3 438 résultats
1990réf. 12153Remscheid : RGA-Druck, 1990. 2 Ordner. [Ungez. S.] - 31,5 x 29 x 14 cm. 4°. Orig.-Ordner
1912(Codice GF/0071) Bellissimo inserto pubblicitario. Condizioni freschissime. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1998réf. 11877Gerlingen : Bleicher, 1998. 215 S. : graph. Darst. 8°. 1. Aufl. OBroschur. (Produktionspraxis ; 3)
1985réf. 24956Stuttgart : Fachverlag für Wirtschaft u. Steuern Schäffer, 1985. IX, 239 S. Ill., graph. Darst. 4°. OPpbd. ohne SU. (Absatzwirtschaft : Schriften zum Marketing ; 8)
2001réf. SB-10425Hamburg, Gruner + Jahr, 2001. 179 S. Illustrierter Original-Softcoverband. Mit zahlreichen Illustrationen, Graphiken und Tabellen
1976réf. 6150Bonn - Bad Godesberg : Zentralausschuss d. Werbewirtschaft e.V., 1976. 160 S. 8°. 2. Aufl. OPb. (Edition ZAW ; 1)
1963(Collana : Studi e ricerche - n. 2) Testo-dispensa (3c).
1964(Collana : Studi e ricerche - n. 10) Testo-dispensa (3c).
1992Milano, 1992, due volumi, 8vo brossura con copertina illustrata a colori, pp. 114+98
Hard-cover in-4°, 242 pages + adv., color and B&W photos (many photos from early advertising campaigns, using the Linhof system). Overweight Hardcover no D-J. VG+++ Edges, corners, and covers of book show (very very )minor wear. No underlining; no highlighting; no internal markings. Stored in a box. [HP-3]
1978Modena, 1978, 8vo brossura editoriale, pp. 41.
1996New York, 1996, 4to leg. editoriale con sovr. ill. a collori (con strappi) pp. 192
2003Bologna, Calderini, 2003, 8vo stretto, punto metallico con copertina illustrata a colori, pp. 60 completamente illustrato a colori (Numero monografico de "Il divulgatore") .
1983réf. 2111902156001646fashion journal 1983. Soft Cover. Fine. The book is in fine condition. fashion journal paperback
1964réf. List3328Brooklyn New York 1964. Twenty-eight page scrapbook measuring 11 x 14 inches. Containing forty-one photographs measuring 5 x 7 inches and smaller and fifty-eight pieces of ephemera forty-three of which are filled-in entry slips from a contest. Cover with wear and large stain contents generally excellent; overall very good to excellent. The Carpetbaggers is a 1964 film directed by Edward Dmytryk based on the controversial 1961 novel of the same name which was banned in several US cities for its depictions of sexuality and violence.1 Offered here is a scrapbook documenting an unconventional marketing campaign for the film’s New York run at Loew’s Metropolitan Theatre in Downtown Brooklyn. The theater’s conventional marketing tactics included contests flyering spraypainting sidewalks and distributing promotional cards for stores. Less conventional ones included employees reading a gigantic “oversized book” on the subway the “Subway ballyhoo” erecting eight large fake telephone booths and carrying a suitcase reading “I’M ON MY WAY TO SEE THE CARPETBAGGERS AT LOEW’S METROPOLITAN” the “Walking ballyhoo”. The photograph of this last tactic shows a man who at least resembles Adlai Stevenson looking at the suitcase as he walks by; the caption reads: “Let’s start off with a question. . . . IS THERE ANY REASON WHY ADLAI STEVENSON OUR AMBASSADOR TO THE U N. . . . . SHOULD NOT BE ADVISED THAT THE ‘CARPETBAGGERS’ WERE AT THE LOEW’S METROPOLITAN THEATRE.” All thirty-seven of the various tactics are listed in a caption at the end of the scrapbook. The scrapbook also acts as a document of Downtown Brooklyn in 1964 especially its then-bustling shopping area on Fulton Street. Stores include Woolworth’s E.J. Korvette’s Bond’s Bunnie Towne and more. Though mainly department store interiors it also shows in several shots the subway entrances and cars street scenes smaller shops and restaurants and the exterior and lobby of Loew’s Metropolitan. Opened in 1918 the theatre closed in 1996 and re-opened in 2002 as a church. The Carpetbaggers received mixed reviews and its share of controversy particularly for a nude scene which had to be cut from the US release. In response to the controversy actress Carroll Baker who appears in the nude scene told the New York Times that her “children have seen things on the benches of Central Park that have never been shown in movies.”2 Of interest to historians of film and film marketing and of the Downtown Brooklyn neighborhood. 1 Dawn B. Sova “The Carpetbaggers” in Literature Suppressed on Sexual Grounds Facts on File 2006: 39–41. 2 “Hollywood Candor; Carroll Baker Defends Her Nudity in Films” The New York Times June 14 1964 9. unknown
1964réf. List3328Brooklyn New York 1964. Twenty-eight page scrapbook measuring 11 x 14 inches. Containing forty-one photographs measuring 5 x 7 inches and smaller and fifty-eight pieces of ephemera forty-three of which are filled-in entry slips from a contest. Cover with wear and large stain contents generally excellent; overall very good to excellent. The Carpetbaggers is a 1964 film directed by Edward Dmytryk based on the controversial 1961 novel of the same name which was banned in several US cities for its depictions of sexuality and violence.1 Offered here is a scrapbook documenting an unconventional marketing campaign for the film’s New York run at Loew’s Metropolitan Theatre in Downtown Brooklyn. The theater’s conventional marketing tactics included contests flyering spraypainting sidewalks and distributing promotional cards for stores. Less conventional ones included employees reading a gigantic “oversized book” on the subway the “Subway ballyhoo” erecting eight large fake telephone booths and carrying a suitcase reading “I’M ON MY WAY TO SEE THE CARPETBAGGERS AT LOEW’S METROPOLITAN” the “Walking ballyhoo”. The photograph of this last tactic shows a man who at least resembles Adlai Stevenson looking at the suitcase as he walks by; the caption reads: “Let’s start off with a question. . . . IS THERE ANY REASON WHY ADLAI STEVENSON OUR AMBASSADOR TO THE U N. . . . . SHOULD NOT BE ADVISED THAT THE ‘CARPETBAGGERS’ WERE AT THE LOEW’S METROPOLITAN THEATRE.” All thirty-seven of the various tactics are listed in a caption at the end of the scrapbook. The scrapbook also acts as a document of Downtown Brooklyn in 1964 especially its then-bustling shopping area on Fulton Street. Stores include Woolworth’s E.J. Korvette’s Bond’s Bunnie Towne and more. Though mainly department store interiors it also shows in several shots the subway entrances and cars street scenes smaller shops and restaurants and the exterior and lobby of Loew’s Metropolitan. Opened in 1918 the theatre closed in 1996 and re-opened in 2002 as a church. The Carpetbaggers received mixed reviews and its share of controversy particularly for a nude scene which had to be cut from the US release. In response to the controversy actress Carroll Baker who appears in the nude scene told the New York Times that her “children have seen things on the benches of Central Park that have never been shown in movies.”2 Of interest to historians of film and film marketing and of the Downtown Brooklyn neighborhood. 1 Dawn B. Sova “The Carpetbaggers” in Literature Suppressed on Sexual Grounds Facts on File 2006: 39–41. 2 “Hollywood Candor; Carroll Baker Defends Her Nudity in Films” The New York Times June 14 1964 9. unknown books
1938réf. 60314Buffalo NY: Cortes Jewelry Co. 176 Franklin St. 1938. 4to. 32; 8; 2 pp. Catalogue photo-illustrated throughout. Illustrated glossy softcovers in red & black photo cover art slight shelfwear NF copy; w/ confidential price list order form and mailing envelope preserved in original colour-printed mailer 1938 Andrew Jackson 7 ¢ stamp affixed on front of envelope NF set. First edition of this very scarce direct sales jewelry catalogue intended to draw women and men in the pre-World War II era as the U.S. began to emerge from the Great Depression. The Cortes Company operated similar to Avon a panoply of sales people who encouraged them to contact and network with family and friends through jewelry parties to sell the wide range of watches bracelets and semi-precious stone & rhinestone costume jewelry available at cut-rate prices in attractive gift boxes. Cortes b. 1899 was originally a metal worker for Republic Metal Concern in Buffalo who by the mid-1930’s had launched his jewelry factory direct sales force. No copies in Worldcat. Cortes Jewelry Co., 176 Franklin St., paperback
in-8°, 352 pages, broche, couverture illustree. Tres bon etat. [NV-10]
petit in-16° carre, 2 x 59 pages, publicites, broche, couverture illustree.- Peu courant. Bel exemplaire. [FP-1]
petit in-16° carré, 95 pages, dessins in-t., broche, couverture illustree. Bel exemplaire. [PM-LP3][FP-1]
petit in-16° carre, 124 pages, broche, couverture illustree. Bel exemplaire. [VAR]
réf. 9078Besançon: Fabrique de Cadrans Métalliques circa mid 20th century. Hardcover. Very Good. Hardcover. Elaborate salesman's sample book containing over 700 watch faces representing a wide variety of styles and sizes from Besançon France a world center for watch production. One of the most striking salesman's catalogues we've encountered. Oblong 4to. Black cloth boards with 22 stiff leaves to which watch faces are mounted verso only. One or two elements loose. Minor rubbing. Near fine. Fabrique de Cadrans Métalliques hardcover
réf. 9078Besançon: Fabrique de Cadrans Métalliques circa mid 20th century. Hardcover. Very Good. Hardcover. Elaborate salesman's sample book containing over 700 watch faces representing a wide variety of styles and sizes from Besançon France a world center for watch production. One of the most striking salesman's catalogues we've encountered. Oblong 4to. Black cloth boards with 22 stiff leaves to which watch faces are mounted verso only. One or two elements loose. Minor rubbing. Near fine. Fabrique de Cadrans Métalliques hardcover books
réf. 201702809Paris, Economica, 2003 ; in-8, 269 pp., br. 3e edition.
