998. Edition size not stated accordion-fold artist's book approx. 4" square extending to approx. 30½" ribbon-tied with washer and pin. fine. A linoleum cut in blue red white and brown. Excerpted from "Skyscraper" by Carl Sandburg 1916. Not found in OCLC. Svenja Rau [at the Minneapolis College of Art & Design] unknown
1994réf. 68871Minneapolis : Boy Wonder Press at the Minneapolis College of Art & Design 1994. Edition limited to 100 copies this no. 20 signed by Paul Brosi; accordion-fold artist's book approx. 4" square extending to approx. 55½" 11 linocuts origami reindeer on pink paper in rear cover pocket; green cloth-covered boards printed title inset into upper cover; fine. A story in pictures. "Deer Santa was developed screenprinted and bound from late October to early December of 1994. Story by Paul & Ted Brosi. Drawings and design by Paul Brosi. This book is from an edition of 100 of which you hold in your hot little hands number 20" colophon. Paul Brosi based in Minneapolis MN US is currently a Designer and Creator at Tidal Studio. He holds a 1992 - 1996 BFA in Printmaking and Bookmaking from Minneapolis College of Art and Design." Not found in OCLC. Boy Wonder Press [at the Minneapolis College of Art & Design] unknown
1997réf. 68874Minneapolis: Minnesota College of Art & Design 1997. Edition size not stated square 4to approx. 9½" x 10" 30 leaves without a title page as issued; 38 illustrations from photographs; original brown hand-made paper over boards unadorned; fine copy. Text and pictures describing a cross-country bicycle trip Katie Blake took with her friends from California to Florida from Disneyland to Disney World. "Katie recently graduated with a masters in Art History from Pratt Institute. She is a Library and Information Science graduate from the University of Washington's iSchool as well. She has worked in many states across the country for libraries teaching in the film industry office job amazingness and was even once outfitted as Miffy for Nickelodeon during a Kid's Choice party. Having just completed her thesis Katie is currently living and making art in her hometown of Anchorage Alaska" inalj.com. Minnesota College of Art & Design unknown
2010réf. 68872Minneapolis: Kate Cherne at the Minneapolis College of Art & Design 2010. Edition limited to 5 copies this no. 4 accordion-fold artist's book approx. 4" square extending to approx. 33" 8 mounted paper samples with a series of cut-out words defining a relationship; handmade paper-covered boards title printed direct on upper cover; fine. Not found in OCLC. Kate Cherne [at the Minneapolis College of Art & Design] unknown
1993réf. 68957Rosendale New York: Women's Studio Workshop 1993. Edition size not noted but clearly very small; approx. 6" x 5"; pp. 22 including wrappers; near fine. Inscribed inside the front wrapper "To Jody - much love" and signed and dated inside the back wrapper by Namtvedt. Jody Williams was a long-time instructor in the book arts at Minneapolis College of Art & Design. "This book was designed and printed offset photocopy and silkscreen by Maia Namtvedt on paper made by the artist and Arches Rives Lightweight Spring 1993. Thanks to everyone at the Women's Studio Workshop for the assistance and studio use. Thanks also to Rebecca Alm Lee Anne Tankenoff and Mary Ann Namtvedt" colophon. Maia Namtvedt Le Doux came to WSW from Minneapolis MN to work as a studio intern. She earned her BFA from Minnesota College of Art and Design where she studied a range of printmaking techniques worked in library archives and ran a small papermaking studio. She currently lives and works in Seattle WA" Women's Studio Workshop. MCAD only in OCLC. Women's Studio Workshop unknown
réf. 68882Minneapolis: Terry Garrett. Edition limited to 5 copies this copy no. 1 signed by the artist; approx. 7" x 5" accordion-fold 8 panels retos and versos showing 8 color reproductions of collages by Garrett brown paper-covered boards with text mounted inside both covers and a pictorial label on the front. Contained in the original pictorial folding box. "The reproduced collages In this book are a combination of my own photographs old clip-art bird Illustrations and various stamps. Some of the photographs were altered in the computer to create the backgrounds. The original collages are larger and were all hand cut and glued. This allowed for use of a variety of paper colors and textures . The collages in this limited edition book are reduced reproductions of my original work. The actual collages are approximately 8"x10". No editions were made of the original work." introductory text and colophon. Not found in OCLC. Terry Garrett unknown
1992réf. 68877Minneapolis: Minneapolis College of Art & Design 1992. Edition limited to 3 copies signed by the artists barn-shaped 4to approx. 10½" x 8½" accordion-fold 8 panels 10 mounted b&w photographs text printed in brown; near fine. "Conceived and designed by LeeAnne Tankenoff. Photographs by LeeAnne Tankenoff. text by Maia Namtvedt. Printed on Rives Heavyweight March 1992." Inscribed in pencil on rear endpaper: "To Jody Thanks for all your help - you're the greatest! Love Maia." And "Jody I'm at a loss for words so all I can say is thank you thank you thank you Love LeeAnne." Maia Namtvedt Le Doux came to WSW from Minneapolis MN to work as a studio intern. She earned her BFA from Minnesota College of Art and Design where she studied a range of printmaking techniques worked in library archives and ran a small papermaking studio. She currently lives and works in Seattle WA" Women's Studio Workshop. The late Jody Williams was a long-time instructor at Minneapolis College of Art & Design. Not in OCLC. Minneapolis College of Art & Design unknown
2001réf. 68866Minneapolis: Jeff Rathermel 2001. Edition limited to 100 copies this no. 32 signed and numbered by Rathermel; approx. 2½ x 5½" 13 leaves on various papers printed letterpress on rectos only screw-bound at one corner 3-dimensional label on upper cover; fine. "It all started when I noticed the pattern of 13 in my bathroom - two repeating squares of tiles one segmented into four the other into nine." Rathermel was for many years the Executive Director at Minnesota Center for Book Arts. Utah only in OCLC. Jeff Rathermel unknown
2011réf. 68883Minneapolis: Minnesota Center for Book Arts 2011. Edition limited to 100 copies this copy no. 7; 8¾" x 7¼" pp. 32; 6 wood-cut illustrations; original linen-backed blue paper-covered boards title in blind on upper cover; fine. "Come and get it . is the twenty-first in a series celebrating the handmade book" colophon. Produced "under the direction of MCBA Executive Director Jeff Rathermel . The Chapbook Edition 200 numbered copies was bound by volunteers working under the direction of Erin Maurelli and Sara R. Parr. The Standard Edition 100 numbered copies as here was bound by Campbell-Logan Bindery Inc. The Deluxe Edition 26 lettered copies was bound by master binder Jana Pullman. All illustrations included in the work are by Michael Sommers. Zerkall Nideggen Johannot and Hahnemühle Bugra papers are used in all editions with titles and text set in Filosophia. The Standard and Deluxe editions also include linen and rayon bookcloth as well as Zerkall Frankfurt Rives BFK French marble and Fabriano Tiziano and Murano papers" colophon. 7 in OCLC all in Minnesota except Whitman College and University of Washington. Minnesota Center for Book Arts unknown
1992réf. 68950Minneapolis: Minneapolis College of Art & Design 1992. Edition limited to 22 copies signed by the artist this no. 3; 3½" x 2¾" accordion-fold 6 panels extending to 20½" showing a single image of sunflowers; fine in unadorned marbled paper over boards; fine. Maia Namtvedt Le Doux came to WSW from Minneapolis MN to work as a studio intern. She earned her BFA from Minnesota College of Art and Design where she studied a range of printmaking techniques worked in library archives and ran a small papermaking studio. She currently lives and works in Seattle WA" Women's Studio Workshop. MCAD only in OCLC. Minneapolis College of Art & Design unknown
2009réf. 68865Saint Paul: Margot Fortuncto Galt 2009. Edition size not stated origami folded book by Mary Witkus on 3 conjoined sheets of yellow and purple paper printed offset on both sides approx. 4¼" x 4¼" opening to 24" x 11½" bound in red painted boards string-tied with 3-dimensional agate catch; fine. Galt is a poet and writer living in the Twin Cities with a number of books to her credit 43 hits in OCLC but this one not listed there or on her website. Margot Fortuncto Galt unknown
2007réf. 68886Minneapolis: Minneapolis College of Art & Design n.d. 2007. Edition limited to 26 copies this no. 3 signed by the artist; 7" x 5" pp. 16; illustrated by O'Bryan throughout; original printed cream wrappers stapled; this copy closely trimmed in the fore-margin causing the loss of 2 letters; all else fine. Karen O'Bryan of Karen O'Bryan Creative of Minneapolis is a designer and illustrator specializing in product design and social media marketing. Minneapolis College of Art & Design, n.d. unknown
1992réf. 68909Minneapolis: Carolyn Swiszcz September 1992. Edition limited to 12 signed and numbered copies this no. 8; approx. 5½" x 7¾" pp. 16; illustrations by Swiszcz; original blue velvet over boards printed paper label on upper cover; some fading at the extremities of the binding and the stitching a little loose; all else near fine. This is Swiszcz's second book completed while she was still a student at the Minneapolis College of Art and Design where she earned her BFA in 1994. Says Swiszcz a transplant from New Bedford Mass.: "As a result of The Storm her first book completed in 1991 I had an internship with Gaylord Schanilec who taught me to set and print type properly. I worked with him the summer of 1992 on his book The Bread of This World and I used his studio in trade for more production work to print another one of my books Believe Mary." From the colophon: "The book was written illustrated and printed by Carolyn Swiszcz. It couldn't have been made without the help of Gaylord Schanilec." Not in OCLC. Carolyn Swiszcz, September unknown
réf. 46892598like new. unknown
2002réf. 69347Minneapolis: published by the Author 2002. A collection of 4 zines 5.5 x 4.25 in. each vol. pp. 24; photocopied text pictorial self-wrappers; each copy an "advance reading copy uncorrected proof signed and numbered presentation copy" and each copy in fact signed and numbered by Riger; a touch of toning otherwise fine. A collection of playful simplistic poetry about daily musings local occurrences in his neighborhood or around the Twin Cities science and bookselling. From his poetry we can discern that he had a career in engineering before moving on to selling books online likely post retirement. published by the Author] unknown
