18 796 résultats
1929réf. 108242Folio. Barcelona: Central de Corte Marti April 1929-December 1929. Folio 24 pp. Original wrappers printed in brown with illustrations to every page and terminal fold-out sewing patterns. Stapled paper wrappers with title and date printed to the upper wrapper. Some minor foxing to outer margins; very good. § First edition. Ten issues of Ediciones Marti created for disciples of the “Method of Cut” system with all the best creations of haute couture. Each edition contains a selection of models drawn to exhibit new designs accompanied by sewing patterns. Central de Corte Marti unknown books
1995réf. 21518Yunnan: Yunnan Fine Arts Publishing House 1995. First Edition First Printing. Paperback. Fine in original pictorial wrappers. Tall quarto. 8.5 x 11.25 in. 175 pp. Fully illustrated with reproductions of color photographs. Text in Chinese and English. (Yunnan Fine Arts Publishing House) paperback books
1985réf. 53024Salem Virginia: Bloomingdale's By Mail Ltd 1985. First edition. 4to. 79 pp. color and b&w images from photographs. Glossy stapled wrappers with addressee label affixed to rear wrapper. Slight toning very good. The five photographers are: Horst P. Horst Norman Parkinson Francesco Scavullo Deborah Turbeville and Eric Meola. No copies listed in OCLC. Bloomingdale's By Mail Ltd unknown books
1957réf. 41355Paris: Societe Paritys 1957. 1st printing thus. Publisher's color pictorial glazed boards post binder; 3 brass posts decorative screw tops. Red cloth joints. Some general extremity wear to binder with slightly bumped corners. Occasional dust soiling. Minor foxing. Overall VG with cloth samples generally VG to Nr Fine with the occasional crease to the odd sample or two. 104 pp printed in red on stiff-stock paper. 16 color fashion drawings; 897 of 898 tipped-in fabric samples. Folio. 16-1/4" x 12-1/8" A mid-century salesman's sample catalogue from the summer collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. Of particular note are the designs and fabrics for wedding dresses. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys hardcover books
1989réf. 20196Japan: Atorie 1989. Later printing. Paperback. Fine/very good. Square paperbound quarto.in glossy dustwrapper. Text in English and Japanese. Illustrated mostly in color. Unpaginated. A fine copy in plain white bound wrappers in very good illustrated paper dustwrapper. Price sticker to rear panel. This copy has been SIGNED by the artist. Atorie paperback books
2002réf. 15352Milan: Federico Motta Editore 2002. First edition. Hardcover. Fine/very good. Tall quarto. A book of black and white photographs of designer Giorgio Armani at work with his models. Brief text in English by Roger Hutchings. A fine hardbound copy in lightly rubbed dustwrapper. This copy briefly INSCRIBED by Armani on the title page. Federico Motta Editore hardcover books
1877réf. List323Chicago: J.B. Westendorf 1877. Folio 10 ½ x 14 inches 6 pp. Very Good. J.B. Westendorf unknown books
réf. 41573Chicago IL: Chicago Patent Shirt Co n. d. Ca. 1920s. Brown faux-leather embossed wallet-type portfolio with accordion pages within. Snap button closure gilt embossed lettering and design to front of folder. Moderate wear to folder rubbing and wear to edges. Age-toning and light soiling to papers. Withal an About VG example. Unpaginated. Many color illustrations to accordion stiff stock paper. Silk and cloth examples throughout. Oblong format. Chicago Patent Shirt Co hardcover books
1950réf. 147039Various cities: Various 1950. Collection of 140 vintage photographs of department store window displays 9 of which are double weight. Eight photographs dated 1948 four dated 1949 with the rest being circa 1950s. Nearly two thirds with stamps on the verso or other identifying information for the photographers or photography studios. Roughly half of the photographs feature window displays from Peck & Peck a New York based chain that at its peak had 78 stores across the United States including images from its flagship store on 5th Avenue in New York. Also included are 26 photographs of displays at the nearby Stern's as well as 19 photographs from photography studios in Southern California including Los Angeles Long Beach and Pasadena 8 of which are identified as being from Buffum's stores. The window displays in this collection predominantly feature mannequins showcasing women's clothing and accessories with a smaller number featuring children and teens and occasional ones focused on furniture or household decorations. The displays are arranged in such a way that they create abstract aspirational narratives around travel parties and leisure activities in retrospect giving historical context not to mention a surreal frozen-in-time quality to the Mid-century modern design and fashion. Taken as a whole a fairly comprehensive look at the focus and psychology of women's advertising and fashion in the American mid-century. 10 x 8 inches. Generally Very Good plus to Near Fine with slight curling. Various unknown books
1931réf. S2251Berlin & Leipzig:: Walter de Gruyter 1931. 1931. 235 x 160 mm. 8vo. ix 300 ads 4 pp. 19 tables 260 figs. index. Cloth folding table inserted in pocket on rear paste-down. Very good. Walter de Gruyter, 1931. hardcover books
1950réf. 245213n.p. 1950. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Creased across upper left corner light spotting. 1 vols. Image approximately 6 x 4-1/2 inches matted to 12 x 10-1/2 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
1888réf. 217891Leipzig Berlin Vienna etc. 1888. 66 colored plates many folding 10 black and white plates. 1 vols. Folio. Later red cloth. A few short tears and minor traces of old soiling. Generally Very Good. 66 colored plates many folding 10 black and white plates. 1 vols. Folio. Chiefly ladies fashion with among others two interesting plates of sporting fashions: a coaching scene of two young ladies with a long whip and an angling scene of two ladies with rod and net landing a fish. unknown books
1950réf. 25923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
1923réf. 25810New York 1923. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Matted and framed. Fine. Pencil ink and gouache on paper signed lower left. 1 vols. Image 13 x 9-1/2 inches matted and framed to 20 x 16 inches overall. Original Fashion Art by Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times - Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey." Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Literature: Harpers Bazaar October 1923 unknown books
1848réf. 229448Paris 1848. First editions. Engraved fashion plates 677 of which are hand-colored. Many entitled "Modes de Paris". 16 vols. 4to. Bound in marbled boards with paper spine labels. First editions. Engraved fashion plates 677 of which are hand-colored. Many entitled "Modes de Paris". 16 vols. 4to. Periodical issued bi-weekly then weekly. Volumes for 1832-1836 have 24 issues 1837 has 26 and 1838-1848 have 52 issues each. unknown books
1788réf. 42077London: Fores 1788. Framed and glazed. Fores unknown books
1932réf. 25922Paris: Au Printemps 1932. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. 1 vols. Image 11-1/2 x 8 inches matted to 17-1/2 x 14 inches. Color Printed Brochure by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. Au Printemps unknown books
1913réf. 218820London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown books
1950réf. 25924n.p. 1950. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others. In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown books
1950réf. 25251New York N.Y.: Fashion Institute of Technology 1950. 96 pages; illustrated throughout in black and white. This issue of the Fashion Institute of Technology yearbook was dedicated to the textile industry due to this a ".systematic plan of coordination between important fabric firms of this nation and F.I.T. has been developed." Illustrations show the students at various tasks at the school using industrial sewing machines learning drafting modeling fabric design & the formal showing of the finished pieces. Approx. 9" x 12" size with cloth textile covered boards; various sections of the book divided with yellow paper half-sheets giving title of the sections and some illustrated. The graduates section gives portrait photos of the women and men with their educational focus - millinery design management apparel design and textile design. With a map-plan of the school. Advertisements section at back mostly from the fashion textiles industry. Light edge tips wear bumping a little soiling to the binding; contents clean and in very good condition. First Printing. Hard Cover. Very Good. Fashion Institute of Technology hardcover books
1988réf. 26297New York: Rizzoli 1988. First edition. Hardcover. Near Fine/very good . Hardbound 4to in dustwrapper. 192 pp. With dozens of photographs some in color. The definitive history of the world's most famous concentration of bespoke tailors. A near fine copy in lightly worn dustwrapper. Rizzoli hardcover books
1935réf. 17157London: J.H. Steward Circa 1935. Very good. 5.25" x 8" folded pamphlet printed in blue on pale blue stock. Illustrated with drawings of two different frame styles. "12/24/45" penned in black ink at front. Mild toning and foxing. Short split at fold. Very good. Also includes price list 8" x 10" approx. typed in blue and description of "chromos" tinted glass 8" x 10" approx. typed in black. Pamphlet advertising "Rectiform" sports spectacles sold by J.H. Steward opticians of London. Claiming "opticians to the National Rifle Associations of the British Empire" Steward markets the spectacles designed with extended field of vision so that one's vision is not obstructed by the edges of the frame to marksmen as well as players of tennis cricket and even billiards. Additional information on "chromos" reflective lenses also aimed at improving vision for riflemen. J.H. Steward unknown books
1970réf. 17267Maryland ca. mid-late 1970s. Blue Wrangler "No Fault" denim jacket size 36. With name "Chan" and zodiac sign - "Pisces" embroidered in yellow above each breast pocket. "Metronettes" and "Md." enbroided in matching color to back of the jacket above and below a period Honda motorcycle patch. Generally fine condition. Small men's 70s denim jacket from a female biker gang or motorcycle club. We find no information or reference to the "Metronettes" but as they were driving Honda's most likely Gold Wings they were probably on the more wholesome rather than outlaw end of the spectrum. unknown books
1944réf. 14444Cincinnati OH: The Melville Co. ca. 1944. Folio card folder. Containing more than a dozen pieces of sales and business forms as well as 50 different paper advertisement sheets each measuring approximately 11 1/2" x 8 1/2". All full-color with lithographed illustrations and mounted fabric samples of apparel from the Melville Company's line of women's clothing. Folder exterior with moderate wear some damping. Contents well preserved ad sheets generally near fine; scrap about very good. The Melville Company of Cincinatti OH operated during the 1940s and 50s recruiting women to sell dresses and other items of apparel children's clothes socks lingerie men's shirts to their friends and family. As the marketing materials enclosed make clear it was pitched at housewives looking to make extra money and apparently operated much like Tupperware would a decade later. The Melville Co. hardcover books
1930réf. 17155Chicago: Style Silk Company Circa 1930s. First Edition. Near fine. Seven sets each including: Lucky name game folded card with perforations printed in red and blue 3" x 5.5" approx.; order blank printed recto only on blue stock 8.5" x 5.5" approx.; color sample sheet 3.5" x 5.75" approx.; Trifold brochure 6.25" x 9.25" approx.; self-addresssed envelope 6" x 3.5" approx. Housed in hosiery box from another company "Alanda Hosiery." Minor toning near fine overall. Collection of promotional material for the Style Silk Company of Chicago maker of women's stockings and men's socks. Most interesting is a promotional game whereby an individual places an order for five pairs of stockings and sells punches for the opportunity to win pairs of stockings. An interesting spin on direct marketing. Style Silk Company unknown books
