Schmitz-Schmelzer, HaraldAntiquariat.de
51 416 résultats
réf. 63050BBStuttgart., Galerie von Braunbehrens., 2017. 30 x 21 cm. 32 S. OKarton., 63050BB Auflage: 1300 Exemplare. Sehr gutes Exemplar.
1997This is a near fine softcover copy with almost no wear. Completely clean inside and out. Text in RUSSIAN. This catalog was prepared to accompany the exhibition at the Louvre in Paris in 1995 and at the Hermitage Museum in Moscow in 1997. Charles- Louis Clerisseau (1721-1820) was a French architectural draughtsman, antiquary and artist. He had a role in the genesis of neoclassical architecture during the second half of the 18th century. Catherine the Great was a patron of Clérisseau. The drawings and studies exhibited at the Hermitage depict ruins in Italy, architectural fantasies, and arabesque interior designs. The largest cache of Clérisseau drawings by far is in the collection at the State Hermitage Museum, St. Petersburg. Bibliography. Illustrated with 64 black & white figures, 78 color and b/w plates.11" high X 9" wide, 191 pages. This book will be securely packed and shipped with tracking.
réf. 76-1587London: British Publisher circa 1835. Wood engraving. 14 x 30 cm sheet. Text on verso. Good light specks of foxing throughout. [London: British Publisher, circa 1835]. unknown
1932réf. 66494Berlin, Würfel Verlag, 1932. XI, 132 S. Mit zahlr. Abb. Senffarb. OSeide.
1992réf. 64321BBKlagenfurt., Ritter Verlag., 1992. 32 x 25 cm. 190 S., 1 Blatt. OKarton mit OKlappen., 64321BB 1. Auflage. Einbandkanten miinimal nachgedunkelt, kleines Fleckchen am Rücken, sonst gutes bis sehr gutes Exemplar.
2011réf. 88980Ostfildern-Ruit, Hatje Cantz, (2011). 239 S. Mit zahlr., meist farb. Abb. QUer-4to. 25 x 31 cm. Silbergeprägte OPp.
2011réf. 8867DBLuzern. Ostfildern., Kunstmuseum Luzern. Hatje Cantz Verlag., 2011. 25 x 30,5 cm. 239 S. Illustrierter OPappband., 8867D Erste Auflage. Sehr gutes Exemplar.
2004réf. 2203DBGöttingen., Steidl., 2004. 34 x 29 cm. 246 S., 3 Blatt. Illustrierter Kunststoffeinband., 2203D Erste Aufllage. Einbandkanten mit wenigen Stockflecken und minimalen Bereibungen, sonst gutes Exemplar.
1791réf. 94534Dublin, William Jones, 1791. Mit zwei gestoch Frontispizen. [5] Bll., 61, 542 S.; [1] Bl., 543-1079 S.; 1081-1754 S. 4to. 24 cm. OGanzleder.
1895réf. 58062London, George Allen, 1894 [1895]. Illustr. Titel m. Vign. u. figürlicher Bordüre, Druckvermerk, 8 Tafeln nach Federezeichnungen Walter Cranes, gestochen von Duncan C. Dallas und auf steifen gelblichen Karton aufgewalzt.
1867réf. 38000Leipzig, Bibliographisches Institut, ( 1867). 176 S. ANGEBUNDEN: Kalidasa's Sakuntala. Ein indisches Schauspiel. Aus dem Sanskrit u. Prakrit metrisch übersetzt u. mit einem Vorwort von Ernst Meier. Ebda. (1867). 158 S. Kl.-8vo. Priv. HLn.
2000No marks or inscriptions. A very clean very tight copy with unmarked black cloth boards and bumps to lower corners. Dust jacket not price clipped or marked or torn with slight rubbing/creasing to upper and lower edges. 324pp. A study by England's leading literary critic of the language of the early 17th century and in particular that used by Shakespeare. Tucked in is a newspaper review of this book
1991réf. 69487ABNew York., Crescent Books., 1991. 29 x 29 cm. 160 S. OPappband mit Leinenoptik mit illustriertem OUmschlag., 69487A Erste Auflage. Umschlag etwas angestaubt. Innen papierbedingt minimal lichtspurig. Sonst gutes Exemplar.
2004réf. 59414BBZürich., Pro Helvetia., 2004. 24 x 16 cm. 48 unpaginierte S. OKarton., 59414BB Erste Auflage. Obere Stoßkante minimal gestaucht, Kapitale leicht berieben, sonst gutes Exemplar.
1890réf. 13331890. Good. Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink 13 3/8 x 8 3/4 inches 340 x 222 mm. Toning handling creases and minor scattered surface soiling throughout. Scattered coeval Hindi inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj and they are still being issued to this day. Apart from issues for the whole of India many princely states provinces and other states also had or still have their own revenue stamp issues. Before independence Indian revenue stamps were closely modeled on similar designs from Great Britain as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations including rupees and annas. An anna or Änna was a currency unit formerly used in British India equal to 1â„16 of a rupee. It was subdivided into four old Paisa or twelve pies thus there were 192 pies in a rupee. When the rupee was decimalized and subdivided into 100 new paise one anna was therefore equivalent to 6.25 paise. This particular stamp was used as evidence of court taxes remitted for property dealings. unknown
1890réf. 13351890. Good. Ink and gouache with gold heightening on fibrous brown laid paper with a Jaipur Court Fee tax stamp in black ink 13 3/8 x 8 3/4 inches 340 x 222 mm. Toning handling creases and minor scattered surface soiling throughout. Scattered coeval Hindi inscriptions in ink on the verso as well as the embossed blindstamp of the Treasury of Jaipur. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj and they are still being issued to this day. Apart from issues for the whole of India many princely states provinces and other states also had or still have their own revenue stamp issues. Before independence Indian revenue stamps were closely modeled on similar designs from Great Britain as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations including rupees and annas. An anna or Änna was a currency unit formerly used in British India equal to 1â„16 of a rupee. It was subdivided into four old Paisa or twelve pies thus there were 192 pies in a rupee. When the rupee was decimalized and subdivided into 100 new paise one anna was therefore equivalent to 6.25 paise. This particular stamp was used as evidence of court taxes remitted for property dealings. unknown
2007réf. 34023ABBielefeld., Kerber Verlag., 2007. 26,5 x 21,5 cm. 85 S., 5 Blatt. Illustrierter OPappband., 34023AB 1. Auflage. Sehr gutes Exemplar.
2007réf. 39545ABBielefeld., Kerber Verlag., 2007. 27 x 21 cm. 85 S., 5 Blatt. OPappband., 39545AB Erste Auflage. Sehr gutes Exemplar.
2009réf. 57640BBKöln., Verlag der Buchhandlung Walther König., 2009. 23 x 17 cm. 123 S. OKlappenbroschur., 57640BB 1. Auflage. Sehr gutes Exemplar.
Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009).
réf. 51629, Brepols - Harvey Miller, 2009 Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509.
1924Book shows light wear to covers only. Binding is solid and square, light corner wear, fading to spine, light scuffing / shelfwear to covers. Text/interior is clean and free of marking of any kind on bright and clean paper, gilt at top edge, super shows between p. 70/71. Previous owner's name in front section of the book.
réf. 2090502113707711Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1999réf. 4168DBMailand., Charta., 1999. 24 x 30 cm. 87 S. Illustrierter OKarton mit Klapppenumschlag., 4168D Erste Auflage. Untere Einbandkante mit minimalen Randbereibungen. Sonst gutes bis sehr gutes Exemplar.
réf. 64-00481944. Black & White Print 7.5" x 9.5" mounted on backing board 16" x 20". Prints Very Good. Backing boards Good with creasing minor losses wear to edges minor staining. 1944. hardcover
