49 163 résultats
1618réf. 59049Illustrated London News. October 161886. Sheet from the Illustrated London News showing four engravings of scenes along the Chindwin. 1. The Hpai-yai Whirlpool below Kalaymyo. 2. Shooting the Shoay-gyee Whirlpools. 3. The Stockade at Kendat. 4. The Military Camp at Mingin. There is half a column of text on the reverse of the sheet entitled from Sketches from Burmah. . Illustrated London News. unknown
1990réf. 66519BBMilano-Torino / Firenze., Galleria Christian Stein / Hopeful Monster editore., 1990. 25 x 20 cm. 74 S., 3 Blatt. OPappband mit montierter Titelillustration., 66519BB 1. Auflage. Einband teilweise stärker nachgedunkelt, sonst sehr gutes Exemplar.
1840réf. 92102Leipzig, Frederick Fleischer, 1840. [2] Bl., 638 S. (= The comlete works of Charles Dickens, vol. VI). Kl.-8vo. 15 cm. HLdr. d. Zt. mit RVergold. u. Farbschnitt.
1978réf. 94680(Frankfurt a. M.), Zweitausendeins / [Affoltern a. A., Buch 2000], 1978. Durchgehend mit tls. farb. Illustrationen. 4to. 26 cm. OLn. m. goldgeprägt. RTitel und Lesebändchen. In 6 (von 7) Schubern m. RSchild.
1855réf. 007135Cleveland: W.A. Ingham 1855. Wraps. Very Good. Original oblong octavo approx. 135 x 205 mm sketchbook in printed pictorial wrapper titled "Sketch Book." The wrapper features a fine allegorical engraved vignette with a globe books eagle sailing ship and steam vessel and is imprinted "W. A. Ingham Cleveland O. No. 2 Detroit St." The cover bears a ink signature "Julius Muller" and is dated 1855. The sketch book contains 12 original pencil sketches on the internal leaves executed with careful draftsmanship. Subjects include still-life studies architectural and landscape elements and observational sketches that demonstrate competent handling of form shading and composition for a studio or field sketchbook of the period. Original wrapper intact with moderate age toning and wear interior leaves clean and sketches well-preserved. A few pencil drawings bear Muller's signature and date affirming attribution. A pleasing mid 19th-century American artist's sketchbook with coherent body of drawings valuable for study of personal artistic practice in the 1850's especially in a regional context W.A. Ingham paperback
réf. 17-6392Sundyberg Sweden: 20th Century Swedish Publisher circa 1969. 70 x 50 cm. Poster. Offset color lithograph. Text in Swedish. Very Good. A few creases at sheet edges. Sundyberg, Sweden: [20th Century Swedish Publisher, circa 1969]. unknown
réf. 18-2233Epinal France: Pinot & Sagaire 1871. Large format color broadside 10.5” x 14.5”. Very Good. Printed in France. Minor wrinkling. Reinforced with tape on verso. Minor losses on edges not affecting image.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1871]. unknown
réf. 18-2253Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16” x 11”. Very Good. Minor foxing. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871]. unknown
réf. 18-2234Epinal France: Pinot & Sagaire 1871. Large format color broadside 10.5” x 14.5”. Losses on left hand side. Part of image and text missing. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1871]. unknown
réf. 18-2251Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 12” x 11”. Losses along right and left hand edges. Mounted on paper. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871]. unknown
réf. 18-2254Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16” x 11”. Very Good. Minor wrinkling on top. Reinforced with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871]. unknown
réf. 18-2252Epinal France: Pinot & Sagaire 1870-1871. Large format color broadside 16” x 11”. Very Good. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870-1871]. unknown
réf. 18-2347Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15” x 12”. Very Good. Reinforced with tape on verso. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
réf. 18-2956Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 15” x 12”. Fair. Separated at center into two halves and repaired with tape on verso. Minor losses on edges and some toning from age. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
1971réf. 69364ABo. O. [Leipzig]., Edition Peters., [1971]. 37 x 29,7 cm. 62 S. Illustrierter OKarton., 69364A o. A. Einband angestaubt, wenig berieben und lichtrandig. Sonst noch gutes Exemplar. EP 6807.
1975réf. 65001ABMünchen., Kunstraum., 1975. 21 x 21 cm. 190 S., 1 Blatt. OKarton., 65001AB Auflage 500 Exemplare. Umschlag wie oft gering nachgedunkelt, sonst sehr gutes Exemplar.
réf. 19-9769New Delhi: National Book Trust of India ca. 1974. Large format color print poster 30” x 20”. Very Good. Text in English and Hindi. Printed in New Delhi. New Delhi: National Book Trust of India, [ca. 1974] unknown
1993réf. 340644Kirksville Mo. : Sixteenth Century Journal 1993. First edition. Softcover. Very good copies in the original stiff-card wrappers. Remains particularly well-preserved set over all. Physical description: 15 issues; illustrated. Contents: Volume XXIV No 4 Winter 1993 -- Volume XXIV No 1 Spring 1993-- XXIV No 2 Summer 1993 --Volume XXIV No 3 Fall 1993 -- Volume XXV No 4 Winter 1994 -- Volume XXV No 2 Summer 1994 -- Volume XXV No 1 Spring 1994 -- Volume XXV No 3 Fall 1994 -- Volume XXV No 2 1994 -- Volume XXVI No 2 Summer 1995 -- Volume XXVI No 4 Winter 1995 -- Volume XXVI No 1 Spring 1995 -- Volume XXVI No 3 Fall 1995 -- Volume XXVII No Spring 1996. Subjects: History Modern 16th century Periodicals. Reformation Periodicals. Renaissance; Periodicals. History. History Modern; Periodicals. Europe Civilisation 16th century Periodicals. Kirksville, Mo. : Sixteenth Century Journal paperback
1984réf. 61398BBLondon., Anthony d`Offay Gallery., 1984. 21 x 30 cm. 40 unpaginierte S. Gelbes OLeinen., 61398BB Edition of 500 Copies. Einband gering angestaubt, sonst sehr gutes Exemplar.
réf. 70-5044Paris: 20th century publisher ca. 1990s. Black and white glossy photograph. 5 x 7 inches. Very Good. Printed in France. Studio portrait of Sixte-Henri de Bourbon-Parme. Paris: [20th century publisher], [ca. 1990s] unknown
1973This is an almost very good softcover copy in the original printed wrappers. Lower right corner bumped. Completely clean inside, some soil outside. Feature on Jackson Mac Low. 10" high X 8" wide, 133 pages. This book will be securely packed and shipped with tracking.
1973réf. 53242ABNew York. Washington., Praeger Publishers., 1973. 22 x 17 cm. 272 S. OLeinen mit OUmschlag., 53242AB First printing. Umschlag im oberen Rand etwas berieben, sonst sehr gutes Exemplar.
1973réf. 67038ABHalifax, Nova Scotia., Nova Scotia College of Art & Design., 1973. 20 x 20 cm. 32 unpaginierte S. OKarton., 67038AB Rücken gebräunt, Seitensteg etwas lichtrandig. Sonst gutes Exemplar.
1980176 pages. Unmarked with light to moderate wear. Tight and square. Quality copy. Book
