Pessoa, FernandoAntiquariat.de
51.417 Ergebnisse
2014Best.-Nr. 98315Frankfurt a. M. Fischer Taschenbuch, ( 2014). 451 (2) S., 5 Bll. (= Fischer TB 19864 ). 22 cm. OBrosch.
2004Best.-Nr. 14282DBParis., Les musées de la ville de Paris., 2004. 32 x 22 cm. 160 S- Illustrierter OPappband., 14282D Erste Auflage. Einbandkanten mit kleinen Bereibungen. Gutes bis sehr gutes Exemplar.
1977Best.-Nr. 99602(Paris), Gallimard, ( 1973/1973/1977). XLII-1003; 1224; 1324 DünndruckS. (= Bibliothèque de la Pléiade, 100,101,102). 18 cm. Braunes flex. Orig.-Leder mit bedrucktem Orig.-HalbSU und KlarsichtSU (dieser im Rückenbereich nachgedunkelt).
2014Best.-Nr. KNY100250642014. Softcover (paperback). Language: Ukrainian. Condition: fine. No illustrations. Print run: 300 copies. Original title: 'Surma' klykala do boiu (UVO). The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1981tela edit. con titoli al dorso e sovrac. ill., lieve brunitura della carta - prima edizione it. - illustrazioni a colori fuori testo, cartine alle sguardie
1929Best.-Nr. 95840Zürich, Verlag der Erziehungsdirektion, 1929. 80 S. lateinische Schrift mit zahlr. farb. Illustr. 2 cm. Illustr. OHLn. (gebunden von d. Buchbinderei Hans Staub, Zürich 1, mit deren Stempel im hint. Deckel).
1929Best.-Nr. 95841Zürich, Verlag der Erziehungsdirektion, 1929. 16 S. Mit s/w Illustr. 21 cm, Illustr. OBrosch.
1900Best.-Nr. 1116704Paris, Verlag Zürcher Diskuszionen (Druck v. J. Schabelitz in Zürich), 1899 - 1900. 4to. 2 Bl., (100) S. m. 1 Titelvign. u. 2 Textabb. OBroschur.(unbeschnitten, etwas braunfl.).
1900Best.-Nr. 1100829Paris, Verlag Zürcher Diskuszionen (Druck v. J. Schabelitz in Zürich), 1899 - 1900. 4to. 2 Bl., (156) S. m. 2 Textabb. OBroschur (unbeschnitten, gering u. schwach braunfleckig).
Best.-Nr. 18-2420Berlin: W. Reuter's Druckerei 1871. Large format broadside Bilderbogen 20” x 24”. Good. Repaired with tape on verso. Text in German. Scarce. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. [Berlin]: W. Reuter's Druckerei, [1871]. unknown
Best.-Nr. 18-2418Berlin: W. Reuter's Druckerei 1871. Large format broadside Bilderbogen 20” x 24”. Good. Repaired with tape on verso. Text in German. Scarce. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. [Berlin]: W. Reuter's Druckerei, [1871]. unknown
Best.-Nr. 18-2421Berlin: W. Reuter's Druckerei 1871. Large format broadside Bilderbogen 20” x 24”. Good. Repaired with tape on verso. Text in German. Scarce. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. [Berlin]: W. Reuter's Druckerei, [1871]. unknown
1991Best.-Nr. 11715DBKöln., Kunst-Station Sankt Peter Köln., 1991. 24 x 23 cm. 51 S. Illustrierter OKarton., 11715D Erste Auflage. Einbandkanten mit minimalen Bereibungen. Sonst sehr gutes Exemplar.
1977Best.-Nr. 53051BBKiel., Galerie Lornsenstraße., 1977. 8°. 24 unpaginierte S. OKarton. Sehr gutes Exemplar.
1975Best.-Nr. 53593ABMünchen., Galerie van de Loo., 1975. 4°. 13 unpaginierte Bl. OKarton. Auflage 500 Exemplare. Umschlag etwas angestaubt, geringe Gebrauchspuren, sonst gutes Exemplar.
1965Best.-Nr. 1072435Der Karlsruher Bote, (ca. 1965). 177, (1) S., 2 Bl. OKart. (Einbd minimal lichtrandig).
1969Best.-Nr. 11959DBHamburg., Kunstverein in Hamburg., 1969. 18 x 17 cm. 16 unpaginierte S. Text./ 32 S. Abbildungen. Illustrierter OKarton., 11959D Erste Auflage. Einbandkanten mit kleinen Bereibungen, Rückendeckel mit kleiner Knickspur. Sonst gutes bis sehr gutes Exemplar.
1973Best.-Nr. 95996Zürich, Verlag der Arche, 1973. 231 S. 20 cm. OPp. m. SU.
1986Best.-Nr. 50186ABKöln., Galerie Michael Werner., 1986. 30 x 21 cm. 28 unpaginierte S. OKarton., 50186AB 1. Auflage. Sehr gutes Exemplar.
1953Best.-Nr. 61733BBDüsseldorf., Selbstverlag., 1953. 20 x 24 cm. 44 S. OKarton., 61733BB Erste Auflage. Einband und Papier teilweise etwas nachgedunkelt. Gutes Exemplar.
1991Best.-Nr. 22941ABHamburg/ Berlin/ Düsseldorf., PPS. u. Richter Verlag., 1991. 25 x 28,5 cm. 187 S. OPappband mit OUmschlag., 22941AB Erste Auflage. Umschlagkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
2004Best.-Nr. 582EBBielefeld.Krefeld., Kerber.Museum Haus Esters., 2004. 23,5 x 17 cm. 79 S. Illustrierter OPappband., 582E 1.Auflage. Einband an den Stoßkanten etwas gestaucht, sonst gutes Exemplar.
2004Best.-Nr. 1909DBKrefeld., Haus Esters., 2004. 24 x 17 cm. 79 S. Illustrierter OPappband., 1909D Auflage 1000 Exemplare. Sehr gutes Exemplar.
1987Best.-Nr. 12447DBKöln., Galerie Reckermann., 1987. 22 x 16 cm. 28 unpaginierte S. Illustrierter OKarton in Holzbox., 12447D Auflage 1500 Exemplare. Einbandkanten etwas nachgedunkelt und mit minimalsten Bereibungen, eine kleine handschriftliche Anmerkung in der Bibliographie. Sonst gutes bis sehr gutes Exemplar.Sehr gutes Exemplar.
