4477 risultati
1990rif. 12153Remscheid : RGA-Druck, 1990. 2 Ordner. [Ungez. S.] - 31,5 x 29 x 14 cm. 4°. Orig.-Ordner
1912(Codice GF/0071) Bellissimo inserto pubblicitario. Condizioni freschissime. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
1998rif. 11877Gerlingen : Bleicher, 1998. 215 S. : graph. Darst. 8°. 1. Aufl. OBroschur. (Produktionspraxis ; 3)
1985rif. 24956Stuttgart : Fachverlag für Wirtschaft u. Steuern Schäffer, 1985. IX, 239 S. Ill., graph. Darst. 4°. OPpbd. ohne SU. (Absatzwirtschaft : Schriften zum Marketing ; 8)
2001rif. SB-10425Hamburg, Gruner + Jahr, 2001. 179 S. Illustrierter Original-Softcoverband. Mit zahlreichen Illustrationen, Graphiken und Tabellen
1976rif. 6150Bonn - Bad Godesberg : Zentralausschuss d. Werbewirtschaft e.V., 1976. 160 S. 8°. 2. Aufl. OPb. (Edition ZAW ; 1)
rif. DADAX3640283244New unknown
1963(Collana : Studi e ricerche - n. 2) Testo-dispensa (3c).
1964(Collana : Studi e ricerche - n. 10) Testo-dispensa (3c).
1992Milano, 1992, due volumi, 8vo brossura con copertina illustrata a colori, pp. 114+98
Hard-cover in-4°, 242 pages + adv., color and B&W photos (many photos from early advertising campaigns, using the Linhof system). Overweight Hardcover no D-J. VG+++ Edges, corners, and covers of book show (very very )minor wear. No underlining; no highlighting; no internal markings. Stored in a box. [HP-3]
1978Modena, 1978, 8vo brossura editoriale, pp. 41.
1996New York, 1996, 4to leg. editoriale con sovr. ill. a collori (con strappi) pp. 192
2003Bologna, Calderini, 2003, 8vo stretto, punto metallico con copertina illustrata a colori, pp. 60 completamente illustrato a colori (Numero monografico de "Il divulgatore") .
rif. DADAX0470851007New unknown
rif. DADAX0823084221New unknown
1983rif. 2111902156001646fashion journal 1983. Soft Cover. Fine. The book is in fine condition. fashion journal paperback
1964rif. List3328Brooklyn New York 1964. Twenty-eight page scrapbook measuring 11 x 14 inches. Containing forty-one photographs measuring 5 x 7 inches and smaller and fifty-eight pieces of ephemera forty-three of which are filled-in entry slips from a contest. Cover with wear and large stain contents generally excellent; overall very good to excellent. The Carpetbaggers is a 1964 film directed by Edward Dmytryk based on the controversial 1961 novel of the same name which was banned in several US cities for its depictions of sexuality and violence.1 Offered here is a scrapbook documenting an unconventional marketing campaign for the film’s New York run at Loew’s Metropolitan Theatre in Downtown Brooklyn. The theater’s conventional marketing tactics included contests flyering spraypainting sidewalks and distributing promotional cards for stores. Less conventional ones included employees reading a gigantic “oversized book” on the subway the “Subway ballyhoo” erecting eight large fake telephone booths and carrying a suitcase reading “I’M ON MY WAY TO SEE THE CARPETBAGGERS AT LOEW’S METROPOLITAN” the “Walking ballyhoo”. The photograph of this last tactic shows a man who at least resembles Adlai Stevenson looking at the suitcase as he walks by; the caption reads: “Let’s start off with a question. . . . IS THERE ANY REASON WHY ADLAI STEVENSON OUR AMBASSADOR TO THE U N. . . . . SHOULD NOT BE ADVISED THAT THE ‘CARPETBAGGERS’ WERE AT THE LOEW’S METROPOLITAN THEATRE.” All thirty-seven of the various tactics are listed in a caption at the end of the scrapbook. The scrapbook also acts as a document of Downtown Brooklyn in 1964 especially its then-bustling shopping area on Fulton Street. Stores include Woolworth’s E.J. Korvette’s Bond’s Bunnie Towne and more. Though mainly department store interiors it also shows in several shots the subway entrances and cars street scenes smaller shops and restaurants and the exterior and lobby of Loew’s Metropolitan. Opened in 1918 the theatre closed in 1996 and re-opened in 2002 as a church. The Carpetbaggers received mixed reviews and its share of controversy particularly for a nude scene which had to be cut from the US release. In response to the controversy actress Carroll Baker who appears in the nude scene told the New York Times that her “children have seen things on the benches of Central Park that have never been shown in movies.”2 Of interest to historians of film and film marketing and of the Downtown Brooklyn neighborhood. 1 Dawn B. Sova “The Carpetbaggers” in Literature Suppressed on Sexual Grounds Facts on File 2006: 39–41. 2 “Hollywood Candor; Carroll Baker Defends Her Nudity in Films” The New York Times June 14 1964 9. unknown
1964rif. List3328Brooklyn New York 1964. Twenty-eight page scrapbook measuring 11 x 14 inches. Containing forty-one photographs measuring 5 x 7 inches and smaller and fifty-eight pieces of ephemera forty-three of which are filled-in entry slips from a contest. Cover with wear and large stain contents generally excellent; overall very good to excellent. The Carpetbaggers is a 1964 film directed by Edward Dmytryk based on the controversial 1961 novel of the same name which was banned in several US cities for its depictions of sexuality and violence.1 Offered here is a scrapbook documenting an unconventional marketing campaign for the film’s New York run at Loew’s Metropolitan Theatre in Downtown Brooklyn. The theater’s conventional marketing tactics included contests flyering spraypainting sidewalks and distributing promotional cards for stores. Less conventional ones included employees reading a gigantic “oversized book” on the subway the “Subway ballyhoo” erecting eight large fake telephone booths and carrying a suitcase reading “I’M ON MY WAY TO SEE THE CARPETBAGGERS AT LOEW’S METROPOLITAN” the “Walking ballyhoo”. The photograph of this last tactic shows a man who at least resembles Adlai Stevenson looking at the suitcase as he walks by; the caption reads: “Let’s start off with a question. . . . IS THERE ANY REASON WHY ADLAI STEVENSON OUR AMBASSADOR TO THE U N. . . . . SHOULD NOT BE ADVISED THAT THE ‘CARPETBAGGERS’ WERE AT THE LOEW’S METROPOLITAN THEATRE.” All thirty-seven of the various tactics are listed in a caption at the end of the scrapbook. The scrapbook also acts as a document of Downtown Brooklyn in 1964 especially its then-bustling shopping area on Fulton Street. Stores include Woolworth’s E.J. Korvette’s Bond’s Bunnie Towne and more. Though mainly department store interiors it also shows in several shots the subway entrances and cars street scenes smaller shops and restaurants and the exterior and lobby of Loew’s Metropolitan. Opened in 1918 the theatre closed in 1996 and re-opened in 2002 as a church. The Carpetbaggers received mixed reviews and its share of controversy particularly for a nude scene which had to be cut from the US release. In response to the controversy actress Carroll Baker who appears in the nude scene told the New York Times that her “children have seen things on the benches of Central Park that have never been shown in movies.”2 Of interest to historians of film and film marketing and of the Downtown Brooklyn neighborhood. 1 Dawn B. Sova “The Carpetbaggers” in Literature Suppressed on Sexual Grounds Facts on File 2006: 39–41. 2 “Hollywood Candor; Carroll Baker Defends Her Nudity in Films” The New York Times June 14 1964 9. unknown books
1938rif. 60314Buffalo NY: Cortes Jewelry Co. 176 Franklin St. 1938. 4to. 32; 8; 2 pp. Catalogue photo-illustrated throughout. Illustrated glossy softcovers in red & black photo cover art slight shelfwear NF copy; w/ confidential price list order form and mailing envelope preserved in original colour-printed mailer 1938 Andrew Jackson 7 ¢ stamp affixed on front of envelope NF set. First edition of this very scarce direct sales jewelry catalogue intended to draw women and men in the pre-World War II era as the U.S. began to emerge from the Great Depression. The Cortes Company operated similar to Avon a panoply of sales people who encouraged them to contact and network with family and friends through jewelry parties to sell the wide range of watches bracelets and semi-precious stone & rhinestone costume jewelry available at cut-rate prices in attractive gift boxes. Cortes b. 1899 was originally a metal worker for Republic Metal Concern in Buffalo who by the mid-1930’s had launched his jewelry factory direct sales force. No copies in Worldcat. Cortes Jewelry Co., 176 Franklin St., paperback
in-8°, 352 pages, broche, couverture illustree. Tres bon etat. [NV-10]
1910rif. 76053Chicago: De Laurence Scott & Co. 1910. First edition of this ridiculous pirated edition. Octavo. 250 pp. plus frontispiece photographic illustration of Benares and 4 full page plates. Publisher's maroon cloth with an abundance of gilt lettering to the spine and front. Bookseller's receipt laid into font of book which has caused some offsetting to the blanks. An excellent copy.This is quite simply a garishly re-titled edition of Sir Arthur Conan Doyle's "The Mystery of Cloomber" first published in 1888. Conan Doyle's fascination with Spiritualism is very well known. He once wrote in the Evening Standard in 1920- ""There are only two vital propositions in Spiritualism. These are that personality survives death without a change; the other that under proper physical conditions communication is still possible." But what is remarkable here is de Laurence's hijacking of the title with almost no credit given to Sir Arthur Conan Doyle. On the title page all that is given is the miserly attribution to "A.C.D." On the front cover in bright and bold gilt we read "Editorship of Dr. L W. deLaurence" It is not clear how it is possible but deLaurence even copyrighted it 1910. His publishing company De Laurence Scott & Co. and spiritual supply mail order house was located in Chicago Illinois. De Laurence was a pioneer in the business of supplying magical and occult goods by mail order and his distribution of public domain books. His books were invariably printed on cheap paper and all bore signs of the occult. De Laurence Scott & Co had a reputation for pirating the books of other occultists. De Laurence also wrote his own works including The Master Key a personal development book. In addition he is believed to have co-written some books with his fellow Chicago resident the prolific New Thought and yoga author William Walker Atkinson. De Laurence, Scott & Co. hardcover
petit in-16° carre, 2 x 59 pages, publicites, broche, couverture illustree.- Peu courant. Bel exemplaire. [FP-1]
petit in-16° carré, 95 pages, dessins in-t., broche, couverture illustree. Bel exemplaire. [PM-LP3][FP-1]
